950 risultati
rif. 76-1805Paris: French Publisher circa 1761. Engraving. 26 x 18.5 cm sheet. Good scattered specks of foxing throughout. [Paris: French Publisher, circa 1761]. unknown
rif. 106759New York New York: G. Schirmer Inc. First Edition; First Printing. Hardcover. Very Good in boards. Edge wear and soiling. Spine cocked. Corners rubbed. No date indicated.; G. Schirmer; 4to - over 9¾" - 12" tall. G. Schirmer, Inc hardcover
1993rif. 1126120204076Myto Records Italy 1993-12-07. Audio CD. Like New. CD looks new. No scratches. Original artwork on CD and literature in case. Myto Records Italy unknown
rif. RO50041326POUR SOPRANO OU TENOR ET POUR MEZZO-SOP°.OU BARYTON.. Non daté. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 122 pages de partitions.. . . . Classification Dewey : 780.26-Partitions
rif. RO50043982CHOUDENS PERE ET FILS. NON DATE. In-8. Broché. Etat d'usage, Coins frottés, Dos frotté, Quelques rousseurs. 132 pages de partitions. 3° édition. Gravure en noir et blanc sur la page de titre de J. Bourgeois. Nom de l'auteur, titre et filets dorés au dos. Premier et deuxième plat marbrés.. . . . Classification Dewey : 780.26-Partitions
rif. RO50048016CHOUDENS FILS. NON DATE. In-8. Relié. Etat d'usage, Coins frottés, Dos satisfaisant, Intérieur acceptable. 213 pages de partitions. Titre doré sur le premier plat. Papier contre collé sur le premier contre plat. 3° édition. Tampon sur la page de sommaire ainsi que sur la première page de partition. Plats légèrement frottés.. . . . Classification Dewey : 780.26-Partitions
1901rif. RO50049640CHOUDENS. 1901. In-8. Relié cuir dos-coins. Etat d'usage, Coins frottés, Dos abîmé, Quelques rousseurs. 242 pages de partitions. Compositeur et titre dorés au dos de l'ouvrage. Page de titre illustrée en couleur monochrome par E. Buval. Nouvelle version. Tiré du poème de Frédéric Mistral par Michel Carré. Soulignements au crayon de couleur sur quelques phrases. Dos à 5 nerfs. Tranche en tête dorée.. . . . Classification Dewey : 780.26-Partitions
rif. RO50059548CHOUDENS PERE & FILS. NON DATE. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur frais. 5 pages de partitions pour piano + 1 page pour violon + 1 page pour orgue. Quelques rousseurs sur la dernière page.. . . . Classification Dewey : 780.26-Partitions
rif. RO50049791CHOUDENS. NON DATE. In-8. Relié demi-cuir. Etat d'usage, Plats abîmés, Dos frotté, Quelques rousseurs. 280 pages de partitions. Page de titre illustrée en couleur monochrome par Barbizet. Compositeur, roulettes et titre dorés au dos de l'ouvrage. Tampons sur la page de titre. Catalogue de 32 pages à la fin de l'ouvrage, concernant les publication de choudens éditeur. Quelques rousseurs au début de l'ouvrage. Coins des plats rognés.. . . . Classification Dewey : 780.26-Partitions
rif. RO50043325CHOUDENS. NON DATE. In-8. Relié. Etat d'usage, Coins frottés, Manque en coiffe de pied, Intérieur acceptable. 266 pages de partitions. Tampon sur la page de titre ainsi que sur la page de sommaire. Inscription sur le premier contre plat. Plats abîmés. Certaines pages désolidarisées sont renforcées avec de l'adhésif. Bords de pages abîmés.. . . . Classification Dewey : 780.26-Partitions
rif. RO50012433Le Beau. fin XIXème. In-8. Relié. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 58 + 65 pages.Ornements en pages titre.. . . . Classification Dewey : 780.26-Partitions
rif. 47356Paris: Choudens Editeur. Small 4to. Three volumes. N.d. c. 1860-70. Each vol. 123 pp. Tan half calf over marbled boards. Spines gilt with red leather title labels. Marbled endpapers. Wear to extremities. Soprano and tenor edition. Includes Gounod's best know setting of Ave Maria. . Very Good. Half Calf. Choudens Editeur unknown
1875rif. 248801875 Paris POLO F. Editeur 1875,sans les pages de titres, demi-chagrin un fort volume, reliure demi-chagrin prune in-octavo in-8) (22 x 14,5 cm), reliure d'époque, dos décoré or (gilt decoration), titre frappé or ( orné 54 portraits hors-texte gravés en noir avec le fac-similé de la signature en noir dessous le portrait en frontispice de chaque texte accompagnant le portrait par l'auteur, 381 + 384 pages, sans date [1875] sans lieu [Paris] sans Nom d'Editeur [POLO F. Editeur], Bel Exemplaire en bon état,quelques rousseurs éparses.
