4.330 Ergebnisse
1990Best.-Nr. 22795Cmp, 1990. CMP CD 3001 1 CD CD
192632 pages. Features: Cover photo of the U.S.S. West Virginia; New York's Little Joke on New York - a study of the prohibition referendum - an oasis that proved to be a mirage; The Sesqui-Centennial Nears Its End - article with photos; 'Coin' Harvey - Prophet of Monte Ne - he would build a pyramid in the Ozarks to tell posterity why our civilization has failed; Painless Taxation - The Refuge of Quack Politicians who advocate 'painless' taxation; The Greatest Need of the U.S. Navy - an adequate merchant marine; A Tale of The Islands That Dot Boston Harbor; Henry Ford's Page - today's farming problem; Editorials - Judge William S. Kenyon on Official Etiquette, Our new diplomacy, the very mushroom growth of jazz is enough to predict its ephemerality, New light on the Dawes Plan; Our Greatest Football Fable - The All American Team; The Tragic Story of the Jeannette Expedition - Part II of this photo-illustrated article ; Dances of Olden Times; The Lure of the Puppet - Marionettes date from the dawn of civilization; Chats with Office Callers; I Read in the Papers; Great photos inside back cover. Unmarked with average wear. A worthy vintage copy. Book
1920Best.-Nr. BK0059Chicago: Williams & Piron Music Publishers 1920. First. Four pages 9 ½ x 12 ¼ inches. Illustrated cover signed "Wilson. Detached at spine with slight chipping to margins; good overall. A scarce Williams & Piron sheet music imprint for The Dance They Call the "Georgia Hunch" with words and music by Clarence Williams Louis Wade and Spencer Williams. The attractive illustrated cover signed "Wilson" shows a couple dancing beneath the title. The song was issued by Williams & Piron in Chicago in 1920 during Clarence Williams's brief publishing partnership with New Orleans violinist and bandleader Armand J. Piron. Their firm advertised itself as the "House of Jazz." The song's title refers to the Georgia Hunch an early jazz or vernacular dance documented in period performance and later dance history sources. It does not appear to have become a standardized dance craze on the level of the shimmy black bottom or Charleston but it was more than an invented title; Williams recorded The Dance They Call the Georgia Hunch in 1921 as Okeh Records 8029 and the dance appears in later jazz-dance documentation though it apparently never reached the fame of more well known dance steps of the time. OCLC locates two copies institutionally at Baylor and the British Library. . Williams & Piron Music Publishers unknown books
1972Ex-library book with usual marks and stamps and upper corner of front end paper missing. Clean pages in a very tight binding with bright unmarked tape-free boards, rubbing to board edges and very minor bumping to corners. Dust jacket not price clipped or marked with light creasing mainly to edges. 160pp. Well illustrated study of the rise of the jazz dance bands of the inter-war years from 1919 to 1944.
1920Best.-Nr. BK0059Chicago: Williams & Piron Music Publishers 1920. First. Four pages 9 ½ x 12 ¼ inches. Illustrated cover signed "Wilson. Detached at spine with slight chipping to margins; good overall. A scarce Williams & Piron sheet music imprint for The Dance They Call the "Georgia Hunch" with words and music by Clarence Williams Louis Wade and Spencer Williams. The attractive illustrated cover signed "Wilson" shows a couple dancing beneath the title. The song was issued by Williams & Piron in Chicago in 1920 during Clarence Williams's brief publishing partnership with New Orleans violinist and bandleader Armand J. Piron. Their firm advertised itself as the "House of Jazz." The song's title refers to the Georgia Hunch an early jazz or vernacular dance documented in period performance and later dance history sources. It does not appear to have become a standardized dance craze on the level of the shimmy black bottom or Charleston but it was more than an invented title; Williams recorded The Dance They Call the Georgia Hunch in 1921 as Okeh Records 8029 and the dance appears in later jazz-dance documentation though it apparently never reached the fame of more well known dance steps of the time. OCLC locates two copies institutionally at Baylor and the British Library. . Williams & Piron Music Publishers unknown
2004134 pages, plastic spiral-bound for easy page-turning. Exercises for instrumentalists--- single line, not for pianists. Excellent condition, some pencilled notations.
1999Best.-Nr. 28957Disconforme, 1999. JFCD 22808-09 4 CD CD
1974Best.-Nr. 040677New Rochelle: Arlington House 1974. First Edition. Hardcover. Fine/Fine. Four volumes. pp: xl 2642. Contains some 30000 entries. Bound in blue cloth gilt lettering on spines and covers printed dust jackets. 9.5" x 6.25" Includes two volumes of biographies one of music year by year and one of indices to songs performers and musicals. Covers the contributions of singers band leaders musicians arrangers composers and lyricists of popular music and jazz as well as some 1200 film musicals and some 1500 Broadway musicals casts songs etc. Arlington House hardcover
1998Best.-Nr. 475001998. IMPD8 280 8 CD, 99 S., Abb. CD
1997Best.-Nr. 55215London, Thames & Hudson Ltd., 1997. With many pictures. 256 S. 28,5 x 23 cm, Pp., OU. Used, but good condition. / Leichte Gebrauchsspuren, sonst gut erhalten.
2006Best.-Nr. 53716BBE, 2006. BBECD069 CD CD
1998Best.-Nr. 1154486Schirmer Books / Prentice Hall International, 1998. XII; 294 S.; 23,5 cm; kart.
