11 199 résultats
1962réf. 016229Paris [l'auteur et l'artiste] 1962 In-8 En feuilles, sous emboitage de l'éditeur
1834Due voll. In -8°, pp. 246, (2); 495, (1); brossura editoriale. È l’opera principale del marchese Amico Ricci, di Macerata, nella quale si ricostruiscono minuziosamente vita e opere degli artisti marchigiani a partire dal Medioevo; si tratta del primo studio sistematico di questo tipo, relativamente alla Regione: agli studi di Ricci si deve fra l’altro una consistente messa in luce dell’importanza di Gentile da Fabriano. It’s the main book of Amico Ricci, with a meticolous description of life and works of the major artists from the Marche, since the Middle Age.
1608Carta geografica tratta dal Theatrum Orbis Terrarum di Ortelius, edizione latina del 1608. Sebbene datata in lastra 1606, la carta appare solo nelle edizioni a partire dal 1608. Si tratta di una delle poche carte aggiunte dal Vrients alla sua ristampa dell'atlante di Ortelius. Sembra possibile che il Vrients si ispiri alla prima, rarissima, versione della carta del territorio di Urbino di Giovanni Antonio Magini, non citandolo quale autore della carta. Il Theatrum Orbis Terrarum è considerato il primo vero “atlante” moderno. L’opera fu pubblicata in 7 lingue e 36 edizioni, per il quale – nel 1570 - Ortelius ottenne il privilegio, ovvero una sorta di diritto d'autore che impediva ad altri cartografi di pubblicare i propri lavori. Il Theatrum rappresentava il lavoro più avanzato del lavoro della descrizione cartografica. L’Ortelius vi raccolse il sapere geografico e cartografico del suo tempo, proponendo in 147 spettacolari tavole incise l’immagine più fedele del mondo allora conosciuto e, in alcune straordinarie “carte storiche”, regioni e itinerari tratti dalla letteratura, dalla mitologia, dalla tradizione. Ortelius fu anche il primo a citare le fonti, menzionando i nomi dei cartografi nel “catalogus auctorum”. Dal 1598 al 1612 le edizioni postume del Theatrum furono realizzate dal suo collaboratore Johannes Baptiste Vrients. Incisone in rame, coloritura coeva, piccoli margini in basso, nel complesso in ottime condizioni. Molto rara. Bibliografia Van den Broecke 135, Mangani/Mariano, Il disegno del territorio, pp.124/5, 6. Geographic map, from Ortelius’ Theatrum Orbis Terrarum, Latin edition printed in 1608. Though the plate bears the date of 1606, the map has been published only from 1608 on.Due to the close resemblance, very likely Vrients drove his inspiration from Magini’s work, though he did not mention him as the author. The Theatrum Orbis Terrarum, is considered the first true modern "Atlas". The work was published in 7 languages and 36 editions, for which - in 1570 - Ortelius obtained the privilege, a kind of copyright that prevented other cartographers from publishing his works. The Theatrum represented the most advanced work of cartographic description. Ortelius collected in it the geographical and cartographic knowledge of his time, proposing in 147 spectacular engraved plates the most faithful image of the world then known and, in some extraordinary "historical maps", regions and routes taken from literature, mythology, tradition. Ortelius was also the first to cite sources, mentioning the names of cartographers in the "catalogus auctorum". From 1598 to 1612 the posthumous editions of the Theatrum were made by his collaborator Johannes Baptiste Vrients. Copper engraving, contemporary colour, small lower margins, in excellent condition. Very rare. Bibliografia Van den Broecke 135, Mangani/Mariano, Il disegno del territorio, pp.124/5, 6.
1950réf. R100005003"***. Vers 1950. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 peinture sur miroir de 51 x 70 cm, représentant deux personanges entourés de nuages. Incription ""Early March"" en bas à gauche du miroir et ""1919"" en bas à droite. Miroir encadré, cadre blanc de 57 x 75 cm.. . . . Classification : 900-Oeuvres Originales"
1928réf. 162501New York: Covici Friede 1928. Pansy had the stuff but his skin was brown;/ And he never got a chance at the middleweight crown First trade edition. March 1899-1977 followed the success of The Wild Party with this verse tale of an African-American boxer "his best years in the ring lost to jail who wins a long-fixed bout instead of throwing it and pays for his last victory with his life" ANB. It was the basis for the acclaimed 1949 noir adaptation directed by Robert Wise and starring Robert Ryan and Audrey Totter. Octavo. Original grey cloth spine lettered in brown debossed brown silhouette to front cover top edge brown. With dust jacket artwork by Alexander King. Striking bookplate printed on orange paper of Stanley H. Brams 1910-1999 writer on the automotive industry known to Detroit colleagues as the "dean of auto writers"; he contributed to the New York Times and New Yorker. Brentano's ticket to rear pastedown. Spine slightly cocked; unclipped jacket spine and head of back panel sunned a little tattered at top and bottom edges rubbed at folds; an excellent copy in a good jacket. hardcover
LEGATURA IN TUTTA TELA BEIGE CON PICCOLO DECORO IMPRESSO IN ORO, OPERA STAMPATA IN SOLI 150 ESEMPLARI FIRMATI DALL'AUTORE, LA NOSTRA E' LA COPIA N. 7, SU CARTA UMBRIA DELLE CARTIERE MILIANI DI FABRIANO. STAMPA DELLE ACQUEFORTI AD OPERA DEL MAESTRO STAMPATORE CALCOGRAFO VINCENZO ZANCHI, CON L'AUSILIO DI ALUNNI DELLA SEZIONE. STAMPA DEL TESTO AD OPERA DEI MAESTRI TIPOGRAFI ARTURO POGGIOLI E ANSELMO LUSLINI. VOLUME INTROVABILE. COLLAZIONATO COMPLETO numero pagine: 80 formato: 26.5X18.1 stato conservazione: BUONO, COPERTINA LEGGERMENTE SPORCA, ERA FODERATO E QUINDI TRACCE DI SCOTCH NEI 4 PUNTI AL RISVOLTO PER FERMARE LA FODERA collana: LE METE / 1
1939réf. ABE-1538494660313Royal Opera House Covent Garden 1939 EXTREMELY RARE! REX WHISTLER designed this glorious programme for the State Performance in Honour of The President of the French Republic and Madame Lebrun at the Royal Opera House March 22 1939. WHISTLER's cover design is an elaborate affair; the embossed card covers are ingeniously cut away in curves. It is fabulously decorated by Rex Whistler on the front and back. A gold cord with tassels forms the binding round the twelve folded pages. Dancers included Margot Fonteyn Robert Helpmann William Chappell Frank Staff and Frederick Ashton. Sir Thomas Beecham conducted the London Philharmonic Orchestra. This is a great collectable example of ephemera in its own right but it is of especial value for admirers of Rex Whistler. Soft cover. Fine. Royal Opera House Covent Garden paperback
1928réf. 008397Covici Friede 1928. Book. Fine. Cloth. First Edition. 8vo - over 7¾" - 9¾" tall. Fine copy in near fine jacket first Edition.$2.00 on flap.Small loss at Crown & Heel of jacket.Epic Poem on Boxing.Very Scarce. Covici Friede Hardcover
1928réf. 008397Covici Friede 1928. Book. Fine. Cloth. First Edition. 8vo - over 7¾" - 9¾" tall. Fine copy in near fine jacket first Edition.$2.00 on flap.Small loss at Crown & Heel of jacket.Epic Poem on Boxing.Very Scarce. Covici Friede Hardcover books
