780 risultati
rif. BN606997JOVIS Verlag. Materials Revisited: 10. Triennale für Form und Inhalte Materials Revisited: 10. Triennale für Form und Inhalte Dezernat für Kultur und Wissenschaft vom Museum für Angewandte Kunst Frankfurt; Klingspor-Museum Offenbach; Soltek Stefan and Runde Sabine JOVIS Verlag unknown
rif. BN413049Alfred Pub Co Inc. Tales of Hoffmann Vocal Score Dover Vocal Scores Tales of Hoffmann Vocal Score Dover Vocal Scores Jacques Offenbach Alfred Pub Co Inc unknown
1995rif. BN617463Bassermann F 1995. 1995. Softcover. Bastelspass mit Papier Bastelspass mit Papier Jacqueline Offenbach Bassermann, F paperback
rif. 015241[Offenbach] Mélanie Waldor (1796-1871), poétesse, femme de lettres, maîtresse d'Alexandre Dumas. Lettre imprimée avec note A.S., sd [avril 1853], 1p in-8. A Monsieur Mathon de Fougères [ortographié de Forère]. Lettre imprimée invitant à une « assemblée de charité » en faveur des familles pauvres visitées et secourues par la conférence Saint-Vincent-de-Paul » de la paroisse d'Arcueil. On remarquera que Jacques Offenbach accompagnera la cérémonie. La liste des quêteuses est donnée, évidement que des dames de la sociétés, parmi lesquelles se trouve Mélanie Waldor. Au pied de la lettre, Waldor a ajouté deux lignes : « Monsieur, Votre aumône quelque légère qu'elle soit me trouverait bien reconnaissante. Mélanie Waldor de Villenave ». Belle pièce mentionnant Offenbach. [375]
rif. BN212686Magistrat der Stadt Offenbach am Main. Zur Geschichte der Juden in Offenbach am Main: Band 2. Von den Anfängen bis zum Ende der Weimarer Republik Zur Geschichte der Juden in Offenbach am Main: Band 2. Von den Anfängen bis zum Ende der Weimarer Republik Herausgeber: Magistrat der Stadt Offenbach am Main Magistrat der Stadt Offenbach am Main unknown
rif. BN96961Magistrat der Stadt Offenbach am Main. Zur Geschichte der Juden in Offenbach am Main: Band 3. Werden und Vergehen : Aufstieg Buchdruck Friedhöfe Erinnerungen Zur Geschichte der Juden in Offenbach am Main: Band 3. Werden und Vergehen : Aufstieg Buchdruck Friedhöfe Erinnerungen Magistrat der Stadt Offenbach am Main unknown
2007rif. BN595065Ingra 2007. 2007. Softcover. Kunstraum Offenbach Stadt und Kreis. Verzeichnis bildender Künstlerinnen und Künstler. Kunstraum Offenbach Stadt und Kreis. Verzeichnis bildender Künstlerinnen und Künstler. Kreisausschuß des Kreises Offenbach Hrsg. Ingra paperback
1902rif. QZI-11Paris, Calmann-Lévy, 1902. Édition originale des œuvres complètes (théâtre, opérettes, opéra-bouffe) d'Henri Meilhac et Ludovic Halévy. Huit volumes in-12 de 12,5 x 18,5 cm pour 383 + 386 + 402 + 404 + 412 + 493 + 474 + 468 pp. Relié demi-chagrin chocolat, dos à 5 nerfs, nom d'auteur et titre en caractères d'imprimerie dorés séparés d'un trait doré, tomaison en doré. Tranches supérieures dorées. Plats marbrés à motifs foncés tournoyants, gardes colorées marbrées d'un motif camaïeu clair. Couvertures conservées. Tranchefile. "Avec Ludovic Halévy, rencontré en 1860, Henri Meilhac entame une collaboration de près de vingt ans et donne les livrets des plus célèbres opérettes de Jacques Offenbach dont La Belle Hélène (1864), La Vie parisienne (1866), La Grande-duchesse de Gérolstein (1867) et La Périchole (1868) ainsi que le Carmen de Georges Bizet (1875). Le duo compose aussi des vaudevilles et des comédies : Les Brebis de Panurge (1863), Fanny Lear (1868), Frou-Frou (1869), Tricoche et Cacolet (1872), Le Prince (1876), La Cigale (1877), Le Mari de la débutante (1879). Des deux duettistes, Henri Meilhac apporte en propre sa fantaisie, confinant parfois à la loufoquerie. Gagnant beaucoup d'argent, il en dépense également beaucoup, cherchant l'inspiration dans les grands restaurants, les cigares et le champagne. Meilhac et Halévy fréquentent le salon littéraire de Geneviève Halévy ou se rencontrent aussi Lucien Guitry, Paul Bourget ou Joseph Reinach, entre autres."
