Buhot, Félix Hilaire - 1847 Valognes - Paris 1898Antiquariat.de
50 757 résultats
réf. 0136-Co.J. Radierung, Aquatinta und Roulette, 1879, auf chamoisfarbenem Arches-Bütten. 23:34,6 cm. Vollrandiger Abdruck von nahezu unberührter Erhaltung. Literatur: Béraldi 128; Bourcard/Goodfriend 128, IV (von IX). ? Mit der Adresse von A. Salomon. Erschienen in der Zeitschrift ?L?Art?, 1881. Prachtvoller Abdruck dieser aufgrund ihres skizzenhaften Charakters besonders reizvollen graphischen Arbeit.
réf. 35600540, Recueil de 10 ouvrages reliés en 1 vol. in-4, demi-veau brun, dos orné de motifs dor. et à froid (Reliure romantique) "Superbe recueil composé à l'époque romantique par un amateur spécialiste des travaux publics. Il contient les ouvrages suivants : 1/DOIN (Alexandre), Mémoire sur le canal latéral à la Garonne, établissant la jonction définitive des deux mers. Paris, Everal, 1832; Xpp., 1f., 2 très grandes cartes gravées sur vergé et enluminées. EDITION ORIGINALE. 2/ DESCHAMPS (C.). Des travaux à faire pour l'assainissement et la culture des Landes de Gascogne et des canaux de jonction de l'Adour à la Garonne. Paris, Canlian-Goeury, 1832; 2ff., 64pp., grande lithographie montrant les bergers des Landes sur leurs échasses, et grande carte dépliante. EDITION ORIGINALE. Andrieu I, 234. Claude Deschamps, ingénieur né à Vertus (Marne) en 1765 est mort en 1843. Voir notice dans Andrieu. Bibl. de l'Agenais. 3/ DESCHAMPS (C.). Mémoire adressé à la commission d'enquête instituée au sujet d'un projet de canal de jonction de la Garonne à l’Adour. Bordeaux, Lavigne, mai 1833, 1 f., 44 pp. inconnu d’Andrieu. 4/ (SAUVAGE). Rapport fait au Conseil d'Arrondissement de Bordeaux le 16 janvier 1833 sur la proposition de Monsieur le Préfet, tendante à ce que ce Conseil émète un voeu en faveur du nouveau projet de M. L'Inspecteur-général Deschamps pour l'ouverture d'un canal navigable qui, partant de Bordeaux, se dirigerait sur l'Adour, en passant par Sabres. Bordeaux, Faye, février 1833; 1f., 51pp. - Nombreuses corrections autographes. 5/ VIVENS (Vte de). Recherches sur la cause des encombrements progressifs de la Gironde et du Port de Bordeaux, et dissertation sur l'influence générale que le flux et le reflux exercent dans le lit des fleuves, et sur la nécessité d'y entretenir et d'y seconder l'action opposée et alternative des courants de terre et de mer; suivies d'observations sur un projet d'enrochement qui tend à rétrécir l'embouchure de la Garonne. Paris, Beaucé-Rusand, 1825; 2ff., VIpp., 2ff., 56pp., 3 plans dépliants. EDITION ORIGINALE. Andrieu II, 369 (qui ne signale aucun plan). Qq. corrections manuscrites, 1f. avec marges coupées. 6/ MALLET (C.F.). Notice historique sur le projet d'une distribution générale d'eau à domicile dans Paris, et exposé de détails y étant relatifs, recueillis dans différentes villes du Royaume Uni, notamment à Londres. Paris, Carilian-Goeury, 1830, 2ff., 82pp., 1 tableau dépliant, 1 grand plan dépliant. EDITION ORIGINALE. Important projet de distribution d'eau courante à Paris. L'Ingénieur Charles-François Mallet (né à Paris en 1766, mort en 1853) s'occupa des ponts et chaussées du roi Joseph à Naples. On lui doit aussi un pont de pierre à Rouen. 7/ GENIEYS. Du projet d'une distribution générale d'eau dans Paris considéré sous le rapport financier. Paris, Carillian-Goeury, 1830; 20pp. - Financement du même projet. 8/ GIRARD. Mémoire sur les inondations souterraines auxquelles sont exposés périodiquement plusieurs quartiers de Paris. Paris, Firmin-Didot(1818); 16pp. 9/ ANDELLE (A.). Considérations sur l'essor à donner en France aux Chemins de Fer, avantages qu'ils représentent suivies des détails des dépenses et produits du chemin de fer de Liverpool à Manchester, depuis son ouverture. Paris, David, (1833); 2ff., 31pp. 10/ CANAL DES PYRENEES destiné à achever la jonction de l'Océan à la Méditerannée. (Paris, Félix Locquin, s.d. (1832)); 42pp. Rapport de L. Galabert, avec les lois autorisant l'exécution du canal des Pyrénées. Toutes les pièces sont en bel état de fraîcheur. Volume très bien relié vers 1835."
