1 621 résultats
réf. 142843aafParis, Galerie Montpensier, 1877, in-8vo, 37 p., cartonnage recent (brochure orig. conservée),
réf. 7471P., 1980, un volume in 4, broché, couverture imprimée, 194pp., nombreuses reproductions d'instruments scientifiques
réf. AERO449Ensemble de 47 prospectus, dépliants, catalogues, notices.
1990réf. 22542Livre de Paris - Hachette - Grands Maîtres de la Musique 1990 Tome 6 seul - In-4, reliure plein cuir vert éditeur avec pièce de titre marron sur le premier plat - 187pp. Bon état.
réf. 13979806Paris: N. Boubée, 1962 in-4, 64 pages, illustrations. Broché, bon état.
1981réf. BN246009Texas Instruments Inc.U.S. 1981. 1981. Softcover. Interface Circuits Data Book for Design Engineers Interface Circuits Data Book for Design Engineers Texas Instruments Texas Instruments Inc.,U.S. paperback
1987réf. fc636Texas Instruments Dos carré collé 1987 In-8 (15,1 x 21,1 cm), dos carré collé, paginations multiples, texte en anglais ; dos et bord des plats insolés, quelques petits chocs au dos, par ailleurs assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1539réf. ST20126Pavia: Giovanni Maria Simonetta 1539. FIRST EDITION Second Issue. 210 x 147 mm. 8 1/2 x 5 3/4". 215 leaves. Restrained 19th century crimson morocco by Trautz-Bauzonnet stamp-signed on front turn-in raised bands spine with gilt text wide turn-ins gilt marbled endpapers all edges marbled and gilt. A small leather label with the year affixed to the spine. With two woodcuts depicting the "phagotus" instrument. Title with an attractive pictorial woodcut border. Printed in black and red. Occasional early ink marginalia; early ink ownership inscription to lower margin of colophon: "Hieronymi Pinzoni Cantoris Cremonensis et praepositi." An Armenian alphabet is inscribed in ink on the rear flyleaf dated March 28 1540. Mortimer 20; Adams I 957; Brunet I 229; Graesse I 59. Spine and edges slightly darkened joints a bit rubbed but without any cracking and the wear skillfully retouched. Only scattered very minor stains and soiling--quite a clean copy internally the leaves very fresh. This volume features one of the strangest combinations of a gravely serious treatise and an oddball curiosity: it comprises a landmark study of linguistics as the first European work concerning Syriac and Armenian--along with 36 other languages; and incongruously it also describes and pictures a contemporaneous musical instrument whose design was sufficiently peculiar to limit its interest to just one person the book's dedicatee. Our work originated when Teseo Ambrogio degli Albonesi 1469-1540 a lawyer scholar and canon of the church of Saint John of the Lateran was tasked with the publication of a Syriac manuscript psalter brought by a Maronite contingent to the Fifth Lateran Council. This was not merely a minor exercise in church outreach: 16th century scholars believed Syriac as a derivative of Aramaic to be the language of Christ. While the present work is of great interest because of its Syriac and Armenian content Ambrogio did not limit himself to those tongues: the text includes in particular short studies of Samaritan Arabic Coptic Cyrillic and Ethiopic. Of these some alphabets are provided in print in types specifically designed by Ambrogio and others are supplied in manuscript in spaces left in the text for that purpose. Ambrogio's sample texts range from simple alphabets to biblical passages to a letter purportedly from the Devil! In addition to the serious work done by our volume the text here deviates to include a fascinating musical surprise. Dedicated to the author's uncle Afranio degle Albonesi ca. 1465 - ca. 1540 a fellow church canon and apparently something of an eccentric the work includes an illustrated section on the "phagotus" a musical instrument of Afranio's own invention. Described by composer John Pickard as a "remarkable monstrosity" the phagotus combined features of the bagpipe and the bassoon. It never gained widespread popularity though not for lack of trying on Afranio's part--he once even performed with it for the duke of Ferrara Alfonso d'Este at a banquet in Mantua. Our copy in a pleasing though unassuming binding by one of the foremost 19th century French workshops was owned during its early history by yet another prominent churchman--Girolamo Pinzoni d. 1554 canon of the church of San Leonardo in Cremona. Giovanni Maria Simonetta unknown
1960réf. 88992Leonards-on-Sea: by the Author 1960. First Limited Edition. One of a thousand numbered copies this is no. 184. Inscribed and signed by Elgar on limitation page dated March 1961. 12mo 19cm. Original russet cloth; gilt spine and cover titles; 1271pp; text illustrations including 14 tipped-in original photographic plates. Cloth a bit rubbed and faded; slightly over-opened at half-title page; a previous owner has inserted an additional plate by hand and the original invoice from bookseller Oscar Shapiro is tipped on to front endpaper. Overall a Very Good copy. by the Author unknown
1539réf. ST20126Pavia: Giovanni Maria Simonetta 1539. FIRST EDITION Second Issue. 210 x 147 mm. 8 1/2 x 5 3/4". 215 leaves. Restrained 19th century crimson morocco by Trautz-Bauzonnet stamp-signed on front turn-in raised bands spine with gilt text wide turn-ins gilt marbled endpapers all edges marbled and gilt. A small leather label with the year affixed to the spine. With two woodcuts depicting the "phagotus" instrument. Title with an attractive pictorial woodcut border. Printed in black and red. Occasional early ink marginalia; early ink ownership inscription to lower margin of colophon: "Hieronymi Pinzoni Cantoris Cremonensis et praepositi." An Armenian alphabet is inscribed in ink on the rear flyleaf dated March 28 1540. Mortimer 20; Adams I 957; Brunet I 229; Graesse I 59. Spine and edges slightly darkened joints a bit rubbed but without any cracking and the wear skillfully retouched. Only scattered very minor stains and soiling--quite a clean copy internally the leaves very fresh. This volume features one of the strangest combinations of a gravely serious treatise and an oddball curiosity: it comprises a landmark study of linguistics as the first European work concerning Syriac and Armenian--along with 36 other languages; and incongruously it also describes and pictures a contemporaneous musical instrument whose design was sufficiently peculiar to limit its interest to just one person the book's dedicatee. Our work originated when Teseo Ambrogio degli Albonesi 1469-1540 a lawyer scholar and canon of the church of Saint John of the Lateran was tasked with the publication of a Syriac manuscript psalter brought by a Maronite contingent to the Fifth Lateran Council. This was not merely a minor exercise in church outreach: 16th century scholars believed Syriac as a derivative of Aramaic to be the language of Christ. While the present work is of great interest because of its Syriac and Armenian content Ambrogio did not limit himself to those tongues: the text includes in particular short studies of Samaritan Arabic Coptic Cyrillic and Ethiopic. Of these some alphabets are provided in print in types specifically designed by Ambrogio and others are supplied in manuscript in spaces left in the text for that purpose. Ambrogio's sample texts range from simple alphabets to biblical passages to a letter purportedly from the Devil! In addition to the serious work done by our volume the text here deviates to include a fascinating musical surprise. Dedicated to the author's uncle Afranio degle Albonesi ca. 1465 - ca. 1540 a fellow church canon and apparently something of an eccentric the work includes an illustrated section on the "phagotus" a musical instrument of Afranio's own invention. Described by composer John Pickard as a "remarkable monstrosity" the phagotus combined features of the bagpipe and the bassoon. It never gained widespread popularity though not for lack of trying on Afranio's part--he once even performed with it for the duke of Ferrara Alfonso d'Este at a banquet in Mantua. Our copy in a pleasing though unassuming binding by one of the foremost 19th century French workshops was owned during its early history by yet another prominent churchman--Girolamo Pinzoni d. 1554 canon of the church of San Leonardo in Cremona. Giovanni Maria Simonetta unknown books
réf. 40817aafParis, Masson / Bruxelles, Editions Erasme, 1948, gr. in-8°, 134 p., ill. avec 90 fig. d'appareils surtout, brochure originale.
1960réf. 88992Leonards-on-Sea: by the Author 1960. First Limited Edition. One of a thousand numbered copies this is no. 184. Inscribed and signed by Elgar on limitation page dated March 1961. 12mo 19cm. Original russet cloth; gilt spine and cover titles; 1271pp; text illustrations including 14 tipped-in original photographic plates. Cloth a bit rubbed and faded; slightly over-opened at half-title page; a previous owner has inserted an additional plate by hand and the original invoice from bookseller Oscar Shapiro is tipped on to front endpaper. Overall a Very Good copy. by the Author unknown books
réf. 13974762Anvers: De Sikkel, 1939 in-4, 111 pages, 15 planches. Broché, couv. et dos défr. Un des 300 ex. sur Allura (n° 71). EDITION ORIGINALE
réf. 1272In 8 demi-chagrin marron à nerfs,titre doré,faux-titre, frontispice(l’auteur)titre,364 pages tranches jaspées.Delagrave 1920
1995réf. 10987Solibel 1995 In-4, broché, 126pp
1970réf. 99339Ancona, Italia, Bèrben 1970 In-8 18 x 12 cm. Agrafé, couverture rouge, titre en noir sur le premier plat illustré, 21 pp., partitions dans le texte. Exemplaire en très bon état.
2015New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 464 p. Islam medeniyetinde musiki. Music in Islamic civilization. MUSIC Islamic world Ottoman Empire Umayyad Abbasids Mamluks Andalusia Arab culture.
réf. 1592ING. A. Salmoiraghi, Milano, 1894.Un volume broché (18,5 x 26,5 cm) de 41 pp. Très nombreuses illustrations, exemplaire en parfait état quasiment comme neuf.
réf. 1592ING. A. Salmoiraghi, Milano, 1894.Un volume broché (18,5 x 26,5 cm) de 41 pp. Très nombreuses illustrations, exemplaire en parfait état quasiment comme neuf.
Association Française du Haubois. 2000. In-4 Carré. En feuillets. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 17 pages agrafées dans leur pochette d'origine. 28-29 oct. 2000, Bordeaux - Saint-Emilion.
2000réf. RO40213205Association Française du Haubois. 2000. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 17 pages agrafées dans leur pochette d'origine.. . . . Classification Dewey : 784-Les instruments et leur musique
1992réf. SMBorCAM90Cambridge MA & London England: Distributed by Harvard University Press 1992. 1992. 4to. pp. 3 p.l. 169. extensive b/w illus. biblio. index. cloth. dw. First Edition. F. Hardcover. Cambridge, MA & London, England: Distributed by Harvard University Press, 1992. Hardcover
Emf. 1996. In-4 Carré. Broché. Etat d'usage. Couv. légèrement passée. Dos satisfaisant. Intérieur acceptable. 62 pages. Partitions. Illustré de nombreuses photos en noir et blanc dans et hors texte. Comment tenir. La respiration. Les notes. Le jeu direct. Oh! Susannah. Sad Man Blues...
1996réf. RO40228785Emf. 1996. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 62 pages. Partitions. Illustré de nombreuses photos en noir et blanc dans et hors texte.. . . . Classification Dewey : 784-Les instruments et leur musique