Liszt, FranzBiblio.com
1 259 résultats
réf. __3111173135De Gruyter 1900. Hardcover. New. 20 edition. 741 pages. German language. 9.06x6.10x9.21 inches. De Gruyter hardcover
réf. __311265983XDe Gruyter Art & Architecture 1922. Hardcover. New. 24 reprint edition. 778 pages. German language. 6.14x1.88x9.21 inches. De Gruyter Art & Architecture hardcover
1926réf. 75820hLondon: William Reeves Bookseller 1926. Book. Near Fine. Hardcover. 8vo - over 7¾ - 9¾" tall. Two volumes complete set. Original brown cloth hard covers with decorative gilt titles to front and spine in dust jackets. Edges lightly toned and foxed with old owner's name-stamp to front endpaper in each volume. Jackets are stained with some moderate edge-chipping and a closed tear now neat in new archival mylar sleeves. Otherwise clean tight and unmarked. Very neat -- a sound and handsome very smartly published set. xx208;iv209-370pp. William Reeves Bookseller Hardcover
2000réf. BN518151Amt der Burgenländischen Landesregierung 2000. 2000. Softcover. Briefwechsel mit seiner Mutter Briefwechsel mit seiner Mutter Franz Liszt Amt der Burgenländischen Landesregierung paperback
2010réf. BN438663Vrin 2010. 2010. Lettres de Franz Liszt à la princesse Marie de Hohenlohe-Schillingsfürst née de Sayn-Wittgenstein Lettres de Franz Liszt à la princesse Marie de Hohenlohe-Schillingsfürst née de Sayn-Wittgenstein Franz Liszt Vrin unknown
1853réf. 40935Lipsiae: Breitkopfii et Härtelii PN 8636 1853. Folio. Dark yellow cloth-backed light gray boards. 1f. recto title verso blank 1f. recto dedication to "Patri Venerabili Albach" verso blank 3-35 i blank pp. Engraved. Scored for Tenors I and II Basses I and II and Organ. Handstamps of the Music Institute of the University of Vienna to title and dedication; deaccession note and stamp to verso of title. Binding somewhat worn rubbed and bumped with remnants of label to inner corner of upper board. Minor internal wear; lower outer corners bumped. First Edition of the first version. Searle 8a. Raab 485a. The Mass for four male voices and organ was composed in 1846-47 and was first performed in 1852 in Weimar "to celebrate the birthday of the President of the French Republic - later the Emperor Napoleon III. This is an unusual and austere work in which singers effectively declaim not sing parts of the Credo. The melodic line of the Gloria reveals the influence of plainchant." Collet: Franz Liszt. The Man & His Music Alan Walker ed. p. 340. Breitkopfii et Härtelii [PN 8636] unknown
1853réf. 40935Lipsiae: Breitkopfii et Härtelii PN 8636 1853. Folio. Dark yellow cloth-backed light gray boards. 1f. recto title verso blank 1f. recto dedication to "Patri Venerabili Albach" verso blank 3-35 i blank pp. Engraved. Scored for Tenors I and II Basses I and II and Organ. Handstamps of the Music Institute of the University of Vienna to title and dedication; deaccession note and stamp to verso of title. Binding somewhat worn rubbed and bumped with remnants of label to inner corner of upper board. Minor internal wear; lower outer corners bumped. First Edition of the first version. Searle 8a. Raab 485a. The Mass for four male voices and organ was composed in 1846-47 and was first performed in 1852 in Weimar "to celebrate the birthday of the President of the French Republic - later the Emperor Napoleon III. This is an unusual and austere work in which singers effectively declaim not sing parts of the Credo. The melodic line of the Gloria reveals the influence of plainchant." Collet: Franz Liszt. The Man & His Music Alan Walker ed. p. 340. Breitkopfii et Härtelii [PN 8636] unknown books
réf. 43224531like new. unknown
réf. 43224531-nnew. unknown
2012réf. a5203Philips Classics 2012-12-04. Audio CD. New. Brand New CD Box Set FACTORY SEALED Philips Classics unknown
réf. 1382Paris, Librairie Nouvelle A. Bourdillat & Cie éditeur, 1859. In-12 br., couverture imprimée. Édition originale rare (dos légèrement fendu).
réf. 5243596Short description: In Russian. Liszt, Franz von. The Challenges of Criminal Policy by K.L. Pentkovsk. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKU5243596
réf. 5243596Short description: In Russian. Liszt Franz von. The Challenges of Criminal Policy by K.L. Pentkovsk. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU5243596 unknown
1883réf. 101428circa 1883. circa 1883. Very good. - A richly-hued 10 inch high by 9 inch wide gelatin silver portrait depicting the celebrated young Russian pianist Alexander Siloti standing in front of a studio backdrop attired in a gray or brown three piece suit with silk bow-tie his right hand rests on the top of the edge of a book which stands on a dark fabric covered table at right. Siloti is leaning forward slightly his left arm resting on the back of a chair in which sits his stern-looking teacher Franz Liszt. Liszt depicted seated in three-quarter profile long white hair neatly combed into a mane at his back seems to exude power. The charismatic composer attired in a formal long-tailed dark suit sits up straight with his arms folded across his chest. A few small light brown spots from the chemical photographic fixer mar the image. The right & left edges are creased with small pieces out from the top corners and a five inch tear running down the left side approximately 1/4 inch in from the edge. A tiny tear at center near the top is hardly noticeable. The tears have been repaired from the verso with linen-tape. A very powerful image which could be rendered extraordinary with careful matting. Alexander Siloti 1863-1945. Siloti the celebrated Russian pianist studied with Tchaikovsky at the Moscow Conservatory 1876-1881 and as a young man with Liszt from 1883 until his teacher's death in 1886. He established a reputation as one of Liszt's greatest pupils. The photograph was purchased at auction as part of the Steinway collection. Another copy of this photo is on display at the Isabella Stewart Gardner Museum. It was inscribed to Gardner by Siloti in 1898. Siloti stated that the photo was created in 1883. The photograph is the work of Liszt protege Louis Held 1851-1927. Siloti is said to have been particularly proud of this photograph. [circa 1883].
1859réf. 46404634Paris, Librairie Nouvelle, Bourdilliat, 1859 ; in-12, demi-chagrin vert, nerfs, tête dorée, non rogné, couverture beige imprimée et dos. (Lobstein-Laurenchet) 2 ff., 348 pp., 4 ff. de catalogue Bourdilliat.ÉDITION ORIGINALE écrite en français. Bel exemplaire frais, seul le dos de la couverture est sali.
1877réf. mon0000210225William Reeves 1877-01-01. Hardcover. Acceptable. in x in x in. Ex-library book usual markings. Hardback with dust cover. Well read copy with some spine wear. Pages are rough cut and have coloured edges due to age. The bottom corner of the back cover board has been torn off. William Reeves hardcover
1999réf. BN5614281999. 1999. Aufsätze und kleinere Monographien Aufsätze und kleinere Monographien Liszt Franz von unknown
1859réf. 11608Paris Librairie Nouvelle 1859 demi-chagrin rouge. in-12, (2ff.), 348pp., (1f. errat.),
réf. 12496Genève, Editions du Journal de Genève, 1930 grand in 8 de 106 pages plus achevé d'imprimer, reliure pleine peau (box rouge) avec dentelles et motifs à froid sur les plats, couvertures et dos conservés, tête dorée
réf. 12496Genève, Editions du Journal de Genève, 1930 grand in 8 de 106 pages plus achevé d'imprimer, reliure pleine peau (box rouge) avec dentelles et motifs à froid sur les plats, couvertures et dos conservés, tête dorée
réf. BN90684C.H.Beck. International Subsidies: A Handbook Beck International International Subsidies: A Handbook Beck International Bungenberg Marc; Liszt Marijana; Adekemi Afolabi; Alsing Josephine; Alterskjær Bjørnar; Alvarado Garzón Andrés E.; Backenstraß Romy; Barbist Johannes; Bauer Michael; Best Arnoud de; Böhme Bianca; Braga Monteiro Manuel; Bröhmer Jürgen; Bueso G C.H.Beck unknown
1871réf. 125188Leipzig: J. Schuberth & Co 1871. 1871 or that era. Folio. Fair Ex-lib. usual markings; heavy wear to extremities of boards; spine mostly gone; front and back boards detached but present; ffep and title pages detached and heavily chipped; main block secure and mostly in good condition but with brittle page edges. Tan paper over boards; Dark brown cloth at spine; 129 pp. comprised totally of a musical score. Oversize 15 x 21.5 inches and heavy 7.5 pounds / 3.4 kilos. The mass was composed by Franz Liszt between 1855 and 1858 for the dedication of the new part of the cathedral at Esztergom Hungary by Archbishop Janos Scitovszky. Liszt conducted the work and the organist was Alexander Winterberger. The dedication concert the work's premiere was on August 31 1856. The reverberation time in the cathedral is 9 seconds Wikipedia creating the potential for an acoustic nightmare in performing a piece of this magnitude! The performance was attended by 4000 guests including Emperor Franz Joseph I and other imperial majesties of Austria-Hungary ecclesiastical dignitaries well-known musicians and members of the press. After the premiere Liszt and others continued to make various small changes and corrections to the original score. The first publication