782 résultats
1924Paris, Calmann-Lévy, 1924 ? Un volume broché de format petit in 8° de 96 pp., couverture imprimée orange. Assez bon état, dos passé. Livret d'opéra.
1959125 S. Abb. auf Tafeln. Faks. Pp. Mitgebunden: Programmbuch La vie Parisienne (Palais Royal, dir. Madame Simone de Létraz, compagnie Renaud-Barrault).
1980275 S. 4°. OLn. Schutzumschlag. Frontisp. Abb auf Tafeln.
1988IN-8°, PP. 105 (11), ILL. B.N. N.T., BROSS. EDIT., COP. ILL. COL. (LIEVISSIME TRACCE DI POLVERE), OTTIMO STATO (F). 635 60
1976The work of Félix Nadar (real name Gaspard-Félix Tournachon) with 359 photographs mostly from original negatives. Index. Black cloth covers with silver title on spine and blind stamped title on front cover. Dust jacket worn at top edge with some tape repair, rubbing to surface. This book is extra heavy, and may involve extra shipping charges to some countries
1981Collana: La Musica, novembre 1981. Traduzione di Alberto Pogni. Titolo originale: Offenbach, roy du second Empire. Rilegato con copertina rigida e sovraccoperta. Prima edizione. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First edition. Hardback cover with dust jacket in fine conditions, no price clipped, no inscriptions or markings inside. Worldwide delivery.
1937réf. 41613London: Constable 1937. Octavo. Full black cloth with titling gilt to spine. vii 351 i printer's note pp. With occasional illustrations. Binding worn rubbed and bumped; inscription to front free endpaper. Browned. Constable unknown books
1980réf. 41633London and New York: John Calder; Riverrun Press 1980. Octavo. Green pictorial wrappers. 274 pp. With index and occasional illustrations. Wrappers slightly worn. John Calder; Riverrun Press unknown books
réf. 39683Over 65 measures. 2 pp. Oblong octavo 157 x 235 mm. Notated on both sides of the leaf in black ink and pencil on 6-stave rastrum-ruled paper. Marked "g mol - c" at head. Unsigned and undated. With some passages with notation for two instruments on one stave and indications including letter names which may be bass notes and key names. Worn and soiled; creased at folds; half of blank outer margin lacking; edges slightly frayed and with small tears. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory but his most significant achievements lie in the field of operetta. Orphée aux enfers La belle Hélène La vie parisienne La Grande-Duchesse de Gérolstein and La Périchole remain outstanding examples of the French and international operetta repertory." Andrew Lamb in Grove Music Online. unknown books
1907réf. 36787Paris: Choudens PN A.C. 5100 1907. Large octavo. Quarter mid-tan calf with marbled boards dark brown leather title label gilt to spine marbled endpapers. 1f. recto title verso blank 1f. recto cast list and contents verso blank 327 pp. Binding very slightly worn rubbed and bumped. Minor internal browning; publisher's stamp to lower outer corner of title. Les contes d'Hoffmann to a libretto by J. Barbier completed by Guirard was first performed in Paris at the Opéra-Comique on 10 February 1881. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN A.C. 5100] unknown books
1963réf. 28775n.p.: Galliard PN 18682R 1963. Folio. Original publisher's white illustrated wrappers printed in red and black with preface to verso of upper. 1f. recto title verso production notes 22 pp. With an autograph letter from Joseph Horovitz addressed to "Colin" regarding the possibility of performing the work in London. Undated. "If you like my adaptation of the enclosed we might indeed join forces one day and mount an evening of Offenbach one-acters ." Upper wrapper stamped "Professional Copy." Wrappers slightly soiled. Les deux aveugles to a libretto by Moinaux was first performed in Paris at the Bouffes-Parisiens Salle Marigny on 5 July 1855. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Joseph Horovitz b. 1926 an Austrian-born British composer conductor and pianist was a student of Nadia Boulanger in Paris. "He is a composer of remarkable versatility graceful wit and an enviable ability to communicate whether in his refreshingly light or more serious styles." Ernest Bradbury and Malcolm Miller in Grove Music Online. Galliard [PN 18682R] unknown books
1895réf. 29089Paris: Maquet B. et Cie. 12614 1895. 1f. recto title with first performance information named cast list and contents within decorative border verso copyright 1f. blank 56 pp. Named cast includes Berthelier Darcier and Schneide. Printed from Brandus plates. Browned. First performed to a libretto by Mestépès and Chevalet in Paris at the Bouffes-Parisiens Salle Marigny on 31 August 1955. Bound with: Planquette Robert 1848-1903. Les Chevau-Légers Opérette en un acte. Piano-vocal score Paris: Ch. Egrot PN Ch. E. 1009 ca. 1881.1f. recto notes on first performance named cast list and contents verso blank 118 pp. Lithographed. Named cast includes Perrin Gaillard Antony Villé Chretienno d'Estrées Mazedier Briot Liovent Boulard and Lucy. Lacking title. First Edition. First performed in Paris at the Eldorado on 1December 1881. Large octavo. Quarter dark brown cloth with marbled boards spine in gilt-ruled compartments titling gilt. Binding slightly worn rubbed and bumped; annotation in blue crayon to upper margin of free front endpaper. Rectangular publisher's handstamp to lower margin of free front endpaper title and following blank leaf; minor to moderate foxing; occasional browning; former owner's signature to lower margin of title; free rear endpaper torn and mostly lacking. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Maquet [B. et Cie. 12614] unknown books
