4 389 résultats
2009réf. 6430637Broecking Verlag 2009. 244 S., schw/w Abb. Taschenbuch
1999Melody, lyrics, and chords of 250 rock songs. Plastic comb binding. 304 pages.
2007réf. 20177Universal, 2007. 2 CD CD
réf. 14551o.J. 19 (1) Seiten, 18 sw-Werkabbildungen, 1 doppelseitig bedruckte Orig.-Farbserigraphie. 20,5 x 14 cm. Broschur mit umgelegtem Umschlag in farbigem Original-Siebdruck. [5 Warenabbildungen]
1995réf. 262116Kiel: Nieswand 1995. 129 S. mit s/w Taf. 4° Kart. *der helle Einband minimal lichtrandig*.
2007réf. gu4087Essential Jazz Classics CD 2007 "1 CD ""Clifford Brown Sonny Rollins Max Roach Quintet Complete Studio Recordings - The Master Takes"", durée 79:51 ; 1. Gertrude's Bounce 2. Step Lightly (Junior's Arrival) 3. Powell's Prances 4. I'll Remember April 5. Time 6. The Scene Is Clean 7. Flossie Lou 8. What Is This Thing Called Love? 9. Love Is A Many Splendored Thing 10. I Feel a Song Coming On 11. Pent-Up House 12. Valse Hot 13. Kiss and Run 14. Count Your Blessings ; quelques légères marques d'usage sur le boîtier, par ailleurs disque en très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
2002réf. pq2294Atlantic Recording Corporation CD 2002 "1 CD ""Clifford Brown and Max Roach at Basin Street"", quintet, enregistrement original de 1965, 15 titres, boîtier cartonné ; légers frottements aux coins, très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
2021réf. 5517Sony Music Records 2015. Coffret de luxe en édition limitée, au format 19,5 x 14 cm, contenant 3 CD. 1 - Album original " Bitches Brew " remastérisé - 2 - Suite album original + 6 titres inédits - 3 - Concert complet enregistré à Tanglewood en 1970 - 4 - DVD avec le concert de filmé à Copenhague en 1969. Livret de 44 pages. Neuf sous blister.
2012réf. 8830Sony Music 2012. Coffret collector au format 31 x 4 x 23 cm. Couverture illustrée. Contient tous les concerts inédits de Fabrizio de André, 8 au total, répartis en 16 CD. Etat de neuf sous blister. Rare édition originale, totalement épuisée.
2010réf. 15688Madfish 2010. Coffret collector, en tirage limité à 3000 exemplaires, du groupe Ozric Tentacles, contenant le CD Erpland + un DVD inédit Live from Fridge, Brixton.Complet du livret de présentation. Etat superbe, proche du parfait.
2014réf. 23634Editions Universal Music Company 2021. Coffret en tirage luxe collector, du nouvel album du groupe ABBA, le 1er après 40 ans de silence. Contient : Un CD, un livret, des stickers et des cartes à l'éffigie des membres du groupe et un poster. Neuf sous blister.
2013réf. 39725Nightclub Records, 2013. CD CD
1989réf. 21844Editions L'Entreligne 1989. In-8 broché de 154 pages au format 14 x 20 cm. Couverture illustrée par Michelle Murphy. Traduit par Francis Dordor. Excellent roman se déroulant dans les milieux du show-business " Rock ". Edition originale en superbe état. Peu courant.
2000réf. 2502170122xbvkLondon, late 1990s/early 2000s. Ca. 18,3 x 21,5 cm.