1930Best.-Nr. 53742New York: Macmillan Company 1930. 8vo. 8 230 pp. Navy-blue publisher’s cloth gilt lettering minor rubbing to spine very minor shelfwear w/ d.j. printed on metallic silver coated paper Art Deco cover art of 1920s limousine and the well-dressed set in orange & black minor chipping to head & foot of spine very minor edgewear & creasing upper fore-edge couple very small closed tears w/ minor very small tape repair still a VG/VG- copy. First edition of this fast-paced novel set against the backdrop of a penniless Russian Prince exiled by the Revolution who makes a deal with a clever Chicago fashion buyer to act as chauffeur and purchase the sumptuous “Car of Croesus” rented at exorbitant rates to patrons wishing to appear as millionaires. Poole won the first Pulitzer Prize for The Family in 1918. Very scarce in the original dustjacket. Macmillan Company, hardcover
1989Best.-Nr. 3305EBHarrow, Middx., SAF Publishing, 1989. 8°. 22 cm. 192 Seiten. Original-Broschur.
2005Best.-Nr. 25410Membran International, 2005. 4 CDs CD
1977110 pages. Songs include: Sneakin' Up Behind You; Lovely Lady; What Can a Miracle Do?; Levitate; A Creature of Many Faces; D.B.B.; Some Skunk Funk; Keep it Steady; Oh My Stars; I Love Wastin' Time With You; Slick Stuff; Grease Piece; Sponge; Twilight; Night Flight; Rocks; If You Want to Boogie, Forget It; Dig a Little Deeper. Average wear. Unmarked. Binding intact. A sound copy of this absolutely stunning compilation. Book
1998Best.-Nr. 53715Verve, 1998. 557403-2 CD CD
1963Best.-Nr. 195994-1New York, Leeds Music Corp. u. New York, Crown Publ. ( 1963). 4°. 301 S. Mit zahlr. Notenbeispielen. Original-Halbleinenband
1977Best.-Nr. 176256-1New York, Oak Publ. (um 1970)-1977. 4°. 223; 178 S. Mit Abb. u. Notenbeisp. Original-Kartonband
1995Best.-Nr. 25835Hamburg : Orbis, 1995. 144 S. : Mit zahlr., teils farb. Abb. ; 4°, blauer Org.-Pappb. [2 Warenabbildungen]
1917Best.-Nr. List3667Omaha Nebraska: Maceo Pinkard Music Publisher 1917. Folio sheet music 11 x 14 inches 3 pp. plus cover. Light edge wear and small creases; a couple tiny tears to margins very good with strong color and excellent internal condition. An early jazz-era composition by the important African American songwriter Maceo Pinkard 1897–1962 issued from his short-lived Omaha publishing venture during the first years of the national “jass band” craze. The cover advertises the piece as a “1917 ‘Jass Band’ Craze!” and features a photograph of Sophie Tucker’s Five Kings of Syncopation the ensemble associated with the immensely popular vaudeville star Sophie Tucker during the years immediately preceding American entry into the First World War. Pinkard born in Blue Springs Nebraska emerged as one of the most important Black popular songwriters of the early twentieth century. As a teenager he worked in Nebraska theaters and dance orchestras before forming a publishing firm in Omaha while still barely twenty years old. His early Midwestern publications—including pieces such as “The Blue Melody”—show him operating within the ragtime and syncopated dance music tradition that was evolving into early jazz. Within a few years Pinkard relocated to Chicago and New York where he became a major Tin Pan Alley figure later composing standards such as “Sweet Georgia Brown” 1925. The piece is respectfully dedicated to “Sophie Tucker’s 5 Kings of Syncopation” reflecting Tucker’s role as one of the most influential vaudeville singers of the 1910s. The interior advertisement reproduces a sample chorus of Pinkard’s hit “I’m a Real Kind Mama” another early jazz-age success associated with Tucker’s repertoire. Maceo Pinkard Music Publisher unknown books
1917Best.-Nr. List3667Omaha Nebraska: Maceo Pinkard Music Publisher 1917. Folio sheet music 11 x 14 inches 3 pp. plus cover. Light edge wear and small creases; a couple tiny tears to margins very good with strong color and excellent internal condition. An early jazz-era composition by the important African American songwriter Maceo Pinkard 1897–1962 issued from his short-lived Omaha publishing venture during the first years of the national “jass band” craze. The cover advertises the piece as a “1917 ‘Jass Band’ Craze!” and features a photograph of Sophie Tucker’s Five Kings of Syncopation the ensemble associated with the immensely popular vaudeville star Sophie Tucker during the years immediately preceding American entry into the First World War. Pinkard born in Blue Springs Nebraska emerged as one of the most important Black popular songwriters of the early twentieth century. As a teenager he worked in Nebraska theaters and dance orchestras before forming a publishing firm in Omaha while still barely twenty years old. His early Midwestern publications—including pieces such as “The Blue Melody”—show him operating within the ragtime and syncopated dance music tradition that was evolving into early jazz. Within a few years Pinkard relocated to Chicago and New York where he became a major Tin Pan Alley figure later composing standards such as “Sweet Georgia Brown” 1925. The piece is respectfully dedicated to “Sophie Tucker’s 5 Kings of Syncopation” reflecting Tucker’s role as one of the most influential vaudeville singers of the 1910s. The interior advertisement reproduces a sample chorus of Pinkard’s hit “I’m a Real Kind Mama” another early jazz-age success associated with Tucker’s repertoire. Maceo Pinkard Music Publisher unknown
1960Best.-Nr. 53675AB(um 1960). 4°. In originalem Cover. - Ein gut erhaltenes Exemplar. Keine Kratzspuren.
19728° (CM. 24), BROSSURA FIG. (LIEVI SEGNI), PG. 223 (5), 25 ILL. B.N. N.T. (PREVALENZA PIENA PG.), BUONO STATO. PRIMA EDIZIONE. (C)
2007Best.-Nr. 6330287Oxford, New York: Oxford University Press 2007. XX + 720 S. 25cm x 18cm