was in 1859 by the Imperial Printing House Vienna followed by subsequent editions and variations piano reductions etc. by J. Schuberth 1871. G. Schirmer 1909. etc. This particular edition/volume contains NO individual parts violin flute soprano etc. for actual performance but IS an actual complete copy of the entire conductor's score meaning that it includes all the orchestral organ vocal soloist SATB and choral SATB parts with vocal text all together for a conductor to use in rehearsal or performance. This edition was published by J. Schuberth & Co. no date likely in Leipzig rather than New York or Philadelphia as the names of the instruments are listed in German and the price on the front cover is listed in Thaler an old German/European coinage. The work is complete: Kyrie Gloria Credo Sanctus Benedictus Agnus Dei with all parts readable even where margins are chipped. An excellent copy for the conducting student Liszt afficionado musical researcher or someone interested in Hungarian/Esztergom ecclesiastical history. For an excellent article by Morten Solvik on Liszt's writing of this work see this link from the American Symphony Orchestra's web site. J. Schuberth & Co hardcover
1871réf. 125188Leipzig: J. Schuberth & Co 1871. 1871 or that era. Folio. Fair Ex-lib. usual markings; heavy wear to extremities of boards; spine mostly gone; front and back boards detached but present; ffep and title pages detached and heavily chipped; main block secure and mostly in good condition but with brittle page edges. Tan paper over boards; Dark brown cloth at spine; 129 pp. comprised totally of a musical score. Oversize 15 x 21.5 inches and heavy 7.5 pounds / 3.4 kilos. The mass was composed by Franz Liszt between 1855 and 1858 for the dedication of the new part of the cathedral at Esztergom Hungary by Archbishop Janos Scitovszky. Liszt conducted the work and the organist was Alexander Winterberger. The dedication concert the work's premiere was on August 31 1856. The reverberation time in the cathedral is 9 seconds Wikipedia creating the potential for an acoustic nightmare in performing a piece of this magnitude! The performance was attended by 4000 guests including Emperor Franz Joseph I and other imperial majesties of Austria-Hungary ecclesiastical dignitaries well-known musicians and members of the press. After the premiere Liszt and others continued to make various small changes and corrections to the original score. The first publication was in 1859 by the Imperial Printing House Vienna followed by subsequent editions and variations piano reductions etc. by J. Schuberth 1871. G. Schirmer 1909. etc. This particular edition/volume contains NO individual parts violin flute soprano etc. for actual performance but IS an actual complete copy of the entire conductor's score meaning that it includes all the orchestral organ vocal soloist SATB and choral SATB parts with vocal text all together for a conductor to use in rehearsal or performance. This edition was published by J. Schuberth & Co. no date likely in Leipzig rather than New York or Philadelphia as the names of the instruments are listed in German and the price on the front cover is listed in Thaler an old German/European coinage. The work is complete: Kyrie Gloria Credo Sanctus Benedictus Agnus Dei with all parts readable even where margins are chipped. An excellent copy for the conducting student Liszt afficionado musical researcher or someone interested in Hungarian/Esztergom ecclesiastical history. For an excellent article by Morten Solvik on Liszt's writing of this work see this link from the American Symphony Orchestra's web site. J. Schuberth & Co hardcover books
1859réf. 40579Viennae: Typis Caes. Reg. Status Officinae 1859. Elephant folio 545 x 390 mm. Original black cloth-backed grey printed boards. 1f. recto title. verso blank 130 pp. With J. Schuberth & Co. overpaste to upper board and title. Binding somewhat worn rubbed and bumped. First Edition. Scarce. Raabe 484. Searle 9. Hoboken Catalogue Vol. 10 38. The "Grau" mass is one of Liszt's major works composed for the consecration of the new basilica at Grau in his native Hungary. It was first performed under Liszt's direction on 31 August 1856 to an audience of approximately 4000 people. "This music is religious to the point of converting Satan himself!" Walker II pp. 403-406. An important work in large striking format. Typis Caes. Reg. Status Officinae unknown
1859réf. 40579Viennae: Typis Caes. Reg. Status Officinae 1859. Elephant folio 545 x 390 mm. Original black cloth-backed grey printed boards. 1f. recto title. verso blank 130 pp. With J. Schuberth & Co. overpaste to upper board and title. Binding somewhat worn rubbed and bumped. First Edition. Scarce. Raabe 484. Searle 9. Hoboken Catalogue Vol. 10 38. The "Grau" mass is one of Liszt's major works composed for the consecration of the new basilica at Grau in his native Hungary. It was first performed under Liszt's direction on 31 August 1856 to an audience of approximately 4000 people. "This music is religious to the point of converting Satan himself!" Walker II pp. 403-406. An important work in large striking format. Typis Caes. Reg. Status Officinae unknown books