1947réf. 28484Paris: Choudens PN A.C. 4740 1947. Large octavo. Original publisher's gray wrappers with title within decorative border. 1f. recto title within decorative border by Buval verso blank 1 notes on first performance named cast list and contents 2-232 1f. blank pp. Named cast includes Simon-Girard Girard Vernon Lestrade Reval Luco Lepers Simon-Max Maugé Bartel and Henriot. Wrappers partially detached; spine reinforced with tape. Some signatures split; minor chipping to upper margins. Reprint from first edition plates. La fille du tambour-major to a libretto by Chivot and Duru was first performed in Paris at the Folies-Dramatiques on 13 December 1879. Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN A.C. 4740] unknown books
1890réf. 29223Paris: Choudens Fils PN A.C. 3825 1890. Large octavo. Quarter dark red calf with red textured blindstamped cloth boards spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 224 pp. Named cast includes J. Girard Gélabert Lepers Luco Simon Max Maugé Octave and Speck. Binding slightly worn rubbed and bumped. Occasional light foxing; some signatures split; light browning to edges of title; horizontal tear to pp. 35-38 with tape repairs; minor paper loss to blank upper margin of pp. 63/64 & 149/150 not affecting music. Madame Favart to a libretto by Chivot and Duru was first performed at the Folies-Dramatiques on 28 December 1878. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens Fils [PN A.C. 3825] unknown books
1982réf. 29185New York: Belwin-Mills PN A539 1982. Large octavo. Original publisher's ivory wrappers printed in colour. 1f. recto title verso copyright iii note iv-v synopsis vi cast list vii contents i full-page illustration 172 173-200 libretto pp. Text in French and English. Les bavards Bavard et bavarde to a libretto by Nuitter after Cervantes' Los habladores was first performed in Bad Ems on 11 July 1862; in Vienna at the Kaitheater on 20 November 1862; and in Paris at the Bouffes-Parisiens on 20 February 1863. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Belwin-Mills [PN A539] unknown books
1907réf. 28788Paris: Choudens PN A.C. 5301 1907. Large octavo. Quarter dark yellow cloth with green cloth boards spine with raised bands. 1f. recto title illustrated by E. Buval verso blank 1f. recto publisher's note in French and German verso blank 1f. recto notes on first performance cast list and contents verso blank 1f. recto contents verso blank 3-344 pp. Text in Italian and German. Binding slightly worn rubbed bumped; lower stained. Some signatures split or partially split; occasional reinforcement to inner margins; minor soiling and creasing to corners of title; tape repair to lower margin of publisher's notes; small tear to blank outer edge of p. 15. Fifth version. Les contes d'Hoffmann to a libretto by J. Barbier completed by Guirard was first performed in Paris at the Opéra-Comique on 10 February 1881. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. His opera Les contes d'Hoffmann has retained a place in the international repertory . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN A.C. 5301] unknown books
1961réf. 29205Berlin - Wiesbaden: Bote & Bock PNs B & B 4801-4807 1961. Large octavo. Original publisher's dark ivory printed wrappers. 1f. recto title verso copyright 1f. recto cast list contents and notes on first performance verso blank 3-77 i blank pp. Text in German and French dialogue in German. Titling to spine in black. Small label to title with "Léon Morand" as librettist. Le mari à la porte to a libretto by Delacour was first performed in Paris at the Bouffes-Parisiens on 22 June 1859. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Bote & Bock [PNs B & B 4801-4807] unknown books
1910réf. 29201Berlin: Ed. Bote & G. Bock PN 14613 1910. Large octavo. Disbound. 1f. recto title within decorative border verso blank 3 cast list and contents 4 blank 5-102 pp. Text in German and French. Remnants of wrapper to spine. Lower outer corner of title lacking. M. Choufleuri restera chez lui to a libretto by Saint-Rémy Duc de Morny L'Epine Crémieux and Halévy was first performed at the Présidence du Corps Législatif on 31 May 1861 and at the Bouffes-Parisien on 14 September 1861. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Ed. Bote & G. Bock [PN 14613] unknown books
