4387 risultati
1962rif. 172605Paris: Michel Salou 1962. The band's expanded voicings added orchestral sonority to rhythmic power An evocative sequence: one focusing on Blakey at the kit a particularly luminous shot another showing the front men playing percussion two of Freddie Hubbard soloing one of Curtis Fuller and another of Cedar Walton. Blakey 1919-1920 was a master percussionist and the Jazz Messengers which he led for over 30 years was "the most famous academy in jazz" Cook & Morton. The lineup here is Blakey drums Wayne Shorter tenor sax Freddie Hubbard trumpet Curtis Fuller trombone Cedar Walton piano and Jymie Merritt bass. When Lee Morgan left the band Blakey brought in Hubbard and Fuller with Cedar Walton coming in for Bobby Timmons. The new agglomeration formed perhaps "the most adventurous of Messenger lineups. The band's expanded voicings added orchestral sonority to rhythmic power". The photographer Michel Salou worked as a music executive producing albums by among others Sun Ra Live in Paris at the "Gibus" 1973 the Mal Waldron Trio Ursula 1978 and the French pianists George Arvanitas and Rene Urtreger. He also appears in the annals of the Art Ensemble of Chicago as their "first booking agent. who helped them secure concert dates across France and elsewhere in Europe" Steinbeck p. 130. His excellent work as a lensman appears to have gone virtually unnoticed except that the National Portrait Gallery holds a single print of Ray Charles in performance. Six original carbon print photographs 240 x 180 mm printed on heavy stock paper inscribed on versos in blue ballpoint: "clichés Michel Salou". In excellent condition. Paul Steinbeck Message to Our Folks: The Art Ensemble of Chicago 2017. unknown
1950rif. 1726311950-60s. Attractive collection of portraits of five jazz greats those of Paul Bley and John Lewis are vintage prints from the studio of Burt Goldblatt with wet stamps on verso. Goldblatt's New York Times obituary describes him as "a prolific designer of moody jazz LP album covers. In the early 1950s after the introduction of the LP the most progressive American cover designs were created for jazz albums and Mr. Goldblatt was among the pioneers in establishing the cool-jazz style. It encompassed black-and-white portraits and studio photographs inspired by film noir as well as gritty street scenes often abstractly overlaid with flat colours evoking a sense of urban night life". The study of Paul Bley shows him performing at the Newport Jazz Festival where Goldblatt was very much the house photographer publishing an illustrated history of the festival in 1977. Bley in the avant-garde of developments in the music "has produced vivid vital jazz couched in an advanced and challenging idiom" Cook & Morton. That of John Lewis - leader of the MJQ one of the most successful small groups in jazz - is an intimate close-up shot of him at the keyboard. Bill Evans is shown standing at the keyboard working through some changes with another musician perhaps drummer Kenny Clarke; the figure at Evans's elbow may be fellow-pianist Hank Jones. Similarly Tommy Flanagan sporting a flat cap and plaid shirt is going over material with drummer Roy Haynes. Flanagan is perhaps best known for his work accompanying Ella Fitzgerald and Tony Bennett emerging in the '70s and '80s as "a bebopper of gentlemanly distinction" Cook & Morton. The shot of Wynton Kelly is a delightful unguarded portrait showing him at the piano smiling and clearly in conversation sporting a hat with upturned brim and hip suit. Like Evans Kelly played on Miles Davis's timeless album Kind of Blue and is described by the All About Jazz website as "a superb accompanist loved by Miles Davis and Cannonball Adderley". Five original silver gelatin prints each 254 x 200 mm. Bley: identified on verso in black felt tip Burt Goldblatt wetstamp; Evans: identified on verso in pencil; Flanagan: identified on verso in pencil; Kelly: ghost of tape marks on verso; Lewis: identified on verso in blue ballpoint Burt Goldblatt wetstamp. Very slight blue ink smudging to the front of the image of Bley otherwise all in excellent condition. Richard Cook & Brian Morton The Penguin Guide to Jazz Recordings eighth ed. 2006. unknown
rif. 1i7571G & L Rauch Schallplatten-Vertrieb Kassel um 1958 - 1970. Ca. 220 S. mit den original Schallplatten-Cover Leinenalbum mit goldgeprägtem Titel "Jazz" und Impressum quart OHNE die Schallplatten. - darunter: Greenwich Village Jazz at the Club Bohemia von Randy Weston und Cecil Payne/ Chet Baker in Milan/ Chet Baker with Fifty Italian Strings/ Bombastica! The Werner-Rosengren Swedish Jazz Quartet/ Guitar Groove Rene Thomas Quintet/ Out of this world Walter Benton Quintet with Wynton Kelly Paul Chambers Freddy Hubbard/ Tough Tenors the Johnny Griffin and Eddie Lockjaw Davis Quintet/ Art Pepper Gettin together! with an all-star rhyrhm secrion Wynton Kelly Paul Chambers & Jimmie Cobb plus Conte Candoli/ Wes Montgomery Movin Along with James Clay Victor Feldman Sam Jones Louis Hayes uvm. / größtenteils mit handschriftlichen Informationen über die Songs auf der Rückseite des jeweiligen Covers - unknown
rif. 4d3155_SVerschiedene Verlage und Orte 1963-1978. In Original-Covern quart teils leichte Gebrauchsspuren. - sonst gute Exemplare / Enthalten: Charlie Byrd - Latin Byrd 2 LPs / Dave Brubeck - Gone with the wind / Dave Brubeck's Greatest Hits; Produced by Teo Macero / Spirituals - The heavenly sound of Negro Spirituals. Sung by Hugh E. Porter & His Gospel Singers / Schnuckenach Reinhardt Quintet - Live / The very best of Django Reinhardt from Swing to Bop. His best Recordings from 1935 - 1953 2 LPs / Barber's Best - Chris Barber's Jazzband with Ottilie Patterson. Lazy River - Basin Street Blues - Blueberry Hill - I can't give you anything - But Love - King Kong u.a. / Giants of Dixieland. Lonesome - Elephant Stomp - Papa Dip - Berliner Luft - Sweet Sue - Baby won't you please come home / The Best of Sam Cooke / All-Star Festival. Louis Armstrong Maurice Chevalier Nat "King" Cole Bing Crosby Doris Day Ella Fitzgerald Mahalia Jackson Nana Mouskouri Patti Page Luis Alberto del Parana Edith Piaf Anne Shelton Caterina Valente / Ma Baker. Vocal Production / Dixie Party - Traditional Club of Bratislava / Fats Domino - Seine 20 größten Hits. 20 Originalaufnahmen / Papa Bue's Viking Jazz Band. 1919 March - Weary Blues - Corrine Corrina - Bogalusa Strut - AI AI AI u.a. / Herbie Mann & The Family of Mann - Hold on I'm comin'. Recorded live at the 1972 New York & Montreux Jazz-Festivals / Dixie Jubilee. 25 years Dutch Swing College Band Leader: Peter Schilperoort. 12 original recording highlights / The Fats Domino Story 2 LPs / Herbie Mann Memphis Underground - That's Jazz / The Modern Jazz Quartet - Modern Jazz Quartet 2 LPs / Doldinger Jubilee. The Feetwarmers - Oskar's Trio - Klaus Doldinger Quartet - Paul Nero Sounds - Doldinger's Motherhood - Passport 3 LPs / Crosby Stills Nash and Young - So far / The Best of Ramsey Lewis / Ramsey Lewis - Pickup - unknown
rif. 6h167Membrab Music Hamburg 2005. 168 CDs in 21 original Kunststoff-Hüllen im kartonierten Schuber. - gute Exemplare/enthalten: 36 CDs Classic Jazz Ragtime Dixieland/28 CDs Blues/4 CDs Boogie Woogie/60 CDs Swing to BeBop Modern Jazz/20 CDs Big Band/20 CDs Vocalists - unknown
1928rif. 173491Austria: 1928-33. Girljazzband" wows 1920s Austria A delightful Jazz Age scrapbook that doubles as liber amicorum and guest book assembled by the pianist and singer Anny Gloss recording in part her career with the Ninon Fleuron Jazz Ladies opening a window into the experiences of European women in jazz during the music's formative years. The first set of newspaper clippings record that in 1928 Gloss was teamed with the American "Jazz Queen" Elsie Teele at the "charming and elegant" Viennese bar the Bonbonnière with Teele billed as "the female Whiteman" - she gave the Austrian premier of Gershwin's