Buschhoff, Anne [Hrsg.] und Wulf Herzogenrath [Hrsg.]Antiquariat.de
50 757 résultats
2007réf. 218150München: Hirmer, 2007. 359 S., zahlr. Ill. Kart., broschiert.
2007réf. 55066München : Hirmer 2007. 359 S. : 76 farb. Taf., 1 Kte ; 31 cm kart., Softcover/Paperback, Exemplar in sehr gutem Erhaltungszustand
1980réf. 264929Frankfurt am Main : S. Fischer, 1980. 621 Seiten : mit zahlreichen Abbildungen; 24 cm Originalleinen mit Original-Schutzumschlag.
réf. 200805900Louvain-la-neuve, Miroir, 1986 ; in-4, 48 pp., cartonnage de l'éditeur. Tome 2.
réf. 200804095Louvain-la-neuve, Miroir, 1986 ; in-4, 48 pp., cartonnage de l'éditeur. Tome 2 , petit enfocement sur le 1 plat.
réf. 163125Paris, Presses Universitaires de France, 1925 in-12, [6]-310 pp., demi-percaline grenat, dos lisse, couverture conservée (reliure moderne). Bon exemplaire.
réf. 170232Paris, Presses Universitaires de France, 1925 in-12, [6]-310 pp., demi-chagrin vert à coins, dos à nerfs, tête dorée, couv. cons. (reliure de l'époque). Dos passé.
réf. 227827Paris, Presses Universitaires de France, 1925 in-12, [6]-310 pp., broché. Couverture effrangée. Ex-libris Yves Louis Mongrolle.
1945réf. 64551945 Paris, Editions Seghers, Coll. Poètes d'hier et d'aujourd'hui, 1945 16,6 x 15,3 cm, broché, couv. illustrée, 145 pp. Seconde édition complétée et en partie originale du premier numéro de cette célèbre série consacrée aux poètes du XXème siècle. L'un des 50 ex. num. (le nôtre le n°34) du tirage de tête imprimés sur grand papier pur fil des papeteries Johannot. Portrait de Paul Eluard par Georges Cross en frontispice. Belle et rare édition de Louis Parrot, accompagnée d'un choix de poèmes inédits de Paul Eluard et illustrée de photographies, dessins et fac-similés. Comme neuf !
1972réf. 004316Paris Denoel 1972 In-4 Cart. éditeur, jaquette ill. Edition originale
réf. B195369-1Paris 2010. 87 1pp. 28 color plates text illus. Lrg. 4to. Dec. cloth. Parallel text in French and English. Paris, 2010. hardcover books
1966réf. 236747Paris : Bibliotheque litteraire Jacques Doucet 1966. First Edition. Softcover. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Provenance; from the personal library of Professor Lloyd Austin University of Manchester. Physical description; 2 volumes ; each is 75 p. : illus ; 27 cm. Notes; At head of title: Universite de Paris. Bibliotheque litteraire Jacques Doucet. Subject; Valery Paul 1871-1945. Genres; Bibliography. Catalogue. Illustrated. Paris : Bibliothe?que litte?raire Jacques Doucet paperback
2003réf. 3126310Leuven, Paris & Dudley: Peeters 2003. XVII, 335 Seiten. Gr. 8° (22,5-25 cm). Orig.-Broschur. [Softcover / Paperback].
2001réf. Q-0300088604Metropolitan Museum of Art 2001-09-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Metropolitan Museum of Art hardcover
2001réf. 91314Museum; Yale University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 336 pages. Description: "This book the catalogue of the first retrospective of the work of the French Neoimpressionist artist Paul Signac to be held in nearly forty years accompanies the 2001 exhibition organised by the Reunion des Musees Nationaux/Musee d'Orsay Paris the Van Gogh Museum Amsterdam and The Metropolitan Museum of Art New York. This long overdue tribute to Signac's power of expression and artistic influence features some two hundred paintings drawings watercolours and prints from public and private collections worldwide. Fully illustrated in colour and discussed in individual entries these works offer an unprecedented overview of Signac's fifty-year career. Signac's artistic development began with the luminous plein air paintings he made in the early 1880s which reveal the lessons he absorbed from Monet Guillaumin and other leading Impressionists. From 1884 until 1891 Signac's close association with Georges Seurat encouraged his explorations of colour harmony contrasts and Neoimpressionist technique. In the scintillating works of his maturity the rigours of Pointillism gave way to richly patterned decorative colour surfaces. In a series of essays the exhibition's curators discuss Signac's richly interesting career from a variety of perspectives. John Leighton Director of the Van Gogh Museum provides an introductory essay that chronicles Signac's triumphs as a painter. The well-known Signac scholar Marina Ferretti Bocquillon focuses on Signac's achievements as a draftsman and watercolourist and Sjraar van Heugten Chief Curator of the Van Gogh Museum summarises Signac's activity as a printmaker. Anne Distel Chief Curator of the Musee d'Orsay examines Signac's role as a promoter of his own works and those of his colleagues and describes a host of other activities - beyond painting - that engaged Signac's interest. The final essays in this volume shed new light on Signac's appreciation of the works of his predecessors contemporaries and followers - as evidenced in his artworks in his published and unpublished writings and in his private collection. Susan Alyson Stein Associate Curator of European Paintings The Metropolitan Museum of Art examines the ways Signac understood the genius of such painters as Delacroix Monet Renoir Cezanne Van Gogh Bonnard and Matisse. Marina Ferretti Bocquillon explores the Signac's role as a collector providing a wealth of new information about the works he owned by fellow artists. Contributor Kathryn Calley Galitz is Research Associate in the Department of European Paintings at The Metropolitan Museum of Art New York. Lavishly illustrated with comparative and documentary photographs the volume includes an annotated chronology and a map that pinpoints the sites