13 308 résultats
2015réf. 57411Tang Teaching Museum 2015. Hardcover. Used like new. New still in original shrinkwrap. Hardcover published by the Francis Young Tang Teaching Museum and Art Gallery at Skidmore College. We provide professional service and individual attention to your order daily shipments and sturdy packaging. FREE TRACKING ON ALL SHIPMENTS WITHIN USA. Tang Teaching Museum, hardcover
2013réf. 250818030CopTales 2013-07-01. paperback. Good. 6x1x9. Ships Out Tomorrow! CopTales paperback
2010réf. 003886New York: Pen American Center 2010. First edition. Softcover. Fine. 10 vol. broken run from issue no. 1 published in winter 2000 to issue no. 13 published in 2010. Roughly 200pp per issue with illustrations. Condition of volumes: Fine. A sharp set. Published semi-annually. "MEMBERS OF PEN pledge themselves to do their utmost to dispel race class and national hatreds and to champion the ideal of one humanity living in peace in the world. And since freedom implies voluntary restraint members also pledge themselves to oppose such evils of a free press as mendacious publication deliberate falsehood and distortion of facts for political and personal ends." - from PEN's Founding Charter New York City 19224 Full membership in PEN generally requires being a published writer with at least one work professionally published or being a translator agent editor or other publishing professional. There is also a 'Reader' tier of membership open to the general public as well as a 'Student' membership.5 Over the years PEN America's membership has included many of the leading figures in the American literary establishment including Edward Albee Paul Auster James Baldwin Giannina Braschi Willa Cather Don DeLillo Robert Frost Tony Kushner Langston Hughes Thomas Mann Arthur Miller Marianne Moore Susan Sontag Salman Rushdie and John Steinbeck. Pen American Center paperback
réf. B22709-FHarper & Brothers. Collectible - Very Good. 1929 stated 1st A-D code. Black cloth spine over red patterned boards. Light wear at spine ends and corners. Dust jacket is edgeworn and chipped. Harper & Brothers hardcover
1948réf. 44924University of Georgia Press. G/NONE. 1948. Hardcover. Hardback 1948 first edition in gray cloth covers showing light wear along edges minor. Underlining in pencil. Previous owner's name in ink on front pastedown and rear free endpaper. No DJ. NOT library discard. ; . University of Georgia Press, hardcover
1986réf. 069362Doubleday. A lovely crisp clean hardcover in fine condition. Dust jacket in near fine condition with faint edge wear now in protective mylar cover. Inscribed by Ken Stabler. We are a brick-and-mortar store and sell our own inventory. . Fine. Hardcover. 1st Edition. 1986. Doubleday hardcover
1963réf. 010773NewarkNew Jersey: Newark Museum 1963. This is a very good hardcover copy with just a little light soil to the covers. Very clean inside. This catalog was prepared to accompany the exhibition at the Newark Museum in the summer of 1963. The exhibition was curated by Tracy Berry and William Gerdts. 295 works in the exhibition. Most illustratrated in black & white. Exhibition checklist. Bibliography. 10" high X 8" wide 212 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Hard Cover. Very Good/No Jacket. Newark Museum Hardcover
2003réf. 4230Shoemaker And Hoard Washington D.C 2003. First Edition. Hardcover. Very Good/Good. 6x1x9. Signed. Very Good Book/Good Dust Jacket. First Edition. First Printing as stated. SIGNED BY WENDELL BERRY IN INK DIRECTLY TO THE TITLE PAGE. Red quarter paper binding with cream paper over boards gilt stamped initials on front gilt stamped title on spine and red endpapers. Covers show edgewear and light shelfwear but are otherwise clean. Front and back covers show small dents to top and bottom edges. Gilt is bright. Lower corner of back cover bumped. Dust jacket shows creases edgewear indentations marks rubbing scratches shelfwear and soiling to all extremities. Front and back panels show heavy creases to top edges and black smudges. Back panel shows small creases to bottom edge and small scratches. Sunning to spine. Spine shows black and red marks. Small creases to spine ends. Corners show chipping rubbing and small creases. Front and back flaps show black scuff marks. Front flap shows small creases. Verso of dust jacket shows rubbing from binding and dampstaining to tail of spine. Book does not show evidence of dampstaining. All edges of textblock show shelfwear and soiling. Top edge shows a few small indentations. Hinges strong. Binding sound and square. Pages clean and unmarked. 189 pages. 6-1/4 X 9-1/4. Shoemaker And Hoard, Washington, D.C hardcover
1990réf. 5470The University Press of Kentucky Lexington 1990. Hardcover. Very Good/Very Good. 7x0x9. Signed. The Blazer Lectures For 1989. Very Good Book/Very Good Dust Jacket. SIGNED BY WENDELL BERRY IN INK DIRECTLY TO THE TITLE PAGE. Heathered beige full cloth binding with gilt stamped title on spine. Dust jacket shows edgewear indentations rubbing scratches and shelfwear tears to all extremities. Back panel shows small puncture near spine. Dust jacket is protected in mylar sleeve. Mylar sleeve shows some shelfwear. All edges of textblock show age tanning and light shelfwear. Tail edge shows a few scratches. Hinges strong. Binding tight and square. Pages clean and unmarked. 108 pages. 7-1/4 X 9-1/4. The University Press of Kentucky, Lexington hardcover
