4.462 resultados
2000ref. 1-0130196177Prentice Hall 2000. Paperback. New. 5th edition. 368 pages. 9.25x7.00x0.62 inches. Prentice Hall paperback
1960ref. 172596Paris: Michel Salou 1960. Superb images of the Messengers live in Paris An outstanding series of "in the moment" images showing one of the great Messengers lineups captured in Paris probably at the Olympia in 1960. The lineup comprises Blakey drums Wayne Shorter tenor sax Lee Morgan trumpet Bobby Timmons piano and Jymie Merrit bass. Blakey 1919-1920 was a master percussionist and the Jazz Messengers which he led for over 30 years was "the most famous academy in jazz" Cook & Morton. Wayne Shorter was relatively new to the band and his playing lent a "dark corrosive edge" to the front line while on ballads his tone became "softly beseeching". Lee Morgan "arguably the defining figure of hard bop" had been with Blakey since 1958. The photographer Michel Salou worked as a music executive producing albums by among others Sun Ra Live in Paris: At the "Gibus" 1973 the Mal Waldron Trio Ursula 1978 and the French pianists George Arvanitas and Rene Urtreger. He also appears in the annals of the Art Ensemble of Chicago as their "first booking agent. who helped them secure concert dates across France and elsewhere in Europe" Steinbeck p. 130. His excellent work as a lensman appears to have gone virtually unnoticed except that the National Portrait Gallery holds a single print of Ray Charles in performance. Eight original carbon print photographs 240 x 180 mm 6 landscape 2 portrait printed on heavy stock paper verso with Salou's identifying note in pencil. In excellent condition. Richard Cook & Brian Morton The Penguin Guide to Jazz Recordings eighth ed. 2006; Paul Steinbeck Message to Our Folks: The Art Ensemble of Chicago 2017. unknown
2025ref. x-1038312779FriesenPress 2025. Hardcover. New. 330 pages. 6.00x0.88x9.00 inches. FriesenPress hardcover
1962ref. 172605Paris: Michel Salou 1962. The band's expanded voicings added orchestral sonority to rhythmic power An evocative sequence: one focusing on Blakey at the kit a particularly luminous shot another showing the front men playing percussion two of Freddie Hubbard soloing one of Curtis Fuller and another of Cedar Walton. Blakey 1919-1920 was a master percussionist and the Jazz Messengers which he led for over 30 years was "the most famous academy in jazz" Cook & Morton. The lineup here is Blakey drums Wayne Shorter tenor sax Freddie Hubbard trumpet Curtis Fuller trombone Cedar Walton piano and Jymie Merritt bass. When Lee Morgan left the band Blakey brought in Hubbard and Fuller with Cedar Walton coming in for Bobby Timmons. The new agglomeration formed perhaps "the most adventurous of Messenger lineups. The band's expanded voicings added orchestral sonority to rhythmic power". The photographer Michel Salou worked as a music executive producing albums by among others Sun Ra Live in Paris at the "Gibus" 1973 the Mal Waldron Trio Ursula 1978 and the French pianists George Arvanitas and Rene Urtreger. He also appears in the annals of the Art Ensemble of Chicago as their "first booking agent. who helped them secure concert dates across France and elsewhere in Europe" Steinbeck p. 130. His excellent work as a lensman appears to have gone virtually unnoticed except that the National Portrait Gallery holds a single print of Ray Charles in performance. Six original carbon print photographs 240 x 180 mm printed on heavy stock paper inscribed on versos in blue ballpoint: "clichés Michel Salou". In excellent condition. Paul Steinbeck Message to Our Folks: The Art Ensemble of Chicago 2017. unknown
1950ref. 1726311950-60s. Attractive collection of portraits of five jazz greats those of Paul Bley and John Lewis are vintage prints from the studio of Burt Goldblatt with wet stamps on verso. Goldblatt's New York Times obituary describes him as "a prolific designer of moody jazz LP album covers. In the early 1950s after the introduction of the LP the most progressive American cover designs were created for jazz albums and Mr. Goldblatt was among the pioneers in establishing the cool-jazz style. It encompassed black-and-white portraits and studio photographs inspired by film noir as well as gritty street scenes often abstractly overlaid with flat colours evoking a sense of urban