1950réf. 137205Late 1950s - early 70s. Excellent group of UK tour programmes for a constellation of jazz greats: Armstrong 2 Basie 8 Bechet Brubeck 2 Nat King Cole Eddie Condon Sammy Davis Jr. 2 Tommy Dorsey Ellington 4 Errol Garner 3 Lionel Hampton Ella Fitzgerald and Oscar Peterson Woody Herman Harry James JATP 4 Newport Jazz Festival Glen Miller Earl Hines and Jack Teagarden Bal du Moulin Rouge. 36 programmes quarto. Illustrated throughout. Original pictorial wrappers wire-stitched as issued. Overall in excellent condition. unknown
1950réf. 190253London: 1950s. Vivid images of jazz greats by one of the "obscure guys" of British jazz photography - from the collection of Charlie Watts From the collection of Rolling Stones drummer and jazz aficionado Charlie Watts: a delightful and absorbing archive of largely unpublished photographs by Jamie Hodgson an unsung hero of British jazz photography capturing both the exuberance and inwardness of the music. Among the jazz greats pictured are Dizzy Gillespie Ella Fitzgerald Duke Ellington Billy Strayhorn and Louis Armstrong. Perhaps the stand out photographs here are two superb studio images of Strayhorn one a memorable image showing him observing a goldfish in its bowl used on the cover of David Hajdu's 1996 biography Lush Life but unattributed another a delightful and unforgettable portrait of "Strays" lying on the studio floor cigarette in hand legs crossed wine glass within reach working on a score marked in 12/8 time with a quill pen and ink stand. A sequence of eight images focus on Louis Armstrong and date from 1956 through to 1970: one a particularly exuberant portrait of Pops sharing the limelight with Trummy Young Barrett Deems at the kit. These were nearly all taken in concert the exception being one marked "solo visit. Rehearsing with Norman del Mar conductor of the Royal Philharmonic Orchestra at the Royal Festival Hall for a concert in aid of the Hungarian Releif sic Fund. December 10th 1956". There are two fine shots of Dizzy Gillespie both in tux in his dressing room looking thoughtful and another of his up-tilted horn in its case the tag from his recent visit to France still attached to the handle. There is a witty bleached-out studio shot of Jimmy Rushing leaning into the horn of a gramophone and further images of the great singer one a boisterous backstage portrait of Rushing with Harry Carney and Jimmy Hamilton sitting in Rushing's capacious lap! smiling and laughing gathered on the stairs leading up to the gents' toilets and holding a gamut of reed instruments; plus a terrific image of "Mr. Five by Five" raising a pint behind the bar of a pub recalling Basie's reminiscence that "Me and old Rush. We were some pair. We just wanted to have a good time" Basie p. 37. Other portraits include a petulant Ella Fitzgerald Duke Ellington and individual images of Ellington alumni Paul Gonsalves Johnny Hodges Ray Nance Harry Carney Barrett Deems and Sam Woodyard; a chuckling Oscar Peterson; Lionel Hampton with Humphrey Lyttelton; Bud Freeman; a humorous shot of Eddie Condon sitting at a bar and scowling playfully; a tight close-up of a beaming Lionel Hampton; drummer Gus Johnson accompanying bassist Bob Haggart; and Ray Charles performing at the Capital Radio Jazz Festival in 1982. A full listing is available on request. For Hodgson 1930-2006 jazz was a private passion and these remarkable photographs did not see the light of day until a 2006 exhibition Masters of Jazz: Unseen Portraits held in the foyer of the National Theatre. In 2007 Jazz Improv magazine described him as one of the "obscure guys" of British jazz photography. His Guardian obituary noted that he "became known for his hobby rather than his profession. The man who owned the Kinnerton Street studio in London's Knightsbridge for many years earned his living in fashion and family photography. But it was the recent exhibition of 50 of his pictures in the National Theatre foyer that attracted more attention than anything previously shown by the largely anonymous Hodgson. Few knew of his work within the music world and fewer still knew of these unguarded often intimate images which were Hodgson's personal homage to the stars he observed and worshipped. All were taken during British tours many in the privacy of dressing rooms across London or in Hodgson's studio The Guardian jazz critic John Fordham regards these images as 'wonderful pictures'. 'They catch the mood on the night of jazz on and offstage' he said 'and they are very expressive of the big personalities of a lot of those old guys who started touring here in the 1950s and 60s after there had been a dearth of live US jazz in Britain'. Hodgson was a Londoner who took up photography after completing his national service in 1950. Starting out as a freelance he began by taking whatever commissions came his way - news and features aerial and architectural photography or commercial and children's pictures. A stint with the Mayflower Studios brought him into contact with advertising and various television personalities including Frankie Howerd Harry Secombe the Crazy Gang and the Ted Heath Band. In 1956 he set up his own studio where he did fashion shoots with Tania Mallet Jean Shrimpton and Sandra Paul He caught the change in mood from the snooty static haute couture fashion shoots of the 1950s to the more playful popular looks of swinging London in the 1960s. And at night he sneaked out to shoot his favourite jazz and blues bands playing across the capital". An important and captivating collection of jazz images imbued with the photographer's deep affection for the musicians the spontaneity of the portraits matching that of the music itself. Together 95 black and white photographs 46 measuring 223 x 170 mm; 49 measuring 402 x 305 mm each with identifying caption on verso by the photographer some with studio wet stamps or labels a number signed by Hodgson. Preserved in the photographer's own commercial boxes. Three prints Duke Ellington Billy Sytrayhorn Louis Armstrong framed and glazed by auction house overall measuring 445 x 620 mm. In excellent condition. Count Basie Good Morning Blues: The Autobiography of Count Basie 1987. unknown
