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1889Very Good Turkish, Ottoman (1500-1928) Paperback. Pages are untrimmed and not opened. 12mo. (17 x 12 cm). In Ottoman script. 151 p. Hegira-Hijri: 1306 = Gregorian: 1889. Yirmisekiz Mehmed Çelebi Efendi (died 1732), also Mehmed Efendi (sometimes spelled Mehemet Effendi in France), was an Ottoman statesman who was delegated as ambassador by the Sultan Ahmed III to Louis XV's France in 1720. He is remembered for his account of his embassy mission (a sefâretnâme, 'book of embassy'). Yirmisekiz Mehmed Çelebi was born in Edirne to a family of Georgian descent. His date of birth is unknown. He is the son of an officer in the Janissary corps, Süleyman Aga, who died during a campaign to Pécs. Mehmed Çelebi himself was enrolled in the Janissary corps, and since he had served in the 28th battalion ("orta" in Janissary terminology) of the corps, he came to be known with the nickname Yirmisekiz ("twenty-eight" in Turkish) for his entire life. His descendants, including his son who became a grand vizier, also carried the name in the form of Yirmisekizzade ('son of twenty-eight'). He rose through the military hierarchy and then oriented his career to the service of the finances of the state, as superintendent for the Ottoman mint first, and as chief imperial accountant (defterdar) by the reign of Ahmed III. In 1720, while in that position, he was assigned as Ottoman ambassador to Louis XV's France and sent to Paris. His embassy of eleven months was notable for being the first ever foreign representation of a permanent nature for the Ottoman Empire. On his return to the Ottoman capital, Mehmed Çelebi presented his contacts, experiences and observations to the Sultan in the form of a book. His sefâretnâme is one of the most important examples of the homonymous genre, both for its literary merits and in terms of the insights it provides on his time and environment. He describes his journey to France, the 40-days quarantine in Toulon for fear of plague, his journey through Bordeaux towards Paris, his reception by Louis XV, the ceremonies and the social events to which he participated, notably a night at the theatre, places of interest in Paris, the curiosity with which he examines the Western culture and the curiosity he aroused among his Western interlocutors, for instance his days of fasting in Ramadan becoming a reason for public gathering for curious Parisian women. Aside from setting the pace and nature of the long-term trend of Westernization in the Ottoman Empire, his embassy also had immediate repercussions in the Ottoman Empire, notably in the form of the first printing house managed by Ibrahim Müteferrika, a Hungarian convert, which published books in Turkish, having been opened in the same year of 1720 as a direct consequence of Mehmed Çelebi's mission in Paris, and under the personal protection and auspices of his son Yirmisekizzade Mehmed Said Pasha, later grand vizier. Constantinople's renowned Sadabad Gardens, one of the symbols of the Tulip Era were also largely inspired by the gardening techniques used in Tuileries Palace, described in length by the author/ambassador. His book was translated into French in 1757 and also into other Western languages afterwards. (Source: Wikipedia). Özege 17660. Koray 1870. Second Edition. Rare.
2020rif. x-8193926943Tulika Books 2020. Hardcover. New. 341 pages. 9.75x6.50x1.00 inches. Tulika Books hardcover
rif. 1526Paris, Editions littéraires de france, 1941; in-8, 154 pp., broché. - Envoi de l'auteur- tres belles illustrations de Ralph Soupault gouachées exemplaire no 165 sur 190 sur pur chiffon de rives
197040pp.introduction in english + facsimile-edition (in french): [A-N4 O2 a-b4 c2 A-G4 A-B4 CI] 194pp. with illustrations in bl/w of which some folding, editor's hardcover binding in cloth, illustrated dustwrapper, 24cm., fine condition, in the series "Renaissance Triumphs and Magnificences", G43298
1970rif. G43298Amsterdam-New York, Theatrum Orbis Terrarum ltd- Johnson Reprint corporation s.d. [1970's] 40pp.introduction in english + facsimile-edition (in french): [A-N4 O2 a-b4 c2 A-G4 A-B4 CI] 194pp. with illustrations in bl/w of which some folding, editor's hardcover binding in cloth, illustrated dustwrapper, 24cm., fine condition, in the series "Renaissance Triumphs and Magnificences", G43298
1983rif. 012423Paris Arts et Métiers Graphiques - Flammarion 1983 In-4 Cartonnage toilé et jaquette illustrés
2004rif. LFA-126750201Un ouvrage de 271 pages, format 245 x 325 mm, illustré, relié cartonnage couleurs, publié en 2004, Editions Acanthe, bon état
2006rif. LFA012ecUn ouvrage de 200 pages, format 170 x 225 mm, très bien illustré, broché couverture couleurs, publié en 2006, Editions Acanthe
1988rif. 45138Köln, DuMont Buchverlag, 1988.
