PANASSIE HuguesLivre Rare Book
4.902 Ergebnisse
1947Best.-Nr. 105790Belvédère Maîtres du Jazz 1947 Editions du Belvédère, Coll. Maîtres du Jazz, 1947, 107 p., broché, environ 22x16cm, complet des hors-textes, couverture insolée, haut du dos émoussé, bon état pour le reste et intérieur impeccable. Avec un envoi de Hugues Panassié et la signature de Louis Armstrong.
2001This is a fine hardcover copy with a fine dust jacket with almost no wear. SIGNED by the photographer, Roy Decarava, on the verso of the title page and briefly inscribed. Otherwise completely clean. Illustrated thoughout with reproductions of Roy Decarava's black & white photographs of America's most beloved and well known jazz musicians from the 1960's. Stated first edition. Scarce signed. 14" high X 11" wide. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Best.-Nr. DADAX0843121939New unknown
1922Best.-Nr. 53307Beaver Dam WI: Malleable Iron Range Co. 1922-23. Three works in one. Oblong 4to. 38; 3-24; 34 pp. 35-39A leaves 39-66 i.e. 68 pp. 1st -- Colour-illustrated title in gray black orange & light blue printed and illustrated throughout with each black & white illustration of stove w/ orange & gray border; 2nd -- numerous plates in black & white black printed borders text illustrations diagrams; 3rd -- illustrated title numerous plates 5 linen-backed colour-tinted photographs w/ linen hinges text illustrations. Tan softcovers bound w/ two brass screw-posts at upper margin w/ Monarch Malleable range instructions cooking times and thermometer instructions preserved in original printed envelope laid-in minor shelfwear very minor thumbing rubbing still VG copy w/ ownership stamp of J.ohn Y. Hicks b. 1881 Malleable Iron Range sales rep who worked as railroad messenger and then machinist and salesman following World War I. First edition thus of these nicely illustrated salesman sample catalogues of Jazz Age electric stove appliances with electric cook tops insulating blocks an electric appliance plug-in on the side as well as automatic timer and temperature controls. These beautiful stoves could be purchased with enamel finish and as one oven cabinet ranges two oven cabinet ranges one oven square ranges one oven H type cabinet range with built-in kitchen heaters and more. The nicely executed colour-tinted linen-backed photographs showing Malleable stoves provide excellent contemporary visual documentation of the actual colours of the popular stoves folloowing World War I. Malleable Iron Range Company existed from 1896-1985 and at its height after World War I employed over 1200 employees producing a variety of stove and oven appliances which were coal & wood burning electric and gas. No copies located in Worldcat. Malleable Iron Range Co., paperback
1924Best.-Nr. 53221New York: The Charles William Stores Inc. 1924-1925. Two vols. 4to. 548 8; 518 8 pp. With numerous colour plates colour-tinted text illustrations over 1000 black & white text illustrations diagrams. Colour-illustrated softcovers minor soiling wear slight sunning front cover of vol. 1 creasing to spine; minor creasing shelfwear vol. 2 light uniform interior toning as usual still VG- set. First edition of the complete year of Jazz Age catalogues from the Charles William Stores which offered a treasure trove of everyday fashions work clothes and household and consumer goods during the Roaring 20s offering the glamour and style of New York to the rest of the country. Their fashions were intended for the average American with emphasis on the more “endowed” woman and “stout” man during the Jazz Age emphasizing chic styles and well-woven fabrics. These catalogues detail the high grade work pants riding breeches denim jeans corduroy work pants along with triple-sewed work denim overalls and coats which could be purchased as well as those made out of Wabash Stripe Stifel denim cloth noted for its durability. No copies located in Worldcat of Spring & Summer 1925; 3 copies located of Fall & Winter 1925 Henry Ford Harvard American Textile History Museum. The Charles William Stores, Inc., paperback
2000Best.-Nr. 2502170117xbvkLondon, late 1990s/early 2000s. Ca. 22,5 x 19,1 cm.
2000Best.-Nr. 2502170115xbvkLondon, late 1990s/early 2000s. Ca. 25,2 x 19,4 cm.