Rhapsody in Blue in 1927. Much of the album is then devoted to Gloss's experiences at Hotel Radetzky in Hinterbrühl Lower Austria where she performed as part of the Ninon Fleuron Jazz Ladies. At the time the other members of the band were the eponymous Ninon Fleuron drums pseudonym of Rosa Sophie Radio 1899-1974 Mariska Gerö violin and Gretl Heller piano. One advert mentions them "Singing the Latest American Song-hits" while a newspaper clipping praises their "rendering of classical music". The album contains numerous messages sometimes addressed to her directly from friends audience members and well-wishers. While most of these are in German some are in English "Your music makes me feel 10 years younger". The Ninon Fleuron Jazz Ladies which had various personnel came to an abrupt end with Hitler's invasion of Austria in 1938. Gloss also performed under the name Anni Hölzl as demonstrated by the cast list for a 1931 performance of Der Kärntner Totentanz and the programme for a concert in which she had a soprano solo 1933. Octavo 241 x 190 mm ff. 60 final 20 ff. blank. Contents generally on rectos only numerous items of ephemera pasted in including c.20 newspaper clippings 15 original silver gelatin photographs of which two are signed by Ninon Fleuron messages and autographs in various hands one watercolour sketch of the Karlskirche Vienna one concert programme loosely enclosed. Original patterned cloth covers light orange endpapers. Binding just slightly shaken otherwise in excellent condition. hardcover
1937rif. 124905Moscow: Upravlenie tsirkov V.K.I. Circus Administration 1937. Uncommon print run of just 8000 copies. An advertisement for the Soviet Little peoples' circus group the "Musical and Eccentric Group of Lilliputians" founded in late 1920s under direction of Mikhail Kachuriner 1896-1976 and continued until shortly after his death. The main accent was always on musical talent the performers having musical instruments specially made for them although the group did include performers of "normal" height. "Lilliputian Jazz"was probably the most popular of similar circus groups of the time their first programme "Cinema Jazz" was a parody of some the great stars of the silver screen; Mary Pickford Charlie Chaplin Douglas Fairbanks and the like. A striking example of the work of Mikhail Dlugach 1893-1988 prolific graphic designer and poster artist whose early career centred on the film industry joining Reklam Film the dvertising department of the Soviet film agency. A member of AKhRR The Association of the Artists of the Revolution and ORRP The Association of Revolutionary Poster Artists in the 30s he continued to work in film but diversified into agitprop and exhibition design. In 1940 he helped to design the exhibition pavilion at the All-Union Agricultural Exhibition in Moscow. During the Second World War Dlugach he was was evacuated to Ufa and worked for Okna TASS creating war propaganda. After the war he continued working as a poster designer in politics and the arts including circus promotions. In 1958 he was one of the team involved in the design and building of the Soviet pavilion at the International Exhibition in Brussels. An attractive and unusual piece much enhanced by the presence of the pictorial programme. Lithographically printed colour poster 905 x 580 mm; together with Kino-dzhaz. Odessa: 1935. 4-page "broadsheet" promotional brochure graphics and images printed in sepia letterpress in black. A few minor chips and splits professionally repaired light creases from old folds consequent whitening of the print surface but remains very good. Presented in a black wooden frame with conservation acrylic glazing; the brochure lightly browned creases from folds some edge-slits but overall very good. unknown
