HOT CLUB DE FRANCELivre Rare Book
4 420 résultats
1977réf. SPN-347
1980réf. SPN-348
1981réf. SPN-349
1988128 p., ilus. Paperback Good condition
2011New English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In English and Turkish. 84 p., color and b/w photos. Burcu Orhon. Pulse of Jazz.= Cazin nabzi. [Exhibition catalogue]. 6-29 Mayis, 2011.
2001réf. 267904Berlin: Argon 2001. 253 S. Kart.mS, *sehr gutes Expl.* ExLibris*.
1928réf. 39300New York: Rae D. Henkle 1928. 8vo. viii 182 pp. Yellow boards orange lettrng w/ d.j. NF/NF. First edition of this scarce and riotous anthology of essays and humor on the Jazz era including Flappers are safeguards Men are the vainer sex Parents are snobs Stupid men marry early and much more. Rae D. Henkle, hardcover
3 p. 4°
réf. zt178Pablo Records CD "1 CD ""Bye Bye Blackbird"" de John Coltrane, 1. Bye Bye Blackbird (17:50), 2. Traneing In (18:40) ; très bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
1990réf. 28285Teartrop Rec., 1990. 260890 1 CD CD
1991réf. 54887Tomato, 1991. R2 70383 CD CD
1988réf. 54570American Clavé, 1988. AMCL 1015 CD CD
1988réf. 27561American Clave, 1988. AMCL 1015 CD CD
2002réf. 39583Hamburg : Europ. Verl.-Anst. 2002. 176 S. : mit Abb. ; 24 cm, mit Schutzumschlag Pp., gebundene Ausgabe, Hardcover/Pappeinband,
2002réf. 90492Hamburg, Europäische Verlagsanstalt 2002. 2002. Gr. 8°, 176 S. mit sehr vielen s/w und farbigen Illustrationen und Fotos. Orig.-Pappband mit Orig.-Umschlag.
2006réf. R200114561Outre mesure. 2006. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 223 pages.. . . . Classification Dewey : 781.65-Jazz
1924réf. List3678New York City: Clarence Williams 1924. Folio measuring 12 x 9 inches 5 pp. With an attractive period style illustration by Sydney Leff with his printed signature in the lower right corner. Fine condition. A very scarce surviving example of the sheet music for "Cakewalking Babies from Home" a cornerstone early jazz-blues composition issued through Clarence Williams’s publishing enterprise at the moment when New Orleans–derived ensemble practice was reshaping American popular music. Written by Williams with Chris Smith and Henry Troy the piece bridges late ragtime syncopation and emerging small-group jazz textures. Though widely disseminated through performance and recording it appears to have circulated only sparingly as domestic sheet music. The song achieved lasting fame through the celebrated 1924 New York recording sessions by the Clarence Williams Blue Five Okeh 8256 featuring Eva Taylor vocal Louis Armstrong cornet Sidney Bechet soprano saxophone Clarence Williams piano and Buddy Christian banjo; a landmark early small-ensemble performance often cited for its dynamic Armstrong–Bechet interplay and its role in defining early jazz ensemble language.12 Circulating widely among classic blues singers vaudeville performers and musicians within Williams’s publishing network and the TOBA circuit the composition reflects the porous boundary between theatrical blues dance music and emerging jazz repertory in mid-1920s Harlem and Chicago. As noted in Smithsonian jazz educational materials “the roots of jazz are heard clearly… in ‘Cake Walking Babies from Home’”.3 Despite its well-documented performance and recording history institutional holdings of the sheet music itself appear extremely limited. We locate a single copy at the Stanley King Jazz Collection at Oberlin with none presently recorded in OCLC. 1 Brian Rust Jazz records 1897–1942 Arlington House Publishers 1978. 2 Tom Lord Jazz Discography Lord Music Reference Inc. 1992. 3 “Act 3. New York Introduction: 1924–1925” Smithsonian Louis Armstrong Education Kit https://amhistory.si.edu/jazz/education/Act3.pdf. Clarence Williams unknown
1924réf. List3678New York City: Clarence Williams 1924. Folio measuring 12 x 9 inches 5 pp. With an attractive period style illustration by Sydney Leff with his printed signature in the lower right corner. Fine condition. A very scarce surviving example of the sheet music for "Cakewalking Babies from Home" a cornerstone early jazz-blues composition issued through Clarence Williams’s publishing enterprise at the moment when New Orleans–derived ensemble practice was reshaping American popular music. Written by Williams with Chris Smith and Henry Troy the piece bridges late ragtime syncopation and emerging small-group jazz textures. Though widely disseminated through performance and recording it appears to have circulated only sparingly as domestic sheet music. The song achieved lasting fame through the celebrated 1924 New York recording sessions by the Clarence Williams Blue Five Okeh 8256 featuring Eva Taylor vocal Louis Armstrong cornet Sidney Bechet soprano saxophone Clarence Williams piano and Buddy Christian banjo; a landmark early small-ensemble performance often cited for its dynamic Armstrong–Bechet interplay and its role in defining early jazz ensemble language.12 Circulating widely among classic blues singers vaudeville performers and musicians within Williams’s publishing network and the TOBA circuit the composition reflects the porous boundary between theatrical blues dance music and emerging jazz repertory in mid-1920s Harlem and Chicago. As noted in Smithsonian jazz educational materials “the roots of jazz are heard clearly… in ‘Cake Walking Babies from Home’”.3 Despite its well-documented performance and recording history institutional holdings of the sheet music itself appear extremely limited. We locate a single copy at the Stanley King Jazz Collection at Oberlin with none presently recorded in OCLC. 1 Brian Rust Jazz records 1897–1942 Arlington House Publishers 1978. 2 Tom Lord Jazz Discography Lord Music Reference Inc. 1992. 3 “Act 3. New York Introduction: 1924–1925” Smithsonian Louis Armstrong Education Kit https://amhistory.si.edu/jazz/education/Act3.pdf. Clarence Williams unknown books
1992réf. V37278Zürich (Edition Olms) 1992 (= Erste Ausgabe). Quer-4°, illustrierte Originalbroschur (Paperback), 112 S., ab S. 11 Bildteil, ISBN 3283002592 1
1989réf. 55191PAN Music, 1989. PMC 1106 CD CD
2002réf. 3325EBBoston/New York/London, Little, Brown and Company, 2002. Groß-8°. 24 cm. xx, 408 Seiten. Original-Pappband. Original-Schutzumschlag.
1996réf. 54333Soulciety Records, 1996. ME 00482 CD CD
2004réf. 29055BMG / Ariola 1997. CD de Candy Dulfer (née le 19 septembre 1969 à Amsterdam). Saxophoniste alto et chanteuse néerlandaise de jazz-funk, de smooth jazz, et de pop-jazz, fréquente collaboratrice de Prince sur disques ( Partyman, Batman Soundtrack, Graffiti Bridge, Xpectation, Musicology, 3121 ) et sur scène. Elle devient célèbre en 1989, avec son succès international " Lily Was Here " enregistré avec Dave Stewart, guitariste des Eurythmics, pour la musique du film néerlandais De Kassière (ou Lily Was Here) de Ben Verbong. Elle a aussi joué avec Aretha Franklin, Blondie et sur scène avec Pink Floyd en 1990. CD comme neuf, enrichi d'une dédicace autographe de Candy Dulfer sur le livret. Rare. Collection personnelle. On joint Tee Shirt collector et vintage de Candy Dulfer acheté lors de la tournée européenne " Sax Reality Tour " de 1990-1991. 100 % coton. Taille XL Porté quelques fois.
1999réf. gu4136Trema CD 1999 "1 CD ""Cannonball Adderley and his Quintet - Live Salle Pleyel 27 mars 1969"", 1. Rufus Still Skinned 2. Black orpheus 3. The Work Song 4. Experience in E 5. Walk Talk 6. The Blooz 7. Mercy, Mercy, Mercy 8. End Title ; quelques petites marques de frottement sur le boîtier, par ailleurs très bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
2008réf. 54917ECM Records, 2008. ECM 2023 CD CD
