4 791 résultats
1946281p. + Plus full page photographs. Text browned but not brittle. Uncut. Inked ownership of Harry E. Seyler. 8vo. Original full printed wraps. Spine darkened. Pre-bebop era jazz, with chapters devoted to: Louis Armstrong, Duke Ellington, Fats Waller, Coleman Hawkins, Bill Coleman, Milton Mesirow (Mezzrow), Sam Wooding, Muggsy Spanier, Bennie Carter, Dickie Wells, Eddie South, to foundation of Hot Club de France and its famous quintet with Django Reinhardt and Stephane Grappelly, etc. Text in French. JAZZ 1 ** !
195436 S. OKart.
1939réf. 45498ABChicago, Down Beat Publishing, 1939. (8), 183pp. Orig. red cloth.
1978réf. 24060Westport : Greenwood, 1978. Reprint of orig. publ. Down Beat, Chicago 1939. 183 S. ; 8° , Org.-Leinen / cloth
1991réf. 48056Windham Hill Rec., 1991. WD-0130 CD CD
1995réf. 40283IRS, 1995. 993.314 CD CD
1980Book is in excellent condition with tiny indication of wear or use only. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind save previous owner's name or sticker in front section of the book. Dust jacket shows the slightest signs of shelf wear only, no tears, now wrapped in clear protective cover.
réf. 54478Enja, 2019. ENJ-9676 2 CD Digipak
2005réf. 37420Verve, 2005. 1 CD CD
2014réf. 51112Traumton, 2014. 4605 CD Digipack
réf. 74728Denoël 1959 livre récit/étude 18,5*14 313 pages le roman vrai du demi-siècle
1959réf. 14325Paris Denoël 1959 Grand In-12 Ecu 313 pp, avec la collaboration de François Brigneau, Paul Guimard, Hugues Panassié, Michel Perrin, etc. Nombreuses illustrations en noir, jaquette illustrée, passée avec multiples coupures mais peu de manques.
1983réf. 026856Cagnes sur mer EDICA 1983 un volume grand in-4° (330 x 250mm), 101 pp. Reliure toile noire à la Bradel, premier plat titré, jaquette illustrée (reliure éditeur). (coupures et frottis en pourtour de jaquette). Nombreuses reproductions en noir et en couleurs de photographies de musiciens de jazz et de blues réalisées par Jean-Pierre Leloir. Un " classique ".
1994réf. 289418Zürich: TA-Media AG,, 1994. 108 Seiten mit zahlreichen, teils farbigen und ganzseitigen Fotos und Textillustrationen. Originalbroschur. 32 cm
réf. 53212aafin-4to, illustrierte Original-Broschüre.
réf. 121935aaf1992, in-4to, 108 S., + 1 Poster s./w., reich ill., Original-Broschüre.
1989réf. 1822MWZürich, Tages Anzeiger AG, 1989. Illustr. OBrosch. 100 S. Mit zahlreichen, z. T. farbigen Abbildungen. Mit dem lose beiliegenden, mehrfach gefalteten Farbposter mit rücks. Ausstellungs- und Festival-Verzeichnis (95 x 42 cm). 4°. Gut erhalten.
