787 Ergebnisse
1924Paris, Calmann-Lévy, 1924 ? Un volume broché de format petit in 8° de 96 pp., couverture imprimée orange. Assez bon état, dos passé. Livret d'opéra.
1959125 S. Abb. auf Tafeln. Faks. Pp. Mitgebunden: Programmbuch La vie Parisienne (Palais Royal, dir. Madame Simone de Létraz, compagnie Renaud-Barrault).
1980275 S. 4°. OLn. Schutzumschlag. Frontisp. Abb auf Tafeln.
1988IN-8°, PP. 105 (11), ILL. B.N. N.T., BROSS. EDIT., COP. ILL. COL. (LIEVISSIME TRACCE DI POLVERE), OTTIMO STATO (F). 635 60
1976The work of Félix Nadar (real name Gaspard-Félix Tournachon) with 359 photographs mostly from original negatives. Index. Black cloth covers with silver title on spine and blind stamped title on front cover. Dust jacket worn at top edge with some tape repair, rubbing to surface. This book is extra heavy, and may involve extra shipping charges to some countries
1981Collana: La Musica, novembre 1981. Traduzione di Alberto Pogni. Titolo originale: Offenbach, roy du second Empire. Rilegato con copertina rigida e sovraccoperta. Prima edizione. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First edition. Hardback cover with dust jacket in fine conditions, no price clipped, no inscriptions or markings inside. Worldwide delivery.
1937Best.-Nr. 41613London: Constable 1937. Octavo. Full black cloth with titling gilt to spine. vii 351 i printer's note pp. With occasional illustrations. Binding worn rubbed and bumped; inscription to front free endpaper. Browned. Constable unknown books
1983Best.-Nr. 9032258New York: Belwin-Mills 1983. Paperback. Fine. Libretto by Ludevic Halevy. English version and performance edition by Michael Kaye. Bound in publisher's original wrappers. Bound in publisher's original illustrated paper. 7 x 10 1/2 inches. 134 pages. Belwin-Mills paperback books
1875Best.-Nr. 56338Paris: Librairie Illustrée 1875. Octavo 27cm. Marbled paper over boards backed in green cloth titled in gilt on spine; iv viii 226 2pp; 6 full-page character illustrations colored in pochoir and numerous in-text wood engravings; with 7pp of printed music for songs by Offenbach. A straight sturdy copy externally rubbed corners exposed mildly foxed: just Very Good. La Vie Parisienne first produced in 1866 was one of Offenbach'st most popular operattas. This edition coincides with the 1875 revival production at the Théâtre de Variétés. Librairie Illustrée unknown books
1980Best.-Nr. 41633London and New York: John Calder; Riverrun Press 1980. Octavo. Green pictorial wrappers. 274 pp. With index and occasional illustrations. Wrappers slightly worn. John Calder; Riverrun Press unknown books
1910Best.-Nr. 29201Berlin: Ed. Bote & G. Bock PN 14613 1910. Large octavo. Disbound. 1f. recto title within decorative border verso blank 3 cast list and contents 4 blank 5-102 pp. Text in German and French. Remnants of wrapper to spine. Lower outer corner of title lacking. M. Choufleuri restera chez lui to a libretto by Saint-Rémy Duc de Morny L'Epine Crémieux and Halévy was first performed at the Présidence du Corps Législatif on 31 May 1861 and at the Bouffes-Parisien on 14 September 1861. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Ed. Bote & G. Bock [PN 14613] unknown books
1970Best.-Nr. 28861Berlin: Bote & Bock PN B & B 15516 531 1970. Folio. Original publisher's light gray printed wrappers. 1f. recto title verso copyright statement 1f. recto cast list and orchestration verso contents 230 pp. Text in German and French. Second version. La vie parisienne to a libretto by Meilhac and Halévy was first performed in Paris at the Palais-Royal on October 31 1866. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Bote & Bock [ PN B & B 15516 (531)] unknown books
1914Best.-Nr. 28766Paris: Choudens PN 9476 1914. Large octavo. Original publisher's light pink wrappers. 1f. recto title within decorative border by F. Baumgarten 3-4 introduction 5 recto cast list notes on first performance and named cast list verso contents 7-286 pp. Text in German only. Named cast includes A. Isaac M. Ugalde Dupuis Talazac Taskin Gourdon Belhomme Troy Chenevières Grivot and Teste. Wrappers slightly worn; upper partially detached; spine creased and with small tears. Some signatures split. Les contes d'Hoffmann to a libretto by Barbier completed by Guiraud was first performed in Paris at the Opéra-Comique on 10 February 1881. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . His opera Les contes d'Hoffmann has retained a place in the international repertory . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN 9476] unknown books
1982Best.-Nr. 29185New York: Belwin-Mills PN A539 1982. Large octavo. Original publisher's ivory wrappers printed in colour. 1f. recto title verso copyright iii note iv-v synopsis vi cast list vii contents i full-page illustration 172 173-200 libretto pp. Text in French and English. Les bavards Bavard et bavarde to a libretto by Nuitter after Cervantes' Los habladores was first performed in Bad Ems on 11 July 1862; in Vienna at the Kaitheater on 20 November 1862; and in Paris at the Bouffes-Parisiens on 20 February 1863. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Belwin-Mills [PN A539] unknown books
1907Best.-Nr. 28788Paris: Choudens PN A.C. 5301 1907. Large octavo. Quarter dark yellow cloth with green cloth boards spine with raised bands. 1f. recto title illustrated by E. Buval verso blank 1f. recto publisher's note in French and German verso blank 1f. recto notes on first performance cast list and contents verso blank 1f. recto contents verso blank 3-344 pp. Text in Italian and German. Binding slightly worn rubbed bumped; lower stained. Some signatures split or partially split; occasional reinforcement to inner margins; minor soiling and creasing to corners of title; tape repair to lower margin of publisher's notes; small tear to blank outer edge of p. 15. Fifth version. Les contes d'Hoffmann to a libretto by J. Barbier completed by Guirard was first performed in Paris at the Opéra-Comique on 10 February 1881. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN A.C. 5301] unknown books
1961Best.-Nr. 29205Berlin - Wiesbaden: Bote & Bock PNs B & B 4801-4807 1961. Large octavo. Original publisher's dark ivory printed wrappers. 1f. recto title verso copyright 1f. recto cast list contents and notes on first performance verso blank 3-77 i blank pp. Text in German and French dialogue in German. Titling to spine in black. Small label to title with "Léon Morand" as librettist. Le mari à la porte to a libretto by Delacour was first performed in Paris at the Bouffes-Parisiens on 22 June 1859. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Bote & Bock [PNs B & B 4801-4807] unknown books
Best.-Nr. 39683Over 65 measures. 2 pp. Oblong octavo 157 x 235 mm. Notated on both sides of the leaf in black ink and pencil on 6-stave rastrum-ruled paper. Marked "g mol - c" at head. Unsigned and undated. With some passages with notation for two instruments on one stave and indications including letter names which may be bass notes and key names. Worn and soiled; creased at folds; half of blank outer margin lacking; edges slightly frayed and with small tears. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory but his most significant achievements lie in the field of operetta. Orphée aux enfers La belle Hélène La vie parisienne La Grande-Duchesse de Gérolstein and La Périchole remain outstanding examples of the French and international operetta repertory." Andrew Lamb in Grove Music Online. unknown books
Best.-Nr. 1356New York: Fred Rullman Inc No date c. 19--. Wraps. Very good. 8vo; 59pp; stiff grey pictorial wrapper; 2 staple binding; price tag reading "Price 50 cents" affixed to front wrapper; rear wrapper advertisement for Knabe pianos with pictorial portraits of opera artists; age-toning of wrapper; very good. English translation and text of the opera Contes D' Hoffmann. No date but circa 1935-1950 based on Edward Johnson as General Manager. Fred Rullman, Inc unknown books
1867Best.-Nr. 620630New York: J.L. Peters 1867. Softcover. Good. Sheet music. Translated by M. Barnett. Arranged by Wm. Dressler. Folio. Lyrics i English and French. Single bifolium with a single-sheet-insert making six pages. Notched and worn along the fold with page numbers stamped in the top corners from once being bound within an album as a result the insert remains attached to the bifolium front cover detaching along the top of the fold light offsetting throughout and soiling and foxing along the margins complete but a good only copy. For voice and piano. Plate imprint "Pif paf pouf. 2762=4. J.L. Peters unknown books
1868Best.-Nr. 620709Philadelphia: Lee & Walker 1868. Softcover. Good. Sheet music. Translated by Hugo. Folio. Single bifolium with a single-sheet insert making six pages. Notched and worn along the fold with page numbers stamped in the top corners from once being bound within an album as a result the insert remains attached to the bifolium light offsetting throughout and a music shop stamp on the front cover complete but just a good or better copy. For voice and piano. Plate number 9805.4. Lee & Walker unknown books
1907Best.-Nr. 36787Paris: Choudens PN A.C. 5100 1907. Large octavo. Quarter mid-tan calf with marbled boards dark brown leather title label gilt to spine marbled endpapers. 1f. recto title verso blank 1f. recto cast list and contents verso blank 327 pp. Binding very slightly worn rubbed and bumped. Minor internal browning; publisher's stamp to lower outer corner of title. Les contes d'Hoffmann to a libretto by J. Barbier completed by Guirard was first performed in Paris at the Opéra-Comique on 10 February 1881. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN A.C. 5100] unknown books
1963Best.-Nr. 28775n.p.: Galliard PN 18682R 1963. Folio. Original publisher's white illustrated wrappers printed in red and black with preface to verso of upper. 1f. recto title verso production notes 22 pp. With an autograph letter from Joseph Horovitz addressed to "Colin" regarding the possibility of performing the work in London. Undated. "If you like my adaptation of the enclosed we might indeed join forces one day and mount an evening of Offenbach one-acters ." Upper wrapper stamped "Professional Copy." Wrappers slightly soiled. Les deux aveugles to a libretto by Moinaux was first performed in Paris at the Bouffes-Parisiens Salle Marigny on 5 July 1855. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Joseph Horovitz b. 1926 an Austrian-born British composer conductor and pianist was a student of Nadia Boulanger in Paris. "He is a composer of remarkable versatility graceful wit and an enviable ability to communicate whether in his refreshingly light or more serious styles." Ernest Bradbury and Malcolm Miller in Grove Music Online. Galliard [PN 18682R] unknown books
1900Best.-Nr. 28863Paris: C. Joubert & Cie. PN B. et Cie. 12542 1900. 1f. recto title illustrated by Buttiner-Thierry with images of guitarist and trombonist verso copyright statement 1f. notes on first performance named cast list and contents verso blank vi 22 pp. Named cast includes Pradeau and Berthelier. First performed to a libretto by Moinaux in Paris at the Bouffes-Parisiens on July 5 1855. A re-issue from Brandus plates. Bound with: Offenbach. Une Nuit Blanche Opéra comique en un acte Paroles de E. Plouvier . Répertoire des Bouffes Parisiens . Pr: 6: net. Piano-vocal score. Paris: G. Brandus Dufour et Cie. PN B. et Cie. 9579 ca. 1890. 1f. blank 1f. recto title verso blank 1f. recto named cast list and contents verso blank 56 pp. Named cast includes Darcier Berthelier and Macé. First performed to a libretto by Plouvier in Paris at the Bouffes-Parisiens Salle Marigny on July 5 1855. A re-issue of the first edition. Bound with: Offenbach. Mesdames de la Halle . Paroles de Lapointe. Piano-vocal score. Paris: Brandus & Dufour PN B. et. D. 9956 ca. 1890. 124 pp. Upper outer corner of title lacking just affecting text. First performed to a libretto by Lapointe in Paris at the Bouffes-Parisiens on March 3 1858. Large octavo. Quarter dark green leather with marbled boards spine with raised bands in decorative compartments gilt titling gilt marbled endpapers. Binding slightly worn rubbed and bumped. Annotations in pencil to verso of free front endpaper. Occasional signs of wear; some browning; some signatures split; mall circular publisher's handstamps to several titles. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. C. Joubert & Cie. [PN B. et Cie. 12542] unknown books
1960Best.-Nr. 28868Paris: Éditions Salabert PN R. L. et Cie. 6742 1960. Large octavo. Original publisher's dark ivory printed wrappers. 1f. recto title within decorative border verso blank i notes on first performance named cast list and contents 2-243 i blank pp. Named cast includes Brasseur Hyacinthe Gil Pérès Priston Lassouche Martal Ferdinand Zulma Bouffar C. Montaland Honorine Thierret Paurelle Massin Ledard Breton and Henry. Wrappers slightly worn. Third version. Printed form Rouart-Lerolle plates. La vie parisienne to a libretto by Meilhac and Halévy was first performed in Paris at the Palais-Royal on October 31 1866. Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Orphée aux enfers La belle Hélène La vie parisienne La Grande-Duchesse de Gérolstein and La Périchole remain outstanding examples of the French and international operetta repertory. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Éditions Salabert [PN R. L. et Cie. 6742] unknown books
1985Best.-Nr. 28778Melville NY: Belwin-Mills PN A544 1985. Large octavo. Original publisher's illustrated wrappers printed in colour. 1f. recto title verso copyright statement 2ff. introduction synopsis and biogrpahical notes 1f. recto named cast list and contents verso blank 54 pp. With publisher's catalogue to verso of upper wrapper. La bonne d'enfant to a libretto by Bercioux was first performed in Paris at the Bouffes-Parisiens on14 October 1856. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. Belwin-Mills [PN A544] unknown books
