4 816 résultats
réf. DADAX3825311139New unknown
réf. CD1483Stan Getz And The Oscar Peterson Trio Getz Stan / Peterson Oscar Jazz International Music Getz Stan / Peterson Oscar.Condition: Pre-Owned Like NewPreowned in good condition.CD1483 unknown
réf. DADAX1883217555New unknown
réf. DADAX0195165535New unknown
réf. DADAX0807116483New unknown
réf. DADAX0135121957New unknown
2010réf. Q-1423485025Hal Leonard 2010-04-01. Paperback. New. In shrink wrap. Looks like an interesting title! Hal Leonard paperback
réf. SONG0521402387Used: Good unknown
1989réf. 1822MWZürich, Tages Anzeiger AG, 1989. Illustr. OBrosch. 100 S. Mit zahlreichen, z. T. farbigen Abbildungen. Mit dem lose beiliegenden, mehrfach gefalteten Farbposter mit rücks. Ausstellungs- und Festival-Verzeichnis (95 x 42 cm). 4°. Gut erhalten.
1981réf. 775191981 Editions du Grésivaudan et Maddly Bamy - 1981 - 2 forts vol in-4 en feuilles réunis dans une chemise demi-chagrin (pour chaque volume) puis dans un étui toilé réunissant les deux volumes - 252 pages - Tirage limité à 5000 exemplaires, celui-ci est l'un des 4500 exemplaires sur Vélin d'Arches et Ikonorex (3eme papier), numéroté 611, comprenant les 10 lithographies en couleurs de l'auteur + 1 en double - Photographies en couleurs de Maddy Bamy, photographies en noir & blanc de Joël L-Laffay
1990réf. 23983New York, NY [u.a.] : Greenwood Press, c. 1990. XI, 528 S. ; 24 cm ; blauer Org.-Leinen / cloth
réf. 4588Paris 1945 fascicules In 4 (27cmX22cm) bon état - Très rare
1970réf. 106248BBO. O., um 1970. 24 x 18 cm.
(ca. 29,6 x 21,2 cm). je ca. 80 S. Original-Broschur mit illustriertem Deckeltitel. Einzelhefte in gutem bis sehr gutem Zustand, ohne Adressaufkleber. Enthalten sind folgende Ausgaben: 6, 9-12/1990 / 1-11/1991 (kplt.) / 1-11/1992 (kplt.) / 1-11/1993 (kplt.) / 1-11/1994 (kplt.) / 1-11/1995 (kplt.) / 1-11/1996 (kplt.) / 10/1997 / 2-4, 6, 10/1998 / 2-4, 6, 9-11/1999 / 3/2000. - - - ACHTUNG! Dieses Buch kann wegen seines Gewichts oder seiner Größe nur als PAKET verschickt werden. Innerhalb Deutschlands 5,80 Euro. (Portokosten ins Ausland bitte erfragen.) / ATTENTION! Due to its weight or size this book can only be sent as a PARCEL. Within Germany 5,80 Euro (For shipment abroad please ask.)
1999réf. 24297London [u.a.] : Greenwood Press, 1999. XV, 290 S. ; 24 cm ; petrolfarb. Org.-Leinen / blue cloth
réf. h0105o.J. 3 S/W-Fotos mit Legende, dazu 20 weitere Fotos mit angeklebten Textstreifen. 7 S., links oben klammergeheftet. Zustand -1, Text leicht faltig. Magazine Reprint. Ips U.S. Information Service. MR-68-96.
1958réf. 4804EBDuisburg, Visser, 1958-1959. 4°. 28 cm. 20, 24, 23 (1), 24, 24, 23 (1) Seiten. Original-Broschuren. [4 Warenabbildungen]
réf. ORD-8024Paris. Robert Laffont. 1954. In-8 (140 x 197mm) broché, couverture imprimée en rouge sur fond jaune et illustrée de photos, 366 pages, nombreuses illustrations photo hors texte. Bel envoi de Hugues à Jacques qu'on a bien ennuyé parfois, avec la préparation de ce Dictionnaire.. signé Hugues et Madeleine. Edition originale de cet ouvrage de référence. Rare avec envoi.
réf. ORD-8015Souvenirs. Paris. Corréa. 1946. In-12 (120 x 187mm) broché, couverture imprimée en rouge et noir, 283 pages. Bel envoi de l'auteur à Jean Portal. Bon état. Rare avec envoi.
réf. ORD-8018Paris. Corréa. 1943. In-8 (120 x 186mm) broché, couverture imprimée en 3 couleurs, 173 pages. Edition originale. Couverture un peu abîmée et lgt tachée.
réf. ORD-8020Paris. Robert Laffont. 1952. In-8 (146 x 191mm) broché, couverture à rabats imprimée et illustrée photo, 253 pages. Bon exemplaire. Rare avec envoi.
réf. DADAX0500518319New unknown
1966réf. 2111902156002108Not Available 1966. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1921réf. 51295Scranton PA: International Textbook Co. 1921. Thick 8vo. vii 1 approx 450 pp sections separately paginated ix-xxi 1 pp. With 100s of text illustrations diagrams colour plates. Publisher’s three-quarter red buckram over green gilt lettering & ruling on spine marbled endpapers minor shelfwear dustsoiling to spine still VG copy. First editions of this very scarce and lavishly illustrated educational course on how to design construct and arrange window displays and floor displays of men and women’s clothing during the Jazz Age. Koerber 1871-1937 was an Hungarian-American designer and amazingly successful Display Manager for the Strawbridge & Clothier Department Store in Philadelphia at their five-story edifice flagship at Market & 8th. He emphasized and promoted the use of elaborate window displays with wax mannequins often with a particular theme and these needed to be constantly refreshed by the design department. In addition he highlighted the staging of merchandise on the floor such as putting men’s ties with their multi-coloured silks drawing shoppers to the men’s department and arranging women’s undergarments silks and evening wear in prominent positions to draw women further into specified sections. This work provides technical and practical information on wooden display forms flooring how to construct mannequins draperies holiday themes floor displays how to paint backdrops and more. The hundreds of photo images of window displays and floor displays provide an invaluable historical record for marketing during the Roaring 20s as well as offering a methodology of how these could be repeated and successful for other designers. Of particular interest is the extensive section on animatronics and motorized displays filled with information on lighting automatons and creating special effects. No copies located in Worldcat. International Textbook Co., hardcover
1999réf. 26915University Park:: Penn State Press 1999. First Printing of the First Edition. A Fine tight copy in a Very Good plus dust jacket with light sunning to the spine that is common wtih this title. In Le Tumulte noir Jody Blake focuses on the impacts of African sculpture and African-American music and dance on Parisian popular entertainment and modernist art literature and performance. Blake discusses the reception of ragtime-era and jazz-age entertainment as well as other African visual and performing art forms to provide new ways of understanding the development of modernist primitivism from Matisse and Picasso to Futurism Dada Surrealism and Purism. But the influence of art nÈgre went well beyond the avant-garde art world. Starting with the cakewalk of the 1900s and culminating with the Charleston of the 1920s the book studies the African-American idioms that were involved in larger cultural social and political developments. As an illustration Blake argues that performers such as Josephine Baker and Sidney Bechet of Revue nÈgre fame were thought to affect the political balance between Africa and Europe during the colonial period. Le Tumulte noir is divided into six chronological chapters each a well-researched well-conceived and well-written synthesis of the histories of art literature music and dance. Penn State Press, unknown
