964 résultats
1905réf. 1723391905. PARIS. Galerie Haussmann. PICABIA. Introduction by L. Roger-Miles. 12 pages 5 leaves of plates. 4to original wrappers 1905. A fine copy of the incredibly rare catalogue of Picabia's first one-man exhibition. The exhibition was a critical success launching his career as an artist. OCLC lists the Metropolitan Museum Getty National Gallery Frick Princeton Menil and Harvard the U.S. unknown books
1512réf. 372103Paris: Philippe Pigouchet for Simon Vostre 1512. Title page printed in red and black with woodcut device of Simon Vostre; full page woodcuts of St. Jerome crucifixion old coloring. Text in gothic type in two columns ornamental initials some colored text ruled in red throughout. 15 340 28 leaves. Terminal black dd6 present. 1 vols. Folio. Modern linen conservation binding. First leaf toned ownership marks struck out early bibliopole's description in ink at bottom of title. Some minor worming at end. Very good. Title page printed in red and black with woodcut device of Simon Vostre; full page woodcuts of St. Jerome crucifixion old coloring. Text in gothic type in two columns ornamental initials some colored text ruled in red throughout. 15 340 28 leaves. Terminal black dd6 present. 1 vols. Folio. Large folio Bible printed for Simon Vostre by Philippe Pigouchet the famous printer of some of the most beautiful Books of Hours. Uncommon in institutions and in the trade. Renouard ICP II 248; Delaveau & Hillard 778 Philippe Pigouchet for Simon Vostre unknown books
réf. B68262-2Paris 1947. Poster with manuscript text and portrait drawing at the center printed on salmon-colored wove stock in offset lithography. 580 x 400 mm. 22 7/8 x 15 5/8 inches. 2 cancelled taxe daffichage stamps affixed at blank portion at lower left as usual. The extremely rare graphically riveting poster for one of the most radical exhibitions in postwar France Dubuffets art brut portraits of Parisian intellectuals at the Galerie René Drouin in 1948. Initially the series was based on personalities in the literary salon of Florence Gould to which Dubuffet had been introduced by Jean Paulhan including Paulhan himself Pierre Benoit Marcel Jouhandeau and Paul Léautaud; it was then extended to include other friends and acquaintances such as Antonin Artaud Francis Ponge Henri Michaux and Jean Fautrier. Dubuffets aggressive graffiti-style caricatural portraits of 1946-47 are in part caricature in the simplest sense a mocking variant on the pantheons of artists that had become sober clichés of even radical French art as in Surrealist group portraits. But Dubuffets portraits manifest the revolt and revulsion of intellectuals: mental energy and will are now all that matter and the body can indeed must. go to hell. His writers and intellectuals are pathetic monsters their features reduced to pop-eyed scrawls their aplomb prodded into jumping-jack spasms. Yet since grotesque harshness and imbalanced disturbance are in Dubuffets view tokens of authenticity to be portrayed by him with scar-like contours and inept anatomy is perversely to be made glamorous High and Low. A few indetectible very short clean marginal tears mended on verso; a bright unfolded copy. Paris, 1947. books
réf. 15743Paris. 1783. Variant Form of the Anglo-Spanish 1783 Treaty A French printing of the treaty between Spain and England adopted as part of the general peace of September 3 1783. Through this treaty Spain reacquired the Floridas and the Mediterranean island of Minorca while Britain retained Gibraltar and acquired the Bahamas. This printing is unrecorded so far as we can discover. It seems to have been printed for the use of the French commissioners at the time of signing and is in folio form with docket printed on the side so that it could be folded and put in a file. It probably represents a printing during the later stages of the negotiation process. OCLC locates only one institutional holding at the Library and Archives of Canada. Rare. Tall folio designed to be folded with docket title sideways on last leaf. Later marbled boards leather label. Near fine. DAVENPORT 174. OCLC 1007694637. A different printing of this treaty is recorded as: SERVIES 598. SABIN 96558. PALAU 339315. hardcover books
1783réf. 21253London. 1783. The official English printing of the the first part of the Treaties of Paris. This preliminary settlement had been a stumbling block to the general settlement of the other parties in the American Revolution and all other treaties were concluded the day after this one. It revolves mainly around questions of trade with various colonies. England's final treaty with Holland was not concluded until the following year. This is the official English edition of the preliminary articles. Small quarto. Modern half morocco and marbled boards. A very good crisp copy. SABIN 65045. hardcover books