rif. 4606loge et biographie de Charles Gounod : & Il y a dans lhistoire de lart des noms quil suffit de prononcer pour en justifier la gloire : le nom de Gounod est un de ceux-l. Les Suvres qui lont consacr demeurent prsentes toutes les mmoires parce quelles correspondent toutes les aspirations, tous les sentiments, toutes les motions de notre cSur. Elles en stimulent les lans vers lidal avec la mme puissance quelles lintressent aux passions de la terre, et lon ne sait, en face dun art la fois aussi entranant et aussi raffin, ce quil faut admirer le plus de son lvation ou de sa souplesse ; de la grce pntrante avec laquelle il nous persuade ou de lempire quil exerce de haute lutte sur les imaginations les plus jeunes, comme sur celles que lge semblerait avoir rendues les moins promptes lenthousiasme& Charles Gounod, grand compositeur franais du XIXme sicle, obtint le prix de Rome en 1839. Lauteur de la notice, Henri Delaborde (1811-1899), tait un critique dart, un conservateur et un historien de lart. Il commena sa carrire dans la critique en publiant des articles dans la Revue des deux Mondes et dans la Gazette des beaux-arts. Napolon III lui proposa notamment le poste de ministre des Beaux-arts, quil refusa. Nanmoins, il fut le secrtaire perptuel de lAcadmie des Beaux-arts de 1874 1898.
1864rif. 28811Paris: Choudens PN A.C. 1005 1012 1864. Large octavo. Half dark red morocco with marbled boards original publisher's dark ivory illustrated wrappers bound in. 1f. recto title illustrated by V. Arouy verso blank 1f. recto dedication verso blank i named cast list and contents 2-191 i 192-200 201-242 pp. Named cast includes Miolan-Carvalho Morini Ismaël Petit Faure-Léfèvre Reboux and Wartel. Binding slightly worn rubbed and bumped; spine lacking; library bookplate to front pastedown; upper wrapper chipped with repair and with perforated handstamp also to title. Slightly foxed and browned; tear to inner margin of first two leaves repaired; ex-library with associated markings. First Edition later issue. Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864. "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine." "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005 (1012)] unknown
1864rif. 28811Paris: Choudens PN A.C. 1005 1012 1864. Large octavo. Half dark red morocco with marbled boards original publisher's dark ivory illustrated wrappers bound in. 1f. recto title illustrated by V. Arouy verso blank 1f. recto dedication verso blank i named cast list and contents 2-191 i 192-200 201-242 pp. Named cast includes Miolan-Carvalho Morini Ismaël Petit Faure-Léfèvre Reboux and Wartel. Binding slightly worn rubbed and bumped; spine lacking; library bookplate to front pastedown; upper wrapper chipped with repair and with perforated handstamp also to title. Slightly foxed and browned; tear to inner margin of first two leaves repaired; ex-library with associated markings. First Edition later issue. Mireille to a libretto by Michel Carré after Frédéric Mistral was first performed at the Lyrique on March 19 1864. "There are . fine moments in Mireille particularly in the title role where Gounod exhibits his particular talent for feminine characterization . Mireille . is a noteworthy contribution to the French lyric stage . It presents the unsuitability of a love match because of difference in social status entirely within the framework of a rural agrarian society and transforms the daughter of a farmer into a tragic heroine." "In his unceasing quest for what he saw as dramatic and spiritual truth Gounod succeeded in restoring a higher sense of artistic purpose to the French stage and in strictly musical terms his influence on the course of French music was substantial." Steven Huebner in Grove Music Online. Choudens [PN A.C. 1005 (1012)] unknown books
1879rif. 36741Paris: Léon Grus PN L.G. 3381 1879. Large octavo. Quarter dark red morocco with dark red pebbled cloth boards with decorative gilt cornerpieces within gilt rules to upper and lower raised bands on spine in decorative compartments gilt titling gilt moire-patterned ivory endpapers all edges gilt. 1f. recto title verso blank 1f. recto dedication verso blank 1f. recto named cast list verso blank 1f. recto contents verso blank i half-title iii overture paginated A-C 287 i blank pp. Lithographed. Named cast list includes MM. Dereims Stéphanne Giraudet Barré Alfred Maris Bernard Lefèvre Teste Collin Chenevière Villars Davoust Chevrier Franck-Duvernoy Périer P. Lévy Dorel and Laurençon and dancers Blandini Coralli Lafont Stelino Dardignac and Anck. Binding slightly worn rubbed and bumped; endpapers stained and soiled. Minor internal wear and browning; small oval publisher's partial handstamp to lower outer margin of title. Second version first issue. First performed in Paris at the Opéra-Comique on 5 April 1877. Léon Grus [PN L.G. 3381] unknown books
rif. BAZ5723Cartonnage de l'éditeur avec un important manque au dos. 487 pages de musique. 80 mélodies. Intérieur de l'ouvrage en parfait état.