1948réf. 006131Paris Editions du Point du jour 1948 In-4 En ff., couverture illustrée Edition originale
1512réf. 372103Paris: Philippe Pigouchet for Simon Vostre 1512. Title page printed in red and black with woodcut device of Simon Vostre; full page woodcuts of St. Jerome crucifixion old coloring. Text in gothic type in two columns ornamental initials some colored text ruled in red throughout. 15 340 28 leaves. Terminal black dd6 present. 1 vols. Folio. Modern linen conservation binding. First leaf toned ownership marks struck out early bibliopole's description in ink at bottom of title. Some minor worming at end. Very good. Title page printed in red and black with woodcut device of Simon Vostre; full page woodcuts of St. Jerome crucifixion old coloring. Text in gothic type in two columns ornamental initials some colored text ruled in red throughout. 15 340 28 leaves. Terminal black dd6 present. 1 vols. Folio. Large folio Bible printed for Simon Vostre by Philippe Pigouchet the famous printer of some of the most beautiful Books of Hours. Uncommon in institutions and in the trade. Renouard ICP II 248; Delaveau & Hillard 778 Philippe Pigouchet for Simon Vostre unknown
réf. B68262-2Paris 1947. Poster with manuscript text and portrait drawing at the center printed on salmon-colored wove stock in offset lithography. 580 x 400 mm. 22 7/8 x 15 5/8 inches. 2 cancelled taxe daffichage stamps affixed at blank portion at lower left as usual. The extremely rare graphically riveting poster for one of the most radical exhibitions in postwar France Dubuffets art brut portraits of Parisian intellectuals at the Galerie René Drouin in 1948. Initially the series was based on personalities in the literary salon of Florence Gould to which Dubuffet had been introduced by Jean Paulhan including Paulhan himself Pierre Benoit Marcel Jouhandeau and Paul Léautaud; it was then extended to include other friends and acquaintances such as Antonin Artaud Francis Ponge Henri Michaux and Jean Fautrier. Dubuffets aggressive graffiti-style caricatural portraits of 1946-47 are in part caricature in the simplest sense a mocking variant on the pantheons of artists that had become sober clichés of even radical French art as in Surrealist group portraits. But Dubuffets portraits manifest the revolt and revulsion of intellectuals: mental energy and will are now all that matter and the body can indeed must. go to hell. His writers and intellectuals are pathetic monsters their features reduced to pop-eyed scrawls their aplomb prodded into jumping-jack spasms. Yet since grotesque harshness and imbalanced disturbance are in Dubuffets view tokens of authenticity to be portrayed by him with scar-like contours and inept anatomy is perversely to be made glamorous High and Low. A few indetectible very short clean marginal tears mended on verso; a bright unfolded copy. Paris, 1947.
