Liszt, Franz vonBiblio.com
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Best.-Nr. 5243596Short description: In Russian. Liszt Franz von. The Challenges of Criminal Policy by K.L. Pentkovsk. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU5243596 unknown
Best.-Nr. 5243596Short description: In Russian. Liszt, Franz von. The Challenges of Criminal Policy by K.L. Pentkovsk. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKU5243596
1883Best.-Nr. 101428circa 1883. circa 1883. Very good. - A richly-hued 10 inch high by 9 inch wide gelatin silver portrait depicting the celebrated young Russian pianist Alexander Siloti standing in front of a studio backdrop attired in a gray or brown three piece suit with silk bow-tie his right hand rests on the top of the edge of a book which stands on a dark fabric covered table at right. Siloti is leaning forward slightly his left arm resting on the back of a chair in which sits his stern-looking teacher Franz Liszt. Liszt depicted seated in three-quarter profile long white hair neatly combed into a mane at his back seems to exude power. The charismatic composer attired in a formal long-tailed dark suit sits up straight with his arms folded across his chest. A few small light brown spots from the chemical photographic fixer mar the image. The right & left edges are creased with small pieces out from the top corners and a five inch tear running down the left side approximately 1/4 inch in from the edge. A tiny tear at center near the top is hardly noticeable. The tears have been repaired from the verso with linen-tape. A very powerful image which could be rendered extraordinary with careful matting. Alexander Siloti 1863-1945. Siloti the celebrated Russian pianist studied with Tchaikovsky at the Moscow Conservatory 1876-1881 and as a young man with Liszt from 1883 until his teacher's death in 1886. He established a reputation as one of Liszt's greatest pupils. The photograph was purchased at auction as part of the Steinway collection. Another copy of this photo is on display at the Isabella Stewart Gardner Museum. It was inscribed to Gardner by Siloti in 1898. Siloti stated that the photo was created in 1883. The photograph is the work of Liszt protege Louis Held 1851-1927. Siloti is said to have been particularly proud of this photograph. [circa 1883].
1859Best.-Nr. 46404634Paris, Librairie Nouvelle, Bourdilliat, 1859 ; in-12, demi-chagrin vert, nerfs, tête dorée, non rogné, couverture beige imprimée et dos. (Lobstein-Laurenchet) 2 ff., 348 pp., 4 ff. de catalogue Bourdilliat.ÉDITION ORIGINALE écrite en français. Bel exemplaire frais, seul le dos de la couverture est sali.
1877Best.-Nr. mon0000210225William Reeves 1877-01-01. Hardcover. Acceptable. in x in x in. Ex-library book usual markings. Hardback with dust cover. Well read copy with some spine wear. Pages are rough cut and have coloured edges due to age. The bottom corner of the back cover board has been torn off. William Reeves hardcover
1999Best.-Nr. BN5614281999. 1999. Aufsätze und kleinere Monographien Aufsätze und kleinere Monographien Liszt Franz von unknown
1859Best.-Nr. 11608Paris Librairie Nouvelle 1859 demi-chagrin rouge. in-12, (2ff.), 348pp., (1f. errat.),
Best.-Nr. 12496Genève, Editions du Journal de Genève, 1930 grand in 8 de 106 pages plus achevé d'imprimer, reliure pleine peau (box rouge) avec dentelles et motifs à froid sur les plats, couvertures et dos conservés, tête dorée
Best.-Nr. 12496Genève, Editions du Journal de Genève, 1930 grand in 8 de 106 pages plus achevé d'imprimer, reliure pleine peau (box rouge) avec dentelles et motifs à froid sur les plats, couvertures et dos conservés, tête dorée
Best.-Nr. BN90684C.H.Beck. International Subsidies: A Handbook Beck International International Subsidies: A Handbook Beck International Bungenberg Marc; Liszt Marijana; Adekemi Afolabi; Alsing Josephine; Alterskjær Bjørnar; Alvarado Garzón Andrés E.; Backenstraß Romy; Barbist Johannes; Bauer Michael; Best Arnoud de; Böhme Bianca; Braga Monteiro Manuel; Bröhmer Jürgen; Bueso G C.H.Beck unknown
1871Best.-Nr. 125188Leipzig: J. Schuberth & Co 1871. 1871 or that era. Folio. Fair Ex-lib. usual markings; heavy wear to extremities of boards; spine mostly gone; front and back boards detached but present; ffep and title pages detached and heavily chipped; main block secure and mostly in good condition but with brittle page edges. Tan paper over boards; Dark brown cloth at spine; 129 pp. comprised totally of a musical score. Oversize 15 x 21.5 inches and heavy 7.5 pounds / 3.4 kilos. The mass was composed by Franz Liszt between 1855 and 1858 for the dedication of the new part of the cathedral at Esztergom Hungary by Archbishop Janos Scitovszky. Liszt conducted the work and the organist was Alexander Winterberger. The dedication concert the work's premiere was on August 31 1856. The reverberation time in the cathedral is 9 seconds Wikipedia creating the potential for an acoustic nightmare in performing a piece of this magnitude! The performance was attended by 4000 guests including Emperor Franz Joseph I and other imperial majesties of Austria-Hungary ecclesiastical dignitaries well-known musicians and members of the press. After the premiere Liszt and others continued to make various small changes and corrections to the original score. The first publication was in 1859 by the Imperial Printing House Vienna followed by subsequent editions and variations piano reductions etc. by J. Schuberth 1871. G. Schirmer 1909. etc. This particular edition/volume contains NO individual parts violin flute soprano etc. for actual performance but IS an actual complete copy of the entire conductor's score meaning that it includes all the orchestral organ vocal soloist SATB and choral SATB parts with vocal text all together for a conductor to use in rehearsal or performance. This edition was published by J. Schuberth & Co. no date likely in Leipzig rather than New York or Philadelphia as the names of the instruments are listed in German and the price on the front cover is listed in Thaler an old German/European coinage. The work is complete: Kyrie Gloria Credo Sanctus Benedictus Agnus Dei with all parts readable even where margins are chipped. An excellent copy for the conducting student Liszt afficionado musical researcher or someone interested in Hungarian/Esztergom ecclesiastical history. For an excellent article by Morten Solvik on Liszt's writing of this work see this link from the American Symphony Orchestra's web site. J. Schuberth & Co hardcover
1871Best.-Nr. 125188Leipzig: J. Schuberth & Co 1871. 1871 or that era. Folio. Fair Ex-lib. usual markings; heavy wear to extremities of boards; spine mostly gone; front and back boards detached but present; ffep and title pages detached and heavily chipped; main block secure and mostly in good condition but with brittle page edges. Tan paper over boards; Dark brown cloth at spine; 129 pp. comprised totally of a musical score. Oversize 15 x 21.5 inches and heavy 7.5 pounds / 3.4 kilos. The mass was composed by Franz Liszt between 1855 and 1858 for the dedication of the new part of the cathedral at Esztergom Hungary by Archbishop Janos Scitovszky. Liszt conducted the work and the organist was Alexander Winterberger. The dedication concert the work's premiere was on August 31 1856. The reverberation time in the cathedral is 9 seconds Wikipedia creating the potential for an acoustic nightmare in performing a piece of this magnitude! The performance was attended by 4000 guests including Emperor Franz Joseph I and other imperial majesties of Austria-Hungary ecclesiastical dignitaries well-known musicians and members of the press. After the premiere Liszt and others continued to make various small changes and corrections to the original score. The first publication was in 1859 by the Imperial Printing House Vienna followed by subsequent editions and variations piano reductions etc. by J. Schuberth 1871. G. Schirmer 1909. etc. This particular edition/volume contains NO individual parts violin flute soprano etc. for actual performance but IS an actual complete copy of the entire conductor's score meaning that it includes all the orchestral organ vocal soloist SATB and choral SATB parts with vocal text all together for a conductor to use in rehearsal or performance. This edition was published by J. Schuberth & Co. no date likely in Leipzig rather than New York or Philadelphia as the names of the instruments are listed in German and the price on the front cover is listed in Thaler an old German/European coinage. The work is complete: Kyrie Gloria Credo Sanctus Benedictus Agnus Dei with all parts readable even where margins are chipped. An excellent copy for the conducting student Liszt afficionado musical researcher or someone interested in Hungarian/Esztergom ecclesiastical history. For an excellent article by Morten Solvik on Liszt's writing of this work see this link from the American Symphony Orchestra's web site. J. Schuberth & Co hardcover books
1859Best.-Nr. 008609Paris: Librairie Nouvelle / A. Bourdilliat et C. 1859. Book. Near Fine. Hardcover. First Edition. 12mo - over 6¾" - 7¾" tall. SCARCE in First Edition and RARE in a punched gilt leather binding the punched gilt leather panels applied over the original leather binding to the front and rear boards leaving the original leather spine uncovered and with newer end papers. The panels are remnants of a much larger gilt leather wall hanging likely Dutch or Flemish in origin. Stamped at front end page and title page "Mária Dorothea Egyesület" a Hungarian institution in Budapest that houses retired teachers. Near Fine some pencil notations at end pages and title page. Hungarian composer Franz Liszt's " Des Bohemiens et De Leur Musique En Hongrie" was a pioneering work in creating a national music for Hungary which he believed to be the folk music of the Roma Gypsies. The book sparked much debate and controversy throughout 19th century Hungary and the world of music and remains controversial today. An essential Classical music study in an exceedingly uncommon and virtuosic binding. . Librairie Nouvelle / A. Bourdilliat et C. Hardcover
