Charles GounodBiblio.com
1.012 resultados
ref. 0260238937.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 10651New York: Rand McNally 1895. First Edition. Hardcover. Very Good. 9x6x0. the book in very good condition clean with no marks. the pages are fragile The paper is yellow from the age. 221 pages with no index.- Specializing in academic collectible and historically significant providing the utmost quality and customer service satisfaction. For any questions feel free to email us. Rand McNally hardcover
ref. 0483885495.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 038217Choudens Père et Fils, Editeurs / Alfred Ikelmer et Cie reliure Rigide Décorative Paris 4e édition avec récitatifs - 267+ 77 pages en format 19 - 27 cm - reliure rigide en cuir au dos avec titre en dorure - dos frotté - coins usés
1890ref. 038425London: Various Heugel Joseph Williams Hopwood & Crew Edwin Ashdown and others 1890. Book. Very Good. Hardcover. Original. Folio. over 12 scores privately bound from various publishers two with colour lithographic title pages a mix of piano scores some with vocals. Bound in green cloth covered boards with fine gilt to the spine some light wear and marking to boards. Contents clean and tight a couple of inscriptions dated 1890 and 1892 owner's name Dennis Turner in ink a few discrete stamps of music circulation companies such as Mills no other marks. A very good copy. An interesting collection of piano pieces. . Various Heugel, Joseph Williams, Hopwood & Crew, Edwin Ashdown and others Hardcover
ref. 0656492902.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1870ref. 270058Italy. Good with no dust jacket. ca. 1870. Hardcover. Scuffing to leather outer corners and in one case adjacent paper. Leather has wear to the ends and scuffing to the edges. Very slight scattered foxing. ; Italian version of Charles Gounod's opera Romeo et Juliette. Early written owner information dated 1873. Three-quarter leather binding. . hardcover
1875ref. 362321Paris : Choudens 1875. First Edition. Hardcover. Very good copy bound in contemporary leather-backed marbled boards. Gilt-blocked title to spine with raised bands. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: Pages unnumbered. Subjects: Songs High voice with piano. Genre: Music score. Language: French. Paris : Choudens hardcover
1934ref. LRB742Calmann-Lévy, éditeurs Paris 1934 Édition : Nouvelle édition conforme à la représentation — Reliure : Broché, couverture imprimée d'origine en papier saumon, dos titré — Langue : Français
1934ref. LRB742Paris: Calmann-Lévy éditeurs 1934 Paris: Calmann-Lévy éditeurs 1934 Titre : Roméo et Juliette - Opéra en cinq actesAuteur : Barbier Jules ; Carré Michel ; Gounod Charles musiqueÉdition : Nouvelle édition conforme à la représentationLieu : ParisÉditeur : Calmann-Lévy éditeursDate : 1934 impr. 12-34Reliure : Broché couverture imprimée dorigine en papier saumon dos titréLangue : FrançaisDescription : Livret complet de lopéra de Gounod daprès Shakespeare texte de Jules Barbier et Michel Carré. Page liminaire rappelant les principales dates de représentation à Paris : création au Théâtre-Lyrique le 27 avril 1867 reprises à lOpéra-Comique le 20 janvier 1873 et à lOpéra le 28 novembre 1888. Monogramme C-L au plat. Adresse de léditeur : 3 rue Auber. Prix dépoque indiqué au premier plat : 5 francs. Lexemplaire présente un papier uniformément bruni petites marques au plat supérieur dos bien solide. Nouvelle édition conforme à la représentation. Softcover. Good. Good. Calmann-Lévy, éditeurs paperback
1867ref. boz_002116Émile Ollivier - Lettre autographe signée - [1867] Dimensions : 9,7 x 13,6 cm Nombre de pages : 1 page Émile Ollivier
2020ref. BIBSD0021356812020. Full Leather Bound. NEW. Size: 19.68 x 24.13 cms A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED GREEN BLUE MAGENTA TAN PURPLE DEEP BROWN BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in 1885 and this unique edition is Reprinted in 2020 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life professionally processed without changing its contents. As these are old books we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - Latin Pages 206. Product Disclaimer: Please be aware that because leather is a natural material slight discoloration or change in texture may be visible. FOLIO EDITION Size 12x19 Inches IS ALSO AVAILABLE ON REQUEST. hardcover
ref. 100-18314Century Music. Sheet Music. Good. Good condition with wear and markings. Century Music unknown
ref. 100-26550Century Music. Sheet Music. Good. Good condition with wear and markings. Century Music unknown
ref. 100-26044Carl Fischer. Sheet Music. Good. Good condition with wear and markings. Carl Fischer unknown
ref. 100-19328Oliver Ditson. Sheet Music. Good. Good condition with wear and markings. Oliver Ditson unknown
ref. 100-17982Edwin F. Kalmus & Co. Inc. Sheet Music. Good. Good condition with wear and markings. Edwin F. Kalmus & Co., Inc unknown
1880ref. 137141880 percaline rouge éditeur, tr. dor. (plats un peu passés). in-8, 2 pl. lith., 101, 46, 75, 131pp., P. Fouquet ca. 1880
ref. 8060K éditeur, 1949. In-8, broché, 170-(6) pp., couverture illustrée (papier jauni). Maquette de Pierre Faucheux.
