1 477 résultats
réf. 9720Handel and Haydn Society. Handel and Haydn Society. THE BOSTON HANDEL AND HAYDN SOCIETY COLLECTION OF SACRED MUSIC CONSISTING OF DUETTS TRIOSCHORUSSES ANTHEMS &C. SELECTED FROM THE WORKS OF THE MOST CELEBRATED AUTHORS. ARRANGED FOR THE ORGAN OR PIANOFORTE BY THE HANDEL AND HAYDN SOCIETY. Boston 1821 and 1823. Printed by Thomas Badger. Two Volumes oblong quarto leather over marbled boards. Volumes 1 and 2 of 5 volumes published by the Society between 1821 and 1832. The covers of Volume 2 detached and with some staining browning and spotting of the sheet; still very good. hardcover
1962réf. 172561Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1962. Seven vintage reference photographs from the 1962 film. Two photographs with a mimeo snipe printed onto the verso. Two photographs with Metro-Goldwyn-Mayer snipes affixed to the verso one with cropping annotations. All photos with one provenance stamp on the verso. Based on the 1932 novel of the same name by Charles Nordhoff and James Norman Hall. A sadistic Captain abuses his seamen on their journey to Tahiti until they mutiny putting the Captain on a small boat in the ocean. Shot on location in French Polynesia Hawaii California and the Pacific Ocean. 8 x 10 inches. Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown
1962réf. 172561Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1962. Seven vintage reference photographs from the 1962 film. Two photographs with a mimeo snipe printed onto the verso. Two photographs with Metro-Goldwyn-Mayer snipes affixed to the verso one with cropping annotations. All photos with one provenance stamp on the verso. Based on the 1932 novel of the same name by Charles Nordhoff and James Norman Hall. A sadistic Captain abuses his seamen on their journey to Tahiti until they mutiny putting the Captain on a small boat in the ocean. Shot on location in French Polynesia Hawaii California and the Pacific Ocean. 8 x 10 inches. Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown books
2024réf. Gyan-9788121274845Gyan Publishing House 2024. Hardcover. New. 28.94 x 22.59 x 15.03 cm. English Gyan Publishing House hardcover
2024réf. Gyan-9788121274845Gyan Publishing House 2024. Hardcover. New. 28.94 x 22.59 x 15.03 cm. English Gyan Publishing House hardcover
réf. 118261London Universal Edition & Rockliff 1955-61. 8vo. XVII 3 863 pp. 24 music pp. in pocket plates; 63 1 pp. plates. Publ. cloth. Two volumes. hardcover
réf. 88522Leipzig C. F. Lehmann 1800. Oblong 4to. Engr. title blank engr. title blank 3-26 engr. pp. 2 blanks engr. title blank 3-10 engr. pp. 2 blank engr. title 4-39 engr. pp. Minor paper repair on the first part title. Together with separate parts; 2- 11 engr. pp; engr. title 2-7 engr. pp. Some spotting. Sewn as issued in slightly worn printed orange original wrapper. The separate parts uncut and sewn as issued. From the library of Eva Nordenfelt-Åberg with her bookplate. The separate violin part lacks the engraved title. Hoboken collection 1257-1260. The main title with a portrait of Haydn engraved by Heinrich Schmidt. C. F. Lehmann published four parts with together 11 works by Haydn. This first part contains with separate title leaves: ”Trois sonates pour le clavecin ou fortepiano no I” Hoboken XVI:40-42 ”Fantasie pour le clavecin ou piano-forte no 2” Hoboken XVII:4 ”Trois sonates pour le clavecin ou fortepiano avec accompagnement de violon et violoncelle no III” Hoboken XV:3-5. The lacking title leaf to the violin part has a blank verso side so no music is missing. unknown
réf. 6526031Elsevier . Hardback. New. pp. 192 Elsevier hardcover
2012réf. x-0415632579Routledge 2012. Hardcover. New. 1st edition. 208 pages. 9.49x6.26x0.63 inches. Routledge hardcover
2026réf. x-103282302XRoutledge 2026. Hardcover. New. 194 pages. 9.18x6.12x9.45 inches. Routledge hardcover
