Liszt, Eduard vonBiblio.com
1910rif. 84544BB1910 . Zürich: Orell Füssli 1910. XXXII 274 S. Broschiert Buchblock gebrochen unknown
rif. 19384Budapest 26 January 1881. In French. 2 pp. 8 x 5 inches in good clean condition minor blemishes only. Franz Liszt 1811-86 Hungarian composer and pianist. Alexander Mackenzie 1847-1935 Scottish composer spent much time in company with Liszt in the 1880s. unknown
2010rif. DADAX1167853954Kessinger Publishing 2010-09-10. hardcover. New. 6.00x0.75x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
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2013rif. DADAX3849500454TREDITION CLASSICS 2013-01-15. hardcover. New. 5.00x0.69x8.00. Buy with confidence. Excellent Customer Service & Return policy. TREDITION CLASSICS hardcover
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2013rif. DADAX1447476964Boucher Press 2013-01-09. paperback. New. 8.50x0.25x11.00. Buy with confidence. Excellent Customer Service & Return policy. Boucher Press paperback
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2012rif. SONG1608740366Petrucci Library Press 2012-01-24. Taubmann Raabe ed. paperback. Used: Good. 8.50x0.39x11.00. Buy with confidence. Excellent Customer Service & Return policy. Petrucci Library Press paperback
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rif. DADAX0353668095Wentworth Press 2019-02-08. hardcover. New. 6.14x1.50x9.21. Buy with confidence. Excellent Customer Service & Return policy. Wentworth Press hardcover
rif. 3752526645.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 3752526653.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 3842455666.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1985rif. DADAX0769240275Alfred Music 1985-03-01. paperback. New. 8.90x0.40x11.70. Buy with confidence. Excellent Customer Service & Return policy. Alfred Music paperback
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1840rif. 020628Vienna: T. Haslinger 1840. Print. Very good condition. Unbound. First Edition. Folio. Large broadside measuring 8 5/8" width by 14 9/16" height 219mm x 368mm. CONDITION: Untrimmed and unmounted with minor foxing minor soiling and several creases. A strong impression with the composer's name in large type 24mm - about 68 point font. Published at the genesis of the composer's "Lisztomania" period. The program marks the first time Liszt publicly performed his famous transcription of Paganini's "La Campanella" das Glockchen one of his most celebrated and difficult works. The GERMAN TEXT reads: Vorletztes Concert des F. Liszt. Sonntag den 9. Februar 1840 Mittags un halb 1 Uhr im Saale der Gesellschaft der Musikfreunde. Vorkommende Stucke: 1. Reminiscences des Huguenots grosse Fantasie componirt und vorgetragen von Liszt. 2. Arie mit Clavierbegleitung gesungen von Fraulein Leopoldine Tuczek Sangerin des k. k. Hof-Operntheaters. 3. Aufforderung zum Tanze von C. M. v. Weber vorgetragen von Liszt Auf Verlangen. 4. Lied von Schubert vorgetragen von Herrn Gross. 5. Cavatine aus Lucia zum erstenmal vorgetragen von Liszt. Etude von Paganini Das Glockchen. Sperrsitze a 3 fl. C. M. Eintrittskarten a 1 fl. 20 kr. C. M. sind in der k. k. Hof- und priv. Kunst- und Musikalienhandlung des Hrn .T. Haslinger am Graben und am Tage des Concertes an der Cassa zu haben. ENGLISH TRANSLATION: Penultimate Concert of F. Liszt. Sunday February 9 1840 at half past 1 in the Hall of the Gesellschaft der Musikfreunde. Pieces to be performed: 1. Reminiscences des Huguenots grand fantasy composed and performed by Liszt. 2. Aria with piano accompaniment sung by Miss Leopoldine Tuczek singer at the Imperial and Royal Court Opera Theater. 3. Invitation to the Dance by C. M. v. Weber performed by Liszt by request. 4. Song by Schubert performed by Mr. Groiss. 5. Cavatine from Lucia performed for the first time by Liszt. Etude by Paganini The Little Bell. Reserved seats at 3. fl C.M. Admission tickets at 1 fl. 20 kr. C.M. Are to be had in the Imperial and Royal Court and privileged Art and Music Shop of Mr. T. Tobias Haslinger on the Graben and on the day of the concert at the box office. T. Haslinger Paperback
