by Peter Bartok (Author)Biblio.com
290 résultats
réf. 33406704-nnew. unknown
réf. ria9781593704070_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Understanding and managing shale resources requires a unique understanding about the geology geophysics rock physics and rock mechanics of each reservoir in a seamless interdisciplinary approach. hardcover
réf. A9781593704070Hardback. New. Understanding and managing shale resources requires a unique understanding about the geology geophysics rock physics and rock mechanics of each reservoir in a seamless interdisciplinary approach. hardcover
réf. ANAIS-0673361799Good Year Books. paperback. Good. 8.3x0.3x11. Buy with confidence. Excellent Customer Service & Return policy. Good Year Books paperback
réf. mon0000721750Good Year Books 11/8/1996 12:00:01 A. paperback. Good. 0.2000 in x 10.4000 in x 7.8000 in. Good Year Books paperback
réf. 0673361799-11-1Good Year Books. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. Good Year Books unknown
1981réf. 81289Duisburg, Wilhelm-Lehmbruck-Museum 1981. 1981. gr.-8°, 178 S. mit sehr zahlreichen Abbildungen, Illustr. Orig.-Karton.
1913réf. 3391Budapest 1913. Near fine condition. 1 p. Béla Balázs 1884-1949 writer poet actor film aesthete film director critic film school teacher. His volume Misteriya Mysteries was published in Nyugat in 1912. It contains the one-act plays The Castle of the Bluebearded Prince The Fairy and The Blood of the Holy Virgin. At the time of the publication of The Mysteries Béla Bartók's musical transcription of The Bluebeard's Castle was already complete but no one agreed to perform the opera claiming that it could not be performed. But Béla Balázs did not rest. As a result of his efforts with the help of the Nyugat the original prose version of Bluebeard's Castle and The Blood of the Holy Virgin was staged in the Budapest Orfeum in 1913. Lajos Gulácsy created the sets for the performance. Béla Bartók played the piano between the two one-act plays. unknown
1918réf. 3908Budapest: Globus 1918. First edition. In original paper. First edition. In original paper. 32 pp. First separate edition. In the publisher's printed blue paper wrappers. A few underlinings and a contemporary pencil note at the end. Corners bumped. Otherwise in very good condition. First separate edition of the libretto of Bartók's only opera apparently printed for its world premiere at the Royal Hungarian Opera House in Budapest on 24 May 1918. Balázs wrote A kékszakállú herceg vára in 1910 as a Symbolist mystery play based on the Bluebeard legend drawing on the tradition of Perrault and Maeterlinck as well as Hungarian folk-ballad forms. Bartók set the text to music in 1911 but the opera remained unperformed for seven years. Following the success of The Wooden Prince it was finally staged at the Royal Hungarian Opera House on 24 May 1918 conducted by Egisto Tango with Oszkár Kálmán as Bluebeard and Olga Haselbeck as Judith. The present edition printed by Globus in 1918 is the first separate edition of Balázs's text. Apparently produced in connection with the premiere it identifies the work explicitly as an opera and significantly names both Balázs and Bartók on the title-page documenting the text in the form in which Bartók's opera first reached the stage. Globus unknown
1993A clean, unmarked book with a tight binding. Faded spine. 236 pages.
197040 S. Kart.
réf. lc_35920Courrier du livre (9 avril 2002)
1908réf. 40603Budapest: Karl Rozsnyai PN R.K. 338 1908. Folio. Unbound as issued. Laid into original publisher's mid-green wrappers with decorative element and titling in silver. 1f. recto title verso blank 3-39 i incipits of the 14 bagatelles. Wrappers worn; spine slightly chipped with minor loss and remnants of old tape. Very slightly worn and browned internally. First Edition. Somfai BB 50 p. 304. Szabolcsi Sz 38 p. 327. "By the time the Fourteen Bagatelles Opus 6 were written Bartok's expressive vocabulary was beginning to assume its definitive shape. Years later he marked the beginning of his personal style by those pieces. . The Bagatelles demonstrate many of the devices which later became an integral party of his technique." Stevens: The Life and Music of Béla Bartók p. 328. Karl Rozsnyai [PN R.K. 338] unknown books
1908réf. 40603Budapest: Karl Rozsnyai PN R.K. 338 1908. Folio. Unbound as issued. Laid into original publisher's mid-green wrappers with decorative element and titling in silver. 1f. recto title verso blank 3-39 i incipits of the 14 bagatelles. Wrappers worn; spine slightly chipped with minor loss and remnants of old tape. Very slightly worn and browned internally. First Edition. Somfai BB 50 p. 304. Szabolcsi Sz 38 p. 327. "By the time the Fourteen Bagatelles Opus 6 were written Bartok's expressive vocabulary was beginning to assume its definitive shape. Years later he marked the beginning of his personal style by those pieces. . The Bagatelles demonstrate many of the devices which later became an integral party of his technique." Stevens: The Life and Music of Béla Bartók p. 328. Karl Rozsnyai [PN R.K. 338] unknown
1964réf. 49982Microcosme, serie solfèges n°24, 1963. Format 12X18 cm. Couverture frottée. Bon état.
