Mitteilungen für Freunde der Insel-BüchereiAntiquariat.de
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2013réf. 23601Frankfurt, Leipzig und Berlin, 1990 bis 2013. Stets in kleiner Auflage erschienen. Mit Abbildungen, Bibliographien, Beiträgen zu den Sammlertreffen usw.. OPappbände im IB-Format.
1856réf. 28871Paris: G. Brandus Dufour et Cie. PN B. et Cie. 9659 1856. Large octavo. Quarter dark blue calf with marbled boardsspine with gilt-ruled compartments and titling gilt. 1f. recto title within decorative borders verso blank 1f. recto contents verso blank 0 pp. Engraved. Binding slightly worn rubbed and bumped; armorial bookplate to front pastedown. Minor foxing; small oval bookseller's and publisher's facsimile signature handstamp to lower margin of title. First Edition first issue. Trombalcazar ou Les criminels dramatiques to a libretto by Dupeuty and Bourget was first performed in Paris at the Bouffes-Parisien on April 3 1856. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Brandus, Dufour et Cie. [PN B. et Cie. 9659] unknown books
2014réf. BN243306DOVER PUBN INC 2014. 2014. Softcover. Les Contes d'Hoffmann in Full Score Les Contes d'Hoffmann in Full Score Jacques Offenbach DOVER PUBN INC paperback
2001réf. BN577098Stuttgarter Nachrichten 2001. 2001. Treffpunkt Foyer: Die Grossen zum Angreifen Treffpunkt Foyer: Die Grossen zum Angreifen Offenbach Susanne Hartmut Paeffgen Beate Kraufmann u. a. Stuttgarter Nachrichten unknown
réf. BN606997JOVIS Verlag. Materials Revisited: 10. Triennale für Form und Inhalte Materials Revisited: 10. Triennale für Form und Inhalte Dezernat für Kultur und Wissenschaft vom Museum für Angewandte Kunst Frankfurt; Klingspor-Museum Offenbach; Soltek Stefan and Runde Sabine JOVIS Verlag unknown
réf. BN413049Alfred Pub Co Inc. Tales of Hoffmann Vocal Score Dover Vocal Scores Tales of Hoffmann Vocal Score Dover Vocal Scores Jacques Offenbach Alfred Pub Co Inc unknown
1995réf. BN617463Bassermann F 1995. 1995. Softcover. Bastelspass mit Papier Bastelspass mit Papier Jacqueline Offenbach Bassermann, F paperback
réf. 015241[Offenbach] Mélanie Waldor (1796-1871), poétesse, femme de lettres, maîtresse d'Alexandre Dumas. Lettre imprimée avec note A.S., sd [avril 1853], 1p in-8. A Monsieur Mathon de Fougères [ortographié de Forère]. Lettre imprimée invitant à une « assemblée de charité » en faveur des familles pauvres visitées et secourues par la conférence Saint-Vincent-de-Paul » de la paroisse d'Arcueil. On remarquera que Jacques Offenbach accompagnera la cérémonie. La liste des quêteuses est donnée, évidement que des dames de la sociétés, parmi lesquelles se trouve Mélanie Waldor. Au pied de la lettre, Waldor a ajouté deux lignes : « Monsieur, Votre aumône quelque légère qu'elle soit me trouverait bien reconnaissante. Mélanie Waldor de Villenave ». Belle pièce mentionnant Offenbach. [375]
réf. BN212686Magistrat der Stadt Offenbach am Main. Zur Geschichte der Juden in Offenbach am Main: Band 2. Von den Anfängen bis zum Ende der Weimarer Republik Zur Geschichte der Juden in Offenbach am Main: Band 2. Von den Anfängen bis zum Ende der Weimarer Republik Herausgeber: Magistrat der Stadt Offenbach am Main Magistrat der Stadt Offenbach am Main unknown
réf. BN96961Magistrat der Stadt Offenbach am Main. Zur Geschichte der Juden in Offenbach am Main: Band 3. Werden und Vergehen : Aufstieg Buchdruck Friedhöfe Erinnerungen Zur Geschichte der Juden in Offenbach am Main: Band 3. Werden und Vergehen : Aufstieg Buchdruck Friedhöfe Erinnerungen Magistrat der Stadt Offenbach am Main unknown
2007réf. BN595065Ingra 2007. 2007. Softcover. Kunstraum Offenbach Stadt und Kreis. Verzeichnis bildender Künstlerinnen und Künstler. Kunstraum Offenbach Stadt und Kreis. Verzeichnis bildender Künstlerinnen und Künstler. Kreisausschuß des Kreises Offenbach Hrsg. Ingra paperback
