Gounod Charles & J BarbierBiblio.com
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ref. 77803Paris: Choudens N.D. Vintage Copy. Hardcover. Very Good in boards. Edgewear to boards. Spine is slightly cocked. No date.; 4to - over 9¾" - 12" tall. Choudens hardcover
1866ref. 26259Paris: Choudens PN A.C. 738 1866. Large octavo. Quarter contemporary red calf with marbled boards rules and titling gilt to spine marbled endpapers. 1f. title i named cast list for the first performance and table of contents 148 pp. Lithographed. Text in French. Handstamps of Choudens and E. Heu to lower margin of title. Printer's note to lower margin of table of contents. Binding slightly worn bumped and scuffed; head of spine slightly torn. Some minor soiling; small tear to blank head of first two leaves. Second version first issue. Lesure II pp. 108-09. OCLC no. 15150060. The first performance of La Colombe took place at the Théatre de Bade in Baden-Baden on August 3 1860 under the direction of Edouard Bénazet. An expanded version of the opera was staged at the Opéra-Comique in Paris in 1866. "Gounod's 12 operas span a range of the generic types available in French lyric theatre. Smaller works such as Philémon et Baucis and La colombe strike a balance between spoken dialogue and set pieces typical of opéra comique of the second quarter of the 19th century: relatively small-scale numbers with many strophic types among them are joined by long passages of dialogue. Musical depictions of frivolity are relatively few by standards of the genre contributing to the general tenor of these pieces as sentimental comedy." Steven Huebner in Grove Music Online. Choudens [PN A.C. 738] unknown
1873ref. 25627Paris: Choudens A.C. 1411. 1873. Large octavo. Quarter dark green pebbled cloth with dark green pebbled paper boards titling giilt to spine. 1f. recto decorative lithographic title by Barbizet printed in brown verso blank 1 named cast list and table of contents 2-269 270-283 "Supplement" i blank pp. Named cast includes both singers from the opera's first performance at the Théâtre Lyrique in Paris on April 27 1867 Carvalho Daram Duclos Michot Puget Laurent Barré Laveissière Troy jeune Troy Cazaux Wartel and Neveu and those from a subsequent restaging at the Opéra-Comique on January 20 1873 Carvalho Ducasse Decroix Duchène Bach Raoult Duvernoy Bernard Teste Melchissédec Ismaël-Bouhy and Nevue. Binding slightly worn rubbed and bumped. Minor foxing heavier to outer leaves; light dampstaining to outer margins of approximately 15 leaves; small tear to outer margin of pp. 145-146. Revised edition possibly issued to coincide with the 1873 revival. Roméo et Juliette was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1411.] unknown
1866ref. 26259Paris: Choudens PN A.C. 738 1866. Large octavo. Quarter contemporary red calf with marbled boards rules and titling gilt to spine marbled endpapers. 1f. title i named cast list for the first performance and table of contents 148 pp. Lithographed. Text in French. Handstamps of Choudens and E. Heu to lower margin of title. Printer's note to lower margin of table of contents. Binding slightly worn bumped and scuffed; head of spine slightly torn. Some minor soiling; small tear to blank head of first two leaves. Second version first issue. Lesure II pp. 108-09. OCLC no. 15150060. The first performance of La Colombe took place at the Théatre de Bade in Baden-Baden on August 3 1860 under the direction of Edouard Bénazet. An expanded version of the opera was staged at the Opéra-Comique in Paris in 1866. "Gounod's 12 operas span a range of the generic types available in French lyric theatre. Smaller works such as Philémon et Baucis and La colombe strike a balance between spoken dialogue and set pieces typical of opéra comique of the second quarter of the 19th century: relatively small-scale numbers with many strophic types among them are joined by long passages of dialogue. Musical depictions of frivolity are relatively few by standards of the genre contributing to the general tenor of these pieces as sentimental comedy." Steven Huebner in Grove Music Online. Choudens [PN A.C. 738] unknown books
1873ref. 25627Paris: Choudens A.C. 1411. 1873. Large octavo. Quarter dark green pebbled cloth with dark green pebbled paper boards titling giilt to spine. 1f. recto decorative lithographic title by Barbizet printed in brown verso blank 1 named cast list and table of contents 2-269 270-283 "Supplement" i blank pp. Named cast includes both singers from the opera's first performance at the Théâtre Lyrique in Paris on April 27 1867 Carvalho Daram Duclos Michot Puget Laurent Barré Laveissière Troy jeune Troy Cazaux Wartel and Neveu and those from a subsequent restaging at the Opéra-Comique on January 20 1873 Carvalho Ducasse Decroix Duchène Bach Raoult Duvernoy Bernard Teste Melchissédec Ismaël-Bouhy and Nevue. Binding slightly worn rubbed and bumped. Minor foxing heavier to outer leaves; light dampstaining to outer margins of approximately 15 leaves; small tear to outer margin of pp. 145-146. Revised edition possibly issued to coincide with the 1873 revival. Roméo et Juliette was "Gounod's most spectacular immediate success. Coming as it did during the Exposition Universelle of 1867 when Paris was invaded by visitors from the provinces and abroad the opera drew full houses for many consecutive nights. It started its rapid conquest of foreign stages at Covent Garden on 11 July 1867 and before the end of the year had been seen at major centres in Germany and Belgium." Steven Huebner in Grove Music Online. Choudens [A.C. 1411.] unknown books