night life". The study of Paul Bley shows him performing at the Newport Jazz Festival where Goldblatt was very much the house photographer publishing an illustrated history of the festival in 1977. Bley in the avant-garde of developments in the music "has produced vivid vital jazz couched in an advanced and challenging idiom" Cook & Morton. That of John Lewis - leader of the MJQ one of the most successful small groups in jazz - is an intimate close-up shot of him at the keyboard. Bill Evans is shown standing at the keyboard working through some changes with another musician perhaps drummer Kenny Clarke; the figure at Evans's elbow may be fellow-pianist Hank Jones. Similarly Tommy Flanagan sporting a flat cap and plaid shirt is going over material with drummer Roy Haynes. Flanagan is perhaps best known for his work accompanying Ella Fitzgerald and Tony Bennett emerging in the '70s and '80s as "a bebopper of gentlemanly distinction" Cook & Morton. The shot of Wynton Kelly is a delightful unguarded portrait showing him at the piano smiling and clearly in conversation sporting a hat with upturned brim and hip suit. Like Evans Kelly played on Miles Davis's timeless album Kind of Blue and is described by the All About Jazz website as "a superb accompanist loved by Miles Davis and Cannonball Adderley". Five original silver gelatin prints each 254 x 200 mm. Bley: identified on verso in black felt tip Burt Goldblatt wetstamp; Evans: identified on verso in pencil; Flanagan: identified on verso in pencil; Kelly: ghost of tape marks on verso; Lewis: identified on verso in blue ballpoint Burt Goldblatt wetstamp. Very slight blue ink smudging to the front of the image of Bley otherwise all in excellent condition. Richard Cook & Brian Morton The Penguin Guide to Jazz Recordings eighth ed. 2006. unknown
ref. 4d3155_SVerschiedene Verlage und Orte 1963-1978. In Original-Covern quart teils leichte Gebrauchsspuren. - sonst gute Exemplare / Enthalten: Charlie Byrd - Latin Byrd 2 LPs / Dave Brubeck - Gone with the wind / Dave Brubeck's Greatest Hits; Produced by Teo Macero / Spirituals - The heavenly sound of Negro Spirituals. Sung by Hugh E. Porter & His Gospel Singers / Schnuckenach Reinhardt Quintet - Live / The very best of Django Reinhardt from Swing to Bop. His best Recordings from 1935 - 1953 2 LPs / Barber's Best - Chris Barber's Jazzband with Ottilie Patterson. Lazy River - Basin Street Blues - Blueberry Hill - I can't give you anything - But Love - King Kong u.a. / Giants of Dixieland. Lonesome - Elephant Stomp - Papa Dip - Berliner Luft - Sweet Sue - Baby won't you please come home / The Best of Sam Cooke / All-Star Festival. Louis Armstrong Maurice Chevalier Nat "King" Cole Bing Crosby Doris Day Ella Fitzgerald Mahalia Jackson Nana Mouskouri Patti Page Luis Alberto del Parana Edith Piaf Anne Shelton Caterina Valente / Ma Baker. Vocal Production / Dixie Party - Traditional Club of Bratislava / Fats Domino - Seine 20 größten Hits. 20 Originalaufnahmen / Papa Bue's Viking Jazz Band. 1919 March - Weary Blues - Corrine Corrina - Bogalusa Strut - AI AI AI u.a. / Herbie Mann & The Family of Mann - Hold on I'm comin'. Recorded live at the 1972 New York & Montreux Jazz-Festivals / Dixie Jubilee. 25 years Dutch Swing College Band Leader: Peter Schilperoort. 12 original recording highlights / The Fats Domino Story 2 LPs / Herbie Mann Memphis Underground - That's Jazz / The Modern Jazz Quartet - Modern Jazz Quartet 2 LPs / Doldinger Jubilee. The Feetwarmers - Oskar's Trio - Klaus Doldinger Quartet - Paul Nero Sounds - Doldinger's Motherhood - Passport 3 LPs / Crosby Stills Nash and Young - So far / The Best of Ramsey Lewis / Ramsey Lewis - Pickup - unknown
ref. 6h167Membrab Music Hamburg 2005. 168 CDs in 21 original Kunststoff-Hüllen im kartonierten Schuber. - gute Exemplare/enthalten: 36 CDs Classic Jazz Ragtime Dixieland/28 CDs Blues/4 CDs Boogie Woogie/60 CDs Swing to BeBop Modern Jazz/20 CDs Big Band/20 CDs Vocalists - unknown
