Liszt, Franz,Biblio.com
987 résultats
réf. 33548984like new. unknown
réf. 34548099-nnew. unknown
réf. 34548099like new. unknown
réf. 43147043-nnew. unknown
réf. 43147043like new. unknown
réf. 33456317-nnew. unknown
réf. 36613480-nnew. unknown
réf. 33456317like new. unknown
réf. 36613480like new. unknown
1840réf. 31559Leipzig: Breitkopf & Härtel PN 6266 1840. BEETHOVEN Ludwig van 1770-1827. Folio. 1 decorative lithographic title printed in green 2-15 1 blank pp. Engraved. Music printed within decorative blue borders. Disbound. Slightly soiled and foxed; occasional performer's markings in pencil. Publisher's handstamp to foot of title. First Edition. LW A58. Searle 466. Raabe 121. LC Catalog 146. Hoboken 10 98. Liszt's transcription of Beethoven's Adelaide Op. 46; 1795 was the first of many arrangements he made of Beethoven's songs. He dedicated the work to the Marchese Maria Martellini an Italian noblewoman who was one of Liszt's early supporters and patrons. Breitkopf & Härtel [PN 6266] unknown books
1878réf. 31536Mainz: B. Schott's Söhnen PN 16617 1878. Folio. Sewn. 1f. decorative lithographic title 1 blank 2-55 1 blank pp. Engraved. Common title page with plate numbers of the version for two pianos 16617 as well as for solo piano 22109. Musicseller's handstamp to foot of title. Partially disbound; outer leaves worn and frayed with minor paper loss to blank right margin of title. Moderate soiling; corners slightly thumbed; occasional offsetting. First Edition later issue. LW C23. Searle 651. Raabe 373. Hoboken 10 16 first issue. Liszt's Piano Concerto No. 2 in A major was dedicated to pianist and composer Hans von Bronsart 1830-1913 who premiered the work on January 7 1857 in Weimar with Liszt conducting. As with the first concerto the second has both its detractors and admirers - in this regard there is similarity to the concertos of Chopin. "Like its predecessor the A major Concerto is a continuously unfolding 'cyclic' structure in which Liszt employs his 'metamorphosis of themes' technique to great advantage. Unlike the E flat major Concerto however it does not easily lend itself to a division into separate movements; neither does it conform to the opposite kind of structural pattern evinced by the B minor Sonata-a single long movement constructed on the principles of sonata first-movement form. It is possible that Liszt was here aiming at a type of structure intermediate between the two and this may explain why the Concerto may seem to have a certain ambiguity of form." Robert Collet: Franz Liszt: The Man and his Music p. 267. B. Schott's Söhnen [PN 16617] unknown books
réf. ria9783112412732_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
réf. 43221156-nnew. unknown
réf. 43221156like new. unknown
réf. __3112412737De Gruyter 1928. Hardcover. New. 28 reprint edition. 653 pages. German language. 5.00x1.63x8.00 inches. De Gruyter hardcover
réf. 44924743-nnew. unknown
réf. 44924743like new. unknown
réf. 34450612-nnew. unknown
réf. 34450612like new. unknown
réf. 34310575-nnew. unknown
réf. 33548985-nnew. unknown
réf. 34310575like new. unknown
réf. 33548985like new. unknown
2016réf. BN71471Königshausen u. Neumann 2016. 2016. Musikalische Haus- und Lebensregeln: Faksimile der Handschrift im Robert-Schumann-Haus Zwickau. Textabdruck und Kommentar Schumann-Studien - Sonderbände Faksimile der Handschrift im Robert-Schumann-Haus Zwickau. Textabdruck und Kommentar Königshausen u. Neumann unknown
1926réf. 23.068London: William Reeves s.a. 1926. 1ª ed. Tela con sobrecubierta. 14.5x22. William Reeves hardcover