1859Best.-Nr. 008609Paris: Librairie Nouvelle / A. Bourdilliat et C. 1859. Book. Near Fine. Hardcover. First Edition. 12mo - over 6¾" - 7¾" tall. SCARCE in First Edition and RARE in a punched gilt leather binding the punched gilt leather panels applied over the original leather binding to the front and rear boards leaving the original leather spine uncovered and with newer end papers. The panels are remnants of a much larger gilt leather wall hanging likely Dutch or Flemish in origin. Stamped at front end page and title page "Mária Dorothea Egyesület" a Hungarian institution in Budapest that houses retired teachers. Near Fine some pencil notations at end pages and title page. Hungarian composer Franz Liszt's " Des Bohemiens et De Leur Musique En Hongrie" was a pioneering work in creating a national music for Hungary which he believed to be the folk music of the Roma Gypsies. The book sparked much debate and controversy throughout 19th century Hungary and the world of music and remains controversial today. An essential Classical music study in an exceedingly uncommon and virtuosic binding. . Librairie Nouvelle / A. Bourdilliat et C. Hardcover books
1859Best.-Nr. 40579Viennae: Typis Caes. Reg. Status Officinae 1859. Elephant folio 545 x 390 mm. Original black cloth-backed grey printed boards. 1f. recto title. verso blank 130 pp. With J. Schuberth & Co. overpaste to upper board and title. Binding somewhat worn rubbed and bumped. First Edition. Scarce. Raabe 484. Searle 9. Hoboken Catalogue Vol. 10 38. The "Grau" mass is one of Liszt's major works composed for the consecration of the new basilica at Grau in his native Hungary. It was first performed under Liszt's direction on 31 August 1856 to an audience of approximately 4000 people. "This music is religious to the point of converting Satan himself!" Walker II pp. 403-406. An important work in large striking format. Typis Caes. Reg. Status Officinae unknown
1859Best.-Nr. 40579Viennae: Typis Caes. Reg. Status Officinae 1859. Elephant folio 545 x 390 mm. Original black cloth-backed grey printed boards. 1f. recto title. verso blank 130 pp. With J. Schuberth & Co. overpaste to upper board and title. Binding somewhat worn rubbed and bumped. First Edition. Scarce. Raabe 484. Searle 9. Hoboken Catalogue Vol. 10 38. The "Grau" mass is one of Liszt's major works composed for the consecration of the new basilica at Grau in his native Hungary. It was first performed under Liszt's direction on 31 August 1856 to an audience of approximately 4000 people. "This music is religious to the point of converting Satan himself!" Walker II pp. 403-406. An important work in large striking format. Typis Caes. Reg. Status Officinae unknown books
Best.-Nr. 2298Early 20th-century manuscript copy. In blue buckram. Gilt green morocco title vignette on front panel. Written on music manuscript paper marked “J. E. & Co. / Protokoll Schutzmarke / No. 1 / 10 linig.”. Few notes musical marks and corrections in pencil. Binding rubbed at the extremities. Pages yellowed due to aging. Otherwise in fine condition. Early 20th-century manuscript copy. In blue buckram. Gilt green morocco title vignette on front panel. Written on music manuscript paper marked “J. E. & Co. / Protokoll Schutzmarke / No. 1 / 10 linig.”. 10 leaves; 16 pages MS score. An early manuscript copy of Saint-Saëns’ organ transcript of Liszt’s La Prédication Aux Oiseaux or Die Vogelpredigt. As part of a pair of pieces for solo piano Deux légendes Liszt composed St. François d'Assise: La prédication aux oiseaux in 1863. Saint-Saëns finished the composition of the organ reduction before 1878 April and the transcript was first published by Rózsavölgyi & Co. in 1899. unknown
1882Best.-Nr. Liszt1LISZT Franz 1811-1886 Original photograph by Julien Ganz Period albumen print 1882 cabinet format 145 x 105 cm Mounted on thick cardboard in the photographer's credit 165 x 108 cm Dark red edge all around "Liszt" annotation on back side from an unknown hand Striking and unpublished portrait of the musician Several variants taken on the same day are known. However none of them show Liszt staring at the lens. His portrait is all the more intense here. Some traces of an old assembly mounting on margins small scratches and small accidents at the lower corners of the cardboard see scans otherwise good condition.
