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réf. 0957365837.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1811réf. 40148London: Clementi Banger Collard Davis & Collard 1811. Folio. Disbound. 1f. recto title verso blank 1 blank 2-16 pp. Occasional fingerings in pencil. Slightly browned; minor soiling to blank lower outer margins. This arrangement not in HWV. OCLC 960142000 1179430400 1314102877. Skeletal arrangements of larger-scale works built around the upper- and lowermost parts of a score were frequently created by instrumentalists in the two centuries preceding this publication. Examples include orchestration-flexible harpsichord suites of Dieupart and Le Roux the arrangements of solos and trios by Corelli et al. published by Etienne Roger for harpsichord plus ad libitum violin and cello and the numerous transcriptions of Lully orchestral dances. This flexibility of ad libitum arrangement continued to be practiced in the early 19th century and beyond. "Haydn's London symphonies nos. 93-104 crown his career as a symphonic composer. Not only do they outdo the Paris symphonies stylistically but he produced them in person for rapturous audiences; this interaction stimulated him to ever bolder and more original conceptions. . No. 104 begins with a massive dotted motif on the 5th D-A which some commentators describe as dominating the entire symphony; the first movement is one of Haydn's freest and the finale has greater relative weight than that in any other of the London symphonies. . In no. 94 the famous outburst in the Andante is actually the least remarkable 'surprise'; the opening Vivace reaches new heights of tonal wit and expansive brilliance and the concluding sonata-rondo masterfully combines large scale sonata-rondo form rhythmic vitality playful surprise and underlying cogency of argument." James Webster in Grove Music Online. Clementi, Banger, Collard, Davis & Collard unknown
1849réf. 25485Leipzig: Breitkopf & Härtel PN 7682 1849. Folio. Original publisher's gray printed wrappers. 1 title 2-67 i blank pp. Engraved. Text incipits in German as captions; text underlay in the initial recitative. Small publisher's handstamp to foot of title. Publisher's catalogue to verso of lower wrapper: "Friedrich Kalkbrenner's Pianoforte-Werke" listing works up to op. 190 1849. With handstamps of "C. Breusing New York 701 Broadway" and "Horace Middleton South Millbrook N.Y." to upper wrapper and title. Wrappers slightly stained and partially detached; minor loss to head of spine. Title detached. A later arrangement. Not in HWV WorldCat or RISM. The company of Charles Breusing New York was active from 1854 to 1861. Horace Middleton 1879-1961 a British-born musician who served on the faculty of Bennett College from 1919 to the mid-1930s was best known for the music he composed for the Greek plays performed at the college. Obituary Millbrook Round Table 23 November 1961. Breitkopf & Härtel [PN 7682] unknown
1811réf. 40148London: Clementi Banger Collard Davis & Collard 1811. Folio. Disbound. 1f. recto title verso blank 1 blank 2-16 pp. Occasional fingerings in pencil. Slightly browned; minor soiling to blank lower outer margins. This arrangement not in HWV. OCLC 960142000 1179430400 1314102877. Skeletal arrangements of larger-scale works built around the upper- and lowermost parts of a score were frequently created by instrumentalists in the two centuries preceding this publication. Examples include orchestration-flexible harpsichord suites of Dieupart and Le Roux the arrangements of solos and trios by Corelli et al. published by Etienne Roger for harpsichord plus ad libitum violin and cello and the numerous transcriptions of Lully orchestral dances. This flexibility of ad libitum arrangement continued to be practiced in the early 19th century and beyond. "Haydn's London symphonies nos. 93-104 crown his career as a symphonic composer. Not only do they outdo the Paris symphonies stylistically but he produced them in person for rapturous audiences; this interaction stimulated him to ever bolder and more original conceptions. . No. 104 begins with a massive dotted motif on the 5th D-A which some commentators describe as dominating the entire symphony; the first movement is one of Haydn's freest and the finale has greater relative weight than that in any other of the London symphonies. . In no. 94 the famous outburst in the Andante is actually the least remarkable 'surprise'; the opening Vivace reaches new heights of tonal wit and expansive brilliance and the concluding sonata-rondo masterfully combines large scale sonata-rondo form rhythmic vitality playful surprise and underlying cogency of argument." James Webster in Grove Music Online. Clementi, Banger, Collard, Davis & Collard unknown books
1849réf. 25485Leipzig: Breitkopf & Härtel PN 7682 1849. Folio. Original publisher's gray printed wrappers. 1 title 2-67 i blank pp. Engraved. Text incipits in German as captions; text underlay in the initial recitative. Small publisher's handstamp to foot of title. Publisher's catalogue to verso of lower wrapper: "Friedrich Kalkbrenner's Pianoforte-Werke" listing works up to op. 190 1849. With handstamps of "C. Breusing New York 701 Broadway" and "Horace Middleton South Millbrook N.Y." to upper wrapper and title. Wrappers slightly stained and partially detached; minor loss to head of spine. Title detached. A later arrangement. Not in HWV WorldCat or RISM. The company of Charles Breusing New York was active from 1854 to 1861. Horace Middleton 1879-1961 a British-born musician who served on the faculty of Bennett College from 1919 to the mid-1930s was best known for the music he composed for the Greek plays performed at the college. Obituary Millbrook Round Table 23 November 1961. Breitkopf & Härtel [PN 7682] unknown books