ref. RO50044779CHOUDENS. NON DATE. In-4. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Quelques rousseurs. 268 pages de partitions. Premier plat illustré en noir et blanc. Couverture en couleur abîmée. Tampon sur le premier plat.. . . . Classification Dewey : 780.26-Partitions
ref. RO50056468CHOUDENS. XIX° SIECLE. In-8. Relié demi-cuir. Etat d'usage, Plats abîmés, Dos abîmé, Quelques rousseurs. 283 pages de partitions. Page de titre illustrée en couleur monochrome par Barbizet. Tampon et annotation sur la page titre. Fleurons, roulettes et titre dorés au dos de l'ouvrage. Dos et mors frottés.. . . . Classification Dewey : 780.26-Partitions
ref. RO50012448Choudens. XIXème. In-8. Relié demi-cuir. Bon état, Couv. convenable, Dos à nerfs, Quelques rousseurs. 199 pages. Titre et auteur dorés sur le dos. Grands ornements en page titre de T. Laval.. . . . Classification Dewey : 780.26-Partitions
1870ref. 954T70Berlin: Ed. Bote & G. Bock c1870. Cloth. Very Good. 12" by 9.5". None. The musical and vocal score of this grand opera in five acts from French composer Charles-Francois Gounod in German. German. New revised edition with Italian text. A grand opera in five acts to a French libretto from the play Faust et Marguerite by Michel Carre which was in turn loosely based on Johann Wolfgang von Goethe's Faust Part One. The piece follows Faust an aging scholar who determines that his studies have come to nothing and have only caused him to miss out on life and love. Written by Paul Jules Barbier a French poet writer and opera librettist and Michel Carre a prolific French librettist who often collaborated with each other. With the music by Charles-Francois Gounod usually known as Charles Gounod a French composer noted for church music and popular short pieces including his "Ave Maria" an elaboration of a Bach piece and "Funeral March of a Marionette". Previously held in the library of Felix Hubel a German entrepreneur publisher writer translator and collector. Dated from the Royal Academy of Music Library. Bound in full green cloth with the original paper wraps bound in. Externally smart with light rubbing and minor bumping to the extremities. Light fading to the spine with the odd small mark to the cloth. Internally firmly bound. Pages are very bright with light age toning to the extremities. Minor spotting to the first and last few pages. Previous owner's bookplate to the front pastedown. Very Good Ed. Bote & G. Bock hardcover
1949ref. 010557Paris K Editeur 1949 In-8 Broché, couverture illustrée Edition originale
ref. 9093K éditeur, 1949. In-8, broché, 170-(6) pp., couverture illustrée (papier jauni). Maquette de Pierre Faucheux. Illustré de 8 photographies de Brassaï.
1875ref. 112381875 Paris, sans date (fin XIXème) ; 2 livraisons in-folio de 2 feuillets de texte chacune ( texte sur 2 colonnes), illustré de fac-similé d'autographes et de partition et pour chacun une photographie tirée en photoglyptie par Goupil et Cie sur papier mince monté sur un carton d'environ 35 x 26,5 cm.
ref. 2552Sans lieu, sans date. 40 X 25 cm. Hommage au compositeur français du XIXeme.
ref. 4839...Charles a t pris, hier matin, cher bon Jules dune courbature et mal de gorge qui nauront pas de dure, jespre car dj les membres lui font moins mal aujourdhui mais son mal de tte est encore trs fort, la gorge aussi est douloureuse et il ne peut chanter, comme tu penses : il regrette beaucoup de ne pouvoir aller voir ton bon pre aujourdhui puisquil aurait eu le bonheur de lui donner une distraction qui lui plat : moi je voulais aussi lui faire compagnie de quelques heures et men voil empche : embrasse pour nous tes chers bons parents : tu sais combien mon profond attachement pour eux date de loin : mes fils le partagent : je taime aussi cher Jules, je tembrasse en mre ; Urbain et Charles sont frre (sic) par le cSur...Jules Richomme, fils du graveur Thodore Richomme, est n et mort Paris (1818-1903). Peintre, dessinateur et graveur, il peignit essentiellement des scnes de genre, des tableaux historiques ou religieux. Il partagea avec Camille Corot la dcoration des chapelles de la Vierge et de Saint-Nicolas pour lglise de Ville dAvray. Il signe galement plusieurs dcorations dglises dont celle de Saint-Sverin Paris. Il fit des dcorations pour la Ville de Cherbourg. Son atelier se trouvait Cit Pigalle Paris. Jules Richomme entretint une correspondance remarquable pendant toute sa vie avec son ami le musicien Charles Gounod dont des lments furent publis par son gendre Andr Beaunier.