1915réf. 5121Watercolor with colored pencil and pen and ink drawing. 9 1/8 x 10 1/2. Signed by Gaston de Latenay lower right. Framed. books
1686réf. 4982Toulouse: Chez Jean Boude 1686. Soft cover. Very Good. 4to - over 9¾ - 12" tall. 8 pp. Bound in marbled wrappers and housed in a fine red morocco case. $3850 Extremely rare first and only edition of this detailed popular newsletter concerning the contemporary reception of three Siamese ambassadors in Paris in September of 1686. The report gives a full description of their entrance their itinerary and the names and qualities of the individual ambassadors - whose 9-month stay in northern France between 1686 and 1687 must have provoked enormous interest. Providing the reader with some background the work notes that the King of Siam having been only recently convinced of the greatness of Louis XIV and the French nation has decided to send three more mandarins as envoys. "Ces Mandarins sont tres-honnestes les meilleures gens du monde doux civils & complaisans de tres-bonne & agreeable humeur .". According to this account they arrived at Brest on the 18th of June and reached Paris only on the 12th August. On the 'first day of this month of September' the delegation was officially presented to Louis XIV. Its centerpiece was the King of Siam's letter to Louis written on a blade of gold encased in a golden boëte bottle and poised atop a golden chalice all of which was carried aloft on a machine by 12 Swiss guards. The ambassadors themselves it is recorded took care to cover the machine with their parasols. Upon meeting the king "ils firent une profonde reverence en leur maniere se prosterant & mettant leurs mains sur leur vissage". The gifts presented by the envoys are notable for their overwhelming Japanese provenance a closed center of trade to the French and are accompanied here by occasional offhand remarks. Two vases of tombac a flexible alloy similar to brass are thought "presque aussi précieux que l'or" and are imputed to be "what the ancients called electrum"; two samurai swords presented by the King of Japan to the King of Siam are accompanied by the remark "they say that those who know how to handle these swords properly can cut a man's body in half; it's this that makes them beyond price"; etc. An antique marble sculpture apparently depicts a Chinese man whom the Siamese call To inghoing; "we belivee that this is the same as he whom we call Confuscius". The writer of the newsletter seems surprisingly well-informed and is certainly aware of the plans of the official retinue suggesting a source perhaps close to the court. "They are presently busy seeing the beauties and the riches of the Capital of our Kingdom. Around February after they have had their final royal audience they will return and recount all that they have seen and assuredly they will not forget what they have learned and understood of the suprising reunion of Protestants to the Roman religion for the King of Siam having proposed Louis le Grand as a model in all things and desiring to be able to make his entire kingdom French.has demanded that the King send him missionaries persons experienced in warfare wise men and men learned in many arts." Following this account of the ambassadors' visit is a brief 'Description du Royaume de Siam' - with much reference to Arab and Moorish settlements to the Siamese love of music to their 'superbly-dressed women' etc. Thanks to royal decree Siam enjoys public schools in which laws and religion are taught in the vernacular but the sciences are reserved for a learned tongue. Inspired no doubt by the Chinese rites controversty the commentator notes that despite their plural deities the Siamese do believe in one Creator of the Earth and the Heavens and they do maintain that the world will end in fire. The final leaf of the work is occupied with a discussion of the 'names and qualities' of the amabassadors. OCLC records only the copy at Cornell. OCLC 64004509 Chez Jean Boude paperback books
