Haydn, TerryBiblio.com
2026rif. x-0367553104Routledge 2026. Hardcover. New. 232 pages. 9.18x6.12x9.45 inches. Routledge hardcover
rif. 18683372-nnew. unknown
2012rif. x-0415632579Routledge 2012. Hardcover. New. 1st edition. 208 pages. 9.49x6.26x0.63 inches. Routledge hardcover
2015rif. x-1138812684Routledge 2015. Hardcover. New. 1st edition. 242 pages. 9.25x6.25x0.75 inches. Routledge hardcover
2019rif. x-0367342529Routledge 2019. Hardcover. New. 227 pages. 9.50x6.25x0.75 inches. Routledge hardcover
2018rif. x-1138590436Taylor & Francis 2018. Hardcover. New. 217 pages. 9.50x6.25x0.75 inches. Taylor & Francis hardcover
2002rif. x-0415305314Routledge 2002. Hardcover. New. 1st edition. 224 pages. 9.25x6.25x0.75 inches. Routledge hardcover
2016rif. x-1138953016Routledge 2016. Hardcover. New. 256 pages. 9.25x6.25x0.75 inches. Routledge hardcover
2023rif. x-1032121904Routledge 2023. Hardcover. New. 240 pages. 9.69x6.88x0.79 inches. Routledge hardcover
2021rif. x-0367183358Routledge 2021. Hardcover. New. 5th edition. 360 pages. 10.25x7.25x1.00 inches. Routledge hardcover
rif. 6526031Elsevier . Hardback. New. pp. 192 Elsevier hardcover
2012rif. DADAX041568837XRoutledge 2012-11-30. 1. hardcover. New. 7.00x0.75x9.75. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
rif. 35896594-nnew. unknown
1847rif. STLD0178Wien, Peter Rohrmann 1847. Gr.-8°, 4 Bll., 118 S., 1 Bl., roter Lederbd. d. Zt. mit Gold- u. Schwarzpräg. auf vier Bünden, Vollgoldschnitt, Steh- u. Innenkantenvergoldung, innen stellenw. stockig, Einband nur minimal berieben, auf hint. Innendeckel kl. alte Buchbindermarke, sehr dekorativ. ÖML IV, 2095 - F. A. Schmid (1787-1857), war Musiksammler, Musikforscher u. Musiker. Er arbeitete als Kustos der k.k. Hofbibliothek, wo er u. a. die Musiksammlung einrichtete. Schmid zählt mit Sonnleitner, Mosel, Kiesewetter u. Sandler zu den Pionieren der österreichischen Musikgeschichtsschreibung.
1818rif. 376587Boston: Printed by Thomas Badger Jr. 1818. First American edition. Title verso blank Advertisement from American publishers with subscriber's list on verso pp. 7-169 2 blank 1 Index pp. 4to. Old half sheep over marbled boards with the 1827 signature of Emma L. name illegible on upper cover and title written in ink very rubbed free endpaper removed signatures of Charles Spencer and William Deming and William Deming Jr of Litchfield Ct on title and endpapers some pencilled notations in margins offsetting some leaves torn in gutter generally affecting margins only. A very good copy in open-faced brown cloth case. First American edition. Title verso blank Advertisement from American publishers with subscriber's list on verso pp. 7-169 2 blank 1 Index pp. 4to. Printed by Thomas Badger Jr. unknown books
1818rif. 376587Boston: Printed by Thomas Badger Jr. 1818. First American edition. Title verso blank Advertisement from American publishers with subscriber's list on verso pp. 7-169 2 blank 1 Index pp. 4to. Old half sheep over marbled boards with the 1827 signature of Emma L. name illegible on upper cover and title written in ink very rubbed free endpaper removed signatures of Charles Spencer and William Deming and William Deming Jr of Litchfield Ct on title and endpapers some pencilled notations in margins offsetting some leaves torn in gutter generally affecting margins only. A very good copy in open-faced brown cloth case. First American edition. Title verso blank Advertisement from American publishers with subscriber's list on verso pp. 7-169 2 blank 1 Index pp. 4to. Printed by Thomas Badger Jr. unknown
1790rif. 74584bound music collection with handwritten contents to front pastedown including: Six Sonatas for Piano Forte by D. Steibelt; Bouquet de Flore No.7 by J.Woelfl; Haydn's Surprise arranged as a duet with accompaniment for a flute or violin by R. Plati; Six Sonatas for the Piano Forte by Dussek; La Petite Surprise a Divertimento for the Piano Forte by A. Moralt; Grand Duetto for two performers on the Piano Forte or Harp & Piano Forte by Theodore Smith; The Soldier Tired a duet for two performers on one Piano Forte by L. Jansen; Three Waltzes by Lanza; The Red Red Rose by Thompson; Little Mary on the Dee by John Parry; Fly Not Yet by J. White; Life Let us Cherish by Mozart; The Favorite Guitar Dance with variations for the Piano Forte by T. Latour; The Feast of Erin by P. Antony Corri; A Thema no. 49 Air and Variations by Mozart; The Heavens are Telling Haydn's Grand Chorus from the Creation as a duet; For Unto us a Child is Born from the Messiah by Handel duet for Piano Forte; A Selection of Handel's Choruses adapted as Duets for Piano Forte; Overture to Henry IV for two performers by M. Martini; Three Duetts for Piano Forte from the Works of Mozart; Ball's Occasional Collection of Duetts for two performers on one Piano Forte by eminent composers; A Grand Duet for two performers …by J. Gildon; Sweet Robin Stay by R. Bishop and others Published by Birchall; Clementi, Banger Collard Davis and Collard; J. Balls; L. Lavenu; Chappell & Co; Goulding, Phipps and D'A hardcover
1804rif. 41316London: Rt. Birchall at his Musical Circulating Library No. 133 New Bond Street 1804. Folio. half dark red calf with marbled boards dark red decorative ownership label of the Countess of Gosfoed gilt to upper titling and rules gilt to spine. 1f. recto title verso blank i blank 2-18; 1f. recto title verso blank i blank 2-13; 1f. recto title verso blank 16; i title 2-18; 1f. recto title verso blank i blank 2-13; i title 2-15; 1f. recto title verso blank 21; i title 22-41; 1f. recto title verso blank 41-58; 1f. recto title verso blank 59-75; i 76-97; i 98-115 pp. Engraved. Binding worn rubbed bumped and scuffed. Minor to moderate foxing and browning. Ex-library with bookplate of the Morrill Memorial Library in Norwood Massachusetts to front pastedown with name of donor crossed out call number in white ink to spine and small embossed stamp to upper margin of title. Lacking ad libitum violin and violoncello parts. In very good condition overall. Provenance Possibly from the collection of Millicent Acheson the Countess of Gosford ca. 1750-1825 friend of Lady Byron. A later edition. RISM H4523 complete series of the 12 London symphonies with copies at the Naples Conservatory Italy and at the Library of Congress nos. 1-6 only. WorldCat copies of the complete series at Boston University and the University of Oxford and copies of nos. 1-6 at the Eastman School of Music and at Cornell University. See Hoboken Coll. Sy. 15b. for details regarding the first edition. The arrangement is by Johann Peter Salomon 1745-1815. Rt. Birchall at his Musical Circulating Library No. 133 New Bond Street unknown books
1807rif. 40146Leipzig: Breitkopf & Härtel PN 390 1807. Folio. Sewn. Plain dark ivory contemporary wrappers with titling in contemporary manuscript to upper. i title with two-bar incipit 21 i blank pp. Occasional annotations in faint pink pencil including dynamics. Handstamp "J Hill No. 7 Grove Place Brompton" and with "Frank E. Bastick from F. J. Salwey 5/1/16" in contemporary manuscript to head of upper wrapper. Wrappers quite worn soiled and with edge tears and chips; detached. Some internal wear browning soiling and small stains. Second edition. Coll.Sy.7a. Hoboken Collection Vol. 6 342. RISM H3265 and HH3265 no copies in the U.S. Robbins Landon: The Symphonies of Joseph Haydn p. 776 13. OCLC 17713865 2 copies both at Yale. The last of Haydn's "London" symphonies. "Haydn's London symphonies nos. 93-104 crown his career as a symphonic composer. Not only do they outdo the Paris symphonies stylistically but he produced them in person for rapturous audiences; this interaction stimulated him to ever bolder and more original conceptions. . No. 104 begins with a massive dotted motif on the 5th D-A which some commentators describe as dominating the entire symphony; the first movement is one of Haydn's freest and the finale has greater relative weight than that in any other of the London symphonies." James Webster in Grove Music Online. Breitkopf & Härtel [PN 390] unknown books
1805rif. 40142London: Printed & Sold by T. Preston 97 Strand. Sold also by G. Thomson the Editor & Proprietor Edinburgh 1805. Large folio. Sewn. 1f. recto portrait of Burns verso blank i title with engraved vignette 98 pp. numbered 151-200 with each page number duplicated and music and poetry alternating on engraved and typeset pages respectively i blank. Oval stipple engraved portrait of Robert Burns by Paton Thomson after Nasmyth and engraved vignette to title by Thomson after Stothard depicting an urn with Burns's portrait in relief floral motifs and a kneeling maiden in Classical garb with verse "Now see where Caledonias Genius mourns / And plants the holly round the tomb of Burns." Manuscript inscription to upper margin of title "To Ms. Richardson from the Editor" and signature of the editor "G Thomson" to right of imprint. Some wear browning foxing and soiling; portrait of Burns detached soiled and torn at edges with paper loss; losses and tears to margins. Lacking 2-page index and 5-page glossary. First Edition. Hopkinson & Oldman p. 19. RISM H2737. Hoboken XXX1a: 226 4bis 227 228 8bis 61bis 229 122bis 230. 231 149bis 232 233 89bis 234 221bis 235 236 76bis 237 238 60bis 239 240 241 81bis 242 145bis 243 244 245 148bis 246 24bis 247 115bis 20bis 22bis 248 249 46bis 52bis 250 69bis 70bis 31bis 251 252 253A 253B 254. RISM 2737. Printed & Sold by T. Preston, 97, Strand. Sold also by G. Thomson the Editor & Proprietor Edinburgh unknown books
1802rif. 41312London: Printed & Sold by Preston No. 97 Strand. Sold also by the Proprietor G. Thomson York Place Edinburgh 1802. 3 volumes. Folio. Contemporary plain mid-purple wrappers. Sewn. Vol. 2: 1f. recto title verso blank 17-32 pp. Watermark dated 1803 Vol. 3: 1f. recto title verso blank 33-48 pp. Watermark dated 1802 Vol. 4: 1f. recto title verso blank 49-64 pp. Watermark dated 1802 Price given as "3 Shs." With "Neele sculp. Strand" to foot of titles. Title to vol. 2 signed "Go. Thomson" vols. 3 and 4 signed with his initials. First Edition. Rare. Hopkinson and Oldman p. 23. Together with: Violoncello Accompaniment To the Selected Collection of Original Scotish Airs for the Voice . In three Volumes !4. London . Edinburgh: Preston . G. Thomson Vols. 3 and 4. 2 volumes. Folio. Contemporary plain mid-purple wrappers. Sewn. Vol. 3: 1f. recto title verso blank 21-30 pp. Watermark dated 1802. Vol. 4: 1f. recto title verso blank 31-40 pp. Watermark dated 1802. Price given as "3 Shs." "Neele sc. Strand" to foot of titles. Titles to each volume initialed by Thomson. First Edition. Rare. Hopkinson and Oldman p. 23. Together with: Violin Accompaniment by Pleyel To the first Set of Scotish! Songs. Folio. Contemporary plain mid-purple wrappers. Sewn. 8 pp. No title page present possibly not issued with such. Hoboken XXXIa. RISM H2735-37 A fifth volume of songs in the series with music by Beethoven was issued in 1818. The accompanying instrumental parts to the Scottish Songs are very rare. "It is . impossible to speak with assurance in treating of these part books. They are exceedingly rare and we have not found any that can be associated with any volume or edition later than 1818." Hopkinson and Oldman; Thomson's Collections of National Song with special reference to the contributions of Haydn and Beethoven p. 11. Printed & Sold by Preston, No. 97 Strand. Sold also by the Proprietor G. Thomson, York Place, Edinburgh unknown books
1804rif. 41316London: Rt. Birchall at his Musical Circulating Library No. 133 New Bond Street 1804. Folio. half dark red calf with marbled boards dark red decorative ownership label of the Countess of Gosfoed gilt to upper titling and rules gilt to spine. 1f. recto title verso blank i blank 2-18; 1f. recto title verso blank i blank 2-13; 1f. recto title verso blank 16; i title 2-18; 1f. recto title verso blank i blank 2-13; i title 2-15; 1f. recto title verso blank 21; i title 22-41; 1f. recto title verso blank 41-58; 1f. recto title verso blank 59-75; i 76-97; i 98-115 pp. Engraved. Binding worn rubbed bumped and scuffed. Minor to moderate foxing and browning. Ex-library with bookplate of the Morrill Memorial Library in Norwood Massachusetts to front pastedown with name of donor crossed out call number in white ink to spine and small embossed stamp to upper margin of title. Lacking ad libitum violin and violoncello parts. In very good condition overall. Provenance Possibly from the collection of Millicent Acheson the Countess of Gosford ca. 1750-1825 friend of Lady Byron. A later edition. RISM H4523 complete series of the 12 London symphonies with copies at the Naples Conservatory Italy and at the Library of Congress nos. 1-6 only. WorldCat copies of the complete series at Boston University and the University of Oxford and copies of nos. 1-6 at the Eastman School of Music and at Cornell University. See Hoboken Coll. Sy. 15b. for details regarding the first edition. The arrangement is by Johann Peter Salomon 1745-1815. Rt. Birchall at his Musical Circulating Library No. 133 New Bond Street unknown