1940réf. 169491United States: c. 1940-60. A visual record of a rarely seen and poorly documented world - an accidental history An unusually extensive group of these evocative "table photographs" striking records of largely African-American audiences in the glamorous sociable and intentionally inclusive world of mid-century nightclubs. Shot by in-house photographers developed on site and sold for a dollar at the end of the evening these quick souvenirs now amount to a rare visual history of a poorly documented milieu. As Gold notes they "turn the camera round": instead of performers we see the audiences - a critical part of what Jason Moran calls the jazz "ecosystem." The collection offers a nationwide survey of venues from the extravagant to the resolutely down-home. At New York's Café Zanzibar with its spectacular floor shows and "Zanzibeauts" the audience was integrated but largely white prompting Langston Hughes's caustic observation about the seating hierarchy - an impression borne out by the image here. Detroit's Gay Bar Lounge another "black and tan" joint catered to a mostly Black clientele and offered a rougher edge: in 1947 the barkeep famously shot two stick-up artists with the.38s kept beneath the cash register. Equally compelling are the histories of Black enterprise that surface. Oakland's Athens Elks Cocktail Lounge home to Lodge 70 of the Improved Benevolent and Protective Order of Elks of the World stood at the centre of West Oakland's vibrant musical scene hosting countless jam sessions and serving as the informal checkpoint for touring African-American musicians. In Los Angeles Dootsie Williams's Dooto Music Center founded by the trumpeter-turned-entrepreneur provided one of the city's foremost Black cultural venues praised by the Los Angeles Sentinel as "the most-needed cultural and recreation center in Southern California." The photographers themselves remain surprisingly elusive though a few can be traced. In Columbus George Pierce ran a record shop and studio in Bronzeville and supplied images to the Ohio Sentinel and other regional papers; in Detroit Earl Fowler's Top Hat Photo developed into a significant presence in the Black Press with Fowler later serving as chief of the Los Angeles bureau of Now! magazine. Beyond these contexts the photographs' enduring appeal lies in the human dramas unfolding across their tabletops: the conviviality style and fleeting alliances captured in a moment of collective ease. A scene from Gamby's in Baltimore is emblematic - six convivial hat-tipping men and two young women smiling through a forest of shot glasses presided over by a portrait of Fats Waller. It is warmly enigmatic yet inviting an offhand welcome extended across time. A more detailed description and full listing is available on request. Together 66 black and white gelatin silver print photographs 62 c.127 x 178 mm; 3 approximately 178 x 254 mm around 50 are in their original plain or printed souvenir folders the balance loose. Loose photos and folders with occasional wear and mild damp-staining some annotations verso of prints and to folders prints occasionally stapled into folders overall the group remains about very good. Ronald Auther "The Oakland Larks" The Shadow Ball Express: African American Baseball Renderings and other Facts of Life online; Clora Bryant et al Central Avenue Sounds; Jazz in Los Angeles 1930s-1950s 1998; Jeff Gold Sittin' In: Jazz Clubs of the 1940s and 1950s 2020; Robert Petersen "Before Motown: L.A.'s Black-owned Music Empire" PBS SoCal online. unknown
2015ill., br. Terza uscita per Collezione Crumb, la collana che propone in Italia l'opera di Robert Crumb, il più famoso autore underground di tutti i tempi. Dopo gli adattamenti dalla letteratura del primo volume e le storie del mitico Fritz il gatto nel secondo, ora tocca alla più grande passione di questo viscerale autore, ovvero tutte le storie, le illustrazioni e le copertine di dischi legate alla musica jazz e blues. Nel corso della sua lunga carriera Robert Crumb è stato definito in vari modi, genio, visionario, artista, ma anche pervertito, pazzo e razzista. Possiamo tranquillamente dire che non se ne è mai curato più di tanto. Ma se c'è un titolo che lo lusinga davvero quello è "storico della musica". Infatti nella sua incessante ricerca di dischi a 78 giri degli anni Venti e Trenta, Crumb ha praticamente maturato sul campo una preparazione sull'argomento che lo fa ormai rivaleggiare con accademici riconosciuti. Una passione coltivata da Crumb, a sua volta un suonatore di banjo dilettante, fin dall'adolescenza e che lo porterà ad essere un compulsivo collezionista di dischi e a unirsi con alcuni amici per fondare il quartetto R. Crumb and his Cheap Suit Serenaders coi quali registrerà tre album.