1928ref. 173491Austria: 1928-33. Girljazzband" wows 1920s Austria A delightful Jazz Age scrapbook that doubles as liber amicorum and guest book assembled by the pianist and singer Anny Gloss recording in part her career with the Ninon Fleuron Jazz Ladies opening a window into the experiences of European women in jazz during the music's formative years. The first set of newspaper clippings record that in 1928 Gloss was teamed with the American "Jazz Queen" Elsie Teele at the "charming and elegant" Viennese bar the Bonbonnière with Teele billed as "the female Whiteman" - she gave the Austrian premier of Gershwin's Rhapsody in Blue in 1927. Much of the album is then devoted to Gloss's experiences at Hotel Radetzky in Hinterbrühl Lower Austria where she performed as part of the Ninon Fleuron Jazz Ladies. At the time the other members of the band were the eponymous Ninon Fleuron drums pseudonym of Rosa Sophie Radio 1899-1974 Mariska Gerö violin and Gretl Heller piano. One advert mentions them "Singing the Latest American Song-hits" while a newspaper clipping praises their "rendering of classical music". The album contains numerous messages sometimes addressed to her directly from friends audience members and well-wishers. While most of these are in German some are in English "Your music makes me feel 10 years younger". The Ninon Fleuron Jazz Ladies which had various personnel came to an abrupt end with Hitler's invasion of Austria in 1938. Gloss also performed under the name Anni Hölzl as demonstrated by the cast list for a 1931 performance of Der Kärntner Totentanz and the programme for a concert in which she had a soprano solo 1933. Octavo 241 x 190 mm ff. 60 final 20 ff. blank. Contents generally on rectos only numerous items of ephemera pasted in including c.20 newspaper clippings 15 original silver gelatin photographs of which two are signed by Ninon Fleuron messages and autographs in various hands one watercolour sketch of the Karlskirche Vienna one concert programme loosely enclosed. Original patterned cloth covers light orange endpapers. Binding just slightly shaken otherwise in excellent condition. hardcover
ref. SKU0626968Dial Books 2014-09-04. hardcover. New. 10x0x9. New Textbook Ships with Tracking Dial Books hardcover
1937ref. 171091Paris: c. 1937. Jazz à la parisienne From the collection of Rolling Stones drummer and jazz aficionado Charlie Watts with his posthumous bookplate: a delightful and highly unusual illustrated "prospectus" of the requisites for running a successful bar in Paris in the late 1930s. First and foremost you'll need "un très bon pianiste nêgre" along with "2 barmaids" and of course "2 ou 3 nêgresses à laisser vagabonder dans le bar". There then follow three pages that offer pen portraits of various artists that you might like to include on the bill along with their contact details. These include "acteurs animant la soirée ou la nuit": character actor and singer Yves Deniaud 1901-1959 Neapolitan sinti jazz guitarist Henri Crolla 1920-1960 "a travaillé avec Djingo Rainart sic du Hot-club de France" "Trois Jeunes - chanteurs s'accompagnant à la guitare et à la flute" including another well-known actor Guy Decomble 1910-1964 and the photographer Pierre Jamet 1910-2000 a close friend of Robert Doisneau and Willy Ronis. The flamboyant impresario Henri Leduc winds up the volume described as a "personnage comique indispensable à l'atmosphere d'un bar". After the Liberation Leduc a native of Montmartre set up Le Bar Vert on the rue Jacob "the first café-restaurant to play American music" Cowan & Steward p. 234. Our unidentified artist concludes by remarking "We can find for you absolutely everything that you could possibly need elephants - naked ladies - non naked ladies - a 'bus - &c. &c. - whales". Quarto. Five pages of original artwork in pencil crayon and pastel with accompanying text. Commercial sketchbook by L. Bourdillon original blue card wrappers. Variably sunning to wrappers which show lght signs of handling contents toned pale tidemark to edges of leaves front blank professionally restored at the corners but overall very good. Alexander Cowan & Jill Steward eds. The City and the Senses: Urban Culture Since 1500 2007. unknown
ref. DADAX0500518319New unknown
2021ref. 1-0143775677Penguine Group New Zealand Ltd 2021. Paperback. New. gjr edition. 144 pages. 8.50x6.25x0.47 inches. Penguine Group New Zealand Ltd paperback
1995ref. 23-08-22-gw-7809-jmUtah Jazz 1995-01-01. paperback. Good. 0x0x0. Light wear. Good copy. Utah Jazz paperback
2018ref. 1-0062693956William Morrow Cookbooks 2018. Hardcover. New. 288 pages. 10.00x8.00x0.95 inches. William Morrow Cookbooks hardcover