réf. 5938Engraved frontis. port. & six folding engraved plates. 2 p.l. vii 1 40 256 pp. 8vo cont. red straight-grained morocco upper cover with small ink-stain some foxing panelled in gilt outer border elaborately gilt flat spine gilt a.e.g. Besançon: Librairie de Deis 1821. The catalogue of the collection of books and antiquities of Pierre-Adrien Pâris; the greatest professional library of the early 19th century. He bequeathed it to the city of Besançon. It contained a number of the essential books on architecture about 1500 manuscript architectural designs by Pâris and paintings and drawings by Fragonard Boucher and Saint-Aubin. Pâris 1745-1819 was architect to Louis XVI designer of the royal cabinet and directed royal festivities at Versailles Marly and Trianon. The collection reflects his deep appreciation for the classical architecture of Greece and Rome where he journeyed several times. During these trips he sketched buildings and artifacts found at Pompeii Herculaneum Paestum and other sites which along with other drawings compose the 1500 architectural designs described here. These experiences prepared him to serve as director of the Académie de France in Rome under Napoleon where he was responsible for excavations at the Colosseum. The library has considerable sections on architecture history the arts of antiquity etc. The first 40 pages provide a biographical sketch of Pâris. Pages 1-146 enumerate 777 lots of books. Pages 147-222 contain a description of his cabinet 509 lots. The book concludes with an index of authors and artists. The engravings depict bronzes terra cotta sculptures marble statues and other unique items in the collection. Nice copy apart from the foxing. From the library of Bernard H. Breslauer his sale Christie’s NY 22-23 March 2005 lot 660. â§ N.B.G. Vol. 39 cols. 209-10. unknown books
1783réf. 20839London. 1783. England Gives Up Florida to Spain The official English publication of the preliminary articles of peace between Spain and England. By this treaty an armistice was concluded Britain gave back the Floridas to Spain and Spain restored the Bahamas to England. Small quarto. Dbd. Some old minor ink underscoring. Else very good. Untrimmed. In a half morocco box. AMERICAN CONTROVERSY 83-44. DAVENPORT 170. unknown books
1875réf. 244190Paris: Michel Levy 1875. hardcover. very good. 7 volumes. Tall thick 8vo 3/4 blue morocco marbled boards t.e.g. a few hinges have been reinforced bookplates on marbled endpapers. Paris: Michel Levy 1875-1883. Very good. Each volume has a 1 2 or 5 page autographed letter written by the author tipped in a small 5 page letter in an separate envelope. Prince Philippe d'Orleans Count of Paris Louis Philippe Albert 1838-1894 was the grandson of Louis Phillippe I King of the French the last French ruler. A historian journalist and democrat he volunteered to serve as a Union Army officer in the American Civil War. His history of that war is considered a standard reference work. Michel Levy unknown books
1879réf. 1693961879. PARIS Ministere de Travaux Publics. Album de statistique graphique. 1879 1880 1881 1882 1883 1885 1887 1888 1889 1890-1891 1892 1893 1895-1896. Each volume contains 12-26 colored plates of informational graphics many folding. Folio 330 x 255 mm. publisher's boards. Paris: Imprimerie Nationale 1879-1896. These splendid volumes were published by the French statistical bureau between 1870 and 1897 and are very much in the style established by Charles Josph Minard. On the outside they appear drab and undistinguished but on the inside they are alive with a profusion of dazzling coloured charts. They have been called "the finest specimens of French graphic art in the century" H.G. Funkhuser. All of the volumes are rare and the series remains largely unknown. Some wear to a couple of bindings and a few inoffensive library stamps but otherwise sound. hardcover books
1783réf. 20840London. 1783. England and France Agree on a Resolution to the American Revolution The first British publication of the terms of peace agreed upon between France and England after the American Revolution. The French had hoped to obtain more from England in the final peace settlement but De Grasse's catastrophic naval loss to Rodney in the Caribbean in 1782 weakened their position and the American commissioners forced their hand by coming to their own accord with the British on November 30 1782. By this treaty the British cede Newfoundland fishing rights return St. Lucia and Tobago to France and France gives back Nevis Grenada St. Kitts Montserrat and St. Vincent to the British as well as territorial exchanges in India. This treaty was vital to the final resolution of the American Revolution since the United States was pledged to move with France as an ally and was not in a position to settle without her. The final treaties of all the warring powers were signed on November 3 1783. Quarto. Antique half calf and marbled boards. Some minimal old ink underscoring else a near fine copy untrimmed. DAVENPORT 169. AMERICAN CONTROVERSY 83-45. hardcover books