1807rif. 40146Leipzig: Breitkopf & Härtel PN 390 1807. Folio. Sewn. Plain dark ivory contemporary wrappers with titling in contemporary manuscript to upper. i title with two-bar incipit 21 i blank pp. Occasional annotations in faint pink pencil including dynamics. Handstamp "J Hill No. 7 Grove Place Brompton" and with "Frank E. Bastick from F. J. Salwey 5/1/16" in contemporary manuscript to head of upper wrapper. Wrappers quite worn soiled and with edge tears and chips; detached. Some internal wear browning soiling and small stains. Second edition. Coll.Sy.7a. Hoboken Collection Vol. 6 342. RISM H3265 and HH3265 no copies in the U.S. Robbins Landon: The Symphonies of Joseph Haydn p. 776 13. OCLC 17713865 2 copies both at Yale. The last of Haydn's "London" symphonies. "Haydn's London symphonies nos. 93-104 crown his career as a symphonic composer. Not only do they outdo the Paris symphonies stylistically but he produced them in person for rapturous audiences; this interaction stimulated him to ever bolder and more original conceptions. . No. 104 begins with a massive dotted motif on the 5th D-A which some commentators describe as dominating the entire symphony; the first movement is one of Haydn's freest and the finale has greater relative weight than that in any other of the London symphonies." James Webster in Grove Music Online. Breitkopf & Härtel [PN 390] unknown
1805rif. 40142London: Printed & Sold by T. Preston 97 Strand. Sold also by G. Thomson the Editor & Proprietor Edinburgh 1805. Large folio. Sewn. 1f. recto portrait of Burns verso blank i title with engraved vignette 98 pp. numbered 151-200 with each page number duplicated and music and poetry alternating on engraved and typeset pages respectively i blank. Oval stipple engraved portrait of Robert Burns by Paton Thomson after Nasmyth and engraved vignette to title by Thomson after Stothard depicting an urn with Burns's portrait in relief floral motifs and a kneeling maiden in Classical garb with verse "Now see where Caledonias Genius mourns / And plants the holly round the tomb of Burns." Manuscript inscription to upper margin of title "To Ms. Richardson from the Editor" and signature of the editor "G Thomson" to right of imprint. Some wear browning foxing and soiling; portrait of Burns detached soiled and torn at edges with paper loss; losses and tears to margins. Lacking 2-page index and 5-page glossary. First Edition. Hopkinson & Oldman p. 19. RISM H2737. Hoboken XXX1a: 226 4bis 227 228 8bis 61bis 229 122bis 230. 231 149bis 232 233 89bis 234 221bis 235 236 76bis 237 238 60bis 239 240 241 81bis 242 145bis 243 244 245 148bis 246 24bis 247 115bis 20bis 22bis 248 249 46bis 52bis 250 69bis 70bis 31bis 251 252 253A 253B 254. RISM 2737. Printed & Sold by T. Preston, 97, Strand. Sold also by G. Thomson the Editor & Proprietor Edinburgh unknown
1802rif. 41312London: Printed & Sold by Preston No. 97 Strand. Sold also by the Proprietor G. Thomson York Place Edinburgh 1802. 3 volumes. Folio. Contemporary plain mid-purple wrappers. Sewn. Vol. 2: 1f. recto title verso blank 17-32 pp. Watermark dated 1803 Vol. 3: 1f. recto title verso blank 33-48 pp. Watermark dated 1802 Vol. 4: 1f. recto title verso blank 49-64 pp. Watermark dated 1802 Price given as "3 Shs." With "Neele sculp. Strand" to foot of titles. Title to vol. 2 signed "Go. Thomson" vols. 3 and 4 signed with his initials. First Edition. Rare. Hopkinson and Oldman p. 23. Together with: Violoncello Accompaniment To the Selected Collection of Original Scotish Airs for the Voice . In three Volumes !4. London . Edinburgh: Preston . G. Thomson Vols. 3 and 4. 2 volumes. Folio. Contemporary plain mid-purple wrappers. Sewn. Vol. 3: 1f. recto title verso blank 21-30 pp. Watermark dated 1802. Vol. 4: 1f. recto title verso blank 31-40 pp. Watermark dated 1802. Price given as "3 Shs." "Neele sc. Strand" to foot of titles. Titles to each volume initialed by Thomson. First Edition. Rare. Hopkinson and Oldman p. 23. Together with: Violin Accompaniment by Pleyel To the first Set of Scotish! Songs. Folio. Contemporary plain mid-purple wrappers. Sewn. 8 pp. No title page present possibly not issued with such. Hoboken XXXIa. RISM H2735-37 A fifth volume of songs in the series with music by Beethoven was issued in 1818. The accompanying instrumental parts to the Scottish Songs are very rare. "It is . impossible to speak with assurance in treating of these part books. They are exceedingly rare and we have not found any that can be associated with any volume or edition later than 1818." Hopkinson and Oldman; Thomson's Collections of National Song with special reference to the contributions of Haydn and Beethoven p. 11. Printed & Sold by Preston, No. 97 Strand. Sold also by the Proprietor G. Thomson, York Place, Edinburgh unknown