1941réf. 19801ENew York & Los Angeles: Whittlesey House / Warner Bros 1941. Later printing. Signed by thirty members of the cast and crew for the Oscar nominated film One Foot in Heaven to the young actress Carlotta Jelm who played the character Eileen Spence the daughter of William and Hope Spence played by Frederic March and Martha Scott in the film and whose signed inscriptions read: “All happiness to Carlotta Fredric March.” and “To my daughter Eileen - my best wishes always Martha Scott.” The book is also signed by Norman Vincent Peale who served as a technical advisor for the film “To Carlotta with best wishes Norman Vincent Peale.” With signatures of director Irving Rapper cinematographer Charles Rosher assistant director Jesse Hibbs Peter Caldwell who played her brother “It was good being your brother Peter Caldwell.” and others. Near fine copy with a trace of use in a very good lightly used and dust soiled dust jacket with thin tape repaired splits to the spine folds and a few small chips and tears. With four production stills: two of Fredric March and Martha Scott on their wedding day posed in front of an oversized prop of the book; one of Fredric March Martha Scott Carlotta Jelm and Peter Caldwell the young actor playing the son and the book’s author Hartzell Spence all posed as if for a formal family portrait and one of Fredric March and Peter Caldwell sitting in an audience as March gives the boy a stern look. All stills are in fine condition and three have binder punch holes. The book and film tell the true story of a happy family headed by a warm and dedicated pastor who with his wife and children moved from one parish to another serving each community with dedication wisdom and humor. The fil also starred Beulah Bondi as a wealthy member of his congregation Gene Lockhart as a member whose wife sings poorly in the choir Grant Mitchell as the architect of the church improvements and a skeptic played by Jerome Cowan. Whittlesey House / Warner Bros unknown
1927réf. 32053Indianapolis IN: Popular Fiction Publishing Company 1927. Mild tanning to text paper crease to lower edge slight edge wear and some edge trims a fine copy. 32053. Octavo single issue cover art by C. C. Senf. pictorial wrappers. Pulp Magazine. Includes stories by Seabury Quinn H. P. Lovecraft "The White Ship" Edmond Hamilton Eli Colter and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
1877réf. AMO-3303Paris, Typographie et Lithographie Jules-Juteau et Fils, s.d. (vers 1877) 2 volumes petits in-8 (18 x 13 cm) de 266 + 204 pages + environ 100 pages restées vierges in fine. Portrait photographique de l'auteur (9 x 5,7 cm) en frontispice du premier volume daté du 22 mai 1877 et signé par l'auteur. Chaque titre imprimé a été tomé à l'encre à la main par l'auteur "1" et "2". Le premier volume sur une Épître amicale manuscrite à Monsieur et Madame de Beaurepaire la Marche (2 pages 1/2) datée d'avril 1871. Suivent 3 pages manuscrites en vers intitulées : "Couplets pour le mariage de Camille et d'Albert", signées par l'auteur et datées du 27 novembre 1878. Le premier volume s'achève par 3 pages manuscrites de table des pièces en vers contenues dans le volume. Le deuxième volume s'ouvre sur un sonnet manuscrit "à ma nièce" (signé des initiales de l'auteur). Les pièces imprimées (plusieurs dizaines) ne sont pas paginées et ont été imprimées chez Jules-Juteau entre 1871 et 1877 environ. Certaines pièces ont été imprimées chez la Veuve Ed. Vert ou encore l'imprimerie Chaumont. Reliure de l'époque (vers 1880) plein chagrin rouge, dos à nerfs richement ornés, encadrements de filets dorés sur les plats, fleurons dorés dans les angles, dentelle dorée en encadrement intérieur des plats, doublures et gardes de papier peigne. Très bel état de conservation de l'ensemble. Quelques ombres au maroquin sur les plats. Intérieur frais. La reliure n'est pas signée mais de belle facture. Exemplaire spécialement composé et offert par l'auteur à sa nièce Julie de Beaurepaire de La Marche. En offrant ce recueil de chansons l'auteur se souvient en quelques vers choisis du château de La Marche (Villegaudin, Saône-et-Loire). En 1861, Le château de La Marche, alors propriété du dernier marquis de La Marche, Antoine-Félix de Beaurepaire, est détruit par les flammes. Il ne reste aujourd'hui que quelques dépendances du château encore debout.