1861rif. 37710Auxerre Ch. Gallot s.d. [1861] prospectus in-8 en feuille
rif. A9780367209544Hardback. New. hardcover
rif. LD10130Brandus & Cie 1867. Very Good. Prompt shipment with tracking. we ship in CLEAN SECURE NEW boxes Marbled board marbled endpapers half-leather some light wear to extremities else near fine. rm Brandus & Cie, 1867 hardcover
rif. 34950777like new. unknown
1877rif. 539518New York: G.W. Carleton & Co. Publishers 1877. Hardcover. Near Fine. First American edition. Octavo. 211 4 ads pp. Purple endpapers. Green cloth stamped in gilt and blind. A couple of tiny tears at the crown very near fine. A scarce title likely pirated. G.W. Carleton & Co. Publishers hardcover books
1877rif. 539518New York: G.W. Carleton & Co. Publishers 1877. Hardcover. Near Fine. First American edition. Octavo. 211 4 ads pp. Purple endpapers. Green cloth stamped in gilt and blind. A couple of tiny tears at the crown very near fine. A scarce title likely pirated. G.W. Carleton & Co. Publishers hardcover
1768rif. 281117Offenbach : Hirsch Spitz of Pressburg 1768. Full Leather. Fair. last few pages worm holing at bottom title page darkish discolortion bottom of page 1 lacking needs rebinding leather covers torn and worn reading copy in two parts first part 38 pages and second 82 pages ie double sided First published in Prague in 1592. Messianic speculation with histories year by year till 1592 went through many editions ". It is divided into two parts the first containing the annals of Jewish history the second those of general history. The author consulted for the second part of his work the writings of Spangenberg Laurentius Faustus Hubertus Holtzius Georg Cassino and Martin Borisk. Though Gans's annals are very dry and have no great intrinsic value they are memorable as the first work of this kind among the German Jews who at that time appreciated historical knowledge but slightly. Indeed in his preface to the second volume the author deemed it necessary to justify himself for having dealt with so profane a subject as the annals of general history and endeavored to demonstrate that it was permitted to read history on Saturdays."JEVol V pp. 565 Hirsch Spitz of Pressburg hardcover
1970rif. 143973London : OSA 1286 1970. LP Record. Very Good/Box : Fair. 0x0x0. Both the libretto and the inside of the box are signed by Joan Sutherland in large flamboyant hand--two collectible signatures; both discs in clean sleeves are without visible wear; includes catalog; box has breaks at corners London : OSA 1286 unknown
1867rif. 25833Paris: G. Brandus & S. Dufour PN B. et D. 11211 1867. Large octavo. Quarter contemporary red morocco with red textured paper boards raised bands on spine in compartments gilt titling gilt marbled endpapers. 1f. illustrated lithographic title by Pastelot printed in black by Thierry frères in Paris 1f. named cast list and table of contents 300 pp. Lithographed. Pp. 298-300 comprise a supplement of cuts changes and transpositions. Publisher's handstamp to lower margin of title; "Imprimerie Centrale des Chemins de Fer. - A. Chaix et Ce. Rue Bergère 20 A Paris. - 2 68-8." printed to lower margin of cast list/table of contents. Binding slightly worn rubbed bumped and chipped; joints split. Slightly browned; occasional light foxing and creasing to inner margins; title cast list table of contents and first 60 pp. lightly dampstained at outer margins. First Edition of the first version. Lesure II pp. 77-78. OCLC no.1096790. La Grande-Duchesse de Gérolstein to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre des Variétés on 12 April 1867. "After the first night Offenbach cut moved or replaced several numbers to strengthen the second half of the piece. The work was written for Hortense Schneider as the Grand-Duchess and José Dupuis as Fritz." Offenbach was "with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. G. Brandus & S. Dufour [PN B. et D. 11211] unknown books
