1963réf. 1729AG1963. Lithografie auf festem Papier. Bildgrösse: 48 x 40 cm. Blattgrösse: 62 x 49,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
réf. 23183Paris ,Chez PLEYEL auteur et éditeur ,N° 614. s.d. (1787), in-folio, 31,5 x 24,5 cm, the two parts ; violino primo , title + 24 pp of engraved music ; violino secondo , no title (bl)(title in manuscript by Tillier) + 24 pp of engraved music. Plate number 614. Each part sewn and without a wrapper ( removed from a convolute). First edition of Pleyel's violin duos 519-524. ( See Rita Benton , Pleyel's Thematic Catalogue item 5156, as annouced in the Journal de Paris 13th of July 1787). . complet
1962116 pages. Index. Black and white illustrations. "There are many systems of violin playing, some good, some fair, some bad. The system that I have tried to present in the following pages is the one that I believe to be the most practical." - from Foreward. Average wear. Binding sound. Moderate quantity of pencil annotations and underlining. Book
1933Features: Mount Rushmore - Mountain sculpture - it was necessary to develop a new method of removing stone in cutting Stone Mountain and Mount Rushmore Memorials; Fast rail car on pneumatic tires - first pneumatic-tired, diesel-electric car of light weight and high speed goes into service in this country; Editorials - rehabilitiation necessary - planetary vibrations - progress; Delicate instruments tame wild airplanes - airplane characteristics are determined by instruments which measure stresses on models in wind tunnel gales; The new wave atom, elusive and mysterious - "a pleasing peep into a thing which, admittedly, only the mathematician can hope to bring into clear focus; Concrete that withstands the sea - new method of impregnating concrete with asphalt makes the concrete resistant to corrosion of sea water and chemicals; The amazing process of vision - an intensely interesting discussion of the infinite superiority of the eye over any lens that man can make; The disappearance of the red man's culture - the war paint and regalia of the Indian now belong only to the circus; Fiddling on aluminum - musicians said it couldn't be made, but the aluminum violin is an accomplished fact; The snow surveyor of the sierras - expected run-off during summer to city water reservoirs is surveyed in winter in the mountains; Invention - a coming profession - invention has come of age and is ready to be included in the curricula of schools; The Kukulograph (later marketed as "Spirograph") - the "Circle-circle-writer" with which intricate designs in loops and whorls may be made; Leather power-belts regain favor - improvements in leather belt making portend a reversion to group drive instead of the present individual drive; Science aids canners - new process of removing oxygen from foods before sealing in cans prevents oxidation that causes spoilage; Natural gas greets a substitute - newly developed gas manufactured from diesel oil may be used to replace natural gas in an emergency; Toothpaste facts and fancies - merits lie principally in imagination of ad writers, say chemists. Unmarked. Average wear. Book
réf. BN378037Kassel Bärenreiter 1977. Faksimile der Noten-Handschrift nach dem Exemplar in der Staatsbibliothek Preußischer Kulturbesitz Berlin Faksimile der Noten-Handschrift nach dem Exemplar in der Staatsbibliothek Preußischer Kulturbesitz Berlin Sei solo a Violino da Joh. Seb. Bach Kassel, Bärenreiter 1977. unknown
réf. SONG0899174663Used: Good unknown
réf. 7685Rouen, Imprimerie de la Vicomté, 1928 - 1932, 1 vol. et une plaquette in-8 (240 x 165) brochés sous couverture imprimée, de XIII-286 pp. + errata et index des planches & 24 pp. Très beaux exemplaires.
1930in-16, pp. XX, 472, leg. edit. Seconda ediz.
Litografia. Cm. 27 x 34. Condizioni ottime (due macchioline sul margine bianco in alto a sinistra, con intono leggerissima traccia di abrasione).
1987réf. 44109BBHerrsching am Ammersee, Schuler Verlagsgesellschaft, 1987. 4°. 29 cm. 727 Seiten. Original-Leinenband mit Original-Schutzumschlag.