1851Best.-Nr. 578930Leipzig: Brockhaus 1851. Hardcover. Very Good. First edition. Thin octavo. 185 1 errata pp. Text in French. Contemporary quarter cloth and patterned paper over boards with paper label on spine. Folded sheet of music tipped-in at rear. Boards well rubbed a few marginal light pencil notes in text some modest foxing throughout but a pleasing very good copy of a rare first edition preceding by a year the German language edition published in Cologne. The first book by Liszt who wrote it in French and the first serious appraisal of Wagner before he was widely recognized. Brockhaus hardcover
1851Best.-Nr. 578930Leipzig: Brockhaus 1851. Hardcover. Very Good. First edition. Thin octavo. 185 1 errata pp. Text in French. Contemporary quarter cloth and patterned paper over boards with paper label on spine. Folded sheet of music tipped-in at rear. Boards well rubbed a few marginal light pencil notes in text some modest foxing throughout but a pleasing very good copy of a rare first edition preceding by a year the German language edition published in Cologne. The first book by Liszt who wrote it in French and the first serious appraisal of Wagner before he was widely recognized. Brockhaus hardcover books
Best.-Nr. 19384Budapest 26 January 1881. In French. 2 pp. 8 x 5 inches in good clean condition minor blemishes only. Franz Liszt 1811-86 Hungarian composer and pianist. Alexander Mackenzie 1847-1935 Scottish composer spent much time in company with Liszt in the 1880s. unknown
Best.-Nr. 3952Brouillon de lettre concernant l'Allgemeiner Deutscher Musikverein, l'association musicale fonde par Franz Liszt en 1861 Weimar avec Franz Brendel pour incarner les idaux musicaux de la nouvelle cole allemande; Liszt le remercie pour lui avoir transmis le legs d'une gnreuse donatrice ...Madame de Muchanow en faveur de l'Allgemeine Deutsche Musik Verein et la Beethoven Stiftung [Fondation Beethoven]...J'aviserai l'emploi le plus conforme aux nobles intentions de l'illustre donatrice qui mrite au-del des plus brillants hommages qu'on tait heureux de lui rendre que nous rvrons de cSur : Prochainement le Comit qui a l'honneur de compter V. E. parmi ses membres Notre Musik Verein aura l'honneur de vous adresser ses plus reconnaissants remerciements et d'informer Votre Excellence de la rpartition des deux mille Thalers que je garde en dpt jusqu' mon retour Weimar ( au commencement d'aot) . Prochainement le Comit de notre Musik Verein aura l'honneur d'exprimer ses plus reconnaissants remerciements Votre Excellence et de l'informer de la rpartition des deux mille Thalers que je garde en dpt jusqu' mon retour Weimar, - au commencement d'avril... La comtesse Maria Kalergis-Muchanow (ne Nesselrode, 1822-1874), pianiste polonaise (elle reut des leons de Chopin) et mcne dart, entretint Paris un salon frquent par de nombreux artistes franais et europens, dont Chopin, Liszt, Rossini, Heine, Gautier, Musset... Amie de Cosima, la fille de Liszt, qui pousa Wagner, elle intervint pour que le compositeur allemand put faire jouer son opra Tannhaser Paris. Franz Liszt lui ddicaa plusieurs pices dont la Petite Valse Favorite et composa, son dcs en 1874, l'Elgie pour Piano N1. Maria Muchanow est l'origine de la cration de l'Institut de Musique Varsovie et de la Socit Musicale de Varsovie.En octobre 1842, Liszt avait t nomm Weimar Kapellmeister in auerordentlichen Diensten (matre de chapelle des services extraordinaires) par le grand-duc Charles-Frdric de Saxe-Weimar-Eisenach l'un des protecteurs de Richard Wagner et de Liszt. Le projet de lAllgemeiner Deutscher Musikverein naquit beaucoup plus tard, dans les annes 1860, de la tentative avorte de cration dune Fondation Goethe pour soutenir les arts. La tentative de Liszt fut un rel succs. Les statuts de la nouvelle association furent dposs en 1861. Au fil des ans lassociation devint le dpositaire de plusieurs fondations dont la Beethoven-Stiftung (Fondation Beethoven) en 1871, finance et enrichie par les dons, notamment du grand-duc Charles-Alexandre de Saxe-Weimar.
