49 075 résultats
réf. CZC-11739Images de Montmartre. Pointes sèches de Charles Samson. In-8, en feuilles, couverture imprimée (emboîtage de l'éditeur),sous couverture rempliée, de format 25 x 17 cm, chemise et étui carton, non paginé, environ 50 pages. Edition originale, illustrée de 12 pointes sèches originales hors texte de Charles Samson. Exemplaire numéroté sur vélin de Rives. Paris, Les Heures Claires, sans date.1950
réf. CZC-11739Images de Montmartre. Pointes sèches de Charles Samson. In-8, en feuilles, couverture imprimée (emboîtage de l'éditeur),sous couverture rempliée, de format 25 x 17 cm, chemise et étui carton, non paginé, environ 50 pages. Edition originale, illustrée de 12 pointes sèches originales hors texte de Charles Samson. Exemplaire numéroté sur vélin de Rives. Paris, Les Heures Claires, sans date.1950
réf. ria9780631144694_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Covering the ten centuries following the fall of Rome War in the Middle Ages engages all aspects of its subject including the military customs and conditions of the various Western European states; armor and weaponry recruitment; and paperback
1975réf. ST-0084Rostock (VEB Hinstorff Verlag) 1975 (= Erste Auflage). 8°, Originalleinen mit illustriertem Orginalumschlag (Hardcover), 418 S., 1
1952réf. 6213Zürich, Werner Classen Verlag, 1952. 8°, 111 S. OU min. berieben, sonst gutes Ex., Leinen
18341 vol. in-8 reliure demi-chagrin tranches dorées, Published for the proprietor by Longman, Rees, Orme, Brown, Green, and Longman, Rittner & Gaupil, and A. Asher, London, 1834, 256 pp. Bon état (dos très lég. frotté, infimes trous en mors, bon exemplaire par ailleurs). Good (spine slightly rubbed, tiny wormhole on spine, otherwise a VG copy). Anglais
1834réf. 569961 vol. in-8 reliure demi-chagrin tranches dorées, Published for the proprietor by Longman, Rees, Orme, Brown, Green, and Longman, Rittner & Gaupil, and A. Asher, London, 1834, 256 pp.
1964réf. 81414ABHeidelberg u. Darmstadt, Lambert Schneider 1964. Gr.-8°. 266, (6) S., OLwd. mit OUmschl. (dieser am Rücken nur minim. nachgedunkelt). Sonst tadellos. EA WG² 23. OLwd. mit OUmschl. (dieser am Rücken nur minim. nachgedunkelt). Sonst tadellos. EA WG² 23.
1964réf. 024361Heidelberg, Darmstadt., Verlag Lambert Schneider., 1964. Mit einem Nachwort von Wilhelm Willige. 266S. Eine Veröffentlichung der Deutschen Akademie für Sprache und Dichtung, Darmstadt. Guter Zustand. 8°. OLeinen.
1964réf. 59666BBHeidelberg/Darmstadt:, L. Schneider, 1964. Gr.-8°. 266 S., Leinen (Schutzumschlag mit Randläsuren; sonst gut erhalten) (=Veröffentlichungen der Deutschen Akademie für Sprache und Dichtung, Darmstadt ; 32)
1879réf. 98638ABBerlin, Paetel, 1879. 4. Aufl. 5, 216 S. Marmor. Hlwd. d. Zt. m. Rt. - Gutes Ex. 4
réf. B43263-2Paris 1984. 16pp. 12 illus. Sm. folio. Orig. wraps. Contents loose as issued. Paris, 1984. paperback books
2009Mm 145x240 Brossura originale, 846 pagine di testo in lingua francese - french text. Opera in eccellente condizione ovvero mai letta. Spedizione in 24 ore dalla conferma dell'ordine.
1994réf. 1122964Paris : BPI, Ed. du Centre Pompidou, 1994. 40 S. Mit zahlr. Abb. Geheftet.
2007réf. 119717Cerf Passages 2007 Cerf, Coll. Passages, 2007, 1033 p., broché, environ 24x15cm. Un pli de lecture sur le dos, bon état et intérieur bien propre.
1928réf. SPN-461Paris : Eugène Figuière, 1928. 89 pages (portrait photographié de Figuière en début d'ouvrage + meilleures pensées de Walt Whitman, recueillies et traduites par Ary René d'Yvermont). Annotation manuscrite et signée à l'encre en 2e de couverture : "acquis par Mr Delepine Raphaël père à Mr Figuière Directeur août 1928". Plaquette 14x20.
1977réf. 1212051Thames and Hudson; London, 1977. XVI; 142 Seiten; durchgehend illustr. (auch farbig); 28 cm; kart.