1970réf. Q-0739008552Alfred Music 1970-06-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
réf. 58928Leipzig Au bureau de Musique de C. F. Peters ca. 1820. 2° 13 u. 7 S. gestochene Noten. Privat-Umschlag d. Zeit Umschlag an Rücken durchgerieben Frontumschlag mit aufmontiertem Schildchen Titelbl. an oberem Rand hinterlegt erster Bund im Gelenk verstärkt etw. stockfleckig letzte Seite mit Eckabriss jedoch ohne Textverlust. Nur die Blätter für die I. Violine u. das Cello. Text frz. Umschlag mit handschriftlichem Titel; Titelbl. u. Umschlagsinnenseite mit handschriftlichem Vermerk «Nr. 135» u. «Nr. 1 D-moll Nr. 2 B-Dur Nr. 3 A-dur» Streichquartette op. 9 Nr. 4–6 Noten für Violon primo und Violoncello. 010 Leipzig, Au bureau de Musique de C. F. Peters, ca. 1820 unknown
2013réf. SONG0486287289Dover Publications 2013-09-19. paperback. Used: Good. 9.50x0.50x12.00. Buy with confidence. Excellent Customer Service & Return policy. Dover Publications paperback
1954réf. 652281London: Hamish Hamilton 1954. 1st UK Edition . Hardcover. Very Good/Good. Searle Ronald. 246 pages in very good condition. Pages are clean and unmarked with black and white illustrations throughout by Ronald Searle. Previous owner's inscription on the ffep. Bound in yellow hardcovers with black titles. Lightly darkened and stained on the edges. Yellow dustjacket in good condition with black titles. Darkened on the spine. Worn around the edges with chips and tears. Smudged and scuffed. 1ST UK EDITION. NPC. VG/G Hamish Hamilton hardcover
1950réf. 016173New York NY U.S.A.: Edwin F. Kalmus 1950. RARE No. 110: Four symphonies: Numbers 96 97 98 and 99 : Fair condition Softcover 8vo circa 1950 70 pages. Exterior stained with edgewear light creasing and the original price sticker on the front. Interior musical score contains some pencil notations otherwise is solid and clean. NOT A REPRINT!. 1st Edition. Paperback. Fair. 8vo - 7" to 9" Tall. Book. Edwin F. Kalmus Paperback
réf. 0265812062.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1931réf. 1887151107042Schirmer New York 1931-01-01. Paperback. Very Good. Nice looking book has minor edge wear. Schirmer, New York paperback
1932réf. 001767London: London Missionary Society 1932. 1st Edition . Soft cover. Good/No Jacket. 8vo - over 7¾ - 9¾" tall. Good condition softcover in red/black/white pictorial cover; black/white frontis and illustrations; pp. 88. Minor shelf wear. First page bears completed contemporary presentation for raising 10 shillings during 1932. London Missionary Society paperback
2007réf. SONG0859653927Plexus Publishing 2007-07-07. paperback. Used: Good. 7.50x0.50x10.25. Buy with confidence. Excellent Customer Service & Return policy. Plexus Publishing paperback
1983réf. 7707BBEisenstadt, Edition Roetzer, 1983. 4°. 408 S. mit Abbildungen und Noten. OLn. Illustr. OUmschl., Haydn, Joseph - Huss, Joseph Haydn 1983 (= Mosaik Burgenland).
réf. 060227513X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. CCTM3911Grove Press Inc. Trade Paper Back. Good. Prompt shipment with tracking. we ship in CLEAN SECURE NEW boxes Visual wear on the trade paper back the tips are bumped the spine has wear pages are very clean prompt shipping with tracking Grove Press, Inc paperback
réf. 1349046620.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1851réf. 030124London: Longman Brown Green And Longmans 1851. 1st Edition . Hardcover. Good. Maps And Plan. Xvi594 Pp. Ads At Rear Addenda And Corrigenda On P. Xvi. Quarter Red Morocco Over Green Cloth Decorated Endpapers With Ads On Pastedowns Binder's Ticket Of Remnant And Evans London. Wear Fraying At Corners Spine Gilt Brilliant But Spine Reinforced With Strips Of Transparent TapeHinges Solid Binding Intact 2" Fray/Tear At Lower Left Of Spine But Not Reaching The Bottom Edge. Note "From The Publisher's" On Page Facing Title ;Page With Later Ownership Signature Of An Employee Of The Mgm Research Department. A Massive Compilation Of Information Chiefly Historical Including Foreign Colonies And Company Administrations Etc. The Best Summary Of British Imperial Administration At Its Unsupportable Height When Power Was A Dignity. Longman, Brown, Green, And Longmans hardcover
réf. R300329031Braunschweig & New York, Henry Litolff's Verlag. Non daté. In-4. Relié demi-cuir. Etat d'usage, Plats abîmés, Dos frotté, Papier jauni. 248 + 230 pages de partitions de musique. Plats frottés. Dos cuir à titre, auteur et filets dorés. Coiffes frottées.. . . . Classification Dewey : 780.26-Partitions
réf. RO50047128ENOCH & CIE. NON DATE. In-4. En feuillets. Etat d'usage, Plats abîmés, Dos abîmé, Quelques rousseurs. 149 pages de partitions. Plats désolidarisés. Dos manquant. Tampon sur le premier plat ainsi que sur la page de titre.. . . . Classification Dewey : 780.26-Partitions
réf. DADAX0195382951New unknown
2001réf. Q-0312272901Thomas Dunne Books 2001-03-16. Hardcover. New. In shrink wrap. Looks like an interesting title! Thomas Dunne Books hardcover
réf. 0382066936.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1985réf. Q-0711975353Alfred Music 1985-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