1902réf. QZI-11Paris, Calmann-Lévy, 1902. Édition originale des œuvres complètes (théâtre, opérettes, opéra-bouffe) d'Henri Meilhac et Ludovic Halévy. Huit volumes in-12 de 12,5 x 18,5 cm pour 383 + 386 + 402 + 404 + 412 + 493 + 474 + 468 pp. Relié demi-chagrin chocolat, dos à 5 nerfs, nom d'auteur et titre en caractères d'imprimerie dorés séparés d'un trait doré, tomaison en doré. Tranches supérieures dorées. Plats marbrés à motifs foncés tournoyants, gardes colorées marbrées d'un motif camaïeu clair. Couvertures conservées. Tranchefile. "Avec Ludovic Halévy, rencontré en 1860, Henri Meilhac entame une collaboration de près de vingt ans et donne les livrets des plus célèbres opérettes de Jacques Offenbach dont La Belle Hélène (1864), La Vie parisienne (1866), La Grande-duchesse de Gérolstein (1867) et La Périchole (1868) ainsi que le Carmen de Georges Bizet (1875). Le duo compose aussi des vaudevilles et des comédies : Les Brebis de Panurge (1863), Fanny Lear (1868), Frou-Frou (1869), Tricoche et Cacolet (1872), Le Prince (1876), La Cigale (1877), Le Mari de la débutante (1879). Des deux duettistes, Henri Meilhac apporte en propre sa fantaisie, confinant parfois à la loufoquerie. Gagnant beaucoup d'argent, il en dépense également beaucoup, cherchant l'inspiration dans les grands restaurants, les cigares et le champagne. Meilhac et Halévy fréquentent le salon littéraire de Geneviève Halévy ou se rencontrent aussi Lucien Guitry, Paul Bourget ou Joseph Reinach, entre autres."
1861réf. 37710Auxerre Ch. Gallot s.d. [1861] prospectus in-8 en feuille
réf. A9780367209544Hardback. New. hardcover
1856réf. 29200Paris: Léon Escudier PN L.E. 1566 1856. Octavo. Full modern dark green cloth modern marbled endpapers. 1f. recto title verso printer's note 1f. recto named cast list and contents verso blank. 95 i blank pp. Engraved. Named cast includes Pradeau Berthelier Guyot and Dalmont. Occasional light foxing; small publisher's facsimile signature handstamp to lower margin and former owner's name to title. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Léon Escudier [PN L.E. 1566] unknown books
1881réf. 28795Paris: Choudens Père & Fils PN A.C. 5100 1881. Large octavo. Full modern dark green cloth modern marbled endpapers. 1f. recto title within border by L. Denis verso notes 1f. recto dedication verso blank 1f. recto notes on first performance named cast list and contents verso blank 242 pp. Named cast includes Isaac Ugalde Dupuis Molé E. Gourdon Belhomme Troy Talazac Taskin Griovot Chenevières and Teste. Free front endpaper torn with tape repair. Lower outer corners soiled; title trimmed at lower margin affecting text; minor tear to lower margin of dedication leaf; lower corner of p. 127 chipped just touching printed area; lower corners ragged with paper loss to pp.143-160 not affecting music. Numerous small tears to lower edges. Worn. First Edition first issue. Fuld p. 127. Les contes d'Hoffmann to a libretto by J. Barbier completed by Guirard was first performed in Paris at the Opéra-Comique on February 10 1881. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens Père & Fils [PN A.C. 5100] unknown books
1878réf. 29225Paris: Choudens Père et Fils PN A.C. 3862 1878. Large octavo. Full modern dark grey cloth. 1f. recto decorative title verso blank 1f. recto notes on first performance named cast list and contents verso blank 3-187 i blank pp. Named cast includes Peschard Paola Marié Girard Humberta Fanny Robert Descot Blot Blanche Daubray Jolly Troy Scipion Peschieux Maxnère Dubois Jannin Chambéry Sassard and Montaubry. Slightly browned and foxed; trimmed affecting text at foot of title but not affecting music; tear to outer edges of pp. 67-70. First Edition. Maître Peronilla to a libretto by Nuittier and Ferrier was first performed in Paris at the Théâtre des Bouffes-Parisiens on March 13 1878. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. Choudens Père et Fils [PN A.C. 3862] unknown books
réf. LD10130Brandus & Cie 1867. Very Good. Prompt shipment with tracking. we ship in CLEAN SECURE NEW boxes Marbled board marbled endpapers half-leather some light wear to extremities else near fine. rm Brandus & Cie, 1867 hardcover