rif. 398093909800Portrait Ch. Gounod par Mulnier - Photoglyptie + Texte Photoglyptie historique issue de la celebre revue Galerie contemporaine, litteraire, artistique, accompagnee de sa notice biographique d'origine. Caracteristiques de l'oeuvre : - Sujet : Charles Gounod, celebre compositeur francais du XIXe siecle, illustre figure de l'opera et de la musique sacree. - Photographe : Cliche original par Mulnier. - Technique : Photoglyptie (Woodburytype). Ce procede photomecanique d'excellence du XIXe siecle offre des noirs profonds, un modele exceptionnel et une inalterabilite parfaite a la lumiere. (Attention : tirage imprime d'epoque comportant un fac-simile de partition musicale, non autographe). - Editeur : Goupil et Cie / Ludovic Baschet, Paris. - Format de la feuille : In-folio, 35 x 25 cm. Texte joint : Notice biographique de 4 pages, incluant le fac-simile d'un extrait inedit d'une fugue instrumentale, redigee par Oscar Comettant. Etat de conservation : - Photoglyptie : Tres bon etat. L'image presente une excellente nettete, de beaux contrastes et des noirs profonds mettant en valeur les details du portrait. - Support cartonne / Marges : Etat correct. Presence de rousseurs eparses et d'un leger jaunissement naturel dus au temps, visibles sur les marges du support cartonne ainsi que sur le papier des pages de texte et de la partition. Le portrait photographique central reste bien preserve.
rif. 77803Paris: Choudens N.D. Vintage Copy. Hardcover. Very Good in boards. Edgewear to boards. Spine is slightly cocked. No date.; 4to - over 9¾" - 12" tall. Choudens hardcover
1866rif. 26259Paris: Choudens PN A.C. 738 1866. Large octavo. Quarter contemporary red calf with marbled boards rules and titling gilt to spine marbled endpapers. 1f. title i named cast list for the first performance and table of contents 148 pp. Lithographed. Text in French. Handstamps of Choudens and E. Heu to lower margin of title. Printer's note to lower margin of table of contents. Binding slightly worn bumped and scuffed; head of spine slightly torn. Some minor soiling; small tear to blank head of first two leaves. Second version first issue. Lesure II pp. 108-09. OCLC no. 15150060. The first performance of La Colombe took place at the Théatre de Bade in Baden-Baden on August 3 1860 under the direction of Edouard Bénazet. An expanded version of the opera was staged at the Opéra-Comique in Paris in 1866. "Gounod's 12 operas span a range of the generic types available in French lyric theatre. Smaller works such as Philémon et Baucis and La colombe strike a balance between spoken dialogue and set pieces typical of opéra comique of the second quarter of the 19th century: relatively small-scale numbers with many strophic types among them are joined by long passages of dialogue. Musical depictions of frivolity are relatively few by standards of the genre contributing to the general tenor of these pieces as sentimental comedy." Steven Huebner in Grove Music Online. Choudens [PN A.C. 738] unknown
1873rif. 25627Paris: Choudens A.C. 1411. 1873. Large octavo. Quarter dark green pebbled cloth with dark green pebbled paper boards titling giilt to spine. 1f. recto decorative lithographic title by Barbizet printed in brown verso blank 1 named cast list and table of contents 2-269 270-283 "Supplement" i blank pp. Named cast includes both singers from the opera's first performance at the Théâtre Lyrique in Paris on April 27 1867 Carvalho Daram Duclos Michot Puget Laurent Barré Laveissière Troy jeune Troy Cazaux Wartel and Neveu and those from a subsequent restaging at the Opéra-Comique on January 20 1873 Carvalho Ducasse Decroix Duchène Bach Raoult Duvernoy Bernard Teste Melchissédec Ismaël-Bouhy and Nevue. Binding slightly worn rubbed and bumped. Minor foxing heavier to outer leaves; light dampstaining to outer margins of approximately 15 leaves; small tear to outer margin of pp. 145-146. Revised edition possibly issued to coincide with the 1873 revival. Roméo et Juliette was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1411.] unknown