194782 pages. Features: Nice RKO photo ad advertises 'I Remember Mama', 'Tycoon', 'If You Knew Susie' and 'Magic Town'; 1-page ad for Philco entertainment products; Brother Jazz - The Story of Eddie Condon - with color photos; Affair's End (fiction); How to Have Ancestors; They're Still Expendable - article and photos explain how unemployment, small-business failures and layoffs are hitting veterans harder than the rest of the nation; Fever (fiction); He Clicked for 30 Years - Highlights of the career of photographer George William Harris - article with photos; The Five Dresden Angels (fiction); Man Running (fiction); Demon from the Doldrums - Nature's most destructive force is the West Indian hurricane; Nice 1-page color-photo ad for International Harvester Industrial Power features photo of a large diesel crawler in a Florida limestone quarry; Nice 1-page color ad for Ford cars; Nice vintage 1-page color ad for Kraft Cheeses; Western Electric 1-page color ad shows telephone repairman talking housewife and children at front door; Ballantine Ale 1-page color ad; Half-page 2-color ad for Fruehauf Trailers; Pennsylvania Railroad nice 1-page color ad shows comforable scene on-board; Fall Guise - article with six color photos of men's fall college fashions; Nice 1-page DeSoto car ad; A Good Whipping (fiction); Fantastic 1-page 2-color ad for the movie 'Body and Soul' starring John Garfield, Lilli Palmer and Hazel Brooks; Nice 1-page color Budweiser ad displays several illustrated plates; Goldwyn ad features colour photo of Danny Kaye; Rislone and Karbout ad features cute color photo of cigarette girl; 1-page ad for Gillette one-piece razors; Smiling Girl (fiction); Nice color 1-page ad for Hamm's Beer; One-page ad for American Overseas Airlines; Luckky Strike ad on back cover includes nice color illustration entitled 'Bright Tobacco' by Fletcher Martin. Couple of chips from top of front cover. Average wear. A worthy vintage copy. Book
2017ill., br. "In principio era il suono. Il suono nasce, cresce, si propaga nella natura del mondo, nella natura delle cose...". Il genio puro di John Coltrane, uno dei jazzisti che hanno lasciato un'impronta più profonda nella musica contemporanea, narrato e rivissuto in un'emozionante biografia a fumetti. Dalla dura infanzia nel North Carolina ai primi ingaggi come session man a Philadelphia, fino all'incontro con Miles Davis, alle mitiche registrazioni per l'etichetta Impulse! e all'esperienza mistico-spirituale di "Ascension". In quattro capitoli, seguendo le tracce e la struttura del suo disco-capolavoro "A Love Supreme", questo libro ci restituisce l'avventura interiore di un musicista straordinario, la sua ricerca, i suoi rapporti con compagni di strada come Dizzy GiIlespie, Thelonious Monk, Duke Ellington, Eric Dolphy, Elvin Jones, McCoy Tyner, Archie Shepp. E insieme a tutto questo, affiora il racconto del mondo che la musica di Coltrane attraversò: l'America degli anni '50 e '60, del Ku Klux Klan e di Malcolm X, delle lotte dei neri per i diritti civili. Una serie di eventi che è impossibile slegare dalla nascita e dall'affermazione del jazz, e che anzi si intrecciano con la sua evoluzione, delineando anche un preciso arco nella storia degli Stati Uniti d'America. Con un montaggio ritmato di parole e immagini Paolo Parisi compone con Coltrane il suo atto d'amore per questo genere musicale, tra i più importanti contributi che la cultura afroamericana ci abbia lasciato. Una storia attraversata da un sound. Un sound libero.
2008réf. 74816Höfen, Hannibal Verlag, 2008. Siegeszug eines Sounds 262 S. Pappband mit Umschlag / gebundene Ausgabe
2004réf. gu4083Definitive Records CD 2004 "2 CD ""Complete 1954 Miles Davis Master Takes"", CD1 : durée 79:31 - 1. The leap 2. Lazy Susan 3. Take off. 4. Well, You Needn't 5. Weirdo 6. It Never Entered My Mind 7. Four 8. Old Devil Moon 9. Blue Haze 10. Solar 11. You Don't Know What Love Is 12. Love me or leave me 13. I'll Remember April 14. Oleo 15. But Not For me 16. But Not For me* ; CD2 : durée 79:12 - 1. Walkin' 2. Blue 'n' Boogie 3. Airegin 4. Doxy 5. Bags' Groove 6. Bemsha Swing 7. Swing Spring 8. The Man I Love 9. The Man I Love* ; très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
réf. 056951Paris Pierre Bordas et Fils 1993 in 4 (29x24) 1 volume broché, couverture à rabats illustrée, 157 pages, avec de nombreuses photographies en noir et blanc. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
réf. 73447S.l., éd. Art Média - Les amis de Guy Lafitte, juillet 2003, EDITION ORIGINALE, in-8, cartonnage souple, couv. photo en noir sur fond noir éd., 120 pp., papier galcé, très nb. photos en noir, discographie, Très bonne et RARE biographie du saxophoniste français Guy Lafitte. Très belle iconographie. Très bonne discographie Très bon état
2002réf. 48256Blue Note, 2002. 5320882 CD CD