1783réf. 21253London. 1783. The official English printing of the the first part of the Treaties of Paris. This preliminary settlement had been a stumbling block to the general settlement of the other parties in the American Revolution and all other treaties were concluded the day after this one. It revolves mainly around questions of trade with various colonies. England's final treaty with Holland was not concluded until the following year. This is the official English edition of the preliminary articles. Small quarto. Modern half morocco and marbled boards. A very good crisp copy. SABIN 65045. hardcover
réf. 15743Paris. 1783. Variant Form of the Anglo-Spanish 1783 Treaty A French printing of the treaty between Spain and England adopted as part of the general peace of September 3 1783. Through this treaty Spain reacquired the Floridas and the Mediterranean island of Minorca while Britain retained Gibraltar and acquired the Bahamas. This printing is unrecorded so far as we can discover. It seems to have been printed for the use of the French commissioners at the time of signing and is in folio form with docket printed on the side so that it could be folded and put in a file. It probably represents a printing during the later stages of the negotiation process. OCLC locates only one institutional holding at the Library and Archives of Canada. Rare. Tall folio designed to be folded with docket title sideways on last leaf. Later marbled boards leather label. Near fine. DAVENPORT 174. OCLC 1007694637. A different printing of this treaty is recorded as: SERVIES 598. SABIN 96558. PALAU 339315. hardcover
1915réf. 5121Watercolor with colored pencil and pen and ink drawing. 9 1/8 x 10 1/2. Signed by Gaston de Latenay lower right. Framed.
1966réf. 028628Los Angeles: Felix Landau 1966. The Vienna School of Fantastic Realism was a group of artists founded in Vienna in 1946. It includes most of them were 15 at the time Ernst Fuchs Erich Now Arik Brauer Wolfgang Hutter Anton Lehmden Zeev Kun and Fritz Janschka all students of Professor Albert Paris Gütersloh at the Vienna Academy of Fine Arts. It was Gütersloh's emphasis on the techniques of the Old Masters that gave the fantastic realist painters a grounding in realism expressed with a clarity and detail some have compared to early Flemish painting combined with religious and esoteric symbolism. Older members of the group were Rudolf Hausner and Kurt Regschek. This was the first American exhibition held at Felix Landau Gallery in January of 1966. This archive from the files of Felix Landau truly demonstrates the tenacity perseverance diplomacy and sheer determination to assemble this art show into reality. Starting with the first letter from Felix Landau dated April 9 1965 to the Austrian Institute asking for addresses of the artists for the show and ending with a letter sent by Landau to Brigit Hutter on December 14 1966. The archive consists of over 350 different pieces. This includes correspondence by Felix Landau and artists involved with the exhibition. Includes shipping manifests signed by artists. Including original letters from artists Ernst Fuchs 5 ALSAutographed Letter Signed and 8 TLSTyped Letter Signed. Rudolf Hausner 2 ALS and 2 TLS. Albert Paris Gutersloh 1 ALS. Erich Brauer 1 ALS. Anton Lehmden 3 ALS. Wolfgang Hutter 1 ALS. Correspondence with media. 20 Catalogs of the show. One specially hand stiched book by legendary Los Angeles photographer Frank J. Thomas. Made to mimic the catalog of the show in size it consists of 24 original photographs documenting the show. Also included are two proof sheets with photographer's stamp. Most of the correspondence is in good to very good condition. Frank J. Thomas photography documentation has chipped clear acetate cover and foxing to lower edges. Interior and photographs are in very good condition. . Signed. First Edition. Hardcover. Good. Hardcover. Felix Landau Hardcover
