664 résultats
1858réf. 29219Paris: G. Brandus et S. Dufour PN B. et D. 9956 1858. Large octavo. Full modern dark green cloth modern marbled endpapers. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 124 pp. Engraved. Named cast includes Léonce Désiré Mesmacre Duvernoy Guyot Jean Paul Chabert Tautin Baudoin Cico Kunzé and Byard. Binding slightly bumped. Occasional minor foxing; small publisher's facsimile signature handstamp to lower margin of title; minor loss to lower inner margin of first leaf of music not affecting notation. First Edition first issue. Mesdames de la Halle to a libretto by Lapointe was first performed at the Bouffes-Parisiens on March 3 1858. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Brandus et S. Dufour [PN B. et D. 9956] unknown books
1865réf. 29198Paris: E. Heu PN E.H. 750 1865. Large octavo. Quarter dark tan morocco with textured maroon paper boards spine with raised bands titling gilt with initials "A.S." gilt to foot marbled endpapers. 1f. recto title within decorative border printed in sepia verso notes on first performance and named cast list 1f. recto contents verso blank 232 pp. Lithographed. Named cast includes Berthelier Léonce Désiré Duvernoy Tacova Gourdon Gobin Pelva Halbleid Valter Leriche Lisa Tautin Irma Marié Zulma Bouffar Frasey-Berthelier Garrait Sorac Bonelli Simon Delmary and Marie Brun. Slightly worn; hinges partially split. Occasional minor to moderate foxing; slightly trimmed; small oval publisher's handstamp to lower margin of title. First Edition. Les bergers to a libretto by Crémieux and Gille was first performed in Paris at the Bouffes-Parisiens on December 11 1865. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. E. Heu [PN E.H. 750] unknown books
1970réf. 143973London : OSA 1286 1970. LP Record. Very Good/Box : Fair. 0x0x0. Both the libretto and the inside of the box are signed by Joan Sutherland in large flamboyant hand--two collectible signatures; both discs in clean sleeves are without visible wear; includes catalog; box has breaks at corners London : OSA 1286 unknown
1867réf. 25833Paris: G. Brandus & S. Dufour PN B. et D. 11211 1867. Large octavo. Quarter contemporary red morocco with red textured paper boards raised bands on spine in compartments gilt titling gilt marbled endpapers. 1f. illustrated lithographic title by Pastelot printed in black by Thierry frères in Paris 1f. named cast list and table of contents 300 pp. Lithographed. Pp. 298-300 comprise a supplement of cuts changes and transpositions. Publisher's handstamp to lower margin of title; "Imprimerie Centrale des Chemins de Fer. - A. Chaix et Ce. Rue Bergère 20 A Paris. - 2 68-8." printed to lower margin of cast list/table of contents. Binding slightly worn rubbed bumped and chipped; joints split. Slightly browned; occasional light foxing and creasing to inner margins; title cast list table of contents and first 60 pp. lightly dampstained at outer margins. First Edition of the first version. Lesure II pp. 77-78. OCLC no.1096790. La Grande-Duchesse de Gérolstein to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre des Variétés on 12 April 1867. "After the first night Offenbach cut moved or replaced several numbers to strengthen the second half of the piece. The work was written for Hortense Schneider as the Grand-Duchess and José Dupuis as Fritz." Offenbach was "with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. G. Brandus & S. Dufour [PN B. et D. 11211] unknown
1869réf. 26619Paris: Colombier PN C. 3447. 1869. Large octavo. Dark red morocco-backed marbled boards raised bands on spine in decorative compartments gilt titling gilt marbled endpapers. 1f. decorative title 1 named cast list for the first performance and table of contents 2-371 i blank pp. Lithographed. With contemporary signature to upper right corner of title and publisher's handstamp to lower. Binding slightly worn rubbed and bumped; spine slightly faded. Scattered foxing heavier to some leaves; lower outer corners slightly soiled; occasional minor creasing to blank inner margins; small tear to pp. 223-224 repaired not affecting music. An attractive copy. First Edition. OCLC no. 21830665. Les Brigands to a libretto by Henri Meilhac and Ludovic Halévy was first performed at the Théâtre des Variétés in Paris on December 10 1869. "Offenbach's last big Second Empire success Les brigands featured José Dupuis as Falsacappa and Zulma Bouffar as Fragoletto. Its principal numbers include Fiorella's rondò 'Après avoir pris à droite' Fragoletto's saltarello 'Falsacappa voici ma prise' the canonic chorus 'Soyez pitoyables' and Antonio's 'O mes amours ô mes maîtresses'. The work is noted for the comic carabinieri who always arrive too late to capture their prey and for witty political comment such as Antonio's declaration that 'one should steal according to the position one occupies in Society'." Andrew Lamb in Grove Music Online. Colombier [PN C. 3447.] unknown books