1700réf. 1270943early 1700's. Hardcover. folio unpaginated; VG; spine paneled black leather with red label gilt lettering; rebound spine 3/4 bound corners and boards not rebound; bumping and peeling to corners wear to boards; This book consists of a compilation of plates mostly from Dutch engravers featuring bible scenes. The scenes range from the creation of man to the adoration of the three kings; plates are tipped onto thicker stock; some pages have fingermark stains; shelved above Case 3. 1270943. Shelved Dupont Bookstore. hardcover
1700réf. 1270943early 1700's. Hardcover. folio unpaginated; VG; spine paneled black leather with red label gilt lettering; rebound spine 3/4 bound corners and boards not rebound; bumping and peeling to corners wear to boards; This book consists of a compilation of plates mostly from Dutch engravers featuring bible scenes. The scenes range from the creation of man to the adoration of the three kings; plates are tipped onto thicker stock; some pages have fingermark stains; shelved above Case 3. 1270943. Shelved Dupont Bookstore. hardcover books
réf. 100-23441Alyson Books. Paperback. New. In shrink wrap. Looks like an interesting title! Alyson Books paperback
1815gr. vol. in-4, pp. XX, 303, leg. m. pelle coeva con carta dec, ai piatti. Bella carta topogr. dell'antico Piceno ripiegata in antip. inc. da G.Battista Cipriani. Con un'infinità di antiche iscrizioni commentate. Lozzi 3587. Insieme all'opera sono raccolti 3 opuscoli: 1 - Idem. LETTERA del Reverendissimo Padre... parroco di S. Salvatore in Onda, ed innografo della S. Congregazione dei Riti... sull'antica Alba città de Piceno. Fermo, Paccasassi, 1824, in-8, pp. 16, leg. carta dec. coeva; 2 - [ANTALDI Antaldo]. SULLA EMENDAZIONE proposta dal P. Antonio Brandimarte di un luogo di Plinio Seniore nella descriione del Piceno. Frammento... Pesaro, Nobili, 1823, in-16, pp. 23, senza leg.; 3 - Idem. LETTERA del reverendissimo... al Sig. Abate Francesco Cancellieri... Terza edizione. Roma, Mordacchini, 1818, in-8, pp. VIII, senza leg. [299]
1854réf. 47593Tomo I. de la 2ª Ed. y Tomo II. de la 1ª Ed.- Madrid: Imp. de José María Ducazcal Domingo Carlos Vila y Juan Manini Editores 1856 1854 respectivamente; 2 VOLS. 1 h. 696 p.; 2 h. 835 p.: Tomo I. con Frontis litográfico ante la portada 11 retratos litograficos 21 láminas litográficas alegóricas y profusión de grabados en madera intercalados en el texto; Tomo II. con Frontis litográfico ante la portada 36 retratos litográficos 30 láminas litográficas alegóricas y profusión de grabados en madera intercalados en el texto los grabados litográficos son la mayoría de Urrabieta C. Mújica D. Valdivieso C. Legrand J.Vallejo ; in Folio Mayor 32 x 225 cm; Excelente impresión sobre papel de gran calidad; Enc. de la época en Media Piel de lomo liso sin nervios cuajado en oro guardas en papel de aguas marbreado. La portada del Tomo 1º restaurada de un desgarro que casi no toca texto. Ambos tomos con leves señales de óxido en algunas pocas hojas. La encuadernación con algunas rozaduras en los bordes de las tapas que han sido restauradas. Dicho esto que es preceptivo la obra se encuentra en muy buen estado general. RARO EJEMPLAR. Palau Nº 90491 dice: Es curioso consignar que las pautas de las láminas para ambos tomos solo dan 11 y 36 retratos pero nada dice del resto de las láminas cuyo número no coincide ser el mismo en todos los ejemplares y es de suponer que se añadieron a la obra. Creemos que nuestro ejemplar está completo de láminas. MARINA PIRATAS CORSARIOS BUCANEROS Libro en español Imp. de José María Ducazcal (Domingo Carlos Vila y Juan Manini, Editores) hardcover
Silografia colorata con maschere(mm 403 x 285) n. 68 ms. al centro del margine inferiore. L'immagine riunisce due differenti tradizioni devote: quella trasmessa dal Teramano che narra il trasporto miracoloso della casa della Madonna da Nazareth al colle lauretano e l'apparizione della Vergine sopra la chiesa di Santa Maria di Loreto a Paolo della Selva. Perfetto esemplare.. Cfr. Infelise-Marini, 1990 n.15, pp. 157, Zotti Minici, 1996. n. 1493.