réf. 16-6177Genève: F. Charnaux 1862. Folio. 38.5 x 50cm. Original printed wraps with title and 15 hand-colored lithographed plates heightened with gum arabic loose as issued in original printed wrappers; neatly and sympathetically rebacked. Preserved in a modern cloth-backed and marbled boards portfolio with ties. References: Bobins 380; Colas 2318 Hiler S. 700 - Barth 25629 - Brun II 525. OCLC Number / Unique Identifier:748854414.Charles Eugène Perron from Geneva was a graphic artist engraver enamel artisan and cartographer. After graduation at the school of applied arts in Geneva he spent several years in Russia. Later he worked in La Chaux-de-Fonds and Geneva as an enamel designer. He drew topographic maps for text books and atlases e.g. the “Nouvelle Géographie Universelle” by Reclus.Sehr seltene erste und einzige Ausgabe des prachtvollen Schweizer Uniformenwerkes. Druck der Tafeln bei Lemercier in Paris. - Gezeigt werden Dragoner Scharfschützen Infanterie Jäger sowie verschiedene Offiziers-Ränge in leuchtendem Kolorit jeweils mit hübscher Staffage. - - Ohne Titelei und Tafelverzeichnis.Prima ed unica edizione molto rara di quest'opera dedicata alle magnifiche uniformi svizzere. Le tavole delle uniformi suggestive vivaci e decorative mostrano le diverse truppe con tocchi paesaggistici. Genève: F. Charnaux, [1862] paperback
2007réf. 8001225PA: Scanuscryption 2007. 4 Volume 1774 total pages set of books on the Kennedy Assassination. Subtitled "the Kennedy coups d'etat : the end of an era an examination of the Jim Garrison investigations and the effects on the growing totalitarianism in the expanding hegemonic American empire". Book 1. The deaths in Dallas -- book 2. The masques of New Orleans -- book 3. Barren harvest -- book 4. Indices. Exceedingly scarce and well respected study on the JFK assassination. From the author's personal library. Rare -- only 7 four-volume sets listed on OCLC/Worldcat. The first three books are ex-reference library copies and virtually unread this from the librarian. The fourth index is as new. Exceedintly rare. First Edition. Soft Cover. Very Good /No Jacket - As Published. 8vo - over 7¾" - 9¾" tall. Scanuscryption Paperback
1512réf. 372103Paris: Philippe Pigouchet for Simon Vostre 1512. Title page printed in red and black with woodcut device of Simon Vostre; full page woodcuts of St. Jerome crucifixion old coloring. Text in gothic type in two columns ornamental initials some colored text ruled in red throughout. 15 340 28 leaves. Terminal black dd6 present. 1 vols. Folio. Modern linen conservation binding. First leaf toned ownership marks struck out early bibliopole's description in ink at bottom of title. Some minor worming at end. Very good. Title page printed in red and black with woodcut device of Simon Vostre; full page woodcuts of St. Jerome crucifixion old coloring. Text in gothic type in two columns ornamental initials some colored text ruled in red throughout. 15 340 28 leaves. Terminal black dd6 present. 1 vols. Folio. Large folio Bible printed for Simon Vostre by Philippe Pigouchet the famous printer of some of the most beautiful Books of Hours. Uncommon in institutions and in the trade. Renouard ICP II 248; Delaveau & Hillard 778 Philippe Pigouchet for Simon Vostre unknown books
