Renard GeorgesLivre Rare Book
1 665 résultats
réf. R320139581Editions musicales de la schola cantorum et de la procure générale de musique. non daté. In-12. Relié. Etat d'usage, Coins frottés, Dos satisfaisant, Intérieur acceptable. 99 pages - nombreuses phrases musicales - tampon sur la page de titre - plats et contre plats jaspés - petite déchirure sur le 1er plat.. . . . Classification Dewey : 784-Les instruments et leur musique
1950réf. ROD0021139Le bon plaisir, Plon. 1950. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Intérieur bon état. 315 pages. Dos fané. Trace jaune d'adhésif sur la coiffe de pied. Dos fané. Avant-propos d' Alfred Cortot.. . . . Classification Dewey : 784-Les instruments et leur musique
1933réf. RO20029734FERNAND NATHAN. 1933. In-12. Broché. Bon état, Couv. défraîchie, Dos satisfaisant, Intérieur frais. 62pp. Partition dans le texte.. . . . Classification Dewey : 784-Les instruments et leur musique
1937réf. RO40150262Fernand Nathan. 1937. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Rousseurs. 83 pages. Partitions musicales. Signatures sur le 1er plat et en page de titre.. . . . Classification Dewey : 784-Les instruments et leur musique
Fernand Nathan. 1937. In-12 Carré. Broché. Etat d'usage. Couv. convenable. Dos satisfaisant. Rousseurs. 83 pages. Partitions musicales. Signatures sur le 1er plat et en page de titre. Précédé de Quelques notions essentielles de solfège.
1996réf. RO80205788Naxos. 1996. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 116 pages.. . . . Classification Dewey : 784-Les instruments et leur musique
réf. ROD0037777La ronde des enfants. sans date. In-8. Broché. Bon état, Couv. légèrement passée, Coiffe en tête abîmée, Intérieur frais. sans pagination, nombreuses dessins en couleur dans le texte.. . . A l'italienne. Classification Dewey : 784-Les instruments et leur musique
réf. R160208827Texas Instrument. Non daté. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 250 pages.. . . . Classification Dewey : 621.3-Electronique
2012réf. RO20261879IXELLES EDITIONS. 2012. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 398 pages - nombreux schémas, illustrations, bouts de partitions .... . . . Classification Dewey : 784-Les instruments et leur musique
1954réf. ROD0015492JMF. 1954. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 60 pages.. . . . Classification Dewey : 784-Les instruments et leur musique
1986réf. R240165553MA éditions. 1986. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 148 pages - nombreuses illustrations monochromes dans le texte.. . . . Classification Dewey : 784-Les instruments et leur musique
réf. RO80137130CHEZ L'AUTEUR. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 36 pages. Quelques figures en noir et blanc, dans le texte. Textes en français, anglais, allemans et italien.. . . . Classification Dewey : 784-Les instruments et leur musique
2013New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 244 p., b/w ills. Arap ve Türk musikisinin XX. yüzyil birlikteligi. A study on Arabic and Turkish music.
1995Fine English Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [viii], 185 p., b/w ills., musical scores. Azerbaycan ve Türkiye müzik kültürleri arasindaki karsilikli iliskiler. Translated by Tura Aliyeva.
1981réf. 10983Picollec 1981 In-8 broché, 544 pp.
1996réf. 138210Éditions Esterel 1996 In-4 broché 29 cm sur 20,5. 116 pages. Bon état d’occasion.
1983réf. 20371Balland 1983 In-8, broché couv. illustrée, 284 pp. Bon état d’occasion.
2012New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 276 p., ills. Türk müzigi çalgilari. Ud, tanbur, kanun, kemençe, ney, kudüm. MUSIC Classical Turkish - Ottoman music Musiki Instruments Traditional culture History of art.
2010New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 164 p. For over three decades I had the opportunity to research on Ottoman musical writings in the Turkish libraries and to consult private collections. Concurrently, I was able to study Ottoman musical manuscripts kept in libraries outside Turkey. Along those years of research I carried out persistent investigations that gave me access to a large number of Ottoman materials ranging from the fifteenth century to the end of the nineteenth century. As a result of examining numerous musical manuscripts in Ottoman Turkish literature I discerned the commonplace of themes in the majority of writings and evaluated their structure at formal and generative level. Moreover, I was able to ascertain the significant purport of certain sources over others and to compare several versions of the texts. The idea of this catalogue evolved gradually in my mind from the perception that an explicit presentation of the makams would constitute a valuable reference both for evaluating the historical process of creating and performing music, as well as for establishing the inventory of modal categories and their taxonomic relations. As time passed, I was able to determine the development of a genuine Turkish concept in works that provided descriptive and analytical matter, and to detect through manuscript lines the significance of the process involving the semantics of the practice of music at different periods. The present book is mainly focused upon the practical theory of the makams reflected in the production and performance of the melodic scales the way they are described in Ottoman manuscripts.
2010New English Original bdg. HC. Roy. 8vo. (23 x 16 cm). In English. 200 p., b/w and color ills. "Prince Dimitrie Cantemir (1673-1723) combined a multitude of talents in a complex personality of spiritual enlightenment and intellectual curiosity. His works form a reservoir of facts and histories that reveal surprising angles to many philosophical and cultural questions through a maze of revolving evasions in search for the deep meaning. Cantemir never ceased to amaze European and Turkish intellectuals with the wealth of his analyses and observations across interrelated areas of knowledge. The humanistic curiosity of Cantemir has no limits as he continues to move around the multifaceted points of his attention in search of the ultimate perspective to his subjects. The Turks, their actions and customs aggressive and kindly, genuine and symbolic, ordinary and majestic, stand in overwhelming light on the center stage of Cantemir's world of configurations.".
2010New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 180 p. This book scrutinizes three different theoretical aspects of Ottoman sources. The first essay discusses the principles of makam classification proposed by diverse Ottoman writers and compares their ideas within socio-cultural setting. The resulting analogies and polarities are outlined in order to emphasize the essential ideas in the perspective of musical creativity. The second essay explores Dimitrie Cantemir's compositions and establishes the authenticity of the pieces that have circulated in the general repertory of Turkish classical music under his signature. The provenance of the compositions evidences the way written and oral sources crossed borders and combined as to further generate new materials out of a commixture of original and derivative elements. In essence, oral tradition has interacted and interfered in forming Cantemirian repertory adding versions and variants that were transmitted independently and were accepted as authoritative creations by the community of musicians and the public of music lovers. The third essay evokes the personality of Hasan Talat Bey of Bebek, a remarkable patron of musicians and collector of music, who sponsored weekly musical gatherings in his mansion. There gathered frequently the music makers, creators and performers of songs and instrumental pieces. The happening of music gatherings was memorialized in the tablets with written music and decorative embellishments the host used to offer the guests as souvenirs. In addition, the discussion includes the survey of the song collection owned by Hasan Talat with title entries.
2020New Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. 278 p., illis. Schopenhauer, sanatlarin zirvesine, en yüksek sanat oldugunu söyledigi müzigi yerlestirmistir. Insanin aklindan ziyade varliginin derinliklerini hareket geçirmeyi basaran müzigin tarih boyunca ilerleyisi büyüleyicidir. Müzigin tinilari ,dinleyen üzerinde gerçeklik duygusundan uzaklasip farkli bir boyuta geçme algisi yaratabilir. Bu nedenle üstün bir sanattir; üstün oldugu ölçüde vazgeçilmezdir. Her daim ve her platformda ihtiyaç duyulmustur. Insanin ilk varolusunun ve insanlarin arasinda tabakalarin olusmaya basladigi, devlet olgusunun kristalize oldugu hemen fark edilir. Üstelik toplumun en alt katmanlarindan tutun da en üst noktaya kadar herkes için müzik yasamin vazgeçilmezidir. Kimisi danslariyla, adimlariyla, kimisi komutlariyla, kimisi haykirislariyla, kimisi de sususuyla, dinleyisiyle eslik eder müzige. Music, musicians and musical instruments in the Hittites.
1997New English Paperback. Pbo. 4to. (34 x 22 cm). In Turkish. 135 p., color ills. P sanat, kültür, antika dergisi. No. 7. Müzik ve sanat. Special issue, Music and art.
1933This is a very good softcover copy in the original light brown printed wrappers. Completely clean inside and out (one tiny blemish to the spine). A descriptive catalogue of the musical instruments collected by Belle Skinner, the collection is now part of the Yale University Collection of Musical Instruments. 90 instruments catalogued and illustrated. Mostly in black & white, some color. Bibliography. 11" high X 9" wide, 210 pages. This book will be securely packed and shipped with tracking.
1980réf. 91477Firenze. Palazzo Pitti. 1980. 143, (1) Seiten. Mit zahlreichen farbigen Abbildungen. Farbig ill. Originalbroschur. (A little used). 24x17 cm