1867rif. 25833Paris: G. Brandus & S. Dufour PN B. et D. 11211 1867. Large octavo. Quarter contemporary red morocco with red textured paper boards raised bands on spine in compartments gilt titling gilt marbled endpapers. 1f. illustrated lithographic title by Pastelot printed in black by Thierry frères in Paris 1f. named cast list and table of contents 300 pp. Lithographed. Pp. 298-300 comprise a supplement of cuts changes and transpositions. Publisher's handstamp to lower margin of title; "Imprimerie Centrale des Chemins de Fer. - A. Chaix et Ce. Rue Bergère 20 A Paris. - 2 68-8." printed to lower margin of cast list/table of contents. Binding slightly worn rubbed bumped and chipped; joints split. Slightly browned; occasional light foxing and creasing to inner margins; title cast list table of contents and first 60 pp. lightly dampstained at outer margins. First Edition of the first version. Lesure II pp. 77-78. OCLC no.1096790. La Grande-Duchesse de Gérolstein to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre des Variétés on 12 April 1867. "After the first night Offenbach cut moved or replaced several numbers to strengthen the second half of the piece. The work was written for Hortense Schneider as the Grand-Duchess and José Dupuis as Fritz." Offenbach was "with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. G. Brandus & S. Dufour [PN B. et D. 11211] unknown
2019rif. x-0367209543Taylor & Francis 2019. Hardcover. New. 200 pages. 9.25x6.00x0.50 inches. Taylor & Francis hardcover
1866rif. 25827Paris: E. Heu PN E.H. 742 1866. Octavo. Dark red morocco-backed red textured cloth with blindstamped panel raised bands on spine in ruled compartments gilt with titling gilt marbled endpapers. 1f. recto title printed in sepia within decorative border verso blank 1f. recto named cast list and table of contents verso blank 1 blank 2-291 i blank pp. Lithographed. Named cast includes Brasseur Hyacinthe Gil Pérès Priston Lassouche Martal and Ferdinand Zulma Bouffar C. Montaland Honorine Thierret Paurelle Massin Bedard Breton and Henry. Publisher's and musicseller's handstamps to lower portion of title. Binding slightly worn rubbed bumped and soiled. Some signs of internal wear; browned; light to moderate foxing; some dampstaining to outer margins; trimmed. First Edition first issue. Lesure II p. 218. OCLC 82470995. La vie parisienne to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre du Palais-Royal on 31 October 1866. "The work was written in anticipation of the crowds visiting Paris for the 1867 Exhibition and proved one of the hits of the season. It was composed not for Offenbach's usual company but for that of the Palais-Royal which comprised actors as much as singers - strengthened for the occasion by one of Offenbach's favourite players Zulma Bouffar as the glovemaker Gabrielle. The piece recognizes the company's limitations with music that is vocally less extensive and demanding than that Offenbach wrote for the Théâtre de la Gaîté. The musical strength lies rather in the sparkling orchestral melodies - above all waltzes galops and can-cans which allied to a humorous libretto that was Meilhac and Halévy at their best has made the work a perpetual favourite as a symbol of Second Empire gaiety. By the time the piece was revived at the Théâtre des Variétés on 25 September 1873 the fourth of the five acts had been dropped but it is still sometimes included as for instance at Sadler's Wells Theatre in 1961." Andrew Lamb in Grove Music Online. E. Heu [PN E.H. 742] unknown books