1781réf. 40734Barcelona, Bernardo Pla, 1781. 4to. Contemp. full calf. Richly gilt spine. Titlelabel with gilt lettering. Stamp on htitle and titlepage. (14),XXXVI,(4),391,(1) pp., 7 large folded engraved plates and 1 folded engraved plan. First inner hinge a bit loose, not broken. A few scattered brownspots, but a fine, clean copy printed on good paper.
1781réf. 40734Barcelona Bernardo Pla 1781. 4to. Contemp. full calf. Richly gilt spine. Titlelabel with gilt lettering. Stamp on htitle and titlepage. 14XXXVI43911 pp. 7 large folded engraved plates and 1 folded engraved plan. First inner hinge a bit loose not broken. A few scattered brownspots but a fine clean copy printed on good paper. First edition.- Klaus Jordan: 2359. unknown
1931réf. 19770Dayton OH: The McCall Company 1931-32. Vertical crease to the first issue mild rubbing and stress creases to the set a nearly fine to fine set with the exception of the January 1932 issue which is good only 19770. Octavo six issues pictorial wrappers. Pulp magazine. Bedsheet format. Complete six part serial "The Triumph of Tarzan" later published in book form as TARZAN TRIUMPHANT. The first issue has a Tarzan cover by Laurence Herndon. Reference: Heins p. 76-77. The McCall Company unknown
1795Cm. 21, pp. vii (1) 72 + 86 (2) d'appendice documentaria. Con alcune figure nel testo e 7 tavole incise in rame e più volte ripiegate f.t. tra cui tre piante della città di Senigallia ed una pianta del territorio marchigiano. Cfr. Lozzi (5170): "Assai rara". Legatura strettamente coeva in cartoncino ricoperto in carta decorata. Esemplare genuino e marginoso, con solo qualche forellino di tarlo, perlopiù marginale.
1995réf. SBBI-mon0000158259RIBA Publications 1995. paperback. Acceptable. Please see the condition note after this for details if this is missing please consider Acceptable to mean poor quality that could include major staining water damage writing missing dustjacket etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. RIBA Publications paperback
2020réf. SBBI-mon0000143834DK Children 2020. hardcover. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. DK Children hardcover
1924réf. 20857New York: The Frank A. Munsey Company 1924. The first issue February 9 has edge wear with the rear cover detached it is a very good copy the March 1 issue 5 has some paper loss to the spine affecting the title lettering a very good to nearly fine copy the rest of the issues are nearly fine to fine. A bright attractive set. 20857. Octavo seven issues cover illustration for the February 2 issue by Stockton Mulford interior illustration in each issue pictorial wrappers. Pulp magazine. Complete seven part serial "Tarzan and the Ant-Men." This magazine version is approximately 7000 words shorter than the novel published in book form in the U.S. the British book publication matches this version. Reference: Heins pp. 64-65. The Frank A. Munsey, Company unknown