1760Best.-Nr. LBW-425Paris, Charpentier, [circa 1760]. 340 x 510 mm.
Best.-Nr. 8587pris du quay de Miramion.Eau-forte originale en couleurdu XVIIIème siècle.431x265mm à la cuvette.510x340mm avec marge.Belle épreuve
1863Best.-Nr. 116971863 Paris, Librairie Internationale, A. Lacroix, Verboeckhoven & Cie, Editeurs, 1863; in-18 broché de 336pp. Couverture gris pâle imprimée en noir sur les plats et le dos. Ex-libris étiquette ornée " Bibliotheca Caproni Vizzola".
1996Best.-Nr. 400205963Parigramme 1996 1996.
1926Best.-Nr. 005031Paris Editions des Quatre chemins 1926 In-8 En feuilles, couverture Edition originale
Best.-Nr. 19185Figure majeure de l’histoire de l’art, Diego Velázquez (1599- 1660) est sans conteste le plus célèbre des peintres de l’âge d’or espagnol. L’exposition met son oeuvre en dialogue avec de nombreuses toiles d’artistes de son temps qu’il a pu connaître, admirer ou influencer. Elle se penche également sur la question des variations de styles et de sujets dans les premières compositions de Velázquez, le passage entre naturalisme et caravagisme, ainsi que son égale habileté à exécuter paysages, portraits et peintures d’histoire. Paris, 2015 RMN 408 p., illustrations couleur, relié. 25 x 30
Best.-Nr. 19186« Velázquez L'Expo , c'est toute l'exposition, rien que l'exposition. Plus de 170 œuvres et leurs cartels, les panneaux pédagogiques, l'intégralité de ce que vous allez voir, de ce que vous avez vu, votre visite à l'identique. Un ticket à durée illimitée pour que l'exposition temporaire devienne votre collection permanente. Paris, 2015 RMN 280 p., illustrations couleur, broché. 20 x 15
Best.-Nr. 101251 P., 1954, in-folio, br., nombreuses illustrations en noir et couleurs, en feuillets, sous étui demi-toile verte, sur-étui cart. vert.
Best.-Nr. 225879Paris, 1861 in-8 à l'italienne, un feuillet. Partie haute de la facture (complète) conservée.
1989Best.-Nr. SPN-465Paris : Musée du Montparnasse/Éditions Arcana, 2012. Broché 32x24 cm à couverture illustrée et rabats rempliés et renseignés, 2 parties : satires en noir et peintures en couleurs, biographie et liste sélective des expositions, Maxim Kantor dans les collections publiques, texte bilingue français/anglais.
1900Carnet. 20x13 cm.
français Paris, ND. Phot., sans date (vers 1900). Ensemble de 36 héliographies montées sur onglet; cartonnage rouge décoré or de l'éditeur. Bon état.
Best.-Nr. 86967BBN D phot. Gr.-8°. Leporello mit 18 Farbabbildungen, Leinen Einband mit leichten Gebrauchsspuren;
1850Veduta presa da un dagherrotipo
1900Paris, s.e., s.d. (vers 1900); 310/460 mm, 1 pp., une feuille. Vue coloriée d'époque et encadrée. Bon état.
1850Veduta presa da un dagherrotipo
1730Best.-Nr. 910866CGParis:, [um 1730]. Kupferstich 34 x 50 cm, Blattgröße 45 x 59 cm.
1730Best.-Nr. 910867CGParis:, [um 1730]. Kupferstich 34 x 50 cm, Blattgröße 45 x 59 cm.
1850Veduta presa da un dagherrotipo
1820Pregevole veduta, antica ed originale, della città di Parigi animata in primo piano dalla presenza di numerosi personaggi e dal passaggio della "Messagerie". Raffinata incisione al tratto rifinita da una vivida coloritura coeva all'acqurello. Restauro professionale a strappo nel margine inferiore, quasi impercettibile. Macchia di gora nel margine sinistro che non compromette l'ottimo stato di conservazione generale.
