1 734 résultats
1970réf. 84970OR H-248. Very Good No dust jacket as issued. Edition Unstated. Non-Book. 6 records original jackets and sleeves; vol. X with clear plastic sleeve. Discs appear 8/10 or Very Good Plus faint surface issues sleeves with short creases jackets with rubbing toning light foxing paint spots on spine. International shipping billed at cost. International shipping billed at cost. Photos upon request. Please note that the buyer is responsible for any customs duties tariffs or import fees levied by the destination country.; LP; 4to 11" - 13" tall . 1970. OR H-248 unknown
1851réf. 423529London : Edward Moxon 1851. 5th edition. Hardcover. Poor copy in the original gilt-blocked leatherette-covered boards. Spine and panel edges somewhat bumped and rubbed as with age with some tears and wear to the material. Text block detaching from spine and boards. Scattered foxing internally. Remains quite well-preserved overall. Physical description; viii 673 1 p. ; 23 cm. Subjects; Encyclopedias and dictionaries. History ; Dictionaries. Chronology Historical. London : Edward Moxon hardcover
1969réf. 555078Bath: Firecrest Publishing Limited 1969. Hardcover. Fine/Near Fine. Reprint. xxviii 1170pp. Modest soiling to page edges else fine in a lightly spine-sunned near fine dust jacket with very minor edge wear. Firecrest Publishing Limited hardcover
1983réf. 57155Munchen: G. Henle. Very Good-. 1983. First Edition. Hardcover. Musical notation; 4to 11" - 13" tall; 200 pages; 1983 G. Henle München. First edition. Oversize quarto 11"13" hardbound volume 200 pp issued as part of the Joseph Haydn Werke complete edition. Ex-library with usual but light institutional markings and attachments. Errata sheet tipped in to verso of title page with light ofset from the 4 glue daubs used to attach the shett. Text and notation clean and bright throughout; soundly bound. Enthält: Hob. XVIII: 3 4 11. Kritischer Berich integral to the text. VG- thus. . Oversize book likely to require additional charges for expedited or international shipping. . G. Henle hardcover
1967réf. 57159Munchen: G. Henle. Very Good-. 1967. First Edition. Hardcover. Musical notation; 4to 11" - 13" tall; 204 pages; 1967 G. Henle München. First edition. Oversize quarto 11"13" hardbound volume 204 pp and separate softcover Kristisher Bericht 35 pp issued as part of the Joseph Haydn Werke complete edition. Ex-library set with standard institutional markings and attachments including clear vinyl library overlay to the softcover. Text and notation clean and bright throughout; soundly bound. Enthält: 11. Missa "Schopfungsmesse". Anhang: Gloria Talkt 152-160. VG- thus. . Oversize book likely to require additional charges for expedited or international shipping. . G. Henle hardcover
1999réf. 57158Munchen: G. Henle. Very Good-. 1999. First Edition. Hardcover. Musical notation; 4to 11" - 13" tall; 216 pages; 1999 G. Henle München. First edition. Oversize quarto 11"13" hardbound volume 216 pp issued as part of the Joseph Haydn Werke complete edition. Ex-library with usual but light institutional markings and attachments. Text and notation clean and bright throughout; soundly bound. Enthält: 3. Missa in Es. 4. Missa Sancti Nicolai Nikolamesse. Fragment: Missa A Quatro Voci Alla Cappella. Kritischer Bericht integral to the text. VG- thus. . Oversize book likely to require additional charges for expedited or international shipping. . G. Henle hardcover
1966réf. 57161Munchen: G. Henle. Good. 1966. First Edition. Hardcover. Musical notation; 4to 11" - 13" tall; 222 pages; 1966 G. Henle München. First edition. Oversize quarto 11"13" hardbound volume 222 pp and separate softcover Kristisher Bericht 31 pp issued as part of the Joseph Haydn Werke complete edition. Ex-library set with standard institutional markings and attachments including clear vinyl library overlay to the softcover. Text and notation clean and bright throughout; soundly bound. Enthält: 12. Missa "Harmoniemesse". VG- thus. . Oversize book likely to require additional charges for expedited or international shipping. . G. Henle hardcover
1969réf. 555078Bath: Firecrest Publishing Limited 1969. Hardcover. Fine/Near Fine. Reprint. xxviii 1170pp. Modest soiling to page edges else fine in a lightly spine-sunned near fine dust jacket with very minor edge wear. Firecrest Publishing Limited hardcover books