rif. 1018448209.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1019041218.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1019046503.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1929rif. 43963097841706Лот из 5 редких нотных изданий Ð´Ð»Ñ фортепиано. Ленинград: Музыкальное издательÑтво "Тритон" 1929–1935. 1. И. С. Бах — БранденбургÑкие концерты: 1. Adagio из Концерта №1; 2. Andante из Концерта №2. / Переложение Ð´Ð»Ñ фортепиано в 2 руки Ю. Ð. Тюлина; под ред. М. В. Юдиной. — 1932. 2. И. С. Бах — ПрелюдиÑ. / ÐšÐ¾Ð½Ñ†ÐµÑ€Ñ‚Ð½Ð°Ñ Ñ‚Ñ€Ð°Ð½ÑÐºÑ€Ð¸Ð¿Ñ†Ð¸Ñ Ð´Ð»Ñ фортепиано ÐлекÑандра Зилоти. — 1934. 3. И. С. Бах — Л. ГодовÑкий — Сарабанда. / Ð”Ð»Ñ фортепиано Ñоло. — 1935. 4. Л. ГодовÑкий — РенеÑÑÐ°Ð½Ñ Renaissance. Рамо. ÐÐ»ÐµÐ³Ð¸Ñ — Лолли. Жига. — 1935. 5. Ференц ЛиÑÑ‚ — Паганини-Ñтюд №2 ми-бемоль мажор. — 1929. Lot of 5 rare piano editions. Leningrad: Triton Publishing House 1929–1935. 1. J. S. Bach — Brandenburg Concertos: 1. Adagio from Concerto No. 1; 2. Andante from Concerto No. 2. / Arrangement for piano for two hands by Yu. N. Tyulin; edited by M. V. Yudina. — 1932. 2. J. S. Bach — Prelude. / Concert transcription for piano by Alexander Siloti. — 1934. 3. J. S. Bach / Godowsky — Sarabande. / For piano solo. — 1935. 4. Godowsky — Renaissance. Rameau. Elegy — Lolli. Gigue. — 1935. 5. Franz Liszt — Étude de Paganini No. 2 in E-flat major. — 1929. This extraordinary collection of sheet music from the legendary Leningrad cooperative publishing house Triton represents the pinnacle of Soviet piano culture and avant-garde editorial practice during the 1920s and 30s. The text provides a deep dive into the internal logic of the "Leningrad school" of performance including the arrangement of Bach's orchestral works for the keyboard by Yuri Tyulin under the meticulous editorship of the great Maria Yudina. These editions reflect a period of intense artistic refinement where the boundary between Baroque tradition and Modernist interpretation was actively explored. Notably the lot includes transcriptions by Alexander Siloti—Liszt's pupil and Rachmaninoff's cousin—and the hyper-virtuosic "Renaissance" arrangements by Leopold Godowsky which were highly sought after by the elite conservatory circles of the era. The physical identity of these scores is defined by the distinctive often minimalist cover designs characteristic of the Triton imprint which operated as a private-public cooperative before its absorption into State control. From the 1929 Liszt Étude to the mid-30s Godowsky transcriptions these editions document the persistence of world-class pianism and international repertoire in Leningrad. The presence of Maria Yudina's editorial hand and Siloti's transcriptions makes this lot a vital primary source for musicologists studying the history of Russian piano performance and the dissemination of Western virtuoso traditions within the early Soviet state. For bibliophiles and collectors of rare musicalia these imprints are a testament to the high aesthetic and technical standards of Leningrad's pre-war musical publishing. Triton paperback