Best.-Nr. 2n1831um 1840. Blattmaß: 357 cm x 28 cm leicht fleckig. - Fondée en 1776 et réédifiée par E Fouche Le Pelletier Gegründet im Jahre 1776 und wieder aufgebaut von Fouche E Pelletier - unknown
Best.-Nr. RGW20540Tinted lithograph printed by Jules Rigo et Cie a little foxing in surround unknown
1700Best.-Nr. 200060AG1700. Paris Jacques Chereau c.1700s. Original hand-coloured engraved vue d'optique. Plate Size: 39.3 cm x 28.5 cm. Sheet Size: 41.5 cm x 29.7 cm. Original print. In very good condition. Clean crisp and bright impression. A beautifully coloured vue d'optique of 18th Century Paris. A beautiful original hand-coloured copperplate engraving that shows a view of The Paris Observatory and the College des Jesuits on the left bank of the Seine. In the foreground people are shown out strolling and conversing. Below the printed area is the title and the following address of the publisher in French: "A Paris chez J. Chereau rue St. Jacques au dessus de la Fontaine St. Severin aux 2 Colonnes No. 257." Jacques Chéreau 1688 - 1776 was a portrait engraver printmaker and publisher of optical prints in a neighbourhood of printmakers at the Rue Saint-Jacques variously given on prints as "au Grand St. Remy" "au Coq" or "au dessus de la Fontaine St. Severin" in Paris France. From about 1740 to about 1820 optical prints also called "vue optique" or "vue d'optique" prints were made to be viewed through a Zograscope or other devices of convex lens and mirror all of which produced optical illusion of depth. Intaglio optical prints have exaggerated converging lines and bright hand-colours which contribute to the illusion of depth. Typically the legends of optical prints have reversed words along the top edge as those would be seen though the scope but words on the bottom of the prints are normal. Jacques and his brother were considered some of the most prolific publishers of prints in Paris. Subjects include current events views of the known world and fantasy compositions. Wikipedia unknown
1883Best.-Nr. 63184steel engraving. RARE view from 'Album pittoresque d'un voyage autour du monde exécuté par ordre du gouvernement français…' Picturesque Album of a Voyage Around the World Executed by Order of the French Government. Gravures dessinées par L'Amiral Paris. Engravings drawn by Admiral Paris. The circumnavigation by Admiral Paris in the 'Artémis' took place between 1837 and 1840. The engravings from the original drawings after Laplace and others include a wonderful view of Manila a picturesque Honolulu a chillingly grim view of the penal colony at Port Arthur Van Diemen's Land /Tasmania; and the 'Artémis' run aground at Papeete Tahiti; The introductory text by Henricy places each engraving in the context of the route taken by the 'Artémis' which visited Sydney as well as Hobart. A luxurious large paper reissue of the finely engraved illustrations originally published in the Laplace edition of 1841. Forbes writes: "This is a deluxe limited edition evidently assembled with the aid of Edmond Paris who had become a distinguished admiral. Some authorities consider the plates better printed in this edition than in the Laplace text. It has always been a very difficult work to obtain and is found in surprisingly few collections of Pacific voyages". Condition: cleaned large paper wide margins very good condition. Reference: Forbes 3535; du Rietz 553; Not in Hill book only Admiral Paris (Imprimerie de Ch. Noblet), Paris.
1835Best.-Nr. 63963aquatint RARE view from 'Voyage Autour du Monde par les Mers de l'Inde et de la Chine de La Corvette de Sa Majesté La Favorite exécuté pendant les années 1830 1831 1832 pl. 2 sketched by Francois-Edmond Paris engraved by Sigismond Himely and under the direction of Louis Auguste de Sainson with Arthus Bertrand editeur. "La Favorite" was one of several ships sent out by the France in the 1820/1830s to compete with similar expeditions by other countries. These were voyages with political/territorial objectives via commercial diplomatic scientific and artistic means intending to expand French influence particularly in Southeast Asia to counter British interests. Barthelemy Lauvergne 1805-1871 was a French painter maritime and landscape artist active in the mid 19th C. He accompanied the French naval officer Jules Sebastien Cesar Dumont d'Urville 1790-1842 onboard the L'Astrolabe 1826-1829 Cyrille Pierre Theodore Laplace 1793-1875 on La Favorite 1830-1832 and Auguste-Nicolas Vaillant 1793-1858 on La Bonite 1836-1837. Sigismond Himely 1801-1872 was a mid 19th C. Swiss painter viewmaker acquaint engraver active in Paris known for his excellent aquatints. Louis Auguste de Sainson 1800-1877 was a French artist lithographer and engraver. He worked as a draughtsman on the Astrolabe in its circumnavigation of the globe in 1826-1829 and then spent almost 5 years to create the prints for the publication of its expedition narrative. Reference: Sabin 38985 Bosch 405 Borba de Moraes 458 Hill Coll. 175 Ferguson 1669 Cordier BS 2110 Nissen ZBI 2383. Condition: minor foxing on margins not affecting plate. Libraire de la Société de Géographie in Paris.
