11 215 résultats
199172 pages. Features: Fiber education in the 1990s; The Craft School experience; Travel as education; The master/apprentice relationship; The unseen made visible; Made in Japan; Gerhardt Knodel; Victoria Z. Rivers; Lida Gordon; Marla Brill; Jilli Blackwood; Pamela Studstill; Judy Hubbard; and more. Clean and unmarked with moderate wear. A sound copy. Magazine
198776 pages. Features: Working with Linen - Shirley Ruth Elgot, Karen Jenson Rutherford, Barbara Eckhardt; Why I Work in Linen, a Portfolio - Lynda Monick-Isenberg, Barbara J. Allen; Marie Westerman, Laura Brody, Jodi Kanter, Francine Patti, Claire Westerink, and David H. Kaye; Linen - the enduring thread of history; Sisal production in Highland Guatemala; Banana, Ramie, and Hemp in Okinawa; Kudzu - the noxious week transformed; Linen undergarments - a proud Danish heritage; Kathryn Maxwell; Linda Levin; Belinda Raab; Laura Strand Mills; Hope and Phillip Holtzman; Molly Hart; Patricia T. Hetzler; Cameron Taylor-Brown; and more. Clean and unmarked with moderate wear. A sound copy. Magazine
198392 pages. Features: Amish Quilts by Judy Kellar Fox; The Quiltmakers Art - recent book by Joanne Mattera; Kate Woolsten-Hulme - a sense of place; Structure and Surface - the work of Barbara MacCallum; Peggy Vanbianchi; Emily Standley; Susan Sharpe; Jane McElroy; and more. Clean and unmarked with moderate wear. A sound copy. Magazine
199080 pages. Features: Out of Thin Air - a look at the inflatable fiber sculptures of Ann Slavit; Trends in Fiber Art - gallery owners discuss what's hot these days; Ed Rossbach - one man's influence on basket making and the entire fiber field; Textiles, The Gift of Kings - textile collection from three major museums; Working Outside Tradition - essay on contemporary fiber are from Iceland; Nancy Kozikowski; Helen Rumpel; Lia Cook; Ruth Kao; Geary Jones; Dominique Morel; Linda Perry; Rebecca Rubalcava; and more. Clean and unmarked with moderate wear. A sound copy. Magazine
1940In 8? (cm 27,5), senza rilegatura, pagg.1 Fattura di una pagina datata 21/9/40 XVIII ed emessa all'Azienda Autonoma della Stazione di Soggiorno di Sarnano per l'acquisto di carta intestata, testo manoscritto su foglio prestampato, timbro del protocollo dell'Azienda della Stazione di Soggiorno di Sarnano, timbro dell'Ufficio del Registro di Fermo, quattro marche imposta sull'entrata col ritratto di re Vittorio Emanuele III (rispettivamente di Lire 1, 5, 10 e 25) annullate con timbro "21 settembre 1940", strappetto al margine destro, buon es.
2012In 8? (cm 21), Brossura, pagg.105 con qualche ill. b.n. n.t., buon es. "Quaderni del Consiglio Regionale delle Marche"
1861In 4? (cm 37,5), senza rilegatura, pagg. segue elenco dei personaggi ed attori e prezzi dei biglietti d'ingresso, ottimo
190130.5x44 cm, brossura; pp. 8, numerose vedute xilografiche nel testo
1989In-4 (cm. 29.60), cartonato editoriale, sovracoperta editoriale illustrata, pp. 222, (2), con illustrazioni nel testo in bianco e nero e a colori. Testi di Silvia Catalino, Teresa Romani Adami, Lucio Tomei, etc. Fotografie di Corrado Fanti. In ottimo stato (nice copy).
1957Fermo, 1957, 16mo brossura originale con copertina illustrata a colori (lievi abrasioni) pp. 321 con illustrazioni n.t. ed una carta della città ripiegata in fine f.t.
1757Inc. in rame, f. 14,8 x 8,3. Salmon, Venezia
Mm 220x300 Collana "Le cento Città d'Italia illustrate" - Senza indicazione della data di stampa, ma seconda metà degli anni venti del novecento. Brossura originale, 16 pagine con numerose illustrazioni in nero dei migliori fotografi del tempo. Testo essenziale, ma ben documentato. Copia in ottime condizioni; spedizione in 24 ore dalla conferma dell'ordine.
1971Un volume quadrotto (24 cm) di 220 pagine, con numerose riproduzioni di fotografie, giornali, bandi, documenti storici di Fermo. Brossura editoriale (minime tracce d'uso).
STATO: USATO, MOLTO BUONO. TITOLO: Fermo, ...storie di ieri. AUTORE: Santoro,Mario (prefaz.di). EDITORE: Tip.La Rapida DATA ED.: s.d.