1866réf. 25827Paris: E. Heu PN E.H. 742 1866. Octavo. Dark red morocco-backed red textured cloth with blindstamped panel raised bands on spine in ruled compartments gilt with titling gilt marbled endpapers. 1f. recto title printed in sepia within decorative border verso blank 1f. recto named cast list and table of contents verso blank 1 blank 2-291 i blank pp. Lithographed. Named cast includes Brasseur Hyacinthe Gil Pérès Priston Lassouche Martal and Ferdinand Zulma Bouffar C. Montaland Honorine Thierret Paurelle Massin Bedard Breton and Henry. Publisher's and music seller's handstamps to lower portion of title. Binding slightly worn rubbed bumped and soiled. Some signs of internal wear; browned; light to moderate foxing; some dampstaining to outer margins; trimmed. First Edition first issue. Lesure II p. 218. OCLC no. 82470995. La vie parisienne to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre du Palais-Royal on October 31 1866. "The work was written in anticipation of the crowds visiting Paris for the 1867 Exhibition and proved one of the hits of the season. It was composed not for Offenbach's usual company but for that of the Palais-Royal which comprised actors as much as singers - strengthened for the occasion by one of Offenbach's favourite players Zulma Bouffar as the glovemaker Gabrielle. The piece recognizes the company's limitations with music that is vocally less extensive and demanding than that Offenbach wrote for the Théâtre de la Gaîté. The musical strength lies rather in the sparkling orchestral melodies - above all waltzes galops and can-cans which allied to a humorous libretto that was Meilhac and Halévy at their best has made the work a perpetual favourite as a symbol of Second Empire gaiety. By the time the piece was revived at the Théâtre des Variétés on 25 September 1873 the fourth of the five acts had been dropped but it is still sometimes included as for instance at Sadler's Wells Theatre in 1961." Andrew Lamb in Grove Music Online. E. Heu [PN E.H. 742] unknown books
1866réf. 25827Paris: E. Heu PN E.H. 742 1866. Octavo. Dark red morocco-backed red textured cloth with blindstamped panel raised bands on spine in ruled compartments gilt with titling gilt marbled endpapers. 1f. recto title printed in sepia within decorative border verso blank 1f. recto named cast list and table of contents verso blank 1 blank 2-291 i blank pp. Lithographed. Named cast includes Brasseur Hyacinthe Gil Pérès Priston Lassouche Martal and Ferdinand Zulma Bouffar C. Montaland Honorine Thierret Paurelle Massin Bedard Breton and Henry. Publisher's and musicseller's handstamps to lower portion of title. Binding slightly worn rubbed bumped and soiled. Some signs of internal wear; browned; light to moderate foxing; some dampstaining to outer margins; trimmed. First Edition first issue. Lesure II p. 218. OCLC 82470995. La vie parisienne to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre du Palais-Royal on 31 October 1866. "The work was written in anticipation of the crowds visiting Paris for the 1867 Exhibition and proved one of the hits of the season. It was composed not for Offenbach's usual company but for that of the Palais-Royal which comprised actors as much as singers - strengthened for the occasion by one of Offenbach's favourite players Zulma Bouffar as the glovemaker Gabrielle. The piece recognizes the company's limitations with music that is vocally less extensive and demanding than that Offenbach wrote for the Théâtre de la Gaîté. The musical strength lies rather in the sparkling orchestral melodies - above all waltzes galops and can-cans which allied to a humorous libretto that was Meilhac and Halévy at their best has made the work a perpetual favourite as a symbol of Second Empire gaiety. By the time the piece was revived at the Théâtre des Variétés on 25 September 1873 the fourth of the five acts had been dropped but it is still sometimes included as for instance at Sadler's Wells Theatre in 1961." Andrew Lamb in Grove Music Online. E. Heu [PN E.H. 742] unknown