1840Best.-Nr. 020628Vienna: T. Haslinger 1840. Print. Very good condition. Unbound. First Edition. Folio. Large broadside measuring 8 5/8" width by 14 9/16" height 219mm x 368mm. CONDITION: Untrimmed and unmounted with minor foxing minor soiling and several creases. A strong impression with the composer's name in large type 24mm - about 68 point font. Published at the genesis of the composer's "Lisztomania" period. The program marks the first time Liszt publicly performed his famous transcription of Paganini's "La Campanella" das Glockchen one of his most celebrated and difficult works. The GERMAN TEXT reads: Vorletztes Concert des F. Liszt. Sonntag den 9. Februar 1840 Mittags un halb 1 Uhr im Saale der Gesellschaft der Musikfreunde. Vorkommende Stucke: 1. Reminiscences des Huguenots grosse Fantasie componirt und vorgetragen von Liszt. 2. Arie mit Clavierbegleitung gesungen von Fraulein Leopoldine Tuczek Sangerin des k. k. Hof-Operntheaters. 3. Aufforderung zum Tanze von C. M. v. Weber vorgetragen von Liszt Auf Verlangen. 4. Lied von Schubert vorgetragen von Herrn Gross. 5. Cavatine aus Lucia zum erstenmal vorgetragen von Liszt. Etude von Paganini Das Glockchen. Sperrsitze a 3 fl. C. M. Eintrittskarten a 1 fl. 20 kr. C. M. sind in der k. k. Hof- und priv. Kunst- und Musikalienhandlung des Hrn .T. Haslinger am Graben und am Tage des Concertes an der Cassa zu haben. ENGLISH TRANSLATION: Penultimate Concert of F. Liszt. Sunday February 9 1840 at half past 1 in the Hall of the Gesellschaft der Musikfreunde. Pieces to be performed: 1. Reminiscences des Huguenots grand fantasy composed and performed by Liszt. 2. Aria with piano accompaniment sung by Miss Leopoldine Tuczek singer at the Imperial and Royal Court Opera Theater. 3. Invitation to the Dance by C. M. v. Weber performed by Liszt by request. 4. Song by Schubert performed by Mr. Groiss. 5. Cavatine from Lucia performed for the first time by Liszt. Etude by Paganini The Little Bell. Reserved seats at 3. fl C.M. Admission tickets at 1 fl. 20 kr. C.M. Are to be had in the Imperial and Royal Court and privileged Art and Music Shop of Mr. T. Tobias Haslinger on the Graben and on the day of the concert at the box office. T. Haslinger Paperback
1837Best.-Nr. 0030531837 Paris, Félix Bonnaire, 1837. Deux volumes in-8 (146 X 227 mm) demi-maroquin noir à grain long et à petits coins, dos lisse composé de deux grands compartiments entièrement ornés de fers dorés à décor rocaille et d'un petit compartiment central contenant auteur, titre et tomaison dorés, plats et dos (petits manques aux dos) de la couverture conservés (BERNASCONI). Tome I : faux-titre, titre, 422 pages ; Tome II : faux-titre, titre, 414 pages.
2009Best.-Nr. 12589AB2009. Leipzig 2009. 52 : 62 cm. Printed on hand made paper Portrait of Franz Liszt in heliography. Brilliant print from the old cooper-plates on hand-made paper. It shows the head of Franz Liszt surrounded by notes to his 'Rhapsodie Hongarien'. unknown