1895réf. 68524Schirmer 1895. Leather Bound. Used very good. Very large hardcover quarter bound in dark blue leather and blue marbled boards Schirmer 1895/1896 vol 1 171pp vol 2 183pp; the two volumes bound togehter in a single volume. Cover a little worn binding a little weak in a few places clean no marks or writing. OVERSIZE. Overseas orders may require additional shipping. We are a small family business selling fine new and pre-owned books online since 1999. We provide professional service and individual attention to your order daily shipments and sturdy packaging. FREE TRACKING ON ALL SHIPMENTS WITHIN USA. Schirmer, hardcover
réf. ria9781526460301_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Through templates and real-world examples this step-by-step guide clearly illustrates what good and bad data look like in order to help students get going quickly and build an effective survey around a research question. In each cha paperback
réf. 114419Mainz B. Schott Söhne 1957. Large 8vo. XXI 3 848 pp. leaflet in pocket 20 pp. Somewhat worn publ. cloth. Book plate. Brooke 555. The first part of three. hardcover
réf. 1342756541.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 101791074X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. B9781164954323New. unknown
réf. 9788571834040AGORA. new. Desde os mais remotos tempos a lua tem sido s�mbolo celestial da Grande M�e Universal o s�mbolo feminino da divindade e fertilidade da Natureza. Este livro explora o mistǸrio profundo contido na Lua astrol��gica conhecida como o ""Porteiro da Mente Inconsciente"". AGORA unknown
2020réf. Sage-9781526460301SAGE Publications India Pvt Ltd December 2020. Paperback. New. SAGE Publications India Pvt Ltd paperback
2020réf. Sage-9781526460301SAGE Publications India Pvt Ltd December 2020. Paperback. New. SAGE Publications India Pvt Ltd paperback
réf. 1403401349.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 2d7330Arte Nova ohne Ort 1995. 4 CDs mit einer Gesamtspielzeit von ca. 249 Minuten in original Kunststoffhülle im kartonierten Schuber. - gute Exemplare/gespielt von den Hamburg Soloists/dirigiert von Emil Klein - unknown
réf. 116666Paris M.V. Launer c.1850. 1 feuillet. 97 pages. 435x27 Cm. Demi-velin à coins. Coins et coiffes émoussés. Plats frottés. Petits accrocs. Mouillure angulaire . Plis et traces de plis. Rousseurs. Le dernier cahier de 4 pages est partiellement dérelie. Paris, M.V. Launer, c.1850. unknown
1959réf. 007280USA: Crown Publishers Inc. 1959 A clean and tightly bound book. Very heavy. Stories from America Britain Germany Scandanavian Russia East Europe The Orient Latin America etc. Board covers shelf worn and bumped. Crown Publishers, Inc. hardcover
réf. 35896595like new. unknown
réf. 36835Carbon print photograph 134 x 84 mm printed on postcard stock; verso inscribed in ink 'Haydn J. Britton 6 years & 3 months'; no photographer's imprint; a superb print with beautiful soft tones; the verso has some staining. A magnificent study of a Melbourne jazz legend in early childhood. The following is Ralph Powell's tribute to Haydn Britton The Man with the Golden Sax published in VJAZZ Quarterly Magazine of The Australian Jazz Museum number 63 August 2014: 'HAYDN John Britton — Clarinet and sax player — was heavily involved in the nascent Melbourne jazz scene of the 1930s and 1940s playing with such jazz luminaries as Ade Monsbourgh The Bells Jack Varney and Cy Watts before apparently fading from the jazz world into which his peers grew. When the redoubtable Roger Beilby suggested discovering what happened to Haydn Britton I thought it would be a straightforward task little realising how far from the truth that would prove to be. To begin with the public record lists him as Haydn Hayden Hadyn or Haydon. Put these together with Britton and/or Britten and we had the recipe for a researcher’s nightmare! Quite a bit exists on his early years but there is then a complete dearth of information until he reappears in retirement on the Mornington Peninsula. Haydn John Britton was born on the 18th of December 1914 the only son of John and Beatrice and grew up in Port Melbourne. By the time he befriended Cy Watts in about 1931 he was playing a home-made ukulele and the kazoo. Together the two of them “used to study a lot of coloured music”1 and spent Sunday afternoons listening to jazz on the