réf. 34950777like new. unknown
1866réf. 29199Paris: E. Gérard & Cie. PN C.M. 10459 1866. Large octavo. Half ivory cloth with decorative boards spine with dark red leather title label gilt. 1f. recto title verso blank 1f. recto notes on first perforamance named cast list and contents verso blank 291 i blank pp. Lithographed. Named cast includes Dupuis Kopp Grenier Couder Hittemans Hamburger Horton Lèonie Beatrix Taillefer Jenny Schneider Aline Duval Vernet De Géraudon Amélie Gabrielle Legrand Martin and la Petite Mathilde. Binding slightly worn; boards abriaded with some paper loss; ink markings to joints and title label; former owner's signature in pencil to free front endpaper. Minor to moderate foxing; handstamps to lower margin of title; tear to outer margin of final leaf not affecting music with tear to lower corner with minor loss. First Edition. Barbe-bleue to a libretto by Meilhac and Halévy was first performed in Paris at the Variétés on February 5 1866. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. E. Gérard & Cie. [PN C.M. 10459] unknown books
1877réf. 539518New York: G.W. Carleton & Co. Publishers 1877. Hardcover. Near Fine. First American edition. Octavo. 211 4 ads pp. Purple endpapers. Green cloth stamped in gilt and blind. A couple of tiny tears at the crown very near fine. A scarce title likely pirated. G.W. Carleton & Co. Publishers hardcover
réf. 0271Desjardins Pauline; de Korponay Gabriel; Stael J.; Offenbach Jacques 1819-1880. Drawing Room Polkas. Arranged for the Piano Forte. No. 1. Boston: Oliver Ditson n.d. Black and white lithographic cover with 3-5pp. music. Lithograph by Thayer & co. shows dancing couple on pointe. Dancers are Pauline Desjardins and Gabriel de Korponay. Light foxing. Reference: Levy has cover only; NYPL. GLIMG #202. unknown books
1867réf. 25833Paris: B. Brandus & S. Dufour PN B. et D. 11211 1867. Large octavo. Quarter contemporary red morocco with red textured paper boards raised bands on spine in compartments gilt titling gilt marbled endpapers. 1f. illustrated lithographic title by Pastelot printed in black by Thierry frères in Paris 1f. named cast list and table of contents 300 pp. Lithographed. Pp. 298-300 comprise a supplement of cuts changes and transpositions. Publisher's handstamp to lower margin of title; "Imprimerie Centrale des Chemins de Fer. - A. Chaix et Ce. Rue Bergère 20 A Paris. - 2 68-8." printed to lower margin of cast list/table of contents. Binding slightly worn rubbed bumped and chipped; joints split. Slightly browned; occasional light foxing and creasing to inner margins; title cast list table of contents and first 60 pp. lightly dampstained at outer margins. First Edition of the first version. Lesure II pp. 77-78. OCLC no.1096790. La Grande-Duchesse de Gérolstein to a libretto by Henri Meilhac and Ludovic Halévy was first performed in Paris at the Théâtre des Variétés on April 12 1867. "After the first night Offenbach cut moved or replaced several numbers to strengthen the second half of the piece. The work was written for Hortense Schneider as the Grand-Duchess and José Dupuis as Fritz." Offenbach "was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. B. Brandus & S. Dufour [PN B. et D. 11211] unknown books
1858réf. 29219Paris: G. Brandus et S. Dufour PN B. et D. 9956 1858. Large octavo. Full modern dark green cloth modern marbled endpapers. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 124 pp. Engraved. Named cast includes Léonce Désiré Mesmacre Duvernoy Guyot Jean Paul Chabert Tautin Baudoin Cico Kunzé and Byard. Binding slightly bumped. Occasional minor foxing; small publisher's facsimile signature handstamp to lower margin of title; minor loss to lower inner margin of first leaf of music not affecting notation. First Edition first issue. Mesdames de la Halle to a libretto by Lapointe was first performed at the Bouffes-Parisiens on March 3 1858. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Brandus et S. Dufour [PN B. et D. 9956] unknown books