1851ref. 82716Michel Lévy frères | Paris 1851 | 12.50 x 19.50 cm | relié
1885ref. 770R75London & New York: Novello Ewer and Co. c1885. Leather. Very Good. 10.5" by 7". None. A wonderful leather-bound collection of scores of 'Mors et Vita' by Charles Gounod and 'The Passion' by Joseph Haydn. 'Mors et Vita' is a three-part oratorio which premiered at the Birmingham Festival in 1885 conceived as a sequel to the successful 'La Redemption'.'The Passion The Seven Words of our Saviour on the Cross' is here set to music by J. Haydn in an adaptation by the Reverent H. Clementi-Smith.Charles Francois Gounod 1818-1893 was a French composer most renowned for his twelve operas including 'Faust' and 'Romeo et Juliette'. He studied at the Conservatoire de Paris. He was extremely influential upon later French musicians.Joseph Haydn 1732-1809 was a Classical composer hailing from Austria. Haydn was an extremely prolific and influential composer being a friend and mentor to Mozart and the tutor of Beethoven.Undated; dated from copies on Jisc. In a half straight grain morocco binding. Externally a trifle rubbed to the head of the spine resulting in slight loss to the leather; some slight wear to the hinges and bumping to the extremities otherwise general wear. Internally firmly bound. Pages are bright and clean. Very Good Novello, Ewer and Co. hardcover
1886ref. M83485Paris, Fischbacher 1886 xv + 197pp. + frontispice en couleurs & une planche d'armoirie + 32 gavures dans et hors texte, 3e éd., 30cm., relié en couv.cart. (plats marbrés, dos en toile avec titre doré, br.orig. conservée), peu de rousseurs, bon état, peu commun, M83485
1851ref. 82716Paris: Michel Lévy frères 1851. Fine. Michel Lévy frères Paris 1851 12.50 x 19.50 cm relié First edition of this play set to music by Charles Gounod. Bradel binding in half grey cloth with corners smooth spine decorated with gilt floral motif gilt date and double fillet at foot of spine navy blue shagreen title-label with minor rubbing marbled paper boards covers and spine preserved binding signed in blind by Victor Champs. Handsome copy. Michel Lévy frères hardcover
ref. 4831...Il faut absolument que tu viennes djeuner mardi la maison. Jai te parler dune chose qui te sera, je lespre, utile et agrable. Ne manque pas : la chose attend une rponse urgente...
ref. 5702& Excellent prolongement de la pension de Rome, et accomplissement logique des obligations contractes par lEtat envers le pensionnaire au point de vue des encouragements. En un mot, conclusion pratique annuelle de la pension...
ref. 019939Palmyre Wertheimber (1832-1917), contralto qui créa des rôles pour Gounod, Massé, Meyerber, Grisar, etc. L.A.S., sd [samedi, début 1862?], 4p in-8. Longue et belle lettre de la préparation d'un concert à Metz. Elle ne souhaite pas « jouer le même soir Galathée [de Victor Massé] et La Favorite [de Gaetano Donizetti] », précisant : « je ne le ferai à aucun prix et sous aucun prétexte ». Elle arrivera à Metz le mercredi pour se reposer avant le concert. Elle est déjà fatiguée et à joué la veille, jouera le soir et le lundi soir. On sait, par une lettre proposée par notre confrère Traces Ecrites, qu'elle était à Metz le 30 janvier 1862. Notre lettre précède probablement cette autre lettre de quelques jours. Peu commun, beau courrier. [476]
ref. 433059Novello's Original Octavo Edition. Hardcover. Good. The 1882 publication of Charles Gounod's The Redemption: A Sacred Trilogy was published by Novello Ewer and Co. frequently in hardcover as part of "Novello's Original Octavo Edition" including vocal scores with piano accompaniment arranged by Berthold Tours. The score includes a prologue and three parts: Le Calvaire De la Resurrection a l'Ascension and La Pentecote. Novello's Original Octavo Edition hardcover
ref. RO50007891Emile Mennesson. fin XIXème. In-4. Cartonnage d'éditeurs. Bon état, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 50 pages environ. Ornements couleur, fleuron, titre et auteurs dorés sur la couverture. Nombreuses gravures noires et blanches et couleur hors texte.. . . . Classification Dewey : 780.26-Partitions
ref. RO50012509Imp. Moucelot. XIXème. In-8. Relié demi-cuir. Bon état, Plats abîmés, Dos frotté, Quelques rousseurs. 190 pages. Titre, auteur et filets dorés sur le dos. Manque sur les plats. Quelques déchirures.. . . . Classification Dewey : 780.26-Partitions
ref. RO50012535Choudens / G. Flaxland. XIXème. In-8. Relié. Bon état, Plats abîmés, Dos satisfaisant, Quelques rousseurs. 278 + 95 pages. Grands ornements de Barbizet et ornements de A. Vialon en pages titre. Quelques pages détachées. Quelques petites déchirures.. . . . Classification Dewey : 780.26-Partitions
