4 702 résultats
1993réf. 22790Panorama, 1993. 1 CD CD
1993réf. 22788Panorama, 1993. 1 CD CD
1993réf. 22791Panorama, 1993. 1 CD CD
1993réf. 22789Panorama, 1993. 1 CD CD
1989A clean, unmarked book with a tight binding. 360 pages. 9 3/4"w x 11 5/8"h. 400 illustrations, including 155 plates in color.
1920réf. List3817Chicago Illinois: Chicago Amusement Service Corporation 1920. Silver gelatin photograph measuring 8 x 10 inches. Photograph shows Jimmie Wade and his Club Alabam Orchestra posed in tuxedos before a curtain with drums banjo brass reeds and string bass beneath a printed sign reading "Chicago Amusement Service Corporation Presents / Jimmie Wade and his Club Alabam Orchestra / Chicago / Vocalion Records. Some wear toning and soiling; verso with staining; very good. A large promotional photograph of Jimmie Wade and his Club Alabam Orchestra. Wade was an African American jazz trumpeter and bandleader active in Chicago from the 1910s through the early 1930s. His orchestra appeared at major Chicago venues and recorded for Vocalion in 1928. Club Alabam opened at 747 Rush Street in 1927 during Prohibition and operated as a cabaret-style nightclub under showman Dan Blanco who had previously worked in saloons amusement parks vaudeville and Chicago cabarets. The club belonged to the city's late-1920s nightlife world of floor shows dance orchestras illicit liquor and entertainment promotion. The sign in this photograph identifies Wade's orchestra Club Alabam Chicago Amusement Service Corporation and Vocalion Records. A strong Jazz Age photograph of an African American Chicago bandleader and his orchestra with connections to the Chicago nightlife scene of the period. Chicago Amusement Service Corporation unknown books
1932réf. List3818New York City 1932. Silver gelatin photograph measuring 8 x 10 inches. Stage photograph of Cab Calloway and His Cotton Club Orchestra with Calloway at center before the band brass and reed sections drums bass guitar and stage lighting visible. Verso with mounting residue and manuscript note reading in part "from Irondome Bessemer album" or similar. Some wear creasing toning and mounting residue; very good. A large stage photograph of Cab Calloway and His Cotton Club Orchestra corresponding to a known 1932 image of the band made to mark the arrival of trumpeter Doc Cheatham. The photograph shows Calloway at center bending forward in his characteristic theatrical posture with the orchestra arranged behind him on the Cotton Club stage. By 1932 Calloway had become one of the defining entertainers of the Cotton Club era. He had taken over the Missourians in 1930 and the success of "Minnie the Moocher" in 1931 helped make him a national figure. The orchestra was also being reshaped during these years with musicians such as Doc Cheatham Morris White Walter "Foots" Thomas Benny Payne and others forming the sound and stage presentation of Calloway's early 1930s band.1 Mills Music used this same image in another press photograph indicating that it functioned as a promotional view of Calloway and the orchestra rather than merely as a private stage snapshot. 1 Jean-François Pitet "Morris 'Fruit' White: from the Missourians' banjo to Calloway's guitar" The Hi de Ho Blog May 20 2021 accessed July 21 2026 https://www.thehidehoblog.com/blog/2021/05/morris-fruit-white-from-the-missourians-banjo-to-calloways-guitar. . unknown books
1920réf. List3817Chicago Illinois: Chicago Amusement Service Corporation 1920. Silver gelatin photograph measuring 8 x 10 inches. Photograph shows Jimmie Wade and his Club Alabam Orchestra posed in tuxedos before a curtain with drums banjo brass reeds and string bass beneath a printed sign reading "Chicago Amusement Service Corporation Presents / Jimmie Wade and his Club Alabam Orchestra / Chicago / Vocalion Records. Some wear toning and soiling; verso with staining; very good. A large promotional photograph of Jimmie Wade and his Club Alabam Orchestra. Wade was an African American jazz trumpeter and bandleader active in Chicago from the 1910s through the early 1930s. His orchestra appeared at major Chicago venues and recorded for Vocalion in 1928. Club Alabam opened at 747 Rush Street in 1927 during Prohibition and operated as a cabaret-style nightclub under showman Dan Blanco who had previously worked in saloons amusement parks vaudeville and Chicago cabarets. The club belonged to the city's late-1920s nightlife world of floor shows dance orchestras illicit liquor and entertainment promotion. The sign in this photograph identifies Wade's orchestra Club Alabam Chicago Amusement Service Corporation and Vocalion Records. A strong Jazz Age photograph of an African American Chicago bandleader and his orchestra with connections to the Chicago nightlife scene of the period. Chicago Amusement Service Corporation unknown
1932réf. List3818New York City 1932. Silver gelatin photograph measuring 8 x 10 inches. Stage photograph of Cab Calloway and His Cotton Club Orchestra with Calloway at center before the band brass and reed sections drums bass guitar and stage lighting visible. Verso with mounting residue and manuscript note reading in part "from Irondome Bessemer album" or similar. Some wear creasing toning and mounting residue; very good. A large stage photograph of Cab Calloway and His Cotton Club Orchestra corresponding to a known 1932 image of the band made to mark the arrival of trumpeter Doc Cheatham. The photograph shows Calloway at center bending forward in his characteristic theatrical posture with the orchestra arranged behind him on the Cotton Club stage. By 1932 Calloway had become one of the defining entertainers of the Cotton Club era. He had taken over the Missourians in 1930 and the success of "Minnie the Moocher" in 1931 helped make him a national figure. The orchestra was also being reshaped during these years with musicians such as Doc Cheatham Morris White Walter "Foots" Thomas Benny Payne and others forming the sound and stage presentation of Calloway's early 1930s band.1 Mills Music used this same image in another press photograph indicating that it functioned as a promotional view of Calloway and the orchestra rather than merely as a private stage snapshot. 1 Jean-François Pitet "Morris 'Fruit' White: from the Missourians' banjo to Calloway's guitar" The Hi de Ho Blog May 20 2021 accessed July 21 2026 https://www.thehidehoblog.com/blog/2021/05/morris-fruit-white-from-the-missourians-banjo-to-calloways-guitar. . unknown
1960français In-8 de 269 pp.; broché de l'éditeur. Avec la collaboration de William Dufty. Suivi d'une discographie complète et précédé d'un hommage à "Lady Day" par Buck Clayton, Kenny Clarke, Bill Coleman, Lena Horne, etc... Edition originale de la traduction française, pas de grand papier annoncé.