2000Best.-Nr. 2502170114xbvkLondon, late 1990s/early 2000s. Ca. 30 x 21 cm (sheet), ca. 24 x 19 cm (image).
2000Best.-Nr. 2502170122xbvkLondon, late 1990s/early 2000s. Ca. 18,3 x 21,5 cm.
2000Best.-Nr. 2502170118xbvkLondon, late 1990s/early 2000s. Ca. 29,6 x 20,9 cm (sheet), ca. 24,3 x 19,3 cm (image).
2000Best.-Nr. 2502170123xbvkLondon, late 1990s/early 2000s. Ca. 29,6 x 20,9 cm (sheet), ca. 22,2 x 19,4 (image).
2000Best.-Nr. 2502170119xbvkLondon, late 1990s/early 2000s. Ca. 26,5 x 19,3 cm.
2000Best.-Nr. 2502170120xbvkLondon, late 1990s/early 2000s. Ca. 29,7 x 20,8 cm (sheet), ca. 25,1 x 19,5 (image).
2000Best.-Nr. 2502170116xbvkLondon, late 1990s/early 2000s. Ca. 29,6 x 21 cm (sheet), ca. 26,7 x 19,4 cm (image).
2000Best.-Nr. 2502170121xbvkLondon, late 1990s/early 2000s. Ca. 29,6 x 20,9 cm (sheet), ca. 26,3 x 19,5 (image).
Best.-Nr. 4586revues in 4 (27cmX22cm) de 1945 à 1959 - quelques numéros avec photocopies ou couvertures manquantes - On trouve dans de nombreux numéros la revue de presse de Boris Vian.
Best.-Nr. 4587Revues In 4 (27cmX22cm) de 1960 à 1978 numéros en bon état
Best.-Nr. 32428Numéro hors-série de la revue Jazz Hot , Revue Rock & Folk n° 0 de 1966. In-4 agrafé de 66 pages, au format 27 x 21,5 cm. Couvertures photographiques avec Bob Dylan et Hugues Aufray. Couvertures avec d'infimes frottis aux coins. Intérieur frais. Mensuel musical français consacré à la musique rock et pop, fondé en 1966 par Robert Baudelet, Jean Tronchot, Philippe Adler, Jean-Pierre Leloir et Philippe Koechlin. La revue connut la participation de nombreux photographes dont : Jean-Pierre Leloir, Claude Gassian, Pierre Terrasson, Gaëlle Ghesquière, Bruno Ducourant,Patrice Guino, Jean-Louis Rancurel, Dominique Tarlé, Bertrand Alary et Saddri Derradji. Nombreux articles sur le Rock, le blues, la soul, la pop dont : Bob Dylan, The Rolling Stones, Nino Ferrer, Eddy Mitchell, Antoine, le Panorama 66 et l'Histoire du Rock. Nombreuses chroniques avec de très nombreuses photographies en noir et blanc. Dessins en noir de Siné, Cabu et Toupet. Rarissime édition originale, en très bel état de fraicheur de ce mythique n° 0.
Best.-Nr. L10276Éditions du Belvédère, 1947. In-8 br. Coll. " Les Maîtres du Jazz ". Rare jaquette illustrée restaurée conservée. Biographie de L. Armstrong suivie d'une discographie complète établie par Charles Delaunay. 9 planches hors texte. E.O. Dédicaces autographes de Louis Armstrong et Hugues Panassié.