19244° bross. edit. figur. pp. 20, con circa 50 illustr. in b/nero. (Fasc. 188). Ottimo esempl.
leggeri danni
1901Mm 310x440 In folio, brossura di 8 pp., numerose illustrazioni in xilografia raffiguranti vedute della città. Ottimo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1998Edizione di lusso. Testo in italiano e inglese. Fotografie di Lucia Romano. 62 p., f.to 30,5x30,5, copertina rigida in seta nera con titoli in oro alpiatto e al dorso con illustrazione applicata, con cofanetto rigido in mezza tela. Come nuovo, cofanetto con lievi segni del tempo
1990réf. 2080202105601151Not Available 1990. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1960réf. 225421960. LGBTQ Lesbian Pulp Lesbian pulp novels published between 1960 and 1965 a crucial phase in the emergence of lesbian literature in American pulp publishing. These authors wrote about queer experience at a time when lesbian representation was largely dominated by heterosexual male writers and constrained by censorship that required publishers to present same sex desire through salacious marketing and "moralizing" tragic or heterosexual endings. Valerie Taylor Velma Nacella Young Paula Christian Yvonne MacManus and March Hastings Sally Singer were among the small group of queer women producing lesbian novels that treated relationships between women with greater emotional complexity and personal insight exploring themes of lesbian identity and the social consequences of living as an open or closeted gay woman. Several titles by these authors were later identified by lesbian bibliographer Barbara Grier as "A" tier works in The Lesbian in Literature indicating major lesbian thematic content and sympathetic narrative treatment. Archive includes: 1 Valerie Taylor Pen name of Velma Nacella Young. Stranger on Lesbos. Greenwich CT: Fawcett Crest 1960. First Crest printing February 1960. One of Taylor's most enduring works centering on Frances a discontented wife whose encounter with a vibrant lesbian social circle leads her to confront her own desires. A landmark title in Grier's A tier for its substantial lesbian content and refusal to deliver a purely punitive ending. 2 March Hastings Pen name of Sally Singer. Crack-Up. Chicago: Newsstand Library 1961. First printing. Subtitled on the cover: "The torment of a woman-frustrated in marriage-torn between desire and compassion." Hastings one of pulp's most prolific lesbian authors explores emotional collapse and the redemptive possibilities of same-sex love with more psychological nuance than the genre typically allowed. 3 Artemis Smith Pen name of Annselm Morpurgo. This Bed We Made. Derby CT: Monarch Books 1964. First Monarch edition originally published 1961. Greenwich Village-set tale of Elaine Perkins who marries to satisfy societal expectations but is drawn into a relationship with Nicole an artist's model. Back cover tagline: "Wife or Lesbian" 4 Valerie Taylor Pen name of Velma Nacella Young. Unlike Others. New York: Midwood-Tower 1963. First edition. From the author of Whisper Their Love and Stranger on Lesbos Unlike Others follows women whose relationships defy convention and societal approval. Known for infusing pulp conventions with emotional depth Taylor was one of the few openly lesbian pulp authors of her time. 5 Morgan Ives Pen name of Marion Zimmer Bradley. Spare Her Heaven. Derby CT: Monarch Books 1963. First edition. The story of Kathara a stage performer worshiped as the "Goddess of the Temple of Joy" whose allure draws both men and women into a cult-like world of pleasure. While framed through pulp's "devil or angel" dichotomy Ives weaves subversive notes of female autonomy into the sensational plot. 6 Paula Christian Pen name of Yvonne MacManus. The Other Side of Desire. New York: Paperback Library 1965. First printing. "Is it lust or love when one woman desires another woman" Carrie risks her marriage children and reputation for an affair with Kim only to find herself enslaved to "forbidden sex." The significance of these novels lies in their authorship and perspective. During the 1950s and 1960s lesbian pulp fiction formed one of the few widely distributed literary spaces where queer women could encounter representations of same sex relationships even when those narratives were sensationalized by commercial marketing. Writers such as Taylor Christian and Hastings expanded the thematic range of the genre by incorporating elements drawn from lived queer experience including emotional partnership internal conflict and the pressures of secrecy. Six volumes total. Standard mid century mass market paperback format. Moderate handling wear consistent with newsstand distribution including light edge wear and toning. Overall very good condition. unknown books