1991réf. 9870new oversize pb expedited and international shipping not available--BERRY North Point Pr paperback
réf. 1998583139.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2018réf. 1-3319879847Palgrave Macmillan 2018. Paperback. New. reprint edition. 111 pages. 8.27x5.83x0.28 inches. Palgrave Macmillan paperback
2003réf. Q-0971568766Mark Batty Publisher 2003-04-30. hardcover. New. In shrink wrap. Looks like an interesting title! Mark Batty Publisher hardcover
2006réf. Q-0755310160Headline Book Publishing 2006-03-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Headline Book Publishing paperback
réf. 16655178-nnew. unknown
réf. 19246858-nnew. unknown
2004réf. Q-0972424032Mark Batty Publisher 2004-04-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Mark Batty Publisher hardcover
1977réf. 1601New York: Harcourt Brace & Jovanovich 1977. First Edition First Printing Full Letter Line. Publisher's Quarter Black Cloth over Burnt Orange Boards Copper Foil Detailing. Fine/Fine. A Fine Book in a Fine Dust Jacket Unclipped $6.95. Book and jacket have trivial shelf wear and sunning otherwise exceptionally bright fresh and crisp. Text is unmarked. Binding is tight and square. Hardcover. Small Slim Octavo. viii 2 3-52pp. A Superior Copy of an Outstanding Work of Poetry. Harcourt, Brace & Jovanovich unknown
1976réf. 60021CBLinz, Neue Galerie, 1976. 62 x 43 cm., Whitechappel. Fotos von Ian Berry [Ausstellungsplakat]. Linz, Neue Galerie 1976
BOURGES, Cercle généalogique du Haut-Berry- 1987 - Edition Originale, Tirage limité & numéroté à 300 Exemplaire, celui-ci N° 67 - In-8 - broché - Couverture illustrée - Illustrations PP, Armoiries & Tableaux Généalogiques - 165 pages - très bel exemplaire
1832réf. 14217Lettre autographe signée de la vicomtesse de Bouillé sur l'arrestation de la duchesse de Berry dont elle état dame d'honneur. La lettre est adressée à la comtesse Adrien de Rougé. Le papier a roussi et la lettre est un peu difficile à lire. En feuille Moyen 1832 1 volume in-folio
1950réf. 96971950 Verneuil-sur-Igneraie, Maintenance du Berry, 1950; in-8° broché, couverture blanche imprimée en bleu foncé au dos et 1er plat;et et illustrée d'un dessin de J. L. Boncoeur au 1er plat; 278pp. Illustré de dessins en noir à pleine page.
1999réf. 963BSeattle Art Museum 1999 Book. Very Good. Hardcover. 1st Edition. English text.; Hardcover with dust jacket; 23.5 x 31.5 cm.; 2 Kg.; 333 pages with colour illustrations throughout. Used with signs of wear on the exterior of the dust jacket. Interior with minor sings of wear. Very good condition overall.; Catalogue from the exhibition Modern Masters of Kyoto: Nihonga from the Griffith and Patricia Way Collection organized by the Seatlle Art Museum held at Seattle Asian Art Museum August 19 1999 to February 13 2000 and Los Angeles County Museum of Art April 13 - July 31 2000.; Modern Japanese painting executed in traditional media and formats or nihonga developed in the late nineteenth century as artists struggled to preserve cultural continuity in their art while searching for creative expressions to reflect Japan's new identity as a modern nation. In addition the nihonga movement served to distinguish traditional art from Western-style oil painting. In the 1880s and following decades as various national forums fro competitive exhibition developed Tokyo and Kyoto emerged as strong artistic centers each characterized by its own distinct historical and cultural background. Modern Masters of Kyoto presents more than eighty examples of Kyoto nohonga - hanging scrolls screens and an album - dating from 1860s to the 1940s. Featuring two exceptionally original artists Tsuji Kako 1870-1931 and his pupil Tomita Keisen 1879-1936 the volume includes works by his predecessors their contemporaries and their successors. Collectively their works demonstrate the evolution of Kyoto nihonga in the late nineteenth and early twentieth centuries. The book introduces Western readers to a range of Kyoto artists from the most famous to the talented but relatively unknown. Their often visually stunning paintings provide a window from which to glimpse both the past and modern in Japanese art. In the early development of nihonga Kyoto artists incorporated some elements of Western art but they were more anchored in tradition than artists in Tokyo. The Kyoto masters achieved true brilliance after the turn of the twentieth century. Inspired by the modern concept of individualism and influenced at times by knowledge of compemporary Western art Kyoto nihonga artists in the Taisho period 1912-26 created strikingly diverse and original expressions with fresh subjects a daring use of color and experimental compositions. . Seattle Art Museum hardcover
1948réf. 35502349La Châtre, L'auteur, 1948 ; In-8, Broché, couverture illustrée. 312 pp."Rare livre publié par l'auteur. Illustration, lettrines et Sépias hors texte par Jean Louis Boncoeur. Envoi autographe de l'auteur à M. Monceau ""un savant et un lettré"". Berry - Sand"
réf. 1437703267.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover