780 resultados
1924Paris, Calmann-Lévy, 1924 ? Un volume broché de format petit in 8° de 96 pp., couverture imprimée orange. Assez bon état, dos passé. Livret d'opéra.
1959125 S. Abb. auf Tafeln. Faks. Pp. Mitgebunden: Programmbuch La vie Parisienne (Palais Royal, dir. Madame Simone de Létraz, compagnie Renaud-Barrault).
1980275 S. 4°. OLn. Schutzumschlag. Frontisp. Abb auf Tafeln.
1988IN-8°, PP. 105 (11), ILL. B.N. N.T., BROSS. EDIT., COP. ILL. COL. (LIEVISSIME TRACCE DI POLVERE), OTTIMO STATO (F). 635 60
1976The work of Félix Nadar (real name Gaspard-Félix Tournachon) with 359 photographs mostly from original negatives. Index. Black cloth covers with silver title on spine and blind stamped title on front cover. Dust jacket worn at top edge with some tape repair, rubbing to surface. This book is extra heavy, and may involve extra shipping charges to some countries
1981Collana: La Musica, novembre 1981. Traduzione di Alberto Pogni. Titolo originale: Offenbach, roy du second Empire. Rilegato con copertina rigida e sovraccoperta. Prima edizione. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First edition. Hardback cover with dust jacket in fine conditions, no price clipped, no inscriptions or markings inside. Worldwide delivery.
1937ref. 41613London: Constable 1937. Octavo. Full black cloth with titling gilt to spine. vii 351 i printer's note pp. With occasional illustrations. Binding worn rubbed and bumped; inscription to front free endpaper. Browned. Constable unknown books
1980ref. 41633London and New York: John Calder; Riverrun Press 1980. Octavo. Green pictorial wrappers. 274 pp. With index and occasional illustrations. Wrappers slightly worn. John Calder; Riverrun Press unknown books
1983ref. 9032258New York: Belwin-Mills 1983. Paperback. Fine. Libretto by Ludevic Halevy. English version and performance edition by Michael Kaye. Bound in publisher's original wrappers. Bound in publisher's original illustrated paper. 7 x 10 1/2 inches. 134 pages. Belwin-Mills paperback books
ref. 39683Over 65 measures. 2 pp. Oblong octavo 157 x 235 mm. Notated on both sides of the leaf in black ink and pencil on 6-stave rastrum-ruled paper. Marked "g mol - c" at head. Unsigned and undated. With some passages with notation for two instruments on one stave and indications including letter names which may be bass notes and key names. Worn and soiled; creased at folds; half of blank outer margin lacking; edges slightly frayed and with small tears. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory but his most significant achievements lie in the field of operetta. Orphée aux enfers La belle Hélène La vie parisienne La Grande-Duchesse de Gérolstein and La Périchole remain outstanding examples of the French and international operetta repertory." Andrew Lamb in Grove Music Online. unknown books
1907ref. 36787Paris: Choudens PN A.C. 5100 1907. Large octavo. Quarter mid-tan calf with marbled boards dark brown leather title label gilt to spine marbled endpapers. 1f. recto title verso blank 1f. recto cast list and contents verso blank 327 pp. Binding very slightly worn rubbed and bumped. Minor internal browning; publisher's stamp to lower outer corner of title. Les contes d'Hoffmann to a libretto by J. Barbier completed by Guirard was first performed in Paris at the Opéra-Comique on 10 February 1881. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN A.C. 5100] unknown books
1963ref. 28775n.p.: Galliard PN 18682R 1963. Folio. Original publisher's white illustrated wrappers printed in red and black with preface to verso of upper. 1f. recto title verso production notes 22 pp. With an autograph letter from Joseph Horovitz addressed to "Colin" regarding the possibility of performing the work in London. Undated. "If you like my adaptation of the enclosed we might indeed join forces one day and mount an evening of Offenbach one-acters ." Upper wrapper stamped "Professional Copy." Wrappers slightly soiled. Les deux aveugles to a libretto by Moinaux was first performed in Paris at the Bouffes-Parisiens Salle Marigny on 5 July 1855. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Joseph Horovitz b. 1926 an Austrian-born British composer conductor and pianist was a student of Nadia Boulanger in Paris. "He is a composer of remarkable versatility graceful wit and an enviable ability to communicate whether in his refreshingly light or more serious styles." Ernest Bradbury and Malcolm Miller in Grove Music Online. Galliard [PN 18682R] unknown books
1910ref. 29201Berlin: Ed. Bote & G. Bock PN 14613 1910. Large octavo. Disbound. 1f. recto title within decorative border verso blank 3 cast list and contents 4 blank 5-102 pp. Text in German and French. Remnants of wrapper to spine. Lower outer corner of title lacking. M. Choufleuri restera chez lui to a libretto by Saint-Rémy Duc de Morny L'Epine Crémieux and Halévy was first performed at the Présidence du Corps Législatif on 31 May 1861 and at the Bouffes-Parisien on 14 September 1861. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Ed. Bote & G. Bock [PN 14613] unknown books
1900ref. 28863Paris: C. Joubert & Cie. PN B. et Cie. 12542 1900. 1f. recto title illustrated by Buttiner-Thierry with images of guitarist and trombonist verso copyright statement 1f. notes on first performance named cast list and contents verso blank vi 22 pp. Named cast includes Pradeau and Berthelier. First performed to a libretto by Moinaux in Paris at the Bouffes-Parisiens on July 5 1855. A re-issue from Brandus plates. Bound with: Offenbach. Une Nuit Blanche Opéra comique en un acte Paroles de E. Plouvier . Répertoire des Bouffes Parisiens . Pr: 6: net. Piano-vocal score. Paris: G. Brandus Dufour et Cie. PN B. et Cie. 9579 ca. 1890. 1f. blank 1f. recto title verso blank 1f. recto named cast list and contents verso blank 56 pp. Named cast includes Darcier Berthelier and Macé. First performed to a libretto by Plouvier in Paris at the Bouffes-Parisiens Salle Marigny on July 5 1855. A re-issue of the first edition. Bound with: Offenbach. Mesdames de la Halle . Paroles de Lapointe. Piano-vocal score. Paris: Brandus & Dufour PN B. et. D. 9956 ca. 1890. 124 pp. Upper outer corner of title lacking just affecting text. First performed to a libretto by Lapointe in Paris at the Bouffes-Parisiens on March 3 1858. Large octavo. Quarter dark green leather with marbled boards spine with raised bands in decorative compartments gilt titling gilt marbled endpapers. Binding slightly worn rubbed and bumped. Annotations in pencil to verso of free front endpaper. Occasional signs of wear; some browning; some signatures split; mall circular publisher's handstamps to several titles. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. C. Joubert & Cie. [PN B. et Cie. 12542] unknown books
1970ref. 28861Berlin: Bote & Bock PN B & B 15516 531 1970. Folio. Original publisher's light gray printed wrappers. 1f. recto title verso copyright statement 1f. recto cast list and orchestration verso contents 230 pp. Text in German and French. Second version. La vie parisienne to a libretto by Meilhac and Halévy was first performed in Paris at the Palais-Royal on October 31 1866. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Bote & Bock [ PN B & B 15516 (531)] unknown books
1945ref. 29228Paris: Choudens PN A. C. 2744 1945. Large octavo. Original publisher's decorative dark ivory wrappers. 1f. recto decorative title verso blank i named cast list and contents 4-223 i blank pp. Named cast includes Théo Grivot Fonti Lyon Castello Jane Eyre Bonnet Daubray and Troy. Wrappers slightly worn and soiled; spine reinforced with tape. Slightly worn; title browned at margins; tape repair to upper margin of pp. 203/204 not affecting music. La jolie parfumeuse to a libretto by Crémieux and E. Blum was first performed in Paris at the Renaissance on 29 November 1873. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. Choudens [PN A. C. 2744] unknown books
1914ref. 28766Paris: Choudens PN 9476 1914. Large octavo. Original publisher's light pink wrappers. 1f. recto title within decorative border by F. Baumgarten 3-4 introduction 5 recto cast list notes on first performance and named cast list verso contents 7-286 pp. Text in German only. Named cast includes A. Isaac M. Ugalde Dupuis Talazac Taskin Gourdon Belhomme Troy Chenevières Grivot and Teste. Wrappers slightly worn; upper partially detached; spine creased and with small tears. Some signatures split. Les contes d'Hoffmann to a libretto by Barbier completed by Guiraud was first performed in Paris at the Opéra-Comique on 10 February 1881. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . His opera Les contes d'Hoffmann has retained a place in the international repertory . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN 9476] unknown books
1960ref. 28868Paris: Éditions Salabert PN R. L. et Cie. 6742 1960. Large octavo. Original publisher's dark ivory printed wrappers. 1f. recto title within decorative border verso blank i notes on first performance named cast list and contents 2-243 i blank pp. Named cast includes Brasseur Hyacinthe Gil Pérès Priston Lassouche Martal Ferdinand Zulma Bouffar C. Montaland Honorine Thierret Paurelle Massin Ledard Breton and Henry. Wrappers slightly worn. Third version. Printed form Rouart-Lerolle plates. La vie parisienne to a libretto by Meilhac and Halévy was first performed in Paris at the Palais-Royal on October 31 1866. Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Orphée aux enfers La belle Hélène La vie parisienne La Grande-Duchesse de Gérolstein and La Périchole remain outstanding examples of the French and international operetta repertory. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Éditions Salabert [PN R. L. et Cie. 6742] unknown books