2026réf. x-0367553104Routledge 2026. Hardcover. New. 232 pages. 9.18x6.12x9.45 inches. Routledge hardcover
2015réf. x-1138812684Routledge 2015. Hardcover. New. 1st edition. 242 pages. 9.25x6.25x0.75 inches. Routledge hardcover
2019réf. x-0367342529Routledge 2019. Hardcover. New. 227 pages. 9.50x6.25x0.75 inches. Routledge hardcover
2018réf. x-1138590436Taylor & Francis 2018. Hardcover. New. 217 pages. 9.50x6.25x0.75 inches. Taylor & Francis hardcover
2002réf. x-0415305314Routledge 2002. Hardcover. New. 1st edition. 224 pages. 9.25x6.25x0.75 inches. Routledge hardcover
2016réf. x-1138953016Routledge 2016. Hardcover. New. 256 pages. 9.25x6.25x0.75 inches. Routledge hardcover
2023réf. x-1032121904Routledge 2023. Hardcover. New. 240 pages. 9.69x6.88x0.79 inches. Routledge hardcover
2021réf. x-0367183358Routledge 2021. Hardcover. New. 5th edition. 360 pages. 10.25x7.25x1.00 inches. Routledge hardcover
2012réf. DADAX041568837XRoutledge 2012-11-30. 1. hardcover. New. 7.00x0.75x9.75. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
1847réf. STLD0178Wien, Peter Rohrmann 1847. Gr.-8°, 4 Bll., 118 S., 1 Bl., roter Lederbd. d. Zt. mit Gold- u. Schwarzpräg. auf vier Bünden, Vollgoldschnitt, Steh- u. Innenkantenvergoldung, innen stellenw. stockig, Einband nur minimal berieben, auf hint. Innendeckel kl. alte Buchbindermarke, sehr dekorativ. ÖML IV, 2095 - F. A. Schmid (1787-1857), war Musiksammler, Musikforscher u. Musiker. Er arbeitete als Kustos der k.k. Hofbibliothek, wo er u. a. die Musiksammlung einrichtete. Schmid zählt mit Sonnleitner, Mosel, Kiesewetter u. Sandler zu den Pionieren der österreichischen Musikgeschichtsschreibung.
1818réf. 376587Boston: Printed by Thomas Badger Jr. 1818. First American edition. Title verso blank Advertisement from American publishers with subscriber's list on verso pp. 7-169 2 blank 1 Index pp. 4to. Old half sheep over marbled boards with the 1827 signature of Emma L. name illegible on upper cover and title written in ink very rubbed free endpaper removed signatures of Charles Spencer and William Deming and William Deming Jr of Litchfield Ct on title and endpapers some pencilled notations in margins offsetting some leaves torn in gutter generally affecting margins only. A very good copy in open-faced brown cloth case. First American edition. Title verso blank Advertisement from American publishers with subscriber's list on verso pp. 7-169 2 blank 1 Index pp. 4to. Printed by Thomas Badger Jr. unknown
1818réf. 376587Boston: Printed by Thomas Badger Jr. 1818. First American edition. Title verso blank Advertisement from American publishers with subscriber's list on verso pp. 7-169 2 blank 1 Index pp. 4to. Old half sheep over marbled boards with the 1827 signature of Emma L. name illegible on upper cover and title written in ink very rubbed free endpaper removed signatures of Charles Spencer and William Deming and William Deming Jr of Litchfield Ct on title and endpapers some pencilled notations in margins offsetting some leaves torn in gutter generally affecting margins only. A very good copy in open-faced brown cloth case. First American edition. Title verso blank Advertisement from American publishers with subscriber's list on verso pp. 7-169 2 blank 1 Index pp. 4to. Printed by Thomas Badger Jr. unknown books
1790réf. 74584bound music collection with handwritten contents to front pastedown including: Six Sonatas for Piano Forte by D. Steibelt; Bouquet de Flore No.7 by J.Woelfl; Haydn's Surprise arranged as a duet with accompaniment for a flute or violin by R. Plati; Six Sonatas for the Piano Forte by Dussek; La Petite Surprise a Divertimento for the Piano Forte by A. Moralt; Grand Duetto for two performers on the Piano Forte or Harp & Piano Forte by Theodore Smith; The Soldier Tired a duet for two performers on one Piano Forte by L. Jansen; Three Waltzes by Lanza; The Red Red Rose by Thompson; Little Mary on the Dee by John