1947rif. 133392Prague: 1947-48 & 1952. Jazz in Cold War Czechoslovakia First and only editions of both of these short-lived fugitive publications. The complete run of Jazz offers a fascinating view of the times. A well-produced illustrated magazine that features reviews pen pictures and features on American and other western jazz performers the editorial direction changed radically following the coup d'état of 1948. The contrast between the final issue before the February 1948 putsch and the first issue afterwards reveals a complete reinterpretation of jazz Czech critic Ján Dalecký remarking that "In the introduction alone which was full of ideological terms we could see that the magazine had taken a 180 degree turn" reviews of Soviet performers began to proliferate. WorldCat locates a single run at the University of Delaware. It is doubtful that more than a handful of each issue of the 1952 journal would have been produced. Extremely uncommon no other copies traced it is impossible to say whether any more was ever produced. Highly risky samizdat published at a time when in Czechoslovakia merely singing jazz lyrics in English was against the law. Both issues heavily promote the AFN American Forces Network radio station providing the jazz schedule for upcoming week including the AFN Hit Parade programme and other western European broadcasts featuring jazz. Also includes a short story about a Czechoslovak family whose lives are utterly transformed by listening to AFN; reviews of current American jazz releases; interviews with Czech jazz musicians and reviews of local jazz-related concerts. First named 15 issues in 13 c.16 pages per issue all published quarto wire-stitched in the original medium paper pictorial wrappers; the second 2 issues octavo all published - issue 1 19 April 1952 19 pages; issue 2 3 May 1952 17 pages - carbon copy typescript the first issue wire-stitched in glossy paper wrappers with illustration to the front panel the second wire-stitched laid loosely into plain blue card wrappers. First named with illustrations to the text. Housed in a plain black cloth solander box. Both with some external wear the wrappers a little rubbed first issue of the first with light vertical crease from folding for mailing "ukazkove cislo" sample issue ink stamp to the front panel; both with pale toning to the text but overall very good. hardcover
2005rif. DADAX1883217156Sher Music Company 2005-06-01. 3-Horn Edition. spiral_bound. New. 8.50x0.38x11.00. Buy with confidence. Excellent Customer Service & Return policy. Sher Music Company unknown
rif. 84869Roosevelt NJ: by the Author c.1956. Quarto 37cm. Printed card portfolio holding twelve lithographic plates loose as issued. All lithographs are signed in plate; Martin has inscribed the portfolio "Jean and Sol Libsohn / David" undated. Very mild external toning and soil; Near Fine. Inside of portfolio is printed with a holiday sentiment and also a brief blurb from Alan Lomax commenting on the illustrations. Scarce portfolio of lithographic prints reproducing Martin's illustrations for Alan Lomax's Mr. Jelly Roll a biography of jazz pianist Jelly Roll Morton published in 1956. Issued without imprint presumably printed as a Christmas gift to friends of the artist. This copy is inscribed to the photographer Sol Libsohn and his wife Jean who were Martin's neighbors in Roosevelt New Jersey a WPA town founded in 1939 which by the Fifties had become a destination for artists writers and musicians seeking refuge from but proximity to the New York art scene. Martin 1913-1992 was a noted mid-century illustrator known best for his many jazz album covers for Folkways and Blue Note in the Fifties and Sixties. Of the present portfolio we locate only a single copy in OCLC Pitt with no other example traced in commerce. unknown