depicted in Signac's works." -- with a bonus offer--; This book the catalogue of the first retrospective of the work of the French Neoimpressionist artist Paul Signac to be held in nearly forty years accompanies the 2001 exhibition organised by the Reunion des Musees Nationaux/Musee d'Orsay Paris the Van Gogh Museum Amsterdam and The Metropolitan Museum of Art New York. This long overdue tribute to Signac's power of expression and artistic influence features some two hundred paintings drawings watercolours and prints from public and private collections worldwide. Fully illustrated in colour and discussed in individual entries these works offer an unprecedented overview of Signac's fifty-year career. Signac's artistic development began with the luminous plein air paintings he made in the early 1880s which reveal the lessons he absorbed from Monet Guillaumin and other leading Impressionists. From 1884 until 1891 Signac's close association with Georges Seurat encouraged his explorations of colour harmony contrasts and Neoimpressionist technique. In the scintillating works of his maturity the rigours of Pointillism gave way to richly patterned decorative colour surfaces. In a series of essays the exhibition's curators discuss Signac's richly interesting career from a variety of perspectives. John Leighton Director of the Van Gogh Museum provides an introductory essay that chronicles Signac's triumphs as a painter. The well-known Signac scholar Marina Ferretti Bocquillon focuses on Signac's achievements as a draftsman and watercolourist and Sjraar van Heugten Chief Curator of the Van Gogh Museum summarises Signac's activity as a printmaker. Anne Distel Chief Curator of the Musee d'Orsay examines Signac's role as a promoter of his own works and those of his colleagues and describes a host of other activities - beyond painting - that engaged Signac's interest. The final essays in this volume shed new light on Signac's appreciation of the works of his predecessors contemporaries and followers - as evidenced in his artworks in his published and unpublished writings and in his private collection. Susan Alyson Stein Associate Curator of European Paintings The Metropolitan Museum of Art examines the ways Signac understood the genius of such painters as Delacroix Monet Renoir Cezanne Van Gogh Bonnard and Matisse. Marina Ferretti Bocquillon explores the Signac's role as a collector providing a wealth of new information about the works he owned by fellow artists. Contributor Kathryn Calley Galitz is Research Associate in the Department of European Paintings at The Metropolitan Museum of Art New York. Lavishly illustrated with comparative and documentary photographs the volume includes an annotated chronology and a map that pinpoints the sites depicted in Signac's works. . 2001. 0300088604 . Museum; Yale University Press hardcover
réf. 233276Paris, Adolphe Josse [Typographie Rouge frères], 1872 in-12, VII pp., 302 pp., un f. n. ch. de table, demi-chagrin noir, dos lisse orné de filets à froid, coins en vélin (reliure de l'époque). Coins et coupes frottés.
1880réf. 25115Paris A.Cinqualbre 1880 -in-4 broché un journal satirique (newpaper), broché in-quarto (29,56 x 20 cm), 4 pages, 1ère de couverture illustrée d'un PORTRAIT-CHARGE DE PAUL SAUNIÈRE colorié au pochoir par André Gill, texte de la notice biographique sur les 3 pages suivantes par Pierre et Paul, sans date (1880) Paris A. Cinqualbre Editeur,
1999réf. 013683Somogy 1999 In-4 Cartonnage et jaquette illustrée éditeur
réf. 47323Lille, Société de Saint-Augustin - Desclée de Brouwer 1892, 235x150mm, 203pages, reliure demi-chagrin. Plats papier marbré. Titre doré au dos. Faux-nerfs.Cachet de possesseur. Très bel exemplaire.
1926réf. AUB-3148Paris, H. Champion 1926. Bel exemplaire broché, couverture ornée d'éd., in-8 non coupé, non ébarbé, 192 pages + planches.
réf. CZC-11509Nous connaissons tous le superbe musée Marmottan et ses magnifiques collections léguées par Paul Marmottan (1856-1932). Mais saviez vous qu'il était aussi un homme de lettre ? Il nous a laissé de nombreux ouvrages d'histoire dont Les statues de Paris publié chez Laurens en 1886. En 256 pages illustrées d'une gravure par statue, Paul Marmottan nous décrit l'histoire de l'artiste, de la conception, du financement et de la mise en place de tous ces monuments. Ouvrage orné de 35 gravures, volume relié percaline, 20x15, bon état intérieur, 256 pages, bel exemplaire. Paris, Renouard, ss date 1900 Livraison économique en Point relais pour les pays desservis. ref/176
réf. CZC-11509Nous connaissons tous le superbe musée Marmottan et ses magnifiques collections léguées par Paul Marmottan (1856-1932). Mais saviez vous qu'il était aussi un homme de lettre ? Il nous a laissé de nombreux ouvrages d'histoire dont Les statues de Paris publié chez Laurens en 1886. En 256 pages illustrées d'une gravure par statue, Paul Marmottan nous décrit l'histoire de l'artiste, de la conception, du financement et de la mise en place de tous ces monuments. Ouvrage orné de 35 gravures, volume relié percaline, 20x15, bon état intérieur, 256 pages, bel exemplaire. Paris, Renouard, ss date 1900 Livraison économique en Point relais pour les pays desservis. ref/176
réf. 25688Paris, Musees, 1999 Broche, couverture carton illustree en couleurs et aux rabats, 230 x 300mm., 304pp., illusytration profonde en couleurs. ISBN 2879004500.
1999réf. 117393Paris Musées 1999 Paris Musées, 1999, 304 p., broché, environ 30x24cm. Coins légèrement cornés, bon état néanmoins et intérieur propre.
réf. 20075Paris, 2016 Centre Pompidou 308 p., illustrations couleur, relié. 24,4 x 31
