1 748 résultats
réf. 0428837743.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. B9781164564461New. unknown
réf. A9780415614320Paperback / softback. New. paperback
2011réf. DADAX1241429782British Library Historical Print Editions 2011-03-25. paperback. New. 7.44x1.88x9.69. Buy with confidence. Excellent Customer Service & Return policy. British Library, Historical Print Editions paperback
réf. 6514115-nnew. unknown
2004réf. 2-0602225515Ginn & Company 2004. Paperback. New. 64 pages. 9.06x6.69x0.04 inches. Ginn & Company paperback
1962réf. 2286180807051International Music 1962-01-01. Sheet music. Very Good. Nice looking book has minor edge wear. International Music unknown
1969réf. mon0000974734Dover New York 1969. Hardback. Very Good. in x in x in. Showcase copy. First edition first printing. Pages clean and bright no markings light wear to edges. Binding tight. Several chips/ tears to dust jacket as seen in photo. Dover, New York hardcover
2014réf. TK250286Philip Mould London 2014. 1st Edition. SOFTCOVER. Thcik Square 4to in colour printed stiff card covers 136pp on thick art paper colour plates etc __CONDITION : NEW unread and unmarked copy. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Philip Mould, London paperback
réf. 1248560019.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 6514115like new. unknown
réf. DADAX0199554528New unknown
réf. 1020516461.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0769299423.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 095736587X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1934réf. 31315Milano: G. Ricordi & C. PNs 28731-54 1934. Folio. Blue cloth-backed patterned paper boards titling gilt to spine. 1f. recto title verso blank 1f. recto table of contents verso blank 5-300 pp. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Binding slightly rubbed and bumped. Slightly worn; light uniform browning; very occasional markings in lead and red pencil; pp. 17/18 with small tear to blank lower margin. First Italian edition 1856 later issue based on publisher's blindstamp. This second collaboration between Haydn and librettist Gottfried von Swieten was based on the poem by James Thomson 1700-1748 published in 1730. The work was first performed on April 24 1801 in a private première at the Schwarzenberg Palace in Vienna; its first public production took place on May 19 1801. "Although the initial reception of The Seasons was favourable - Haydn wrote to Clementi that it had enjoyed 'unanimous approval' and that 'many prefer it to The Creation because of its greater variety' - critical opinion soon became mixed owing in part to its perceived 'lower' subject in part to a growing aesthetic resistance to its many pictorialisms. Haydn himself contributed to both strands of criticism: he supposedly said to Francis II 'In The Creation angels speak and tell of God but in The Seasons only Simon speaks' Dies; and he indiscreetly criticized Swieten's croaking frogs 'Frenchified trash' and the absurdity of a choral hymn to toil Fleiss. Nonetheless he maintained that it would join The Creation in assuring his lasting fame. For the publication he took the path of lesser resistance selling the rights to Breitkopf & Härtel." James Webster and Georg Feder in Grove Music Online. G. Ricordi & C. [PNs 28731-54] unknown
1934réf. 31315Milano: G. Ricordi & C. PNs 28731-54 1934. Folio. Blue cloth-backed patterned paper boards titling gilt to spine. 1f. recto title verso blank 1f. recto table of contents verso blank 5-300 pp. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Binding slightly rubbed and bumped. Slightly worn; light uniform browning; very occasional markings in lead and red pencil; pp. 17/18 with small tear to blank lower margin. First Italian edition 1856 later issue based on publisher's blindstamp. This second collaboration between Haydn and librettist Gottfried von Swieten was based on the poem by James Thomson 1700-1748 published in 1730. The work was first performed on April 24 1801 in a private première at the Schwarzenberg Palace in Vienna; its first public production took place on May 19 1801. "Although the initial reception of The Seasons was favourable - Haydn wrote to Clementi that it had enjoyed 'unanimous approval' and that 'many prefer it to The Creation because of its greater variety' - critical opinion soon became mixed owing in part to its perceived 'lower' subject in part to a growing aesthetic resistance to its many pictorialisms. Haydn himself contributed to both strands of criticism: he supposedly said to Francis II 'In The Creation angels speak and tell of God but in The Seasons only Simon speaks' Dies; and he indiscreetly criticized Swieten's croaking frogs 'Frenchified trash' and the absurdity of a choral hymn to toil Fleiss. Nonetheless he maintained that it would join The Creation in assuring his lasting fame. For the publication he took the path of lesser resistance selling the rights to Breitkopf & Härtel." James Webster and Georg Feder in Grove Music Online. G. Ricordi & C. [PNs 28731-54] unknown books
2003Three volume boxed set compilation of sheet music from Bach, Haydn, Mozart, Beethoven Gurlitt, & Grieg. 150 pages in large format per book with intro to each musician in English, French and German. Books show little to no wear with no marking of any kind to the interiors/ texts. Each book has about 40 pieces, book one is split between Bach and Haydn, book II between Mozart and Beethoven, and book III has about 60 pieces by Cornelius Gurlitt and Edvard Grieg. The box shows considerable wear but is still intact. A very large assortment of music arranged for piano.
réf. 1258207370.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2011réf. DADAX1241429022British Library Historical Print Editions 2011-03-25. paperback. New. 7.44x1.97x9.69. Buy with confidence. Excellent Customer Service & Return policy. British Library, Historical Print Editions paperback
réf. A9780367553128Paperback / softback. New. This timely book explores the concept of truth in the discipline of history and argues that history education must evolve to combat the post-truth crisis. This book is essential reading for history educators historians and those interested in history and concerned about the slide into a post-truth world. paperback
réf. 9639059269.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1342898680.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1432566113.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. B9780957365858Hardback. New. hardcover