1939rif. 61627York Pennsylvania: The Valencia Ballroom 1939. Quarto. Spiral-bound leatherette boards hardcover; 94pp; illus. Trivial soil to covers with front board very slightly bowed at fore edge; internally fresh clean and unmarked; Near Fine. Promotional album for the storied Valencia Ballroom a popular musical venue during the Swing Band era. Strategically located on a route that connected New York Philadelphia and Baltimore the Valencia caught traveling orchestras on their way north or south thus bringing an impressive assortment of acts to the unlikely industrial city of York PA. Richly illustrated with photographs of the venue of the Tassia family owners and managers of the Valencia architectural views and dozens of portraits of the popular performers who played there including Eddie Duchin Kay Kyser Benny Goodman Sammy Kaye Guy Lombardo Bunny Berrigan the Dorseys and a host of others. Though the Valencia clearly favored white orchestras a few noteworthy African-American performers appeared there regularly and are pictured including Jimmy Lunceford Cab Calloway Duke Ellington and Claude Hopkins. A lavishly-produced souvenir and highly uncommon; OCLC notes four locations and we trace no other copies in the trade. The Valencia Ballroom unknown
rif. 5a1638Zimmerle Stuttgart 1977-1981. Je Heft ca. 55 S. mit einigen Abbildungen broschierte Einbände quart teils geringe Gebrauchsspuren. - Enthält: Jahrgang 1977 Heft 7 8 9 10 und 12 / Jahrgang 1978 Heft 1 bis 11 / Jahrgang 1979 Heft 1 bis 12 / Jahrgang 1980 Heft 1 3 4 und 12 / Jahrgang 1981 Heft 1 / Dazu 4 Hefte "down beat - the contemporary music magazine": Jahrgang 1978 Heft 7 und Jahrgang 1980 Heft 1 2 und 9 - unknown
1921rif. 82277New York: Palmetto Music Pub. Co 1921. First Edition. Slim quarto 30.5cm; original pictorial wrappers; 6pp. Moderate wear handling and dust-soil to wrappers some creases and edge-tears with inner spine-fold archivally reinforced with a patch of paper tape remnant to upper end of same; complete Good to Very Good. One of the earliest hits by African American songwriter and composer Thomas Henry Delaney 1889-1963. Born in Charleston SC he would eventually become one of the most popular jazz and blues composers on Tin Pan Alley. The front wrapper reproduces a photograph of Lucille Nelson Hegamin 1894-1970 backed by the band Albury's Blues and Jazz Seven. In 1920 she became the second African American blues singer to record following Mamie Smith and Perry Bradford's August 1920 recording of "Crazy Blues." She recorded "Jazz-Me Blues" in 1921 backed by her husband Bill and his band the Blue Flame Syncopators; thanks to her recording Delaney's song would go on to become a jazz standard. OCLC notes a scant 8 holdings. 82277. Palmetto Music Pub. Co unknown
1947rif. 14922New York: E.P. Dutton 1947. First Edition. Octavo 21cm. Black cloth boards stamped in red on spine and front cover; dustjacket; 223pp. Review copy with publisher's slip laid in. Endpapers mildly darkened else a tight Near Fine copy in the original pictorial dustwrapper. Jacket is unclipped lightly worn at spine ends with a small closed tear at upper margin of front panel; Very Good. Third volume of Willis's loosely-connected postwar trilogy about jazz musicians in the Midwest. Preceded by Tangleweed 1943 and The Wild Faun 1945. HANNA 3829. E.P. Dutton unknown
2008rif. A47800Barcelona: Tasneem Gallery 2008. First Edition. Wraps. Paperback . Very Good. First Edition. Wraps. 4to. Colour illustrated wraps/ paperback. Copiously illustrated in colour throughout. Text in Spanish and English. Exhibition catalogue. ISBN: 9788461272716 Pages: 55 About fine. Tasneem Gallery, paperback
1993rif. C102165Uk 1993. Very Good. 53 Original tickets for music concerts & rock gigs 1993 Ã2015: Clannad 1996 /Simply Red 2009 Eric Clapton 1996'98'09/Mike and the Mechanics 1999/ Eric Bibb 2001/ John Williams 2015/ Rod Stewart 2007/ Sting 2004/ Elton John 2000/ Rolling Stones 1998/ Bon Jovi 2006/ Phil Collins 1994/Pink Floyd 1994/Eurythmics 1999/ Bruce Springsteen 1993 2006/ Jules Holland 2002'11/ Jethro Tull 1999/ Paul Simon 2000'16/ Chris Rea 2003/ Supertramp 1997/ Bryan Ferry 2002'04/ David Bowie 2003/ Ludovico Einaudi 2010'15/ Riverdance 1997/ David Gray 2002/ Ronan Keating 2003'05/ BBC Proms 1998/Simon & Garfunkel 2015/Il Divo 2007/ Jethro 2008/ Jos Carreras Royal Albert Hall 1999/ Steve Harley 2002/Status Quo 2002/ Ginger Baker Jazz Confusion 2013/ The Chieftains 2012/Joe Bonamassa 2015/ Ladysmith Black Mambazo 2000/ Eagles 2001/ KT Tunstall 2008/ Kate Rusby 2015/ Elkie Brooks 2001/Cleo Laine 2013. UK Tour venues. Very good. unknown
