- Ala Sergio - Bertini UmbertoLivre Rare Book
486 résultats
1940réf. 88873Partitions sur les Instruments de musique Melodi-Milano 1940
1942réf. 79125Partitions sur les Instruments de musique Beuscher Paul 1942
1920réf. 88064Partitions sur les Instruments de musique Morrison Music 1920
1890réf. 77843Partitions sur les Instruments de musique Dupont Paul 1890 approx.
2007réf. 2566088191030036Vox Classical 2007-06-05. Audio CD. Like New. CD plays perfectly & the case looks good. Vox (Classical) unknown
1998réf. LFA-126743956Un ouvrage de 94 pages, format 210 x 295 mm, illustré, broché couverture couleurs, publié en 1998, Impr. Les Arts Graphiques, bon état
1996réf. LFA-126723058Revue de généalogie, héraldique, biographie, iconographie, histoire locale : 28 pages, format 205 x 295 mm, illustrée, brochée, bon état
réf. GF15165Dessin original à l'encre de chine sur calque signé - format 13,5 x 10,5 cm -
réf. 202300734Zurich, Albert Muller Verlag, 1940 ; in-8, 334 pp., cartonnage de l'éditeur. En bon état -(dos un peu passé) mit 138 ganzseitigen bildern im text.
1906réf. 533111906 Paris, Fischbacher, 1906, grand in 8° relié demi-chagrin marron à bandes, dos à nerfs orné, tête dorée, couverture conservée, XI-198 pages ; très nombreuses reproductions d'étiquettes des luthiers italiens, allemands, anglais et français.
réf. 7685Rouen, Imprimerie de la Vicomté, 1928 - 1932, 1 vol. et une plaquette in-8 (240 x 165) brochés sous couverture imprimée, de XIII-286 pp. + errata et index des planches & 24 pp. Très beaux exemplaires.
1930réf. 540011930 Paris, Fiscbacher, 1909, grand in 8° broché, 87 pages.
1781réf. 14775Dimensions : 303 x 197 mm.
1881réf. 38041London: Dulau and Co. Novello and Co 1881. Hardcover. Very Good. Quarto. Full dark green cloth with decorative musical excerpt from Corelli gilt to upper titling and decorative device gilt to spine. xi 484 pp. First Edition. Binding slightly worn rubbed bumped and soiled; spine slightly frayed. Minor internal wear and browning; some signatures very slightly separated. Dulau and Co., Novello and Co hardcover
1933réf. 38049Milano: Ulrico Hoepli 1933. Hardcover. Good. Small octavo. Dark ivory illustrated cloth with titling to spine patterned endpapers. 326 pp. 1 folding plate. With occasional illustrations in text. From the library of American musicologist and violinist Alfred Mell with his signature and date to front free endpaper. Binding slightly worn and soiled. Ulrico Hoepli hardcover books
1881réf. 38041London: Dulau and Co. Novello and Co 1881. Hardcover. Very Good. Quarto. Full dark green cloth with decorative musical excerpt from Corelli gilt to upper titling and decorative device gilt to spine. xi 484 pp. First Edition. Binding slightly worn rubbed bumped and soiled; spine slightly frayed. Minor internal wear and browning; some signatures very slightly separated. Dulau and Co., Novello and Co hardcover books
1985réf. 36955Genève: Minkoff 1985. Softcover. Very Good. Octavo. Wrappers. xxix 357 pp. Illustrated. Facsimile reprint of the edition of 1912. Minkoff unknown books
1904réf. 38031London New York: The Walter Scott Publishing Co. Ltd. Charles Scribner's Sons 1904. Hardcover. Very Good. Small quarto. Publisher's maroon cloth with decorative blindstamping. xxvii 323 pp. Binding slightly worn rubbed and bumped; minor fraying to head of spine; rear free endpaper creased. Light uniform browning. From the collection of American musicologist and violinist Albert Mell with his signature to upper blank corner of front free endpaper. The Walter Scott Publishing Co., Ltd., Charles Scribner's Sons hardcover books
1927réf. 38000Leipzig: Breitkopf & Härtel 1927. Hardcover. Very Good. Octavo. Full purple cloth with titling gilt to upper and spine. xvi 745 pp. Binding very slightly worn; endpapers browned. Light uniform browning; some light marginal foxing. Breitkopf & Härtel hardcover books
1967réf. 32737Varallo Sesia: Societa Conservazione Opere Arte Munumenti Valsesia 1967. Softcover. Good. Octavo. Wrappers. 64 pp. With numerous plates. Societa Conservazione Opere Arte Munumenti Valsesia unknown books
1925réf. 536211925 Nantes, Durance, sans date (vers 1925), grand in 8° broché, XVII-236 pages ; un frontispice, 2 planches hors-texte et 8 figures dans le texte ; couverture très légèrement fanée
1950réf. 870831950 Paris, Horay, sans date (vers 1950), in 12 broché, 157 pages ; illustrations hors-texte ; jaquette illustrée (effrangée).