réf. B68262-2Paris 1947. Poster with manuscript text and portrait drawing at the center printed on salmon-colored wove stock in offset lithography. 580 x 400 mm. 22 7/8 x 15 5/8 inches. 2 cancelled taxe daffichage stamps affixed at blank portion at lower left as usual. The extremely rare graphically riveting poster for one of the most radical exhibitions in postwar France Dubuffets art brut portraits of Parisian intellectuals at the Galerie René Drouin in 1948. Initially the series was based on personalities in the literary salon of Florence Gould to which Dubuffet had been introduced by Jean Paulhan including Paulhan himself Pierre Benoit Marcel Jouhandeau and Paul Léautaud; it was then extended to include other friends and acquaintances such as Antonin Artaud Francis Ponge Henri Michaux and Jean Fautrier. Dubuffets aggressive graffiti-style caricatural portraits of 1946-47 are in part caricature in the simplest sense a mocking variant on the pantheons of artists that had become sober clichés of even radical French art as in Surrealist group portraits. But Dubuffets portraits manifest the revolt and revulsion of intellectuals: mental energy and will are now all that matter and the body can indeed must. go to hell. His writers and intellectuals are pathetic monsters their features reduced to pop-eyed scrawls their aplomb prodded into jumping-jack spasms. Yet since grotesque harshness and imbalanced disturbance are in Dubuffets view tokens of authenticity to be portrayed by him with scar-like contours and inept anatomy is perversely to be made glamorous High and Low. A few indetectible very short clean marginal tears mended on verso; a bright unfolded copy. Paris, 1947. books
réf. 15743Paris. 1783. Variant Form of the Anglo-Spanish 1783 Treaty A French printing of the treaty between Spain and England adopted as part of the general peace of September 3 1783. Through this treaty Spain reacquired the Floridas and the Mediterranean island of Minorca while Britain retained Gibraltar and acquired the Bahamas. This printing is unrecorded so far as we can discover. It seems to have been printed for the use of the French commissioners at the time of signing and is in folio form with docket printed on the side so that it could be folded and put in a file. It probably represents a printing during the later stages of the negotiation process. OCLC locates only one institutional holding at the Library and Archives of Canada. Rare. Tall folio designed to be folded with docket title sideways on last leaf. Later marbled boards leather label. Near fine. DAVENPORT 174. OCLC 1007694637. A different printing of this treaty is recorded as: SERVIES 598. SABIN 96558. PALAU 339315. hardcover books
1783réf. 21253London. 1783. The official English printing of the the first part of the Treaties of Paris. This preliminary settlement had been a stumbling block to the general settlement of the other parties in the American Revolution and all other treaties were concluded the day after this one. It revolves mainly around questions of trade with various colonies. England's final treaty with Holland was not concluded until the following year. This is the official English edition of the preliminary articles. Small quarto. Modern half morocco and marbled boards. A very good crisp copy. SABIN 65045. hardcover books
1915réf. 5121Watercolor with colored pencil and pen and ink drawing. 9 1/8 x 10 1/2. Signed by Gaston de Latenay lower right. Framed. books
1776réf. 25395versailles 1776 un Parchemin ORIGINAL de 32 pages, format : 32 x 24,5 cm, manuscrit à l'encre brune sur velin, signature manuscrite de AMELOT DE CHAILLOU, Antoine-Jean - Secrétaire d'État de la Maison du Roi LOUIS XVI + signature manuscrite (illisible) de Louis Jean BERTIER DE SAUVIGNY, Intendant de la Généralité de Paris, fait au Conseil d'Etat du Roy, sa Majesté y étant, à Versailles, le 21 Juillet 1776, [signature manuscrite à l'encre brune de Pierre Faron Benoît GUERRIER DE BEZANCE, Maitre des requêtes de lHôtel du Roi, Procureur général de la Commission des péages à Paris, en dernière page en bas à gauche] + Un Parchemin ORIGINAL de 4 pages, format : 32 x 24,5 cm, manuscrit à l'encre brune sur velin, signature manuscrite de AMELOT DE CHAILLOU, Antoine-Jean - Secrétaire d'État de la Maison du Roi LOUIS