1940ref. 158584New York: The Hickory House 1940. Vintage three-color dinner menu from the renowned 52nd Street jazz club circa 1940s with a "Chef's Special" card stapled to the top outer corner of the second leaf. One of the longest running and premiere jazz clubs of "Swing Street" as 52nd Street between Fifth and Seventh Avenues was known in the 1930s through the 1950s Hickory House was opened shortly after the repeal of Prohibition in 1933 by impresario John Popkin. Featuring a huge oval music bar depicted on the cover of the menu on offer here Hickory House was both a swing venue and the spot to grab dinner and cocktails before a show. A musician's club Hickory House presented and served jazz luminaries for three decades. Among those known to perform or frequent the venue included Duke Ellington Louis Armstrong Benny Goodman Artie Shaw and Thelonious Monk among countless others many of whom were known to be found sitting in with the house band The Hickory House Trio Marian McPartland Bill Crow and Joe Morello on Sunday afternoons in the 1950s. In 1956 jazz pianist and composer Jutta Hipp released two acclaimed Blue Note albums recorded at the club "At the Hickory House Volume 1" and "At the Hickory House Volume 2." By the mid 1960s the venue was one of the last of the jazz clubs left on 52nd street and by the end of the decade closed. As noted on the back of the menu "Life! Life! From ten thirty until scrambled eggs there is always a popular swingy rhythm band to beat out tuneful and catchy syncopations in their own inimitable style." 10.75 x 14.25 inches bi-fold. Very Good plus with light soiling rubbing and edgewear overall and a faint horizontal crease. The Hickory House unknown
1960ref. 149122Chicago: Hugh Hefner c. 1960s. Lay back and think of Ellington A trio of discs cut specially for Playboy founder Hugh Hefner comprising two recordings by Duke Ellington "Mood Indigo" and "Sophisticated Lady" and one by Artie Shaw "Begin the Beguine". Each label printed in pink: "Custom Pressed by Jukeboxes Unlimited for Hugh M. Hefner" and bearing Playboy's rabbit logo and typed identification. "Hugh Hefner's initial exposure to music and especially to jazz like that of most people was through vinyl recordings and he's always been a record collector" Farmer p. 71. He was also the owner of a magnificent 1946 Wurlitzer 1015 jukebox see his sale at Julien's Auctions 30 November 2018. That lot was offered with 24 "original" 78rpm recordings by a group of artists including Artie Shaw Frank Sinatra Lena Horne and Harry James. Whether these discs were specially cut as here we have not been able to ascertain. What is certain however is the Playboy kingpin's love of jazz. "In this invented lifestyle for the modern age Hef decided that jazz was the go-to soundtrack. Jazz was the hippest music around and had been for decades. Playboy championed jazz at a time when most music critics were looking in all the wrong places for a truly American art form. Even the most forward-thinking composers of the era the Aaron Coplands and their ilk were still just building upon the European tradition. Jazz was bursting at the seams of the staid and academic classical world ripe with musical development rivalling the greatest of the old European masters. In 1957 Playboy produced a two-record set of their Jazz All-Star series featuring performers from Pops to Frank Sinatra to Dave Brubeck. They produced a second edition in 1958 and a third in 1959. Hefner then held the first Playboy Jazz Festival at Chicago Stadium in 1959" Jeff Fitzgerald at allaboutjazz website 28 September 2017. As a coda the jazz-soaked "Playboy's Theme" written and performed by Cy Coleman was the signature tune of the regular late night TV show Playboy's Penthouse. 3 aluminium-cored one-sided 10 inch acetate discs each with original label both Ellington discs with additional drive-pin hole; original plain paper sleeves annotated in ink possibly in Hefner's hand. Sleeves rather brittle torn and chipped with some loss but just about intact; a few abrasions and finger marks to discs. Patty Farmer and Will Friedwald Playboy Swings!: How Hugh Hefner and Playboy Changed the Face of Music 2015. unknown
