Vue d’optiqueLivre Rare Book
50.837 risultati
rif. 8631Eau-forte du XVIIIème siècle, en couleurs, vers 1760. 410x285mm 490x340mm. Chez Lachaussée-Daumont-Basset Paris.
rif. 8859P., Huquier,, (fin du XVIIIème). (Petit trou de ver).
rif. 8868P., Daumont, (1759).
rif. 8852P., Maillet, (fin du XVIIIème).
rif. 7981P., Daumont, SD (fin XVIIIème). Gravure d’Eglise collée au dos, pliée, petite fente marginale.
rif. 8846P., chez Daumont, (fin du XVIIIème).
rif. 8847P., chez Daumont, (fin du XVIIIème).
1810rif. 27436Paris Ve Turgis 1810 gravure couleur sur papier vergé . Format total : 28 centimètres de haut par 41 centimètres de large, sans date (1810) A Paris : chez Ve Turgis, rue St Jacques, N° 16, Editeur,
rif. 8867P., Beauvais, (fin du XVIIIème). (Deux petits trous de ver).
1850Veduta presa da un dagherrotipo
1840rif. 114424A Paris: chez Basset rue St Jacques 64. Very Good- with no dust jacket. 1840. Unknown. Softcover. Hand coloured engraving. Image VG - blank margins have a some faults. NO date but possibly between around 1840 and given the 'Dembour et Gangel' note on the print see later likely a later impression of a late 18th Century print . Additional printed caption "VUE DU CHATEAU DE St CLOUD PRES DE PARIS" inverted mirror image on the upper margin. Paper very lightly marked and quite creased and 'rolled' to the edges with quite a lot of closed tears - no loss neatly repaired with archive tape to the reverse to those broad blank margins otherwise a very good engraving. This interesting prospective view most likely prepared for a 'peep box'. "Vue Optique" Vue d'Optique or perspective view/optical view refers to a genre of etching popular during the second half of the 18th century and well into the 19th. Such 'Vues' were specifically developed to provide the illusion of depth when viewed through a zograscope also known as an "optical diagonal machine" or viewers with similar functions. Optical viewers were generally popular with well-to-do European families in the late 18th and early 19th centuries. This print has the Publisher as 'A Paris chez Basset rue St Jacques 64' at the left hand side of the print under the main Title and "Dembour et Gangel editeurs a Metz Moselle. Depose" on the right hand side under the main Title. Other than those mentioned above there are no other publication details or text on this print. Paul Andre Basset was a Paris print publisher printseller wallpaper manufacturer and the son of André Basset. He married in 1787 and was very active during the revolutionary period. He was situated in Paris at rue Saint Jacques no.64 where his firm remained until at least 1885. Dembour and Gangel were also Publishers and Printer manufacturers. Associated from 1840 to 1852. The Image alone without the broad borders measures 15.25" x 9. 85 " 38. 7 cm x 25 cm . See Images ; Oblong Folio 13" - 23" tall . chez Basset, rue St Jacques 64, paperback
rif. ORD-20003Ca 284 x 200 nn à la cuvette sur feuille de 435 x 300 mm. Vue de 270 x 165 mm. Quelques minuscules rousseurs dont 3 ont un peu touché la gravure, sinon bon état. Photo sur demande.
rif. vue_opt_029.jpegVue d'Optique du dix-huitième siècle
1809rif. 274131809 Eau-forte- juin 1809 - Dimensions - Coup de planche: Hauteur : 23.5 cmx Largeur : 28.6 cmDimensions - Oeuvre: Hauteur : 25.2 cmx Légende - Au centre sous l'eau forte : "VUE DU BASSIN DU NOUVEAU CANAL DE L'OURQ / PRISE SUR LE PREMIER PONT A BASCULE / en face de la Rotonde et de la Barrière de la Villette." Signature - Sous l'eau forte à gauche : "Toussaint del". Signature - Sous l'eau forte à droite : "Chapuy sculp".
rif. 8858Sans lieu ni date, (fin du XVIIIème). (Tâches et petit trou de ver).
rif. ORD-19911Ca 270 x 205 nn à la cuvette sur feuille de 435 x 300 mm. Vue de 212 x 133 mm présentée dans un cadre gravé. Quelques minuscules rousseurs mais bon état. Photo sur demande.