Parry; Fly Not Yet by J. White; Life Let us Cherish by Mozart; The Favorite Guitar Dance with variations for the Piano Forte by T. Latour; The Feast of Erin by P. Antony Corri; A Thema no. 49 Air and Variations by Mozart; The Heavens are Telling Haydn's Grand Chorus from the Creation as a duet; For Unto us a Child is Born from the Messiah by Handel duet for Piano Forte; A Selection of Handel's Choruses adapted as Duets for Piano Forte; Overture to Henry IV for two performers by M. Martini; Three Duetts for Piano Forte from the Works of Mozart; Ball's Occasional Collection of Duetts for two performers on one Piano Forte by eminent composers; A Grand Duet for two performers …by J. Gildon; Sweet Robin Stay by R. Bishop and others Published by Birchall; Clementi, Banger Collard Davis and Collard; J. Balls; L. Lavenu; Chappell & Co; Goulding, Phipps and D'A hardcover
1804réf. 41316London: Rt. Birchall at his Musical Circulating Library No. 133 New Bond Street 1804. Folio. half dark red calf with marbled boards dark red decorative ownership label of the Countess of Gosfoed gilt to upper titling and rules gilt to spine. 1f. recto title verso blank i blank 2-18; 1f. recto title verso blank i blank 2-13; 1f. recto title verso blank 16; i title 2-18; 1f. recto title verso blank i blank 2-13; i title 2-15; 1f. recto title verso blank 21; i title 22-41; 1f. recto title verso blank 41-58; 1f. recto title verso blank 59-75; i 76-97; i 98-115 pp. Engraved. Binding worn rubbed bumped and scuffed. Minor to moderate foxing and browning. Ex-library with bookplate of the Morrill Memorial Library in Norwood Massachusetts to front pastedown with name of donor crossed out call number in white ink to spine and small embossed stamp to upper margin of title. Lacking ad libitum violin and violoncello parts. In very good condition overall. Provenance Possibly from the collection of Millicent Acheson the Countess of Gosford ca. 1750-1825 friend of Lady Byron. A later edition. RISM H4523 complete series of the 12 London symphonies with copies at the Naples Conservatory Italy and at the Library of Congress nos. 1-6 only. WorldCat copies of the complete series at Boston University and the University of Oxford and copies of nos. 1-6 at the Eastman School of Music and at Cornell University. See Hoboken Coll. Sy. 15b. for details regarding the first edition. The arrangement is by Johann Peter Salomon 1745-1815. Rt. Birchall at his Musical Circulating Library No. 133 New Bond Street unknown
1807réf. 40146Leipzig: Breitkopf & Härtel PN 390 1807. Folio. Sewn. Plain dark ivory contemporary wrappers with titling in contemporary manuscript to upper. i title with two-bar incipit 21 i blank pp. Occasional annotations in faint pink pencil including dynamics. Handstamp "J Hill No. 7 Grove Place Brompton" and with "Frank E. Bastick from F. J. Salwey 5/1/16" in contemporary manuscript to head of upper wrapper. Wrappers quite worn soiled and with edge tears and chips; detached. Some internal wear browning soiling and small stains. Second edition. Coll.Sy.7a. Hoboken Collection Vol. 6 342. RISM H3265 and HH3265 no copies in the U.S. Robbins Landon: The Symphonies of Joseph Haydn p. 776 13. OCLC 17713865 2 copies both at Yale. The last of Haydn's "London" symphonies. "Haydn's London symphonies nos. 93-104 crown his career as a symphonic composer. Not only do they outdo the Paris symphonies stylistically but he produced them in person for rapturous audiences; this interaction stimulated him to ever bolder and more original conceptions. . No. 104 begins with a massive dotted motif on the 5th D-A which some commentators describe as dominating the entire symphony; the first movement is one of Haydn's freest and the finale has greater relative weight than that in any other of the London symphonies." James Webster in Grove Music Online. Breitkopf & Härtel [PN 390] unknown