réf. 22405The interview appeared in the July and August 1966 numbers of 'Crescendo' magazine London. The interview was published in two numbers of 'Crescendo' 'The world's most authoritative music magazine' founded 1962. The first part retitled 'Music & Moore Les Tomkins interviews “The Genuine Dud”' – was the leading article pp.18-19 of the July 1966 number of with Moore featuring on the cover. The second part was published in the following number August 1966 pp.18-19 and 25. Four items all in good condition with light aging. ONE: Carbon typescript of first part of interview with title replaced on publication: 'The Serious Side of Dudley Moore A Les Tomkins Interview'. 8pp 4to. On leaves of blue and yellow paper. The typescript appears to correspond to the published version other than a few minor stylistic changes and the correction of a few errors such as 'Maudlen' to 'Magdalen'. TWO: Carbon typescript of second part of interview titled 'More Music and Moore Part Two of the Les Tomkins interview with "The Genuine Dud"'. 8pp 4to. With ink notes indicating that one short passage should be moved and the correction of a typing error. THREE: Carbon of typed letter from 'Les' to 'Victor' i.e. Victor Graham the magazine's editor. 1p 12mo. In what is a covering note to Item One Tomkins writes: 'This is about half of it. The remainder is equally good. He talks about working with the bands of Vic Lewis and Johnny Dankworth the hostility he encountered his development as an accompanist; speaks of Tony Coe as “the perfect hornman for our Trio”; Peterson's accompaniments; his experience in the States; his high regard for Pete and Chris detailing their qualities; the fun he had at the Establishment and how he misses it; his plans for using jazz more extensively in films; Beyond the Fringe; humour in music; putting jazz across to a wider public; shyness of musicians; the ego of Miles Davis; his dislike of the atmosphere of listening to jazz; his desire to work with a big band of his own.' He ends by asking when the second half should be used. FOUR: Carbon typescript titled 'ROUND & ABOUT'. 2pp 4to. Mostly taken up with a gig review beginning: 'Sonny Rollins unavoidably detained missed the first two days of his engagement. On the Monday this resulted in a welcome one-night stand being played by the Dudley Moore Trio.' Comparing the gig with a previous engagement at Ronnie Scott's the review comments on Moore's 'microphone prescence today' 'hilarity caused by the funny voices he is expected to adopt between tunes' and his 'accomplished' and 'irresistibly groovy' piano playing. Moore 'brought off a "first" at the club - with his falsetto singing of an old English madrigal'. Two other reports: the first one a short item on Sonny Rollins' music for the film 'Alfie'; the second on Tubby Hayes being 'well in evidence on the London scene again' with details of his 'new quartet'. The material comes from an archive of typescripts by Tomkins of his Crescendo contributions including interviews with Louis Armstrong Sonny Rollins Bud Freeman Stan Tracey Erroll Garner Stan Kenton Quincy Jones Joe Turner Tubby Hayes Stan Getz. The interview appeared in the July and August 1966 numbers of 'Crescendo' magazine [London]. unknown
1982réf. 55188Denon, 1982. C38-7008 CD CD
réf. 47670Foné, 2017. SACD167 CD CD
1965réf. 29362Angleterre, Harold Davison LTD 1965. Fascicule de 20 pages au format 25,5 x 21 cm, edité pour la tournée britannique de l’Orchestre de Duke Ellington. Couverture illustrée par une photographie de Duke Ellington. Premier plat avec petit accroc au bord supérieur renforcée au verso par de l'adhésif transparent. Infimes frottis et tassements aux coins. Publication avec légère trace de pliure verticale. Intérieur resté frais. Textes inédits de Duke Ellington, Benny Green et Peter Clayton, accompagnés de superbes photographies en noir de Michael Sanders. Complet du billet d'entrée pour le concert du samedi 20 février 1965 au " Winter Gardens Bournemouth ". Edition originale en bel état général. Rare et précieux exemplaire enrichi de signatures autographes de Duke Ellington et de 8 de ses musiciens : Herbie Jones, Cootie Williams, Ray Nance, Mercer Ellington, ( trompettes ), Chuck Connors, Buster Cooper ( trombones ), Sam Woodyard ( batterie ), John Lamb ( basse ).
1946réf. 8972Bruxelles, Les Editions du Hot Club, 1946. In-8 broché de 63 pages, couverture imprimée en deux tons ornée d'une photographie en noir, dos muet.
réf. 4593publisched by micrography 1977 - In 8 carré broché 83 pages
réf. 21299Paris, Filipacchi, 1976. In-8°, XX-322p. Broché, couverture illustrée.
réf. va23Columbia CD "1 CD ""Duke Ellington, his piano and his orchestra at the Bal Masque"" : 1. Alice Blue Gown 2. Who's Afraid of the Big Bad Wolf 3. Got a Date with an Angel 4. Poor Butterfly 5. Satan Takes a Holiday 6. The Peanut Vendor 7. Satin Doll 8. Lady in Red 9. Indian Love Call 10. The Donkey Serenade 11. Gypsy Love Song 12. Laugh, Clown, Laugh ; très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