XVI + signature manuscrite (illisible) de Louis Jean BERTIER DE SAUVIGNY, Intendant de la Généralité de Paris, fait au Conseil d'Etat du Roy, sa Majesté y étant, à Versailles, le 17 Mars 1777,[signature manuscrite à l'encre brune de Pierre Faron Benoît GUERRIER DE BEZANCE, Maitre des requêtes de lHôtel du Roi, Procureur général de la Commission des péages à Paris, en dernière page en bas à gauche] + JOINT : LETTRE ORIGINALE DE LOUIS XVI, Roi de France, format : 19,5 x 38,5 cm, lettre manuscrite à l'encre brune du Roi au Conseiller d'Etat intendant et commissaire départi pour l'exécution de nos ordres en la Généralité de Paris lui en joignant de tenir la main à l'exécution de l'ARRET joint, lettre signée AMELOT DE CHAILLOU, Antoine-Jean (1732-1795), Secrétaire d'État de la Maison du Roi et signée par le ROI LOUIS XVI,[signature manuscrite au dos de la lettre à l'encre brune de Pierre Faron Benoît GUERRIER DE BEZANCE, Maitre des requêtes de lHôtel du Roi, Procureur général de la Commission des péages à Paris], fait à Versailles, le 17 Mars 1777,
1970réf. 011169Paris Maeght 1970 In-2 En feuilles, couverture illustrée Edition originale Dédicacé par l'illustrateur
réf. 1cb23in folio reliure à coins moderne, titres et filets dorés, plats marbrés. Pas de page de titre, mais page de dédicace à Monsieur de Prony
réf. 38176Paris: Techener 1833-48. 8 Works in 12 vols. 8vo 187 x 110 mm printed on fine laid paper wide margins limited edition finely bound in contemporary full crushed red morocco by Kofhler marbled endpapers inner dentelles and edges tooled in gilt boards with thin triple fillet gilt border five raised bands to spine 2 compartments gilt lettered direct others gilt tooled extra all edges gilt a couple of spines with minor scuffs otherwise an excellent set. 1. Li romans de Berte aus grans Piés. 1836. Second edition one of 200 copies. 2. Li romans de Garin le Loherain. 1833. 2 vols. 400 copies facsimile plate. 3. Li Romans de Parise la Duchesse. 1836. 420 copies. 4. La Chanson des Saxons. 1839. 2 vols. 420 copies. 5. Li romans de Raoul de Cambrai. 1840. 420 copies facsimile plate. 6. La chevalerie Ogier de Danemarche. 1842. 2 vols. 420 copies 2 facsimile plates. 7. Le Romancero François. 1833. 420 copies. 8. La chanson d'Antioche. 1848. 2 vols. 420 copies. Provenance: From the library of Charles Butler 1821-1910 Warren Wood in Hatfield Hertfordshire. Vicaire VI 1185. Paris: Techener, 1833-48 hardcover
1937réf. 103525S.n.l. 1937 In-folio à l’italienne 26 x 34 cm. Album reliure demi-chagrin brun, dos à nerfs muet, report du titre doré sur le premier plat, non paginé [65] pp., 304 photographies 7 x 11,5 cm non légendées en noir & blanc, tirées sur papier argentique brillant, montées sur coins, non légendées. Reliure légèrement frottée, intérieur d’une grande fraîcheur.
1756réf. 129305Guillaume Desprez 1756 In-folio 40 cm x 27 cm, veau porphyre, triple filet dore et grandes fleurs de lis aux angles, dos orne de meme, tranches marbrees Reliure de l'époque,, XII- 104 pp. Titre imprimé en rouge et en noir. Frontispice gravé par Cochin d’après Cazes, 2 vignettes par Dulin gravées par le même, deux lettrines et 107 planches dont 31 à double page, gravees par Cochin, Lucas et Herisset d'après les dessins de Mansart, Cotte, Maler, Coypel, de la Fosse et Jouvenet.
1860réf. 44546, , [1860-1861]. Dessin et rehauts de lavis aquarellés d'époque, replié et entoilé (144 x 107,5 cm).
1830réf. 44487, , 1830 ca. 20 planches entoilées et assemblées mesurant 7,3 x 30 (à 33) cm chacune, veau blond, titre frappé sur le premier plat (reliure du XIXe siècle).
réf. 235800[Paris], Imprimerie de Lottin l'aîné, & Lottin de St-Germain, , 1789 2 parties en un vol. in-8, 126 pp., 66 pp., demi-basane fauve, dos lisse orné de chaînettes dorées, plats cartonnés roses, tranches vertes (reliure de l'époque).