1935réf. BOOKS261393Self Published . VG/No Dustjacket. 1935. 1/4 Leather. Wonderful document describing a vistor to the New York City area. Included are photographs images from brochures post cards pen and ink sketches etc. The visit included a visit to East Orange NJ to see relatives Herr und Frau George E. Schreiber. They also visiited Washinton D. C. Each chapter starts with a colored initial. We believe that this became a wedding present. Enclosed in a custom box that is slightly rubbed. . Oblong Folio 213 pp. Slight rubbing of cloth cover. . ***** Self Published ***** hardcover
1842réf. 194682Paris, A. Cotelle éditeur, 140 rue Saint-Honoré, sans date - 1842 - 1843. In-4 reliure romantique marron et papier gaufré marron sur les plats, avec encadrement doré et titre centré. Plat orné d'un encadrement doré à motifs d'écoinsonnements - angles stylisés, titre doré au centre du plat, dos orné d'une guirlande dorée. Titre général et titres particuliers lithographiés par Victor Dollet. Chaque élément illustré de cet album romantique témoigne du talent du dessinateur et lithographe Victor Dollet : Grand titre général lithographié : Entièrement dessiné et gravé sur pierre, il forme un grand frontispice historié intégrant le titre au milieu encadré de scènes et sujets représentant les principales Fables de La Fontaine. Chaque fable s'ouvre sur sa propre page de titre illustrée d'une grande composition lithographiée par Victor Dollet mettant en scène les animaux et personnages des fables : Le Rat de ville et le Rat des champs Cotage A.C. 364. La Laitière et le Pot au lait Cotage A.C. 365. La Cigale et la Fourmi Cotage A.C. 366. Le Savetier et le Financier Cotage A.C. 368. Le Berger et la Mer Cotage A.C. 369. Le Corbeau et le Renard Cotage A.C. 370. Édition originale de ce charmant recueil de mélodies de jeunesse composées par Jacques Offenbach au début de sa carrière parisienne, adaptant les Fables de Jean de La Fontaine pour chant et piano. Avant de devenir le roi de l'opérette sous le Second Empire, le jeune Jacques Offenbach (alors virtuose du violoncelle) compose au début des années 1840 plusieurs recueils de romances et mélodies. L'Album musical du fabuliste réunissant les 6 fables gravées au complet sous son cartonnage d'éditeur marron doré d'origine est une véritable rareté bibliophilique. La plupart des exemplaires conservés ont été démembrés au XIXe siècle pour être vendus à la feuille, ou ne présentent que quelques fables reliées séparément. La séquence parfaite des numéros de cotage A.C. 364 à A.C. 370 confirme l'intégrité absolue et le tirage synchrone du recueil chez Cotelle en 1842-1843 et dans sa reliure d'émission d'origine de l'éditeur Cotelle. Petite tache sur le plat, et manque en marge supérieure du titre. Hormis ces défaut signalés, bel exemplaire fort rare.
1925réf. 1799WEGWEISER=VERLAG G.m.b.H 1925. 1. hardcover. WEGWEISER=VERLAG G.m.b.H hardcover
1985réf. 2111050485xbvkBerlin, Edition Handpresse Gutsch, 1985. Buch: 11 Blätter braunes Büttenpapier (4 seitlich unaufgeschnitten), davon 9 einseitig bedruckt mit Gedichten, abwechselnd mit 9 seitlich unaufgeschnittenen Doppelblättern mit illustriertem Titelblatt, Druckvermerk, 2. illustr. Titelblatt, 14 ganzseitigen Farblinolschnitten und kurzer Künstlerbiographie. - Brauner Halbledereinband mit beigefarbenem farblich changierendem Grobleinenbezug; Folio (ca. 37 x 25 cm) / MANUSKRIPT: grossformatige Halbleinenkladde der Zeit.
réf. 18495Montage d'aquarelle, gouache, mine de plomb et photographies réalisées par Henri Fost et Jenny Carré, sous couverture demi-basane à coins marron, (1935), in-4, dos à cinq nerfs.
1875réf. 40324Paris, Typographie Lahure, (1875). In-8 de 16 pp., cartonnage Bradel papier coquille, pièce de titre manuscrite en long, couverture illustrée conservée (reliure moderne).
1934réf. 149520Paris: Studio Piaz 1934. Four vintage oversize photographs from the 1934 revival of Jacques Offenbach's 1875 operetta showing actress Josephine Baker in costume as Dora. All photographs with the stamp of Studio Piaz at the lower corner of the recto and one with the address stamp of J. Manuel Richard Baker's personal secretary on the verso. The operatic debut of the longtime comedian actor and dancer. The production which was staged at the Theatre Marigny in Paris was the first time Jacques Offenbach's comic operetta had been staged since its 1875 debut. Two photos 11.5 x 9.25 inches and two photos 8 x 10 inches. Very Good plus overall one photo with brief archival reinforcement at the corners on the verso. Studio Piaz unknown books