Best.-Nr. 68854The Netherlands 1950-1991. Set of 18 original photos. Various sizes. = Mostly from jazz concerts in the Netherlands in the 1950's to 1990's. Includes Ella Fitzgerald 31 March - 1 April 1962 - photos by Hans van den Busken; Duke Ellington The Hague 28 April 1950 together with the female crooner Kathryn Elisabeth Wimp 1920-2012 professionally known as Kay Day Miles Davis several including a young dated 1956; photo Nico van der Stam and older Miles photos dated 10 January 1980 and 1991; including photos by Vincent Mentzel Mahalia Jackson Fela Kuti Melkweg concert Sidney Bechet The Hague 7 October 1956 Eartha Kitt North Sea Jazz Festival 1988 Chet Baker photo Ernst Nieuwenhuis 1975 etc. Several with light creasing due to handling but otherwise a delightful set. unknown
1920Best.-Nr. 9799Paris EDITIONS DU BON TON 1920 1 Paris, Éditions du Bon Ton, Lucien Vogel, 24 planches, mises en couleurs par Jean Saudé, de caricatures de Roger Chastel et Pierre Mourgue, (1920), dont une double planche, in-12, en feuilles, sous couverture crème illustrée par Mourgue et Chastel d'un couple dansant, vert et noir.
1947Best.-Nr. 65431947 éditions du Belvedere collection les maitres du jazz 1947 In8 broché 107 pages dédicace de Louis Armstrong et Hugues Panassié
Best.-Nr. DADAX0826465927New unknown
1932Best.-Nr. List3818New York City 1932. Silver gelatin photograph measuring 8 x 10 inches. Stage photograph of Cab Calloway and His Cotton Club Orchestra with Calloway at center before the band brass and reed sections drums bass guitar and stage lighting visible. Verso with mounting residue and manuscript note reading in part "from Irondome Bessemer album" or similar. Some wear creasing toning and mounting residue; very good. A large stage photograph of Cab Calloway and His Cotton Club Orchestra corresponding to a known 1932 image of the band made to mark the arrival of trumpeter Doc Cheatham. The photograph shows Calloway at center bending forward in his characteristic theatrical posture with the orchestra arranged behind him on the Cotton Club stage. By 1932 Calloway had become one of the defining entertainers of the Cotton Club era. He had taken over the Missourians in 1930 and the success of "Minnie the Moocher" in 1931 helped make him a national figure. The orchestra was also being reshaped during these years with musicians such as Doc Cheatham Morris White Walter "Foots" Thomas Benny Payne and others forming the sound and stage presentation of Calloway's early 1930s band.1 Mills Music used this same image in another press photograph indicating that it functioned as a promotional view of Calloway and the orchestra rather than merely as a private stage snapshot. 1 Jean-François Pitet "Morris 'Fruit' White: from the Missourians' banjo to Calloway's guitar" The Hi de Ho Blog May 20 2021 accessed July 21 2026 https://www.thehidehoblog.com/blog/2021/05/morris-fruit-white-from-the-missourians-banjo-to-calloways-guitar. . unknown
1932Best.-Nr. List3818New York City 1932. Silver gelatin photograph measuring 8 x 10 inches. Stage photograph of Cab Calloway and His Cotton Club Orchestra with Calloway at center before the band brass and reed sections drums bass guitar and stage lighting visible. Verso with mounting residue and manuscript note reading in part "from Irondome Bessemer album" or similar. Some wear creasing toning and mounting residue; very good. A large stage photograph of Cab Calloway and His Cotton Club Orchestra corresponding to a known 1932 image of the band made to mark the arrival of trumpeter Doc Cheatham. The photograph shows Calloway at center bending forward in his characteristic theatrical posture with the orchestra arranged behind him on the Cotton Club stage. By 1932 Calloway had become one of the defining entertainers of the Cotton Club era. He had taken over the Missourians in 1930 and the success of "Minnie the Moocher" in 1931 helped make him a national figure. The orchestra was also being reshaped during these years with musicians such as Doc Cheatham Morris White Walter "Foots" Thomas Benny Payne and others forming the sound and stage presentation of Calloway's early 1930s band.1 Mills Music used this same image in another press photograph indicating that it functioned as a promotional view of Calloway and the orchestra rather than merely as a private stage snapshot. 1 Jean-François Pitet "Morris 'Fruit' White: from the Missourians' banjo to Calloway's guitar" The Hi de Ho Blog May 20 2021 accessed July 21 2026 https://www.thehidehoblog.com/blog/2021/05/morris-fruit-white-from-the-missourians-banjo-to-calloways-guitar. . unknown books