1847réf. 29822Paris: Aubert & Cie 1847. 215 x 220 mm. sheet size 346 x 253 mm. Printed on wove paper. Signed by the artist in the stone. Some foxing; remnants of paper mounting tape to verso. Aubert & Cie unknown
1847réf. 29822Paris: Aubert & Cie 1847. 215 x 220 mm. sheet size 346 x 253 mm. Printed on wove paper. Signed by the artist in the stone. Some foxing; remnants of paper mounting tape to verso. Aubert & Cie unknown books
1830réf. 40871England 1830. Pierre Rode 1774-1830; Sir Henry Rowley Bishop 1786-1855; Adalbert Gyrowetz 1763-1850; Anon. Copyist musical manuscript. Oblong folio 245 x 305 mm. Sewn. Notated in black and brown ink on 14-stave rastrum-ruled paper. 10 pp. Contains five variation sets for violin by various composers: 1 Tema with Variations for the Violin. 3 pp. Nine variations on a waltz-like theme in F major. Following each variation the scribe indicates "tutti" or "to the tutti" indicating that these variations may have been performed with an ensemble of musicians. Unlocated. 2 Bishop Sir Henry Rowley 1786-1855 and Anon Variations from Home Sweet Home. 2 pp. Five variations on Rowley's well-known song. Bishop was an English composer who "in his day he enjoyed a commanding reputation as the guardian of the best traditions of English song and for a time he kept English opera alive almost single-handed. Yet he is now remembered for little but the song Home Sweet Home." Nicholas Temperley and Bruce Carr in Grove Music Online 3 Rode Pierre 1774-1830 Theme with Variations for the Violin. 2 pp. Four variations originally published as a solo for violin accompanied by a second violin viola and cello. "At the height of his career Rode was the most finished representative of the French violin school. Having assimilated Viotti's Classical approach he imbued it with characteristically French verve piquancy and a kind of nervous bravura. His artistic growth took place during the revolutionary decade and it is not surprising that his music is akin to that of Cherubini and Méhul and the operas of the 1790s; there is declamatory pathos martial dash and melting cantilena. His gift for lyrical often melancholy melody which represents a prominent trend in French music of this period made his music particularly attractive to German early Romantic composers. . At the height of his career Rode was the most finished representative of the French violin school. Having assimilated Viotti's Classical approach he imbued it with characteristically French verve piquancy and a kind of nervous bravura. His artistic growth took place during the revolutionary decade and it is not surprising that his music is akin to that of Cherubini and Méhul and the operas of the 1790s; there is declamatory pathos martial dash and melting cantilena. His gift for lyrical often melancholy melody which represents a prominent trend in French music of this period made his music particularly attractive to German early Romantic composers. . His innate gifts as a teacher are demonstrated in his 24 Caprices which balance the musical and technical needs of the student and have become an indispensable part of the violin curriculum." Boris Schwarz revised by Clive Brown in Grove Music Online 4 Gyrowetz Adalbert 1763-1850 Variations. 3 pp. Eight variations on a Tyrolean folksong popular at the time and the subject of numerous variation sets. Gyrowetz was a noted Bohemian composer and conductor. 5 Rossini Gioachino 1792-1868 Variations from the Tanti Palpiti. 2 pp. Five variations. The composer's Di tanti palpiti was the subject of variation sets by celebrated composers including Paganini Giuliani and Gelinek. Unlocated. Several small stains mainly to blank margins; minor soiling to final page mainly affecting its eight blank staves. These variations by the composers represented in the present manuscript are virtuosic incorporating rapid scales and arpeggios passages in double stops and bariolage. unknown