1950ref. 137205Late 1950s - early 70s. Excellent group of UK tour programmes for a constellation of jazz greats: Armstrong 2 Basie 8 Bechet Brubeck 2 Nat King Cole Eddie Condon Sammy Davis Jr. 2 Tommy Dorsey Ellington 4 Errol Garner 3 Lionel Hampton Ella Fitzgerald and Oscar Peterson Woody Herman Harry James JATP 4 Newport Jazz Festival Glen Miller Earl Hines and Jack Teagarden Bal du Moulin Rouge. 36 programmes quarto. Illustrated throughout. Original pictorial wrappers wire-stitched as issued. Overall in excellent condition. unknown
ref. BN165716Wolke V.-G. Jazzportraits - Fotobuch des Jazz Creutziger Matthias Jazzportraits - Fotobuch des Jazz Creutziger Matthias Jazzportraits - Fotobuch des Jazz Creutziger Matthias Wolke V.-G. unknown
2008ref. A47800Barcelona: Tasneem Gallery 2008. First Edition. Wraps. Paperback . Very Good. First Edition. Wraps. 4to. Colour illustrated wraps/ paperback. Copiously illustrated in colour throughout. Text in Spanish and English. Exhibition catalogue. ISBN: 9788461272716 Pages: 55 About fine. Tasneem Gallery, paperback
1993ref. C102165Uk 1993. Very Good. 53 Original tickets for music concerts & rock gigs 1993 Ã2015: Clannad 1996 /Simply Red 2009 Eric Clapton 1996'98'09/Mike and the Mechanics 1999/ Eric Bibb 2001/ John Williams 2015/ Rod Stewart 2007/ Sting 2004/ Elton John 2000/ Rolling Stones 1998/ Bon Jovi 2006/ Phil Collins 1994/Pink Floyd 1994/Eurythmics 1999/ Bruce Springsteen 1993 2006/ Jules Holland 2002'11/ Jethro Tull 1999/ Paul Simon 2000'16/ Chris Rea 2003/ Supertramp 1997/ Bryan Ferry 2002'04/ David Bowie 2003/ Ludovico Einaudi 2010'15/ Riverdance 1997/ David Gray 2002/ Ronan Keating 2003'05/ BBC Proms 1998/Simon & Garfunkel 2015/Il Divo 2007/ Jethro 2008/ Jos Carreras Royal Albert Hall 1999/ Steve Harley 2002/Status Quo 2002/ Ginger Baker Jazz Confusion 2013/ The Chieftains 2012/Joe Bonamassa 2015/ Ladysmith Black Mambazo 2000/ Eagles 2001/ KT Tunstall 2008/ Kate Rusby 2015/ Elkie Brooks 2001/Cleo Laine 2013. UK Tour venues. Very good. unknown
2014ref. 90409New York: The Caliban Press 2014. First Limited Edition. Small Quarto. 27cm. Limited to 125 copies. Dark green cloth spine with paper "5 Spot" label over limp grey die-cut card wraps. 10pp with additional internal mechanical elements. A fine bright copy. An artistic reworking of a 1964 "Down Beat Magazine" article by Williams describing the experience of seeing the legendary Thelonius Monk playing at NYC's legendary 5 Spot jazz cafe on 4th and Bowery with a spectacular centrepiece of die cut card by Berard based of a 1958 photo of Monk and his quartet playing. Signed out of sequence by McMurray to limitation page with the accompanying Caliban Press prospectus sheet. The Caliban Press unknown
1973ref. 221141New York: Atlantic Recording Corporation 1973. 25th Anniversary Edition. Record. Very Good records and gatefold jacket. Small open tear on spine heel. Atlantic Recording Corporation unknown
ref. BN66418Süddeutsche Zeitung Jazz-Edition: Dive into Jazz Dombrowski Ralf unknown
2006ref. BN72837Klartext 2006. 2006. Sounds like Whoopataal Neuauflage 2008: Wuppertal in der Welt des Jazz Wuppertal in der Welt des Jazz Klartext unknown
1939ref. 61627York Pennsylvania: The Valencia Ballroom 1939. Quarto. Spiral-bound leatherette boards hardcover; 94pp; illus. Trivial soil to covers with front board very slightly bowed at fore edge; internally fresh clean and unmarked; Near Fine. Promotional album for the storied Valencia Ballroom a popular musical venue during the Swing Band era. Strategically located on a route that connected New York Philadelphia and Baltimore the Valencia caught traveling orchestras on their way north or south thus bringing an impressive assortment of acts to the unlikely industrial city of York PA. Richly illustrated with photographs of the venue of the Tassia family owners and managers of the Valencia architectural views and dozens of portraits of the popular performers who played there including Eddie Duchin Kay Kyser Benny Goodman Sammy Kaye Guy Lombardo Bunny Berrigan the Dorseys and a host of others. Though the Valencia clearly favored white orchestras a few noteworthy African-American performers appeared there regularly and are pictured including Jimmy Lunceford Cab Calloway Duke Ellington and Claude Hopkins. A lavishly-produced souvenir and highly uncommon; OCLC notes four locations and we trace no other copies in the trade. The Valencia Ballroom unknown