1800rif. 114423A Paris: chez Basset rue St Jacques 64. Very Good- with no dust jacket. 1800. Unknown. Softcover. Hand coloured engraving. Image VG - blank margins have a some faults. NO date but possibly between 1780/1840 likely a later impression of a late 18th Century print . Light printing impression surrounding the print. 'Sarasin P.' on the left hand side the Artist under the image and 'la chaussee Sculp' on the right hand side. Additional printed caption "VUE DES CÔTES D'ECOSSE" inverted mirror image on the upper margin. Paper very lightly marked and quite creased and 'rolled' to the edges with some closed tears - no loss neatly repaired with archive tape to the reverse to those broad blank margins otherwise a very good engraving. This interesting view of the coast prepared for a 'peep box' represents a mountainous and stormy sea shore in apparently Scotland. A small village is shown on the shore and near the top of the mountain with fishing boats and nets in the sea. "Vue Optique or perspective view refers to a genre of etching popular during the second half of the 18th century and into the 19th. Such 'Vues' were specifically developed to provide the illusion of depth when viewed through a zograscope also known as an "optical diagonal machine" or viewers with similar functions. Optical viewers were generally popular with well-to-do European families in the late 18th and early 19th centuries. What makes this particular image even more interesting is that I have found for sale by another dealer an ALMOST identical view BUT entitled 'Vue des Côtes de SIBERIE' View of the Coasts of Siberia there are some differences but the basic layout is the same but that print was published in Paris by Laurent Pierre La Chaussée but also undated. I am unable to ascertain the chronology of these two prints and whether one might be a 'pirated' version . THIS print has the Publisher as 'A Paris chez Basset rue St Jacques 64' at the left hand side by the outer bottom print impression line. Other than those mentioned above there are no other publication details or text on this print. Paul Andre Basset was a Paris print publisher printseller wallpaper manufacturer and the son of André Basset. He married in 1787 and was very active during the revolutionary period. He was situated in Paris at rue Saint Jacques no.64 where his firm remained until at least 1885. The Image alone without the broad borders measures approx 15.5" x 10.0" 39.3 cm x 25.5 cm . See Images ; Oblong Folio 13" - 23" tall . chez Basset, rue St Jacques 64, paperback
1809rif. 27073Paris chez Nicole et Le Normant 1809 1 estampe : eau-forte et aquatinte, en noir ; 32 x 21,5 cm, Note : Extrait de : "Tableau historique et pittoresque de Paris, depuis les Gaulois jusqu'à nos jours", Titre : Vue des Boulevards prise du Théatre Italien jusquà leur extrêmité Occidentale, Note : Extrait de : "Tableau historique et pittoresque de Paris, depuis les Gaulois jusqu'à nos jours", [Paris] : [chez Nicole et Le Normant], [1809],
1840rif. 261981840 Aubert sd (vers 1840?)-
1820Pregevole veduta, antica ed originale, della città di Parigi animata in primo piano dalla presenza di numerosi personaggi e dal passaggio della "Messagerie". Raffinata incisione al tratto rifinita da una vivida coloritura coeva all'acqurello. Restauro professionale a strappo nel margine inferiore, quasi impercettibile. Macchia di gora nel margine sinistro che non compromette l'ottimo stato di conservazione generale.
rif. ORD-14267Paris. Le Monde Illustré. 1859. Grande et belle vue de 845 x 547 mm sur feuille de papier de 1150 x 790 mm. Gravure sur bois dessinée par Émile Bourdelin et gravée par Henri Linton. Traces de pliure verticale et horizontale, petites fentes marginales sans inconvénient pour la gravure. Bel exemplaire de cette vue devenue rare.
rif. 5581Dessin au crayon réhaussé d'aquarelle (circa 1930). Encadré. 25,2 x 34,2 cm hors marges, 33,4 x 42,2 cm toutes marges comprises.
rif. 8860Sans lieu ni date, (fin du XVIIIème). (Petit trou de ver).
rif. 88431760.
rif. ORD-19910Ca 284 x 200 nn à la cuvette sur feuille de 435 x 300 mm. Vue de 270 x 165 mm. Quelques minuscules rousseurs dont quelques-unes ont un peu touché la gravure, Bord inférieur de la feuille un peu déchiré sinon bon état. Photo sur demande.