1977Gutes Exemplar; der farb. illustr. Einband stw. minimal berieben. - Vorwort von Herb Lubalin. - Englisch. - Deidi von Schaewen (* 1941 in Berlin) ist eine deutsche Architekturfotografin und Kamerafrau ... (wiki) // INHALT / Städte: ... Paris and suburb, 1974-1975 ---- Berlin-Neukölln, 1965 ---- Barcelona, calle de Pelayo, 1967 ---- Belgium, near Liege, 1974 ---- Berlin-Charlottenburg, Spreekanal, 1965 ---- Berlin-Charlottenburg, Augsburgerstrasse, 1968 ---- Berlin-Reinickendorf, 1965 ---- Berlin-Pankow, 1964 ---- Berlin-Schöneberg, Langenscheidstrasse, 1962 (my first photograph of a wall) ---- France, Montelimar, 1965 ---- Paris, Rueil-Malmaison, 1973 ---- London, West Hampstead, 1975 ---- France, Dole, 1975 Spain, 1964 ---- South of France, near Nimes, 1964 ---- London, 1975 ---- Paris, Les Halles, 1972 ---- New York, Soho, Prince Street, 1970 ---- New York, Chelsea, 1969 ---- New York, Chinatown, 1970 ---- New York, Chelsea, 1971 ---- New York, Soho, 1970 -71 ---- Barcelona, Barrio Chino, 1968 ---- Jamaica, near Port Antonio, 1971 ---- Paris, rue de Toqueville, 1976 ---- France, Verdun, 1973 ---- Paris and suburbs, 1973-1975 ---- Paris and suburbs, 1972-1975 ---- Paris, rue du Depart, 1974 ---- Paris, Belleville, detail of photograph 1972 ---- Paris, Kremlin Bicetre, 15 avenue de Fontainebleau, 1973 -- (u.v.a.) // Famous buildings are most people's landmarks. Mine are walls: they are my inner map. Any wall interests me for its intrinsic quality: be it traces, different materials, lettering, advertising, people's idiosyncrasies, decoration, destruction. I always know where the walls are, or where they stood whenever they have been destroyed or painted over. The early publicity was gigantic in scale and gave color to the streets; the inscriptions made dull facades come alive. The walls in the book are all houses' walls-not enclosing walls, not separating walls, like those of prisons or the Berlin Wall. My interest lies in architecture, environment, painting, graphic design, as well as photography. Memory: I don't remember Berlin from my childhood. I left it at the age of two, during the war, and grew up in the country. But my favorite pastime was drawing "cuts" of houses with the life going on inside exposed. Maybe I did remember. First picture of a wall: 1962. While a student at the Hochschule fur Bildende Künste and painting in Berlin, I was watching a friend in the darkroom, and the growth of a photographic print out of nothing fascinated me so much that I decided then and there to start photography. … (VII) ISBN 050027102X
1988réf. 19684Salt Lake City, Peregrine Smith Books, 1988. With many pictures.143 S. Gr.-8°, Kt. Gut erhalten.
réf. 20319Paris, 2016 Paris Musées 224 p., 120 illustrations, broché. 21 x 30
1883réf. 63180steel engraving. RARE view from 'Album pittoresque d'un voyage autour du monde exécuté par ordre du gouvernement français…' Picturesque Album of a Voyage Around the World Executed by Order of the French Government. Gravures dessinées par L'Amiral Paris. Engravings drawn by Admiral Paris. The circumnavigation by Admiral Paris in the 'Artémis' took place between 1837 and 1840. The engravings from the original drawings after Laplace and others include a wonderful view of Manila a picturesque Honolulu a chillingly grim view of the penal colony at Port Arthur Van Diemen's Land /Tasmania; and the 'Artémis' run aground at Papeete Tahiti; The introductory text by Henricy places each engraving in the context of the route taken by the 'Artémis' which visited Sydney as well as Hobart. A luxurious large paper reissue of the finely engraved illustrations originally published in the Laplace edition of 1841. Forbes writes: "This is a deluxe limited edition evidently assembled with the aid of Edmond Paris who had become a distinguished admiral. Some authorities consider the plates better printed in this edition than in the Laplace text. It has always been a very difficult work to obtain and is found in surprisingly few collections of Pacific voyages". Condition: cleaned large paper wide margins very good condition. Reference: Forbes 3535; du Rietz 553; Not in Hill. book only Admiral Paris (Imprimerie de Ch. Noblet), Paris.
1979réf. 34611979 Paris , Francis van de Velde , 1979 , in-8 , broché , 255 pages , bibliographie
réf. 14662Broché 15 x 23 -721 à 958 pp - année 1932 n° 16 - Editeurs Calmann-Lévy Paris
1940réf. 66952Zürich, Schweizer Druck- und Verlagshaus, 1940, 7.-10. Tausend. Leinen, gebunden; rehbrauner, dunkelbraun geprägter, illustrierter Einband, Farbkopfschnitt, mit illustriertem Schutzumschlag / Anz. Seiten: 259 / 14 x 19,5 cm / mit 15 Schwarzweisstafeln / Zustand: gut, leichte bis mässige Gebrauchsspuren; Einband geringfügig berieben und minim fleckig, oberes Kapital leicht bestossen, Papier etwas gebräunt, einzelne Seiten minim fleckig, Schnitt mässig gebräunt und gering fleckig, Vorsätze leicht fleckig
réf. 26923Printed 3 Pembridge Crescent W. 18 September 1915 Ist World War. One Page 4to fold marks staining small closed tears but text clear and complete as follows: "All right since you take the risk I will speak on the 7th October on 'MODERN FRANCE' and on Friday the 8th. October on 'THE MODERN NOVEL.' I do not know the times and places of the lectures and shall be obliged if in due course you will tell me at what time you wish me to arrive at Leeds on Thursday 7th October and where I am to go to when I arrive. I presume that at this working-class meeting I am to wear morning dress but am I to do that too at the Arts Club I do not care either way.subscription and signature". [Printed] 3 Pembridge Crescent, W., 18 September 1915 [Ist World War] unknown