1816réf. 1435761816. PARIS. Graphic Illustrations of the Most Prominent Features of the French Capital; with Characteristic Figures in the Foregrounds comprised in Twelve Stroke Engravings From Accurate Designs Taken in Paris during the Imperial Reign of Buonaparte. With Descriptive Notices and Interesting Anecdotes. 26 pp. illustrated with 12 double-page engravings. Folio 430 x 380 mm. bound in contemporary French three-quarter black morocco over marbled boards gilt title and floral vignettes on spine paper label with ms. number "20" on front cover and spine. London: Harper and Co. 1816. A fine copy of this extremely rare collection of views of Paris consisting of twelve artistically conceived views of Paris engraved by English artists. The large double-page engravings incorporate local Parisians participating in daily routines within the setting of each view. Panoramic views include: the Military School and the Church of the Invalides; View of Paris from the South Boulevard; View of Paris from Montmartre; South View of the Old and New Louvre; The Mint and The Façade of the Louvre; View of La Place de la Concorde; The Garden of the West Front of the Tuileries; Palace of the Tuileries Facing La Place du Carrousel; Garden of the Tuileries; The Luxembourg or Palais du Senat with the Gardens; The Elysian Fields Distant Gardens of the Tuileries; Entrance to Les Champs Élysées and La Place de la Concorde. Each plate is followed by two pages of text giving historical details and anecdotes about the site illustrated. Minor wear to outer edges of binding plates and text clean. Rare: OCLC lists 6 copies worldwide of which only one is held in America Bowdoin College. hardcover books
1743réf. 37021743. Woodcut royal arms on title. 1 p.l. 34 pp. Small folio cont. French red morocco panelled in gilt in the style of the “cabinet du Roi” gilt arms & ciphers Olivier 2495 fer 2 on covers with ciphers on spine a.e.g. Paris: de l’Imprimerie Royale 1743. First edition and very uncommon. This catalogue the splendid Han Fürstenberg — Otto Schäfer — Jacques Bemberg copy lists the plates made of the collections of the king including paintings medals royal chateaux fountains grottoes statues busts tapestries and jewels along with records of festivals entrances battles etc. etc. “Colbert understanding that engraving was the best means to disseminate and preserve knowledge of the undertakings of Louis XlV began to assemble a group of outstanding engravers. By 1660 they had achieved the stature of independent artists and by 1670 had become a special group under the protection of the king joined together at the Gobelins around Charles Le Brun and Sebastien Le Clerc. From 1660 André Félibien was charged with providing descriptions of maisons royales and Adam Van der Meulen and Israel Silvestre were sent to the newly conquered territories to make views of the principal chateaus and fortresses. Other commissions for the Cabinet du Roi included engravings by Chauveau of the king’s paintings at the Tuileries; copies of paintings and sculpture by Claude Mellan Rousselet and Audran in the galleries of the king; copies by Ronelet of the king’s collection of medals; and other works of art and architecture by Rousselet Silvestre Chauveau and Le Clerc. At the same time the Académie des Sciences began scholarly works commissioned by Colbert…Illustrators for these works were Abraham Bosse Sebastien Le Clerc who often made engravings for Claude Perrault Nicolas Bailly and L. de Châtillon… “From 1670 Colbert determined to join these engravings in a collection. He proposed that at the end of each year a temporary volume would be composed of all types of works with the text printed in French and Latin. At the end of ten or twelve years the collection would be subdivided by topics so that the king would have volumes separated into all the sciences and achievements of his reign… “A complete record of the king’s possessions was never achieved but the plan was continued by his successors. The engravings from the Cabinet du Roi were first published in a variety of sizes and separately. They were then collected into volumes according to Colbert’s plan but sporadically. In 1727 a new edition was published with additional plates and a catalogue. A third edition of twenty-three volumes with further additions and an index was issued in 1743. Later sets were formed with plates from various editions. The plates survive to the present day at the Chalcographie du Louvre.”–Millard French Books 46. This catalogue was issued as a guide to the contents of the fifty sets of 956 plates of the 1743 edition which were prepared as gifts see Balayé La Bibliothèque Nationale des origines à 1800 pp. 226-27. Fine copy. unknown books