1960réf. 225421960. LGBTQ Lesbian Pulp Lesbian pulp novels published between 1960 and 1965 a crucial phase in the emergence of lesbian literature in American pulp publishing. These authors wrote about queer experience at a time when lesbian representation was largely dominated by heterosexual male writers and constrained by censorship that required publishers to present same sex desire through salacious marketing and "moralizing" tragic or heterosexual endings. Valerie Taylor Velma Nacella Young Paula Christian Yvonne MacManus and March Hastings Sally Singer were among the small group of queer women producing lesbian novels that treated relationships between women with greater emotional complexity and personal insight exploring themes of lesbian identity and the social consequences of living as an open or closeted gay woman. Several titles by these authors were later identified by lesbian bibliographer Barbara Grier as "A" tier works in The Lesbian in Literature indicating major lesbian thematic content and sympathetic narrative treatment. Archive includes: 1 Valerie Taylor Pen name of Velma Nacella Young. Stranger on Lesbos. Greenwich CT: Fawcett Crest 1960. First Crest printing February 1960. One of Taylor's most enduring works centering on Frances a discontented wife whose encounter with a vibrant lesbian social circle leads her to confront her own desires. A landmark title in Grier's A tier for its substantial lesbian content and refusal to deliver a purely punitive ending. 2 March Hastings Pen name of Sally Singer. Crack-Up. Chicago: Newsstand Library 1961. First printing. Subtitled on the cover: "The torment of a woman-frustrated in marriage-torn between desire and compassion." Hastings one of pulp's most prolific lesbian authors explores emotional collapse and the redemptive possibilities of same-sex love with more psychological nuance than the genre typically allowed. 3 Artemis Smith Pen name of Annselm Morpurgo. This Bed We Made. Derby CT: Monarch Books 1964. First Monarch edition originally published 1961. Greenwich Village-set tale of Elaine Perkins who marries to satisfy societal expectations but is drawn into a relationship with Nicole an artist's model. Back cover tagline: "Wife or Lesbian" 4 Valerie Taylor Pen name of Velma Nacella Young. Unlike Others. New York: Midwood-Tower 1963. First edition. From the author of Whisper Their Love and Stranger on Lesbos Unlike Others follows women whose relationships defy convention and societal approval. Known for infusing pulp conventions with emotional depth Taylor was one of the few openly lesbian pulp authors of her time. 5 Morgan Ives Pen name of Marion Zimmer Bradley. Spare Her Heaven. Derby CT: Monarch Books 1963. First edition. The story of Kathara a stage performer worshiped as the "Goddess of the Temple of Joy" whose allure draws both men and women into a cult-like world of pleasure. While framed through pulp's "devil or angel" dichotomy Ives weaves subversive notes of female autonomy into the sensational plot. 6 Paula Christian Pen name of Yvonne MacManus. The Other Side of Desire. New York: Paperback Library 1965. First printing. "Is it lust or love when one woman desires another woman" Carrie risks her marriage children and reputation for an affair with Kim only to find herself enslaved to "forbidden sex." The significance of these novels lies in their authorship and perspective. During the 1950s and 1960s lesbian pulp fiction formed one of the few widely distributed literary spaces where queer women could encounter representations of same sex relationships even when those narratives were sensationalized by commercial marketing. Writers such as Taylor Christian and Hastings expanded the thematic range of the genre by incorporating elements drawn from lived queer experience including emotional partnership internal conflict and the pressures of secrecy. Six volumes total. Standard mid century mass market paperback format. Moderate handling wear consistent with newsstand distribution including light edge wear and toning. Overall very good condition. unknown
1966A.W. was a British fellwalker, guidebook author and illustrator. His seven-volume Pictorial Guide to the Lakeland Fells, published between 1955 and 1966 and consisting entirely of reproductions of his manuscript, has become the standard reference work to 214 of the fells of the English Lake District.This is his account of "the story behind the guidebooks" Illustrated with his own fine art work and with many photographs.Unpaginated [128] illus.Contents fine, some very minor wear to Green cloth boards. Book
Vg/Vg (clipped dj rubbed at edges and one small 1/2" tear head of spine, crease to front flap, clean olive green boards discoloured extreme edges, a clean crisp copy with no marks or inscriptions, trace of erased pencil price front free endpaper) 12mo 140pp plus 6 blank pages on which to record walks. Second impression. Practical advice for walkers. 21 b/w photographs.
1966Oblong 4to., First Edition, with title-vignette, and numerous plates and illustrations in the text; green cloth, gilt back, a very good, bright, clean copy in unclipped dustwrapper, the latter frayed and creased with minor loss at extremities. UNACCOUNTABLY SCARCE, ESPECIALLY IN THIS CONDITION.
1948réf. 139005New York: Buchholz Gallery 1948. Softcover. VG. Yellow wraps. 8 pp. 10 bw plates. Quoted remarks by Roger Fry. Lists 17 oils and 23 watercolors. Ephemeral and not returnable. Buchholz Gallery paperback books