1960réf. 60206Paris Plon 1960 1 vol. broché in-8 (204 x 144 mm), broché, couverture illustrée, VI-267 pp., discographie. Précédé d'un Hommage à "Lady Day" par B. Clayton, B. Coleman, K. Clarke, E. Warren et al. Ride centrale au dos, papier un peu jauni. Sinon bon état général.
1960réf. 60206Paris Plon 1960 1 vol. broché in-8 (204 x 144 mm), broché, couverture illustrée, VI-267 pp., discographie. Précédé d'un Hommage à "Lady Day" par B. Clayton, B. Coleman, K. Clarke, E. Warren et al. Ride centrale au dos, papier un peu jauni. Sinon bon état général.
in-12, 253 pp., 1 cahier d'entretien avec 12 photographies n/b, cartonnage vert decore de l'editeur. Bel exemplaire. [NV-4]
1960réf. fc485Plon Broché 1960 In-12 (4,3 x 20 cm), broché, 267 pages ; pliures au dos et sur les plats, quatrième plat et intérieur brunis, en l'état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1956250 pages. Chronological discography. Autobiography of this eminent jazz and pop vocalist. Fascimile dust jacket preserved in archival-grade Brodart. Usual library markings. Rebound in decorated green library buckram sans the original photo-illustrated endpapers. Above-average wear. Binding intact. A worthy first edition reading copy. Meadows 2173 Book
2007ill., br. A quasi cinquant'anni dalla morte, Billie Holiday rimane una delle voci indimenticabili nella storia della musica del ventesimo secolo, e un'icona della cultura afroamericana. Julia Blackburn conosce Billie Holiday a quattordici anni, quando, a una festa organizzata dalla madre nella swinging London, si rifugia in un angolo della stanza ad ascoltare un album intitolato A Billie Holiday Memorial. E quel disco segnerà un destino. Quarant'anni dopo accede al materiale raccolto negli anni settanta da un'altra giovane appassionata, Linda Kuehl: più di 150 interviste ad amici, musicisti e collaboratori di Billie Holiday che narrano, con voce a tratti commossa e a tratti impietosa, la sua vita tormentata. Dai protagonisti della scena newyorkese a cavallo tra gli anni trenta e quaranta come Lester Young e Tallulah Bankhead, alle amiche d'infanzia come Mary "Pony" Rane, che condivise con Billie l'esperienza del riformatorio, al marito e manager Louis McKay, questi innumerevoli ricordi compongono il ritratto di una donna fragile ma al tempo stesso irresistibile, orgogliosa e travolgente. Sullo sfondo la discriminazione nella Baltimora degli anni venti, la New York degli speakeasy durante il proibizionismo, le fumerie di oppio, il Cotton Club, l'Apollo e gli altri locali di Harlem, i gangster e la caccia alle streghe da parte dell'FBi in un racconto corale che termina con una performance memorabile, davanti alle telecamere della CBS, poco prima della scomparsa di Lady Day.
réf. 25413o.J. 1 CD CD
Label Jazz. 1996. In-4 Carré. Broché. Bon état. Couv. légèrement passée. Dos satisfaisant. Intérieur frais. Plaquette de 12 pages illustrée de photos en noir et blanc. Kenny Baron Trio. Biarritz ville jazz. Le Borie aux Chartrons...
Label Jazz. 1996. In-4 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. Plaquette de 12 pages illustrée de photos en noir et blanc. Kenny Baron Trio. Biarritz ville jazz. Tous les Festivals de l'été. Le Borie aux Chartrons...
1996réf. RO40206272Label Jazz. 1996. In-4. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Plaquette de 12 pages illustrée de photos en noir et blanc.. . . . Classification Dewey : 781.65-Jazz
réf. ORD-8019Paris. Robert Laffont. 1946. In-8 (143 x 226mm) broché, couverture en couleurs illustrée photo, 313 pages. Couverture lgt abîmée mais assez bon exemplaire.
réf. ORD-8020Paris. Robert Laffont. 1952. In-8 (146 x 191mm) broché, couverture à rabats imprimée et illustrée photo, 253 pages. Bon exemplaire. Rare avec envoi.
1952réf. WOC-2196Édition revue et augmentée. Paris, Robert Laffont, 1952. In-8 (19x14,5cm) broché de plats ornés, couverture à rabat. 249pp.
1952réf. 22069Paris, Éditions Robert Laffont, 1952, édition revue et augmentée. Broché, 14,5 cm x 19,5 cm, 249 pages. Texte de Hugues Panassié, discographie, index des noms cités. Bon état
réf. 7899in 12 broché,couverture illustrée avec titre,rempliée,. Edition revue et augmentée.Faux-titre,titre,249 pages,1 page de table des matières,non coupé.Robert Laffont 16 avril 1952.Petit frottement avec un petit manque,réparé,angle inférieur droit de la couverture.Sinon bon exemplaire