1985ref. 28778Melville NY: Belwin-Mills PN A544 1985. Large octavo. Original publisher's illustrated wrappers printed in colour. 1f. recto title verso copyright statement 2ff. introduction synopsis and biogrpahical notes 1f. recto named cast list and contents verso blank 54 pp. With publisher's catalogue to verso of upper wrapper. La bonne d'enfant to a libretto by Bercioux was first performed in Paris at the Bouffes-Parisiens on14 October 1856. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. Belwin-Mills [PN A544] unknown books
1890ref. 28870Paris: C. Joubert PN B. & Cie. 12614 1890. Large octavo. Original publisher's brown cloth-backed dark ivory wrappers with title within decorative border. 1f. recto title within decorative border verso notes 56 pp. Wrappers somewhat worn with minor soiling and staining. Some signatures split or partially split; minor soiling. Le violoneux to a libretto by Mestépès and Chevalet was first performed in Paris at the Bouffes-Parisiens Salle Marigny on 31 August 1955. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. C. Joubert [PN B. & Cie. 12614] unknown books
1985ref. 29196New York: Belwin-Mills PN A607 1985. Octavo. Original publisher's decorative wrappers printed in colour. 1f. recto title verso copyright statement 2ff. notes synopsis biographical notes 1f. recto cast list and contents verso blank 1 half title 2-49 i blank pp. Named cast includes Cécile Gregoire Esther Gregoire Adèle Cuinet Daubray and Sanson. A re-issue of the Choudens edition. Pierrette et Jacquot to a libretto by Noriac and Gille was first performed in Paris at the Bouffes-Parisiens on 13 October 1876. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Belwin-Mills [PN A607] unknown books
1947ref. 29206Paris: Choudens PN A. C. 2692 1947. Large octavo. Original publisher's decorative gray wrappers. 1f. recto title within decorative border verso blank i recto named cast list and contents 2-79 i blank pp. Named cast includes Théo Dartaux and Daubray. Short splits to wrappers at joints. Printed from first edition plates. Pomme d'api to a libretto by Halévy and Busnach was first performed in Paris at the Renaissance on 4 September 1873. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN A. C. 2692] unknown books
1864ref. 29224Paris: G. Brandus et S. Dufour PN 11600 1864. Large octavo. Quarter black pebbled cloth with black pebbled cloth boards blank octagonal title label to upper. 1f. recto title within ruled border verso blank 1f. recto named cast list and contents verso blank 52 pp. Lithographed. Named cast includes Zulma Bouffar and Désiré. Spine reinforced with dark red tape with titling in black; Occasional minor foxing; small publisher's facsimile signature handstamp to lower margin of title; small tear to outer margin of pp. 41/42 with repaired. First Edition later issue. Lischen et Fritzchen to a libretto by Dubois P. Boisselot was first performed in Bad Ems on 21 July 1863 and in Paris at the Bouffes-Parisiens on 5 January 1864. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Brandus et S. Dufour [PN 11,600] unknown books
1971ref. 29193New York: G. Schirmer PN 46699 1971. Large octavo. Original publisher's red and yellow decorative wrappers. i title ii-v introduction and notes vi cast list and contents 114 pp. Titling to spine in manuscript. Ba-ta-clan to a libretto by Halévy was first performed in Paris at the Bouffes-Parisiens on 29 December 1855. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Schirmer [PN 46699] unknown books
1900ref. 29220Paris: Ménestrel Heugel et Cie. PN H. 2447 1900. Large octavo. Original publisher's dark ivory wrappers with title within decorative border. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 74 pp. Named cast includes Guyot Geoffroy Tautin and Geoffroy. Annotations to cast list in pencil. Wrappers worn soiled and slightly chipped; spine with small tears and minor loss; detached; publisher's handstamp to lower margin. Browned; small circular publisher's handstamps to lower margin of title; former owner's handstamp to upper margin of second leaf. Re-issue from first edition plates. Le mari à la porte to a libretto by Delacour was first performed in Paris at the Bouffes-Parisiens on 22 June 1859. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Ménestrel, Heugel et Cie. [PN H. 2447] unknown books