amateur radio station 3CB owned by Bill Sievers. In 1934 Melbourne the centres of Sunday jazz were Fawkner Park Kiosk during the day and the Richmond Baths at night. It was at the latter that Haydn introduced Jack Varney to the sounds of pianist Barney Marsh and sax player Harry James. By 1938 Haydn had purchased an alto sax and together he and Cy teamed up with Johnny Parker and Tommy Crowe sending the “jazz along in first class style.”2 Jack Varney describes Haydn as a childhood friend whose grandfather was West Indian. According to Varney Haydn was “an amazing character one of those people who didn’t know a note of music at first but who would sit at the piano — you could sing him any tune and it was impossible for him to play a wrong chord.”3 Consequently they soon formed a trio with sax drums and piano doing their “best to play the sort of material that was coming in. Eddie Lang . Fats Waller and Louis Armstrong . Bix Beiderbeck Joe Venuti and Frank Trumbauer.”4 Haydn and Jack Varney performed at ‘The 431’ from 8.30 pm Saturday nights finishing at 2.00 am the next morning. It was here they met Ade Monsbourgh and Bill ‘Spadge’ Davies. Graeme Bell describes how in the Christmas of 1939 he and Roger were on the PS Weroona for a picnic cruise down Port Phillip Bay to Sorrento. Together with Russ Murphy on drums Haydn Britton on clarinet and alto sax and Bill May on bass Graeme remembered “great excitement and hilarity throughout the day.”5 On another occasion Haydn played baritone sax in Graeme Bell's Dixieland Band with a line-up which included Roger on trumpet; Pixie Roberts on tenor and clarinet; Graeme on piano; Stan Chisholm bass; Bud Baker guitar; Laurie Howells drums; and Benny Featherstone trombone. 6 Haydn and Jack also had a regular Saturday night gig at the Sandringham RSL hall with Jack Dockerty on trumpet. When the two Jacks entered the armed forces Graeme and Roger Bell continued playing with Haydn. In 1943 Ade Monsbourgh arranged for The Eastside Ramblers to record You Must Have been a Beautiful Baby. The line-up included George Fong George Tack Brooks Jackson débuting on drums together with “the grand alto of Haydn Britton.”7 By 1949 Haydn had moved to Springvale and was running a general engineering business and sports goods retail store in Springvale Road Springvale in partnership with Robert Oliver Luxford. He undertook several recording sessions in the 1940s before seemingly disappearing from the jazz scene thereafter. East Side Ramblers 4th July 1943; Jack Varney's Varmints 5th November 1944; Jack Varney & His Varmints; Lazy Ade's Late Hour Boys 15th August 1944; Father Ade's Backroom Boys 3rd November 1944; Denis Farrington 12th August 1946; 19th January 1949. Shirley McConechy recalls that during most of the 50s Haydn played at the then popular New Alexandra reception and function Centre in East St Kilda run by Ray Bolwell Snr and later by Ray Jnr. Her father Bert Gardiner was on piano Tom Buckingham on drums Lin Challen or Fred Buckland on bass with vocalists including Joy Grandin Irene Hewitt and Diana Trask. He moved to Rye with his wife son and daughter where much later he used to provide entertainment in local retirement homes. He also played with the Tommy Carter Band and Mavis Campbell remembers him as a regular at the Jazz Parties that she and husband Don put on at their Blairgowrie property for up to 83 people at a time. In latter years he worked part-time for life-long friend Bill May of Maton guitars and he played sax at a gathering celebrating Bill and Vera’s 50th wedding anniversary. His collection of instruments including a clarinet tenor saxophone gold-plated French saxophone and bugle used until he stopped playing in 2006 were auctioned in November 2009. Haydn died on March 10th 2013 aged 99. Endnotes: 1. C. Ian Turner Collection – Handwritten Jazz Notes article by Cyril Watts 2. Ibid. 3. Frank Athena - The Melbourne Jazz Scene. 1978 4. Ibid. 5. Bell Graeme – Australian Jazzman: His Autobiography. p. 34. 1988 5. Birkenbell Antionette - From Bourbon Street to Bennett’s Lane p. 49. Unpublished. 2011 6. Bell Graeme – Op Cit. p.42 7. C. Ian Turner Collection.' Â unknown
2004réf. 2-0431146306Heinemann Library 2004. Paperback. New. 48 pages. 9.29x7.48x0.71 inches. Heinemann Library paperback
réf. 0265609135.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover