4330 risultati
1990rif. 28285Teartrop Rec., 1990. 260890 1 CD CD
1991rif. 54887Tomato, 1991. R2 70383 CD CD
1988rif. 54570American Clavé, 1988. AMCL 1015 CD CD
1988rif. 27561American Clave, 1988. AMCL 1015 CD CD
2002rif. 39583Hamburg : Europ. Verl.-Anst. 2002. 176 S. : mit Abb. ; 24 cm, mit Schutzumschlag Pp., gebundene Ausgabe, Hardcover/Pappeinband,
2002rif. 90492Hamburg, Europäische Verlagsanstalt 2002. 2002. Gr. 8°, 176 S. mit sehr vielen s/w und farbigen Illustrationen und Fotos. Orig.-Pappband mit Orig.-Umschlag.
2006rif. R200114561Outre mesure. 2006. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 223 pages.. . . . Classification Dewey : 781.65-Jazz
1924rif. List3678New York City: Clarence Williams 1924. Folio measuring 12 x 9 inches 5 pp. With an attractive period style illustration by Sydney Leff with his printed signature in the lower right corner. Fine condition. A very scarce surviving example of the sheet music for "Cakewalking Babies from Home" a cornerstone early jazz-blues composition issued through Clarence Williams’s publishing enterprise at the moment when New Orleans–derived ensemble practice was reshaping American popular music. Written by Williams with Chris Smith and Henry Troy the piece bridges late ragtime syncopation and emerging small-group jazz textures. Though widely disseminated through performance and recording it appears to have circulated only sparingly as domestic sheet music. The song achieved lasting fame through the celebrated 1924 New York recording sessions by the Clarence Williams Blue Five Okeh 8256 featuring Eva Taylor vocal Louis Armstrong cornet Sidney Bechet soprano saxophone Clarence Williams piano and Buddy Christian banjo; a landmark early small-ensemble performance often cited for its dynamic Armstrong–Bechet interplay and its role in defining early jazz ensemble language.12 Circulating widely among classic blues singers vaudeville performers and musicians within Williams’s publishing network and the TOBA circuit the composition reflects the porous boundary between theatrical blues dance music and emerging jazz repertory in mid-1920s Harlem and Chicago. As noted in Smithsonian jazz educational materials “the roots of jazz are heard clearly… in ‘Cake Walking Babies from Home’”.3 Despite its well-documented performance and recording history institutional holdings of the sheet music itself appear extremely limited. We locate a single copy at the Stanley King Jazz Collection at Oberlin with none presently recorded in OCLC. 1 Brian Rust Jazz records 1897–1942 Arlington House Publishers 1978. 2 Tom Lord Jazz Discography Lord Music Reference Inc. 1992. 3 “Act 3. New York Introduction: 1924–1925” Smithsonian Louis Armstrong Education Kit https://amhistory.si.edu/jazz/education/Act3.pdf. Clarence Williams unknown
1924rif. List3678New York City: Clarence Williams 1924. Folio measuring 12 x 9 inches 5 pp. With an attractive period style illustration by Sydney Leff with his printed signature in the lower right corner. Fine condition. A very scarce surviving example of the sheet music for "Cakewalking Babies from Home" a cornerstone early jazz-blues composition issued through Clarence Williams’s publishing enterprise at the moment when New Orleans–derived ensemble practice was reshaping American popular music. Written by Williams with Chris Smith and Henry Troy the piece bridges late ragtime syncopation and emerging small-group jazz textures. Though widely disseminated through performance and recording it appears to have circulated only sparingly as domestic sheet music. The song achieved lasting fame through the celebrated 1924 New York recording sessions by the Clarence Williams Blue Five Okeh 8256 featuring Eva Taylor vocal Louis Armstrong cornet Sidney Bechet soprano saxophone Clarence Williams piano and Buddy Christian banjo; a landmark early small-ensemble performance often cited for its dynamic Armstrong–Bechet interplay and its role in defining early jazz ensemble language.12 Circulating widely among classic blues singers vaudeville performers and musicians within Williams’s publishing network and the TOBA circuit the composition reflects the porous boundary between theatrical blues dance music and emerging jazz repertory in mid-1920s Harlem and Chicago. As noted in Smithsonian jazz educational materials “the roots of jazz are heard clearly… in ‘Cake Walking Babies from Home’”.3 Despite its well-documented performance and recording history institutional holdings of the sheet music itself appear extremely limited. We locate a single copy at the Stanley King Jazz Collection at Oberlin with none presently recorded in OCLC. 1 Brian Rust Jazz records 1897–1942 Arlington House Publishers 1978. 2 Tom Lord Jazz Discography Lord Music Reference Inc. 1992. 3 “Act 3. New York Introduction: 1924–1925” Smithsonian Louis Armstrong Education Kit https://amhistory.si.edu/jazz/education/Act3.pdf. Clarence Williams unknown books
1992rif. V37278Zürich (Edition Olms) 1992 (= Erste Ausgabe). Quer-4°, illustrierte Originalbroschur (Paperback), 112 S., ab S. 11 Bildteil, ISBN 3283002592 1
1989rif. 55191PAN Music, 1989. PMC 1106 CD CD
2004rif. 29055BMG / Ariola 1997. CD de Candy Dulfer (née le 19 septembre 1969 à Amsterdam). Saxophoniste alto et chanteuse néerlandaise de jazz-funk, de smooth jazz, et de pop-jazz, fréquente collaboratrice de Prince sur disques ( Partyman, Batman Soundtrack, Graffiti Bridge, Xpectation, Musicology, 3121 ) et sur scène. Elle devient célèbre en 1989, avec son succès international " Lily Was Here " enregistré avec Dave Stewart, guitariste des Eurythmics, pour la musique du film néerlandais De Kassière (ou Lily Was Here) de Ben Verbong. Elle a aussi joué avec Aretha Franklin, Blondie et sur scène avec Pink Floyd en 1990. CD comme neuf, enrichi d'une dédicace autographe de Candy Dulfer sur le livret. Rare. Collection personnelle. On joint Tee Shirt collector et vintage de Candy Dulfer acheté lors de la tournée européenne " Sax Reality Tour " de 1990-1991. 100 % coton. Taille XL Porté quelques fois.
rif. 26445Editions Assirio e Alvim / Collection " Rei Lagarto " n° 8 de 1983. In-8 broché de 264 pages au format 13,5 x 21 cm. Couverture avec portrait photo de l'artiste. Dos carré avec petit frottis au bas. Infimes frottis aux plats. Intérieur frais. Etude consacré au chanteur portugais par Arnaldo Saraiva, avec dossier photos, chronologie, discographie et bibliographie. Bien complet de l'addifit de 6 pages contenant le sommaire du livre. Très bel état de fraicheur. Deuxième édition revue et enrichie, en partie originale. Précieux exemplaire augmenté d'une belle dédicace autographe, signée, de Sérgio Godinho.
1999rif. gu4136Trema CD 1999 "1 CD ""Cannonball Adderley and his Quintet - Live Salle Pleyel 27 mars 1969"", 1. Rufus Still Skinned 2. Black orpheus 3. The Work Song 4. Experience in E 5. Walk Talk 6. The Blooz 7. Mercy, Mercy, Mercy 8. End Title ; quelques petites marques de frottement sur le boîtier, par ailleurs très bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
2002rif. 3325EBBoston/New York/London, Little, Brown and Company, 2002. Groß-8°. 24 cm. xx, 408 Seiten. Original-Pappband. Original-Schutzumschlag.
1996rif. 54333Soulciety Records, 1996. ME 00482 CD CD
2008rif. 54917ECM Records, 2008. ECM 2023 CD CD
2017Il volume tratta di canto jazz, improvvisazione, tecniche e meccanismi di produzione vocale fornendo un importante approfondimento della vocalità jazz. Indagando a fondo sei voci maschili (Chet Baker, Mark Murphy, Al Jarreau, George Benson, Bobby McFerrin, Kurt Elling) l’autore analizza per ognuna di esse il linguaggio improvvisativo e creativo (modalità di emissione e tecnica vocale, sillabe, analisi ritmica, analisi melodica, analisi melodico-armonica). Il libro contiene 14 trascrizioni e analisi di soli vocali oltre a un ricco e dettagliato prontuario sillabico per lo scat e un glossario terminologico, nel tentativo di tracciare un quadro tecnico, descrittivo e terminologicamente specifico, in modo coerente e il più possibile completo. Autori: Giorgio Rossini.
1997rif. 54296Tiptoe, 1997. TIP-888 826 2 CD CD
In-8, brossura editoriale, pp. 246 non numerate; numerosissime fotografie in bianco e nero fuori testo. Lievi tracce d’uso in copertina. Bella dedica di uno degli autori (firma incomprensibile) a pag. 29.
rif. 2220Editions P.I .sans date ( années 50 ). Belle carte postale en noir et blanc de Yves Montand, avec photo de Roger Carlet, au format 13,5 x 8,5 cm. Superbe état. Carte avec belle dédicace autographe, signée, de Yves Montand. Provient de la très importante collection de Denyse Trivier, qui fut une collectionneuse acharnée d'autographes.
rif. 7341Editions A.Noyer, sans date ( années 50 ). Belle carte postale en noir et blanc de Yves Montand, avec photo de Roger Voinquel, au format 14 x 9 cm. Superbe état. Carte avec belle dédicace autographe, signée, de Yves Montand. Provient de la très importante collection de Denyse Trivier, qui fut une collectionneuse acharnée d'autographes.
rif. 7591Studios Harcourt, sans date ( années 50 ). Belle carte postale en noir et blanc de Yves Montand, avec photo Harcourt, au format 15 x 10 cm. Superbe état. Carte avec belle dédicace autographe, signée, de Yves Montand. Provient de la très importante collection de Denyse Trivier, qui fut une collectionneuse acharnée d'autographes.
1950rif. 9454Carte Postale du Studio Eddy Piaz, vers 1950, avec photographie originale de Jean Marais, noir et blanc au format 13,5 x 8,8 cm. Frottis au verso car la carte postale devait être collée dans un album. Rare. Avec une cordiale dédicace autographe, signée, de Jean Marais .
rif. 10619Editions P.I .sans date ( années 50 ). Belle carte postale en noir et blanc de Georges Guétary, photographié au Studio Carlet Ainé au format 13,5 x 8,7 cm. Superbe état. Carte dédicacée par l'artiste.