1866rif. 26259Paris: Choudens PN A.C. 738 1866. Large octavo. Quarter contemporary red calf with marbled boards rules and titling gilt to spine marbled endpapers. 1f. title i named cast list for the first performance and table of contents 148 pp. Lithographed. Text in French. Handstamps of Choudens and E. Heu to lower margin of title. Printer's note to lower margin of table of contents. Binding slightly worn bumped and scuffed; head of spine slightly torn. Some minor soiling; small tear to blank head of first two leaves. Second version first issue. Lesure II pp. 108-09. OCLC no. 15150060. The first performance of La Colombe took place at the Théatre de Bade in Baden-Baden on August 3 1860 under the direction of Edouard Bénazet. An expanded version of the opera was staged at the Opéra-Comique in Paris in 1866. "Gounod's 12 operas span a range of the generic types available in French lyric theatre. Smaller works such as Philémon et Baucis and La colombe strike a balance between spoken dialogue and set pieces typical of opéra comique of the second quarter of the 19th century: relatively small-scale numbers with many strophic types among them are joined by long passages of dialogue. Musical depictions of frivolity are relatively few by standards of the genre contributing to the general tenor of these pieces as sentimental comedy." Steven Huebner in Grove Music Online. Choudens [PN A.C. 738] unknown books
1873rif. 25627Paris: Choudens A.C. 1411. 1873. Large octavo. Quarter dark green pebbled cloth with dark green pebbled paper boards titling giilt to spine. 1f. recto decorative lithographic title by Barbizet printed in brown verso blank 1 named cast list and table of contents 2-269 270-283 "Supplement" i blank pp. Named cast includes both singers from the opera's first performance at the Théâtre Lyrique in Paris on April 27 1867 Carvalho Daram Duclos Michot Puget Laurent Barré Laveissière Troy jeune Troy Cazaux Wartel and Neveu and those from a subsequent restaging at the Opéra-Comique on January 20 1873 Carvalho Ducasse Decroix Duchène Bach Raoult Duvernoy Bernard Teste Melchissédec Ismaël-Bouhy and Nevue. Binding slightly worn rubbed and bumped. Minor foxing heavier to outer leaves; light dampstaining to outer margins of approximately 15 leaves; small tear to outer margin of pp. 145-146. Revised edition possibly issued to coincide with the 1873 revival. Roméo et Juliette was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1411.] unknown books
1870rif. 954T70Berlin: Ed. Bote & G. Bock c1870. Cloth. Very Good. 12" by 9.5". None. The musical and vocal score of this grand opera in five acts from French composer Charles-Francois Gounod in German. German. New revised edition with Italian text. A grand opera in five acts to a French libretto from the play Faust et Marguerite by Michel Carre which was in turn loosely based on Johann Wolfgang von Goethe's Faust Part One. The piece follows Faust an aging scholar who determines that his studies have come to nothing and have only caused him to miss out on life and love. Written by Paul Jules Barbier a French poet writer and opera librettist and Michel Carre a prolific French librettist who often collaborated with each other. With the music by Charles-Francois Gounod usually known as Charles Gounod a French composer noted for church music and popular short pieces including his "Ave Maria" an elaboration of a Bach piece and "Funeral March of a Marionette". Previously held in the library of Felix Hubel a German entrepreneur publisher writer translator and collector. Dated from the Royal Academy of Music Library. Bound in full green cloth with the original paper wraps bound in. Externally smart with light rubbing and minor bumping to the extremities. Light fading to the spine with the odd small mark to the cloth. Internally firmly bound. Pages are very bright with light age toning to the extremities. Minor spotting to the first and last few pages. Previous owner's bookplate to the front pastedown. Very Good Ed. Bote & G. Bock hardcover
