Whitley, Ray; Autry, GeneMareMagnum
4 664 résultats
19406 pages. Nice photo cover. Average wear. A sound vintage copy of this great western classic. Book
198232 pages. Colour and black and white photos. Songs include: Three Million Light Years From Earth; Theme from E.T.; E.T. & Elliot; Over the Moon; E.T.'s Halloween; Adventure on Earth. Average wear. Unmarked. Binding intact. A sound vintage copy of the E.T. songbook. Book
195734 pages. Includes one page of photos and biographical information inside front cover. Songs include: Island in the Sun; Scratch, Scratch; Don't Ever Love Me; Lucy's Door; Coconut Woman; Haiti Cherie; Cordelia Brown; Angelique-O; Judy Drownded; Calypso Carnival; Brown Skin Girl; Balance. Above-average but not excessive wear. Minimal markings to contents. A sound vintage copy of this nostalgic compilation. Book
réf. 14059o.J. Pianist. 1905 Prof. am. Royal College of Music in Manchester. Zahlreiche Konzertreisen durch Europa u. Amerika, berühmt durch seine Beethoven u. Brahms-Einspielungen. 1884 Leipzig - 1969 Villach. am Klavier sitzend, im Profil nach rechts, unten sein faksim. Namenszug. Lithographie von Eugen Spiro um 1955, mit Bleistift signiert. Ca. 240 x 210 mm.
1874réf. 231031874 Napoli Stabilimento-Musicale T. Cottrau [ca.1890-1910 ] IN FOLIO Demi chagrin dos lisse titré,plats percaline verte avec filet doré, 207 pages,titre illustré, Paginazione continua, 36 cm,; Il Pugnaletto / parole de G. Dura ; musica di E. De Roxas.- 2 p.- N. pl.: 13925. Pecchè m'o faje? / musica di Pietro Labriola.- 2 p.- N. pl.: 16482 ; Parlate a papa' / di Pietro Labriola.- 2 p.- N. pl.: 16483. S'è scombinato, no sposo cchiu! : canzone napolitana / di F. Troisi.- 2 p.- N. pl.: 16398. A Isso, o a me! / musica di P. Labriola.- 2 p.- N. pl.: 16484 ; Cicerenella : tarantella / di P. Labriola.- 2 p.- N.La stella dell'Arenella / parole di A. De Lauzières ; musica di F. Flomiro.- 2 p.- N. pl.: 16487. Jesce sole / di L. Fischetti.- 2 p.- N. pl.: 16488. L'ubbriaco : canzone / di Luigi Cammarano.- 2 p.- N. pl.: 16489. Rosa de maggio! : melodia napoletana del 1870 / parole di Enrico Golisciani ; musica di Cesare Rossi.- 3 p.- N. pl.: 15012 ; La stella della sera : serenata / poesia di Irene Capecelatro ; musica di Cesare Rossi.- 3 p.- N. pl.: 14953. Il carrettiere del Vomero : canzone / di Federico Ricci.- 2 p.- N. pl.: 16492, etc, page de titre : liste des 100 chansons avec musique et numero éditeur,timbre sec editeur,trés rare ,complet
1835réf. 340Paris, Janet & Cotelle, 1835, 21 X 26 cm., cartonnage éditeur, 72 pp. Ouvrage comportant les partitions et des lithographies. Ex-libris de Paul GAVAULT. Plats avec décor à froid et filets dorés. Couverture usagée et plissée, dos renforcé par de l'adhésif. Rousseurs.
réf. 5951Relié avec : Gaveaux; la leçon, romance, du bouffe et le tailleur; Paris, Gaveaux, s.d.Relié avec : Nicolo ; Cendrillon; Paris, Imbault, s.d. Plein papier scrotel, pièce de titre manuscrite. Très bon Paris Imbault s.d. (XIXè) 1 volume in-folio
1980in-8, pp. 446, broch. edit. La prima parte contiene un'apprpfondito studio sulla civiltà socio-economica e giuridica di Castel del Piano; la seconda il testo del ''Libro de li Statuti de la Comunità et huomini di Castello del Piano'', contenuti in un manoscritto dell'Archivio di Stato di Siena. (Fonti sui Comuni rurali toscani raccolte a cura della Deputazione di Storia Patria per la Toscana, VIII).. .
réf. 6712Wien, Cappi und Diabelli bzw. Diabelli & Comp., o.J. Qu.4°. Zusammen 15 graphisch gestaltete Titelseiten. 163 gestochene Notenseiten, etwas späterer Halbleinenband um 1880) mit handgeschriebenem Titel- und Rückenschildchen. - Enthält folgende Hefte: 1. (abweichender Reihentitel: Euterpe, eine Reihe moderner und vorzüglich beliebter Tonstücke zur Erheiterung in Stunden der Musse, für das Piano-Forte auf vier Händen eingerichtet und herausgegeben.) No. 31 / No. 237. Gallenberg, W. Robert Graf von: Grosser Marsch aus "Alfred". Cappi und Diabelli. (C. et D. No. 600), (1820/1823). 7 S.; - Hefte 2-15: alle im Verlag Anton Diabelli & Comp. (zwischen 1824 und 1851): 2. No. 295 / 220. Herold, F.: Zampa, oder : Die Marmorbraut. Romantische Oper. (D. et C. No. 4181). 5 S.; - 3. No. 332 / 220: Halevy, F.: Erstes Potpourri nach Motiven der Oper: Die Jüdinn (La Juive). (D. et C. No. 6038.). 11 S.; - 4. No. 333 / 220. wie voher. Zweites Potpourri. (D. et C. No. 6039). 11 S.; - 5. No. 364 / 220: Drei Favorit-Tänze, aus dem pantomimischen Ballet: Der hinkende Teufel. No. 1. Spanischer Nationaltanz, ausgeführt von Dlle. Blangy; No. 2. Jaleo de Xeres, Spanischer Nationaltanz, ausgeführt von den Dllen Danse und Ropiquet. No. 3. Galoppe. Musik von W. Reuling, Kapellmeister am k.k. Hofoperntheater nächst dem Kärnthnerthore. (D. & C. No. 6576). 7 S.; - 6. No. 366 / 220: Donizetti, G.: Zweites Potpourri nach Motiven der Oper: Marino Falliero (Antonio Grimaldi). (D. & C. No. 6578). 13 S.; - 7. No. 386 / 220: Meyerbeer, G.: Erstes Potpourri nach Motiven der Oper: Die Welfen und Gibellinen (Hugenotten). (D. & C. No. 7019). 13 S.; - 8. No. 387 / 220: wie voher. Zweites Potpourri in 2 Abtheilungen. (D. & C. No. 7020). 13 S.; - 9. No. 389 / 220: wie voher. Viertes Potpourri in 2 Abtheilungen. (D. & C. No. 7022). 13 S.; - 10. No. 390 / 220: wie voher. Fünftes Potpourri in 2 Abtheilungen. (D. & C. No. 7023). 15 S.; - 11. No. 410 / 220: Donizetti, G.: Erstes Potpourri nach Motiven der Oper: Linda di Chamounix. (D. & . No. 7553). 15 S.; - 12. No. 411 / 220: wie voher. Zweites Potpourri. (D. & . No. 7554). 15 S.; - 13. No. 412 / 220: wie voher. Drittes Potpourri. (D. & . No. 7555). 15 S.; - 14. No. 413 / 220: wie voher. Viertes Potpourri. (D. & . No. 7556). 15 S.; - 15. No. 287 / 220. Herold, F.: Zampa, oder : Die Marmorbraut. Romantische Oper. (D. et C. No. 4173). 5 S.; - Zu 1: Aus dem 1820 uraufgeführten Ballett "Alfred der Grosse" des zu seiner Zeit äußerst beliebten Komponisten Wenzel Robert Graf von Gallenberg (1783 Wien - 1839 Rom); - zu 2 und 15: Die Oper "Zampa ou La Fiancée de marbre" von Louis Joseph Ferdinand Hérold (1791 Paris - 1833 Thernes) wurde 1831 uraufgeführt. - zu 3 und 4: Die 1835 uraufgeführte Oper "Die Jüdin" (La Juive) ist das bekannteste Werk von Jacques François Élie Fromental Halévy (1799 Paris - 1862 Nizza; eigentlich: Elias Lévy). - zu 5: Das Ballett "Le Diable boiteux" (Der hinkende Teufel, nach Lesage) von Casimir Gide (Paris 1804 - Paris 1868) wurde 1836 in Paris mit Fanny Elßler uraufgeführt. Hermine Blangy und Louise Ropiquet waren Tänzerinnen. Der Komponist Ludwig Wilhelm Reuling (1802 Darmstadt - 1877 München) war ab 1836 Kapellmeister am k.k. Hofoperntheater in Wien. - zu 6: Die Oper "Marino Faliero" von Gaetano Donizetti (1797 Bergamo - 1848 ebenda) wurde 1835 im Théâtre-Italien in Paris uraufgeführt. - zu 7-10: Die Oper "Les Huguenots" (Die Hugenotten) von Giacomo Meyerbeer (1791 Vogelsdorf bei Berlin - 1864 Paris, eigentlich Jakob Meyer Beer) wurde 1836 an der Pariser Oper uraufgeführt. - zu 11-14: Gaetano Donizettis Oper "Linda di Chamounix" wurde 1842 am Kärntnertortheater in Wien uraufgeführt. - Anton Diabelli (1781 Mattsee - 1858 Wien) war Komponist, Musikverleger und Musikalienhändler. Er schuf über 200 Kompositionen aller Musikgattungen. Als Verleger betrieb er zusammen mit peter Cappi von 1818 bis 1823 den Musikverlag "Cappi & Diabelli", von 1824 bis 1851 mit Anton Spina "A. Diabelli & Comp.". Diabelli war der Hauptverleger Franz Schuberts. Einband berieben und bestoßen, die ersten und letzten Blätter stärker, sonst leicht stockfleckig. Die letzten 30 Blätter schmal wasserrandig.
réf. 5950Relié avec : Françoise de Foix; Paris, Duhan,s.d.Relié avec : Nicolo “Joconde” ; Paris, Bochsa, s.d.Relié avec : Journal des amateurs; Paris, Romagnesi et Simonis, s.d. Plein cartonnage papier raciné, au chiffre H.C. (Hélène Champy) sur pièce de cuir doré sur le plat supérieur Très bon Paris Boieldieu s.d. 1 volume in-folio.
1985réf. 017120A. M. D. G., La Paz / Bolivia 1985. Erste (1.) Auflage Broschuren Sehr gut
Bella raccolta di tredici spartiti per pianoforte, la gran parte pubblicati tra il 1860 e il 1880 circa circa rilegati insieme in una bella copertina in mezza pelle. I compositori sono quasi tutti contemporanei, tra i più famosi: Saverio Mercadante (1795-1870), Gaetano Donizetti (1797-1848), Vincenzo Bellini, Alessandro Betti ecc ... Alcuni spartiti in calcografia, altri in litografia. Carta spessa. Elenchiamo gli spartiti presenti: - Saverio Mercadante - Il bravo - Firenze, G. Ricordi e c. (1865 circa) - Vincenzo Bellini - Scena e duetto "Si... sulla salma del fratello" nell'opera La Straniera Firenze, Gio. Ricordi (1865 circa) - Saverio Mercadante - Duetto "La Baldanza del tuo orgoglio" nell'opera Donna Caritea - Roma, Nella stamperia litografica di musica (1880 circa) - Saverio MErcadante - Scena ed aria "Ah se passo ai figli ancora" nell'opera Elisa e Claudio - Roma, Nella stamperia Litografica (1880 circa) - Gaetano Donizetti - L'esule di Roma Scena e Cavatina "Tacqui allor...l'abbandonai" - Roma, Nella stamperia litografica (1860 circa) - Gaetano Donizetti - Aria "A si tremendo annunzio" Nel belisario - Roma, Litografia Pittarelli (1860 circa) - Saverio Mercadante - Il bravo Scena e cantabile "Tranquillo Beato" - Napoli, B. Girard (1860 circa) - Saverio Mercadante - Il bravo Scena e romanza "All'età dell'innocenza" - Napoli, B. Girard (1860 circa) - Gaetano Donizetti - "Se la patria amici Numi" nell'Opera Furio Camillo - Roma, Lit. Pittarelli (1880 circa) - Vincenzo Bellini - I puritani opera seria in tre atti - Chiasso, dalla stamperia l'Euterpe Ticinese (1860 circa) - M. Cluber - Barcarola Amico legno ascendi nell'Opera La muta dei portici - Roma, presso gli editori via del Corso (1860 circa) - Rossini - La Serenata poesia del Conte G. Popoli Notturno a due voci - Roma, Lit. di Ratti e C. (1880 circa) - Alessandro Betti - La partenza romanza - Litografia Ratti e C. (1880 circa) Copertina in mezza pelle con titolo e decorazioni in oro al dorso in buone condizioni generali con lievi usure ai margini dorsO. Legatura in buone condizioni. All'interno le pagine si presentano in buone condizioni con rare fioriture. In folio. Dim. 26x35,5 cm. Pp. 133. Beautiufl collection of 13 scores for piano, the greatest part published beyween 1860 and 1880, all bound in an half leather cover. The composer are almost contemporary, the most famous: Saverio Mercadante (1795-1870), Gaetano Donizetti (1797-1848), Vincenzo Bellini, Alessandro Betti ecc ... Some musical score in calcography, others in lythography. ecc ... Wide paper COMPLETE LIST OF MUSICAL SCORES ABOVE. In good conditions. Half leather cover with golden title and decorations in the spine in good general conditions with worn edges, spine and corners. Binding in good conditions. Inside pages are in good conditions with occasional foxings. In folio. Dim. 26x35,5 cm. Pp. 133. Weight Kg. 1,200
1840réf. 16473Paris Richault 1840 br. en ff. in-4, titre, 22pp., 5pp., 5pp., 3pp., 3pp., 3pp., 1pp., 3pp. 1pp., 3pp.,, 1p., 1, 3pp., (cot. 742. R)
1894réf. 10747Paris, Henri tauvin, 1894 ; grand in-4, broché ; (8), 43 pp., (1 bl.), couverture crème illustrée imprimée en rouge. Griffe de Louis Saraz.
1911réf. 4954CBBerlin u.a., Adolph Fürstner, c. 1911. Gr.-4°. (2), 442 S. Orig.-Leinenband mit goldgepr. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
réf. DADAX0199914222New unknown
réf. 1901192628.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. AUB-4310Berlin, Schlessinger's Buch und Musikhandlung s.d. (vers 1880 ?). Bel exemplaire relié, reliuredemi basane d'époque, in-4 oblong, 123 pages.
réf. DADAX0313254974New unknown
1835réf. 49304ABLeipzig, au Bureau de Musique de C. F. Peters [PlattenNr. 2315]., (um 1835). 4°. [26 : 32,5 cm]. 13, 6 Seiten. Gestochener Notentext, lithogr. Titelblatt. (Titel fleckig und mit breit überlegtem Einriss. Blattrand ungleich nachbeschnitten. Besitzvermerk auf beiden Stimmheften. Rücken rissig und mit Fehlstück am unteren Ende / kein Textverlust. Innen tlws. randfleckig). - Notentext erfreulich gut erhalten und nur gering und schwach fleckig. 1. Auflage.
1911réf. 60745ABBerlin/Paris/London, Fürstner / Chappell & Co. [VerlagsNr. A. 5907 F.]., 1911. 4°. [27,5 x 22,5 cm]. 317 Seiten. Schwarzer Ganzlederband mit goldgeprägter Titelei, goldgeprägten Deckelfileten und Schmuckpapiervorsätzen. Privatbindung. - Ein sehr gut erhaltenes Exemplar ohne Gebrauchsspuren.
réf. 25401Some original some arrangements of works for other forces as follows: - Mozart Wolfgang Amadeus 1756-1791 K. 550 arr. Sinfonie . arrangée Pour le Pianoforte à quatre mains. No. 2. Pr. 1 Rthlr. Leipsic: Breitkopf & Härtel PN 3144 ca. 1820. 1 title 2-35 i blank pp. Lithographed. Signature and date in brown ink to lower right corner of title: "Samson Ruben Goldschmidt December 1825." Occasional notational corrections in pencil. Slightly to moderately foxed and soiled; dampstained at outer edge; lower and outer edges frayed with slight loss not affecting printed area; upper edge closely trimmed with occasional loss to "Primo"/"Secondo" headers. A later edition. Not in Köchel 6 Hoboken or Hirsch. RISM M5633. Samson Ruben Goldschmidt 1768-1841 was a banker and businessman in Kassel Germany. - Beethoven Ludwig van 1770-1827 Op. 20 arr. Grand Septuor . arrangé Pour le Piano-Forte à quatre mains. Pr. 1 Rthlr. 12 Gr. Leipsic: Breitkopf & Härtel PN 4066 ca. 1824. 1 title 2-47 i blank pp. Lithographed. Signature in brown ink to lower right corner of title: "Samson Ruben Goldschmidt." Fingering and occasional notational corrections in pencil. Slightly foxed and soiled; upper edge closely trimmed with occasional loss to "Primo"/"Secondo" headers and pagination. A later edition. New Kinsky 2014 I p. 123 ascribing arrangement to F. Mockwitz; first issue: 1815 with PN 2171. Not in Hoboken or Hirsch. - Onslow George 1784-1853 Op. 7. Grandes Sonates pour le Piano Forte à quatre mains . No. 1 no printed price. Hambourg: A. Cranz without PN before March 1827. 1 title 2-31 i blank pp. Engraved. Signature and date in brown ink to lower right corner of title: "Samson Ruben Goldschmidt März 1827." Fingering and notational corrections in pencil. Several pages including title torn at spine and outer and lower edges; upper edge soiled and dampstained; some foxing; page 30 smudged. A later edition. Rare. Most copies by Cranz found in libraries are either later issue or Titelauflage. The first edition was published by Pleyel in Paris in 1815. - Onslow Op. 22. Second Grand Duo =Sonata in F minor pour le Piano Forte à quatre mains composé et dédié à Mr Hertz Senr. . Op: 22. Prix 5 Frs. Bonn et Cologne: N. Simrock PN 2244 ca. 1824. 1 title 2-37 i blank pp. Engraved. Signature and date in brown ink to lower right corner of title: "Samson Ruben Goldschmidt October 1826." Fingering other performance-related annotations and occasional notational corrections in pencil. Several pages including title torn at spine and edges with loss to lower outer corner; pp. 3-4 with loss to music; small stain to lower edge of p. 19. First Edition. Rare. WorldCat 2 copies only at the Bibliothèque nationale Paris and the Bayerische Staatsbibliothek Munich. - Weber Carl Maria von 1786-1826 WeV S.5; arr. Polonoise à quatre mains pour le Pianoforte . Pr. 10 gl. Hambourg: A. Cranz without PN before February 1826. Engraved. 1f. title i blank 1 blank 2-11 i blank pp. Engraved. Signature and date in brown ink to lower right corner of title: "Samson Ruben Goldschmidt Februar 1826." Occasional notational corrections in pencil. Somewhat foxed and soiled; moderately dampstained at upper edge; ink stain to title. A later edition. Jähns 59 arrangement ascribed to Carl Klage 1788-1850 with price "10 sgr". Originally for piano two hands. - Weber WeV T.2 Six pièces à quatre Mains pour le Pianoforte . Oe. X. Leipzig: Fred. Hofmeister PN 275 ca. 1820 title 2-19 i blank pp. Engraved. Signature in brown ink to lower right corner of title: "Samson Ruben Goldschmidt." Somewhat foxed and soiled; loss to lower outer corner throughout affecting music on pp. 17-18; moderately dampstained at upper edge; occasional creasing especially to final leaf; title and final leaf with stains and repairs. A later edition. Jähns 81-86 lists two later Hofmeister editions with price in Neugroschen. Hoboken 15 286 most probably a Titelauflage as it displays Hofmeister's original plate number 275 preceded by the new number 1251. The Weber pieces date from his time as court kapellmeister in Stuttgart. "The Six Pieces for Piano Duet dated 27th November 1809 and dedicated 'à Leurs Altesses Sérénissimes Mesdames Marie et Amélie de Württemberg'. They are charming little pieces each based on a simple melodic idea with characteristic accompaniment. both accessible to schoolgirl fingers and forming a neat introduction to various melodic manners." John Warrack: Carl Maria von Weber p. 64. Oblong folio. Brown quarter leather with marbled boards two labels to upper lettered "J. Mosenthal" in manuscript. Signature "Joseph Mosenthal" in black ink to upper right corner of front endpaper; table of contents in Mosenthal's hand to upper left corner of front endpaper. "Joseph Mosenthal 1834-1896 was a German-American musician born at Kassel. He studied under his father and Spohr and in 1853 went to America where he played the organ in Calvary Church New York City from 1860 to 1887. He was conductor of the Mendelssohn Glee Club in New York City from 1867 to 1896 played a first violin in the Philharmonic Orchestra for 40 years a second violin in the Mason and Thomas Quartet for 12 and composed much Church music such as the psalm "The Earth is the Lord's" a setting of part of Psalm 145 published in 1864 and part songs for male voices Thanatopsis Blest Pair of Sirens and Music of the Sea. He died in New York City." Wikipedia. Binding considerably worn with upper detached spine lacking. Remnants of red sealing wax to front endpaper. unknown
réf. 25401Some original some arrangements of works for other forces as follows: - Mozart Wolfgang Amadeus 1756-1791 K. 550 arr. Sinfonie . arrangée Pour le Pianoforte à quatre mains. No. 2. Pr. 1 Rthlr. Leipsic: Breitkopf & Härtel PN 3144 ca. 1820. 1 title 2-35 i blank pp. Lithographed. Signature and date in brown ink to lower right corner of title: "Samson Ruben Goldschmidt December 1825." Occasional notational corrections in pencil. Slightly to moderately foxed and soiled; dampstained at outer edge; lower and outer edges frayed with slight loss not affecting printed area; upper edge closely trimmed with occasional loss to "Primo"/"Secondo" headers. A later edition. Not in Köchel 6 Hoboken or Hirsch. RISM M5633. Samson Ruben Goldschmidt 1768-1841 was a banker and businessman in Kassel Germany. - Beethoven Ludwig van 1770-1827 Op. 20 arr. Grand Septuor . arrangé Pour le Piano-Forte à quatre mains. Pr. 1 Rthlr. 12 Gr. Leipsic: Breitkopf & Härtel PN 4066 ca. 1824. 1 title 2-47 i blank pp. Lithographed. Signature in brown ink to lower right corner of title: "Samson Ruben Goldschmidt." Fingering and occasional notational corrections in pencil. Slightly foxed and soiled; upper edge closely trimmed with occasional loss to "Primo"/"Secondo" headers and pagination. A later edition. New Kinsky 2014 I p. 123 ascribing arrangement to F. Mockwitz; first issue: 1815 with PN 2171. Not in Hoboken or Hirsch. - Onslow George 1784-1853 Op. 7. Grandes Sonates pour le Piano Forte à quatre mains . No. 1 no printed price. Hambourg: A. Cranz without PN before March 1827. 1 title 2-31 i blank pp. Engraved. Signature and date in brown ink to lower right corner of title: "Samson Ruben Goldschmidt März 1827." Fingering and notational corrections in pencil. Several pages including title torn at spine and outer and lower edges; upper edge soiled and dampstained; some foxing; page 30 smudged. A later edition. Rare. Most copies by Cranz found in libraries are either later issue or Titelauflage. The first edition was published by Pleyel in Paris in 1815. - Onslow Op. 22. Second Grand Duo =Sonata in F minor pour le Piano Forte à quatre mains composé et dédié à Mr Hertz Senr. . Op: 22. Prix 5 Frs. Bonn et Cologne: N. Simrock PN 2244 ca. 1824. 1 title 2-37 i blank pp. Engraved. Signature and date in brown ink to lower right corner of title: "Samson Ruben Goldschmidt October 1826." Fingering other performance-related annotations and occasional notational corrections in pencil. Several pages including title torn at spine and edges with loss to lower outer corner; pp. 3-4 with loss to music; small stain to lower edge of p. 19. First Edition. Rare. WorldCat 2 copies only at the Bibliothèque nationale Paris and the Bayerische Staatsbibliothek Munich. - Weber Carl Maria von 1786-1826 WeV S.5; arr. Polonoise à quatre mains pour le Pianoforte . Pr. 10 gl. Hambourg: A. Cranz without PN before February 1826. Engraved. 1f. title i blank 1 blank 2-11 i blank pp. Engraved. Signature and date in brown ink to lower right corner of title: "Samson Ruben Goldschmidt Februar 1826." Occasional notational corrections in pencil. Somewhat foxed and soiled; moderately dampstained at upper edge; ink stain to title. A later edition. Jähns 59 arrangement ascribed to Carl Klage 1788-1850 with price "10 sgr". Originally for piano two hands. - Weber WeV T.2 Six pièces à quatre Mains pour le Pianoforte . Oe. X. Leipzig: Fred. Hofmeister PN 275 ca. 1820 title 2-19 i blank pp. Engraved. Signature in brown ink to lower right corner of title: "Samson Ruben Goldschmidt." Somewhat foxed and soiled; loss to lower outer corner throughout affecting music on pp. 17-18; moderately dampstained at upper edge; occasional creasing especially to final leaf; title and final leaf with stains and repairs. A later edition. Jähns 81-86 lists two later Hofmeister editions with price in Neugroschen. Hoboken 15 286 most probably a Titelauflage as it displays Hofmeister's original plate number 275 preceded by the new number 1251. The Weber pieces date from his time as court kapellmeister in Stuttgart. "The Six Pieces for Piano Duet dated 27th November 1809 and dedicated 'à Leurs Altesses Sérénissimes Mesdames Marie et Amélie de Württemberg'. They are charming little pieces each based on a simple melodic idea with characteristic accompaniment. both accessible to schoolgirl fingers and forming a neat introduction to various melodic manners." John Warrack: Carl Maria von Weber p. 64. Oblong folio. Brown quarter leather with marbled boards two labels to upper lettered "J. Mosenthal" in manuscript. Signature "Joseph Mosenthal" in black ink to upper right corner of front endpaper; table of contents in Mosenthal's hand to upper left corner of front endpaper. "Joseph Mosenthal 1834-1896 was a German-American musician born at Kassel. He studied under his father and Spohr and in 1853 went to America where he played the organ in Calvary Church New York City from 1860 to 1887. He was conductor of the Mendelssohn Glee Club in New York City from 1867 to 1896 played a first violin in the Philharmonic Orchestra for 40 years a second violin in the Mason and Thomas Quartet for 12 and composed much Church music such as the psalm "The Earth is the Lord's" a setting of part of Psalm 145 published in 1864 and part songs for male voices Thanatopsis Blest Pair of Sirens and Music of the Sea. He died in New York City." Wikipedia. Binding considerably worn with upper detached spine lacking. Remnants of red sealing wax to front endpaper. unknown books
réf. DADAX0198166400New unknown
2002réf. 2-0789012375Haworth Pr Inc 2002. Paperback. New. 1st edition. 428 pages. 8.25x6.00x1.25 inches. Haworth Pr Inc paperback