1986rif. LFA-126721259Un ouvrage de 175 pages, format 265 x 320 mm, illustré, relié cartonnage sous jaquette couleurs, publié en 1986, Editions du Chêne, bon état
2003rif. LFA-126745042Un ouvrage de 96 pages, format 215 x 130 mm, illustré, relié cartonnage couleurs, publié en 2003, Editions du Chêne, bon état
rif. 73889Editions du Chêne 2001 livre étude / photographies 32*26 180 pages
2013rif. 7262013 - cartonné - Galerie Paris Beijing - 2013 - In-4 format carré (29 x 29 cm) cartonnage illustrée - 198 pages - Nombreuses photographies en noir et blanc dont quelques unes dépliantes - ISBN : 9791090176485 - SOMMAIRE : Phantom Landscape - On the Quiet Water - Heavenly City - Viridescence - Snow City - Artificial Wonderland - The Peach Blossom Colony - The Silent Valey - Moonlight - A Bowl of Taipei - Biography - Ouvrage en anglais
1947rif. 114193Paris, Georges Girard 1947 In-8 23,5 x 18,5 cm. Broché, couverture beige rempliée, auteur et en noir et rouge sur le dos et le premier plat orné d’une vignette, 186 pp., 31 illustrations hors texte dont le frontispice, table de illustrations, table des matières. Ouvrage tiré à 250 exemplaires sur papier du Marais. Celui-ci, N 236 sans la suite de gravures.
1933rif. 30231933 broché grand in-octavo (paperback in-octavo), dos et couverture marrons clairs imprimés (brown spine and cover printed) - petit accroc en bas du dos (small tear in bottomof the spine), première de couverture ornée d'une petite illustration en couleurs en cul-de-lampe (front cover illuminated with small in colours illustration in tailpiece), gouttière - long papier avec de légères rousseurs (fore-edge - great paper with small redness marks), tirage limité à 700 exemplaires - 1 des 500 exemplaires sur papier Alfa (limited edition - 700 copies were printed), illustrations : 1 portrait de l'auteur en frontispice par Modigliani - illustrations hors-texte et 1 plan noir replié in fine du quartier Montmartre (frontispiece portrait of the autor by Modigliani - illustrations full page engraving and at rear 1 folding plan of Montmartre district), naissances de rousseurs (beginning of the redness marks), 192 pages, 1933 à Paris Editions Tallandier,
1933rif. 012278PARIS EDITIONS TALLANDIER 1933 Un volume grand in-8 broché de 190 pages non coupées , préface de Francis CARCO , bien complet du plan dépliant in-fine , ENVOI , la couverture est défraîchie , quelques rousseurs , assez bon à bon exemplaire . Assez bon Couverture souple
rif. 34454Préface de F. Carco. P. Tallandier 1955. In-8, 190 pages. Demi chagrin prune, dos à plusieurs nerfs, premier plat conservé.
rif. 19937Paris, Editions Tallandier, 1933. Grand in-8, format oblong, couverture imprimée et illustrée d'une vignette, 192 pp avec index des noms cités et en fin d'ouvrage un grand plan remplié pour visiter le vieux village de Montmartre. Une planche en frontispice portrait de l'auteur (crayon par Modigliani).
rif. 233319Paris, Editions le vieux Montmartre, 1981 in-8, 199 pp., ill. in-t., broché.
1949rif. 85516Tallandier 1949 In-8. Broché, couverture imprimée, 186 pp., 23 gravures hors texte, 1 plan replié de Montmartre in fine.
1949rif. 118311949 P., Tallandier, 1949 In-8, broché, couv. ill 188 pp.illustrées (en frontispice un portrait de l'auteur par Modigliani, plan de Montmartre, dépliant in fine.exemplaire enrichi d'un envoi autographe
rif. Z32205RELIE SOUS SA JAQUETTE PAPIER .
1938rif. 216251938 P.1938, Cahiers grand in-4° broché, couverture en couleurs, nombreuses illustrations, 51 pages. Textes de Pierre Courthion, Kurt Seligman, Miro, Zadkine, R. Desnos, etc. Dessins de Man Ray, Hans Arp. Lithographie en couleurs : image populaire cinghalaise.One colour lithography ; '' Image Cinghalaise ''. Contains articles by Man Ray (on photography) and Juan Miro.
1997rif. 110296Editions Schudel 1997 In-4 relié 27,8 cm sur 24. 123 pages. Jaquette en bon état. Bon état d’occasion.
rif. 14169Paris, 1974 Geuthner 490 p., figures N/B, broché. 16 x 23,5