In 8°, leg. tela edit. con piatto decorato, pp.XIX-366 con 4 tavv. f.t. e illustraz. n.t. Copp. sciup.
réf. 25896Holme, Charles, [Editor]- Published at the Offices of "The Studio", London, . tomé 2/1898, contient en autre FERNAND KHNOPFF AUTO-LITHOGRAPHIE LA FEMME AU VIOLON,sous serpente,volume incomplet de qques pages et ht,conservé dans l'etat pour l'authentification
1793réf. 231851793 P. NADERMAN apres [1793],in folio plaque N°70- v1:13p,v2: 13p, bon état ,2 titres gravés avec tampon éditeur aux 3 lys,Each vol. contains 6 duets,complet
réf. 12835deuxième édition Paris chez PLEYEL et fils éditeurs, .sans date. Deux volumes petit in folio, demie-toile verte muette, Volume 1) titre portrait de MOZRT en frontispice par VIGNERON. Catalogue thématique, 173 pages. L’ensemble entièrement gravé. Volume 2 : titre table du second violon de la collection MOZRT. 141 pages. L’ensemble entièrement gravé par RICHOMME
1790réf. 1238Paris Frère ca. 1790 in-12 oblong, 10 et 10pp., musique gravée, en ff.
1781réf. 14775Dimensions : 303 x 197 mm.
1925in-16, pp. VIII, 282 , leg. edit. Con figg. e tavv. Prima ediz.
1933in-16, pp. VIII, 326 , leg. edit. Con figg. e tavv. Seconda ediz.
réf. 50813Albin Michel.1918.In-8 demi-percaline.253 p.Couvs.conservées.Ills.de Martin.Dédicace de l'Auteur.BE.
1922réf. 100211Philadelphia October 6 1922. 1922. Very good. - Over 25 words penned on 6-3/8 inch high by 5-1/8 inch wide "1509 Locust Street Inc. Post Graduate School of Music and the Fine Arts" stationery with an integral attached blank leaf. Responding to a letter by the American impressario and lecture manager James B. Pond Jerome Goldstein thanks him for his note about the offer to appear on The Westinghouse Electric and Mfg. Co.'s radio program. "There are many things to consider before deciding. When I see you we will discuss this further". Signed in full "Jerome Goldstein". There are staple holes to the top edge and the top left corner has been clipped. There is an indentation and paper clip stain to the top of the attached blank leaf. Very good with a retained copy of James B. Pond's letter. RARE. The classical violinist Jerome Goldstein was a member of The Philadelphia Orchestra from 1917 to 1921 under Stokowski. Goldstein performed the premiere of Charles Ives' "Second Violin Sonata" on March 18 1924 in New York's Aeolian Hall accompanied by the pianist Rex Tillson. He performed with Bela Bartok during the composer's 1926 tour of the United States. Goldstein also played Henry Cowell's "Solo for Violin" at the Carnegie Chamber Hall" on April 21 1930. [Philadelphia], October 6, 1922.
In 4o, pp. 87, mz. pelle, 2 tavv. inc. f. t. Nuova edizione con aggiunte dell'editore di un quadro delle scale in tutte le posizioni. Testo e tavole di pentagrammi incisi. Due belle tavv: 1)Maniera generale di tenere il violino 2): Modo di tenere l'archetto; Posizione della mano sinistra; Violino. Solo prima parte (manca la seconda). Ottimo (3019/ VIOLINO - MUSICA)
1927réf. 181481927 un volume, broché gris-souris in-quarto Editeur (paperback editor in-4) (16,5 x 25,3 cm), dos et couverture imprimés en noir et rouge (cover printed), toutes tranches non rognées, orné d'un portrait en frontispice en noir + 2 planches hors-texte en noir in-fine, XVII-236 pages, 1927 Nantes L. Durance Editeur,
1901réf. 1008851901 Charles Schmid Editeur, 2 volumes, 1901, 290-409 pp., demi-reliures à coins, plats d'origine conservés, environ 29x19cm, reliures en mauvais état (frottements, 1 mors fragile, manques de cuir sur les dos), 1 signature sur le premier plat conservé du tome 1, intérieurs bien propres.
1840réf. 180561840 Paris: SOCIETE POUR LA PUBLICATION DE LA MUSIQUE CLASSIQUE (vers 1840) Folio.reliure demi basane,dos lisse orne de filets dores,etiquette de titre rouge 261 p.gravees Half , , with marbled boards Parts. Hardcover RISM HH3353. *
réf. KXW-29Première édition. 1967 / 439 pages + 16 planches schématiques de violons. Relié Editions Paul Hamlyn Langue : Anglais.