rif. 29392-A-60032J.J. Publications London 1948/1951. 16 issues together in halfcloth binding including original coves; trimmed a bit short. Contains: Volume 1 issues 5-8 1948 vol. 2 issues 1 -11 1949 and vol. 4 issue 11 1951. -slight traces of tape and wear on cover bookblock itself in good condition J.J. Publications, London, 1948/1951 hardcover
rif. 6804137Hal Leonard Corporation . Hardback. New. pp. xix 179 1st edition Hal Leonard Corporation hardcover
1948rif. 223231948. 1 Traill Sinclair ed. Jazz Journal issues 1948 document postwar British jazz culture as readers collectors critics and musicians rebuilt access to American jazz after wartime disruption and expanding record scarcity. Founded by Sinclair Traill in 1948 Jazz Journal became a major English-language jazz periodical; its inaugural year placed African American performers blues aesthetics revivalist debate discography and record reviews at the center of British jazz criticism. These issues support research into jazz reception in the United Kingdom transatlantic music journalism record collecting racialized cultural admiration and the postwar circulation of African American musical authority through British print culture. Jazz Journal. Volume 1 Nos. 1-3 5-6 8-9. London: J.J. Publications May-November 1948. Seven issues each approximately 12 pages in pictorial wrappers. The run includes the May June July September October and November 1948 issues with one additional issue represented by number rather than month in the supplied description and contains record reviews discographies artist profiles editorials criticism and jazz news. The premier issue opens with Traill's editorial appeal to jazz readers recalling that "Even in those far-off days between the two wars when paper was to be had for the asking and printers' costs didn't resemble a millionaire's hotel bill it was always a dubious endeavour" and closing with the hope that readers would see "a new issue of JAZZ JOURNAL on the first of each month for many years to come." Contents cited in the supplied description include "Make Way for Dixieland or Return to Sanity" a Thomas Waller discography a September 1948 appreciation of Hoagy Carmichael with signed portrait cover and Hugues Panassié's November essay "Count Basie and the Blues" which argues that "Count Basie knows how to play the blues as well as it seems possible to do so on the piano." Cover portraits include Louis Armstrong Nellie Lutcher Count Basie and Humphrey Lyttelton placing African American jazz innovators alongside British revivalist musicians within a magazine aimed at a postwar readership hungry for recordings biographical knowledge and critical guidance. Traill Sinclair ed. Jazz Journal. Vol. 1 No. 1. London: J.J. Publications 1948. The opening issue establishes the magazine's postwar purpose through Traill's editorial address to jazz enthusiasts and its promise of sustained monthly criticism. Its contents including revivalist commentary and discographical attention to Thomas "Fats" Waller show the early publication's effort to organize jazz knowledge for British readers dependent on print mediation and record collecting. 2 Traill Sinclair ed. Jazz Journal. Vol. 1 No. 2. London: J.J. Publications 1948. This issue continues the magazine's early program of criticism record commentary and performer-centered coverage for a readership attentive to American jazz and its British reception. It belongs to the first sequence of issues issued after the May 1948 relaunch from Traill's earlier Pick Up whose final issue preceded the first Jazz Journal in May 1948. 