ref. 022154Georges Hüe (1858-1948), compositeur, élève de Charles Gounod et César Franck. L.A.S, 27 mars [1924], 1p in-8. Au peintre Georges-Jules Bertrand (1849-1929). « Mon cher ami, Excusez-moi de répondre si tardivement à votre affectueuse lettre qui m'a bien vivement touché. Je regrette aussi que la santé de votre femme ne vous permette pas d'entendre "Siang-Sin". Dans le courant d'avril, on le donnera sans doute un dimanche en matinée. Si cela vous tente et que cela vous soit possible, dites-le moi. Ma femme et moi nous vous envoyons à vous et aux vôtres nos très vives amitiés. Georges Hüe ». Siang-Sin est un ballet-pantomime créé pour un festival de printemps chinois en 1924. [537]
ref. 0486283496.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1879ref. 28957Paris: Léon Grus PN L.G. 3381 1879. Large octavo. Full modern dark gray cloth. 1f. recto title verso blank 1f. recto dedication to his collaborators and friends Paul Poirson and Louis Gallet verso blank 1f. recto named cast list verso blank 1f. contents i part title iii a-c 287 i blank pp. Lithographed Named cast includes Dereims Stéphanne Giraudet Barré Alfred Maris Bernard Lefèvre Teste Collin Chenevière Villars Davoust Chevrier Franck-Duvernoy Périer P. Lévy Dorel and Laurençon. With an inscription signed A. Giacometti to dedication. Columbia Broadcasting System Music Library handstamp to lower margin of free front endpaper and several leaves; tape repairs to gutters of pp. 16-1718-19 22-23 81-99 and 280-281; some soiling to title with small oval publisher's handstamp to lower margin. Second version first issue. Commissioned by Carvalho just after he took on the directorship of the Opéra Comique 1876 Cinq-Mars was "given a lavish production" there on 5 April 1877 to a libretto by Poirson and Ballet after the novel by A.V. de Vigny. "The first appearance of a new opera by as eminent a figure as Gounod attracted a flurry of attention. ." Steven Huebner in Grove Music Online. Léon Grus [PN L.G. 3381] unknown
1886ref. 36796Paris: Choudens Fils PN A.C. 1005 1886. Large octavo. Half dark red morocco with marbled boards spine in gilt-ruled compartments titling gilt moire-patterned endpapers. 1f. recto decorative title printed in dark gold verso blank 1f. recto named cast list and contents verso blank 3-32 8 33-213 pp. 15 plates of scenes from the opera printed on coated paper in sepia on one side of the leaf only. Binding slightly worn rubbed and bumped. Minor browning throughout. Third edition. Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed in Paris at the Lyrique on 19 March 1864. "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine." "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens Fils [PN A.C. 1005] unknown
1879ref. 28957Paris: Léon Grus PN L.G. 3381 1879. Large octavo. Full modern dark gray cloth. 1f. recto title verso blank 1f. recto dedication to his collaborators and friends Paul Poirson and Louis Gallet verso blank 1f. recto named cast list verso blank 1f. contents i part title iii a-c 287 i blank pp. Lithographed Named cast includes Dereims Stéphanne Giraudet Barré Alfred Maris Bernard Lefèvre Teste Collin Chenevière Villars Davoust Chevrier Franck-Duvernoy Périer P. Lévy Dorel and Laurençon. With an inscription signed A. Giacometti to dedication. Columbia Broadcasting System Music Library handstamp to lower margin of free front endpaper and several leaves; tape repairs to gutters of pp. 16-1718-19 22-23 81-99 and 280-281; some soiling to title with small oval publisher's handstamp to lower margin. Second version first issue. Commissioned by Carvalho just after he took on the directorship of the Opéra Comique 1876 Cinq-Mars was "given a lavish production" there on 5 April 1877 to a libretto by Poirson and Ballet after the novel by A.V. de Vigny. "The first appearance of a new opera by as eminent a figure as Gounod attracted a flurry of attention. ." Steven Huebner in Grove Music Online. Léon Grus [PN L.G. 3381] unknown books
1886ref. 36796Paris: Choudens Fils PN A.C. 1005 1886. Large octavo. Half dark red morocco with marbled boards spine in gilt-ruled compartments titling gilt moire-patterned endpapers. 1f. recto decorative title printed in dark gold verso blank 1f. recto named cast list and contents verso blank 3-32 8 33-213 pp. 15 plates of scenes from the opera printed on coated paper in sepia on one side of the leaf only. Binding slightly worn rubbed and bumped. Minor browning throughout. Third edition. Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed in Paris at the Lyrique on 19 March 1864. "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine." "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens Fils [PN A.C. 1005] unknown books