1866rif. 25827Paris: E. Heu PN E.H. 742 1866. Octavo. Dark red morocco-backed red textured cloth with blindstamped panel raised bands on spine in ruled compartments gilt with titling gilt marbled endpapers. 1f. recto title printed in sepia within decorative border verso blank 1f. recto named cast list and table of contents verso blank 1 blank 2-291 i blank pp. Lithographed. Named cast includes Brasseur Hyacinthe Gil Pérès Priston Lassouche Martal and Ferdinand Zulma Bouffar C. Montaland Honorine Thierret Paurelle Massin Bedard Breton and Henry. Publisher's and musicseller's handstamps to lower portion of title. Binding slightly worn rubbed bumped and soiled. Some signs of internal wear; browned; light to moderate foxing; some dampstaining to outer margins; trimmed. First Edition first issue. Lesure II p. 218. OCLC 82470995. La vie parisienne to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre du Palais-Royal on 31 October 1866. "The work was written in anticipation of the crowds visiting Paris for the 1867 Exhibition and proved one of the hits of the season. It was composed not for Offenbach's usual company but for that of the Palais-Royal which comprised actors as much as singers - strengthened for the occasion by one of Offenbach's favourite players Zulma Bouffar as the glovemaker Gabrielle. The piece recognizes the company's limitations with music that is vocally less extensive and demanding than that Offenbach wrote for the Théâtre de la Gaîté. The musical strength lies rather in the sparkling orchestral melodies - above all waltzes galops and can-cans which allied to a humorous libretto that was Meilhac and Halévy at their best has made the work a perpetual favourite as a symbol of Second Empire gaiety. By the time the piece was revived at the Théâtre des Variétés on 25 September 1873 the fourth of the five acts had been dropped but it is still sometimes included as for instance at Sadler's Wells Theatre in 1961." Andrew Lamb in Grove Music Online. E. Heu [PN E.H. 742] unknown
1935rif. BOOKS261393Self Published . VG/No Dustjacket. 1935. 1/4 Leather. Wonderful document describing a vistor to the New York City area. Included are photographs images from brochures post cards pen and ink sketches etc. The visit included a visit to East Orange NJ to see relatives Herr und Frau George E. Schreiber. They also visiited Washinton D. C. Each chapter starts with a colored initial. We believe that this became a wedding present. Enclosed in a custom box that is slightly rubbed. . Oblong Folio 213 pp. Slight rubbing of cloth cover. . ***** Self Published ***** hardcover
rif. 39683Over 65 measures. 2 pp. Oblong octavo 157 x 235 mm. Notated on both sides of the leaf in black ink and pencil on 6-stave rastrum-ruled paper. Marked "g mol - c" at head. Unsigned and undated. With some passages with notation for two instruments on one stave and indications including letter names which may be bass notes and key names. Worn and soiled; creased at folds; half of blank outer margin lacking; edges slightly frayed and with small tears. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory but his most significant achievements lie in the field of operetta. Orphée aux enfers La belle Hélène La vie parisienne La Grande-Duchesse de Gérolstein and La Périchole remain outstanding examples of the French and international operetta repertory." Andrew Lamb in Grove Music Online. unknown books
rif. 39683Over 65 measures. 2 pp. Oblong octavo 157 x 235 mm. Notated on both sides of the leaf in black ink and pencil on 6-stave rastrum-ruled paper. Marked "g mol - c" at head. Unsigned and undated. With some passages with notation for two instruments on one stave and indications including letter names which may be bass notes and key names. Worn and soiled; creased at folds; half of blank outer margin lacking; edges slightly frayed and with small tears. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory but his most significant achievements lie in the field of operetta. Orphée aux enfers La belle Hélène La vie parisienne La Grande-Duchesse de Gérolstein and La Périchole remain outstanding examples of the French and international operetta repertory." Andrew Lamb in Grove Music Online. unknown