3 Traill Sinclair ed. Jazz Journal. Vol. 1 No. 3. London: J.J. Publications 1948. The third issue forms part of the magazine's initial attempt to stabilize a postwar jazz readership through recurring reviews essays and documentation of recordings and artists. Its position in the first volume is useful for tracing how British jazz criticism developed a regular periodical form in 1948. 4 Traill Sinclair ed. Jazz Journal. Vol. 1 No. 5. London: J.J. Publications 1948. This issue continues the first-year sequence with the supplied description emphasizing the magazine's mix of artist portraits discographical writing and critical essays. The issue contributes to the archive's broader value as evidence of how British jazz readers encountered American performers through images reviews and commentary. 5 Traill Sinclair ed. Jazz Journal. Vol. 1 No. 6. London: J.J. Publications 1948. The September 1948 issue features an appreciation of Hoagy Carmichael with a signed portrait cover connecting jazz readership to popular song composition and the American music industry. Its treatment of Carmichael alongside coverage of African American jazz performers demonstrates the publication's wide understanding of jazz-adjacent culture in the late 1940s. 6 Traill Sinclair ed. Jazz Journal. Vol. 1 No. 8. London: J.J. Publications 1948. This issue belongs to the later portion of the inaugural-year run and continues the magazine's regular pattern of record culture criticism and performer documentation. In the context of the seven-issue group it helps show the durability of Traill's monthly editorial project beyond the launch months. 7 Traill Sinclair ed. Jazz Journal. Vol. 1 No. 9. London: J.J. Publications 1948. The November issue includes Hugues Panassié's "Count Basie and the Blues" a critical essay distinguishing blues feeling and phrasing from commercialized improvisation. Its attention to Basie foregrounds African American musical authority within British jazz discourse and gives the archive direct relevance to the study of blues reception swing-era memory and postwar criticism. Moderate soiling and creasing to wrappers occasional spine chipping intact stapled bindings delicate covers and vivid photographic contrasts good overall. Substantial inaugural-year run of a long-lived British jazz periodical preserving the early critical vocabulary through which postwar British readers studied African American jazz swing-era performers blues expression and record collecting. unknown
2008rif. 29212New York:: Oxford University Press 2008. First Printing of the First Edition. A Fine tight unread copy in a Fine bright dust jacket. This volume is a mixture of travelogue detective story and personal narrative tracing the history of Gypsy Jazz from its beginnings with Django Reinhardt in Paris in the 1930s up to the present practitioners capturing the history and culture of this elusive music that has grown in popularity in recent years. Illustrated with historic photographs. Oxford University Press, unknown
rif. Z1-A-014-02622Createspace Independent Pub. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Createspace Independent Pub unknown
1970rif. 052683Istanbul: Manuscript. ca. 1970-80 1970. No Binding. Very Good. Original nine letters with their original envelopes and one empty envelope of Nüket Aruca -1987 was a Turkish female jazz singer. Letters are in mostly English. It's her last voice record in YouTube is from an improvised song from a jazz concert in the Turkish - American Association in 1985. Manuscript., [ca. 1970-80] unknown
rif. BN66418Süddeutsche Zeitung Jazz-Edition: Dive into Jazz Dombrowski Ralf unknown
2006rif. BN72837Klartext 2006. 2006. Sounds like Whoopataal Neuauflage 2008: Wuppertal in der Welt des Jazz Wuppertal in der Welt des Jazz Klartext unknown
rif. BN165716Wolke V.-G. Jazzportraits - Fotobuch des Jazz Creutziger Matthias Jazzportraits - Fotobuch des Jazz Creutziger Matthias Jazzportraits - Fotobuch des Jazz Creutziger Matthias Wolke V.-G. unknown