1900réf. 28863Paris: C. Joubert & Cie. PN B. et Cie. 12542 1900. 1f. recto title illustrated by Buttiner-Thierry with images of guitarist and trombonist verso copyright statement 1f. notes on first performance named cast list and contents verso blank vi 22 pp. Named cast includes Pradeau and Berthelier. First performed to a libretto by Moinaux in Paris at the Bouffes-Parisiens on July 5 1855. A re-issue from Brandus plates. Bound with: Offenbach. Une Nuit Blanche Opéra comique en un acte Paroles de E. Plouvier . Répertoire des Bouffes Parisiens . Pr: 6: net. Piano-vocal score. Paris: G. Brandus Dufour et Cie. PN B. et Cie. 9579 ca. 1890. 1f. blank 1f. recto title verso blank 1f. recto named cast list and contents verso blank 56 pp. Named cast includes Darcier Berthelier and Macé. First performed to a libretto by Plouvier in Paris at the Bouffes-Parisiens Salle Marigny on July 5 1855. A re-issue of the first edition. Bound with: Offenbach. Mesdames de la Halle . Paroles de Lapointe. Piano-vocal score. Paris: Brandus & Dufour PN B. et. D. 9956 ca. 1890. 124 pp. Upper outer corner of title lacking just affecting text. First performed to a libretto by Lapointe in Paris at the Bouffes-Parisiens on March 3 1858. Large octavo. Quarter dark green leather with marbled boards spine with raised bands in decorative compartments gilt titling gilt marbled endpapers. Binding slightly worn rubbed and bumped. Annotations in pencil to verso of free front endpaper. Occasional signs of wear; some browning; some signatures split; mall circular publisher's handstamps to several titles. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. C. Joubert & Cie. [PN B. et Cie. 12542] unknown books
1970réf. 28861Berlin: Bote & Bock PN B & B 15516 531 1970. Folio. Original publisher's light gray printed wrappers. 1f. recto title verso copyright statement 1f. recto cast list and orchestration verso contents 230 pp. Text in German and French. Second version. La vie parisienne to a libretto by Meilhac and Halévy was first performed in Paris at the Palais-Royal on October 31 1866. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Bote & Bock [ PN B & B 15516 (531)] unknown books
1945réf. 29228Paris: Choudens PN A. C. 2744 1945. Large octavo. Original publisher's decorative dark ivory wrappers. 1f. recto decorative title verso blank i named cast list and contents 4-223 i blank pp. Named cast includes Théo Grivot Fonti Lyon Castello Jane Eyre Bonnet Daubray and Troy. Wrappers slightly worn and soiled; spine reinforced with tape. Slightly worn; title browned at margins; tape repair to upper margin of pp. 203/204 not affecting music. La jolie parfumeuse to a libretto by Crémieux and E. Blum was first performed in Paris at the Renaissance on 29 November 1873. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. Choudens [PN A. C. 2744] unknown books
1914réf. 28766Paris: Choudens PN 9476 1914. Large octavo. Original publisher's light pink wrappers. 1f. recto title within decorative border by F. Baumgarten 3-4 introduction 5 recto cast list notes on first performance and named cast list verso contents 7-286 pp. Text in German only. Named cast includes A. Isaac M. Ugalde Dupuis Talazac Taskin Gourdon Belhomme Troy Chenevières Grivot and Teste. Wrappers slightly worn; upper partially detached; spine creased and with small tears. Some signatures split. Les contes d'Hoffmann to a libretto by Barbier completed by Guiraud was first performed in Paris at the Opéra-Comique on 10 February 1881. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . His opera Les contes d'Hoffmann has retained a place in the international repertory . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens [PN 9476] unknown books
1960réf. 28868Paris: Éditions Salabert PN R. L. et Cie. 6742 1960. Large octavo. Original publisher's dark ivory printed wrappers. 1f. recto title within decorative border verso blank i notes on first performance named cast list and contents 2-243 i blank pp. Named cast includes Brasseur Hyacinthe Gil Pérès Priston Lassouche Martal Ferdinand Zulma Bouffar C. Montaland Honorine Thierret Paurelle Massin Ledard Breton and Henry. Wrappers slightly worn. Third version. Printed form Rouart-Lerolle plates. La vie parisienne to a libretto by Meilhac and Halévy was first performed in Paris at the Palais-Royal on October 31 1866. Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Orphée aux enfers La belle Hélène La vie parisienne La Grande-Duchesse de Gérolstein and La Périchole remain outstanding examples of the French and international operetta repertory. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Éditions Salabert [PN R. L. et Cie. 6742] unknown books
1985réf. 28778Melville NY: Belwin-Mills PN A544 1985. Large octavo. Original publisher's illustrated wrappers printed in colour. 1f. recto title verso copyright statement 2ff. introduction synopsis and biogrpahical notes 1f. recto named cast list and contents verso blank 54 pp. With publisher's catalogue to verso of upper wrapper. La bonne d'enfant to a libretto by Bercioux was first performed in Paris at the Bouffes-Parisiens on14 October 1856. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. Belwin-Mills [PN A544] unknown books
1890réf. 28870Paris: C. Joubert PN B. & Cie. 12614 1890. Large octavo. Original publisher's brown cloth-backed dark ivory wrappers with title within decorative border. 1f. recto title within decorative border verso notes 56 pp. Wrappers somewhat worn with minor soiling and staining. Some signatures split or partially split; minor soiling. Le violoneux to a libretto by Mestépès and Chevalet was first performed in Paris at the Bouffes-Parisiens Salle Marigny on 31 August 1955. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written." Andrew Lamb in Grove Music Online. C. Joubert [PN B. & Cie. 12614] unknown books
