Ellington DukeLivre Rare Book
4 749 résultats
2002réf. pq2298Da Music CD 2002 "1 CD ""The feeling of jazz"" de Duke Ellington, enregistrement de 1988, 1. Taffy twist 2. Flirtbird 3. Smada 4. What am I here for 5. Take the ""A"" train 6. I'm gonna go fishin' 7. Boo - dash 8. Black and tan fantasy 9. The feeling of jazz 10. Jump for joy 11. I let a song go out of my heart 12. Don't get around much anymore ; traces d'usage au boîtier, très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
2002réf. pq2299Delta Music CD 2002 "2 CD ""The Champs-Elysees theater."" de Duke Ellington, enregistrement du Jan. 29-30th 1965, 9 et 14 titres, emboîtage cartonné ;frotements à l'emboîtage cartoné, par ailleurs très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
1965réf. 29362Angleterre, Harold Davison LTD 1965. Fascicule de 20 pages au format 25,5 x 21 cm, edité pour la tournée britannique de l’Orchestre de Duke Ellington. Couverture illustrée par une photographie de Duke Ellington. Premier plat avec petit accroc au bord supérieur renforcée au verso par de l'adhésif transparent. Infimes frottis et tassements aux coins. Publication avec légère trace de pliure verticale. Intérieur resté frais. Textes inédits de Duke Ellington, Benny Green et Peter Clayton, accompagnés de superbes photographies en noir de Michael Sanders. Complet du billet d'entrée pour le concert du samedi 20 février 1965 au " Winter Gardens Bournemouth ". Edition originale en bel état général. Rare et précieux exemplaire enrichi de signatures autographes de Duke Ellington et de 8 de ses musiciens : Herbie Jones, Cootie Williams, Ray Nance, Mercer Ellington, ( trompettes ), Chuck Connors, Buster Cooper ( trombones ), Sam Woodyard ( batterie ), John Lamb ( basse ).
1987réf. 67708Gauting, Oreos Verlag, ca. 1987. Orig.-Broschur, kl.-4°, 189 Seiten.
1992réf. 17686Kopenhagen/Dänemark, JazzMedia ApS, 1992. 4°, 781 S., mit zahlreichen s/w Abb., Bezahlung per PayPal möglich, we accept PayPal, OU ger. beschabt mit kl. Einrissen, altersbedingte Bräunungen, sonst min. Gebr.sp., Pappband, gebunden
1961réf. 39584München : Nymphenburger Verl.-Handl. 1961. 327 S. : mit Abb., 1 Titelbild ; 8 kart., Softcover/Paperback, Exemplar in gutem Erhaltungszustand
réf. 21299Paris, Filipacchi, 1976. In-8°, XX-322p. Broché, couverture illustrée.
In-8, XX-322p. Préface de Frank Ténot. Illustré de photographies dans le texte. Bel exemplaire.
réf. va23Columbia CD "1 CD ""Duke Ellington, his piano and his orchestra at the Bal Masque"" : 1. Alice Blue Gown 2. Who's Afraid of the Big Bad Wolf 3. Got a Date with an Angel 4. Poor Butterfly 5. Satan Takes a Holiday 6. The Peanut Vendor 7. Satin Doll 8. Lady in Red 9. Indian Love Call 10. The Donkey Serenade 11. Gypsy Love Song 12. Laugh, Clown, Laugh ; très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
2011réf. 1154188The University of Chicago Press, 2011. XII; 688 S.; 23 cm; kart.
réf. ws499Disque vinyl "Disque vinyle 33T ""Duke Ellington toujours..."", sans date ; pochette abîmée (ruban adhésif bruni sur les bords décollés, traces sur les plats, ex-libris manuscrit), le disque lui-même présente des petites marques d'usage mais sans incident majeur, ainsi qu'une étiquette ex-libris sur une face, en l'état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
réf. 4593publisched by micrography 1977 - In 8 carré broché 83 pages
1990In 8° br. fig. col. pp. 369, con foto b/n f/t leggere tracce del tempo ma ben tenuto
1990Bross. edit. in-8, copert. ill.ta, pp. XI-(1)-371-(1), coll. Supersound dir. da M. Luzzatto Fegiz, foto in nero f.t. Ottimo.
1959Carton. edit. in-16, sovrac., sguardie ill.te, pp. XI-(3)-15/253-(1), foto in nero f.t. Ottimo.
1968réf. 15777-yh6001Los Angeles u.a.: United Artists Music (1968). 48 S. Orig. Broschur (gering berieben und bestoßen, Reste eines Preisaufklebers auf dem Vorderdeckel, sonst gutes und sauberes Exemplar). 4°. broschiert/ Taschenbuch
réf. ws498Disque vinyl "Disque vinyle 33T ""Perfume Suite, Black Brown and Beige"" de Duke Ellington, sans date ; pochette abîmée (frottements et brunissures laissées par du ruban adhésif sur les bords, traces sur les plats, ex-libris manuscrit), le disque lui-même présente des petites marques d'usage mais sans incident majeur, état correct. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
réf. ws497Disque vinyl "Disque vinyle 33T ""Jungle Style"" de Duke Ellington, sans date ; pochette abîmée (réparations au ruban adhésif sur les bords, traces et frottements sur les plats, ex-libris manuscrit), le disque lui-même présente des petites marques d'usage mais sans incident majeur, état correct. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
1992réf. 13471Copenhagen, Jazz Media, 1992. mit über 300 Abbildungen und Dokumenten / more than 300 pictures and documents. OPbd., ill. OU, VIII; 782 S., 4° / orig. hardcover, ill. dustjacket, VIII; 782 pp., 4-to
1946réf. 8972Bruxelles, Les Editions du Hot Club, 1946. In-8 broché de 63 pages, couverture imprimée en deux tons ornée d'une photographie en noir, dos muet.
1987réf. 80107yLondon, Apollo, 1987. Broschur, mit farbigem Deckelphoto, etwas kl. DinA 5, 127 Seiten, wenige sw-Photos, Einband mit geringen Gebrauchsspuren, gebräunt, gering berieben und bestoßen, Seiten randgebräunt, (sehr) gut erhalten / (sehr) guter Zustand [2 Warenabbildungen]
réf. 22406The interview appeared in the April 1964 number of 'Crescendo' magazine London. The interview – retitled 'Duke looks back – and forward in an interview with Les Tompkins' – features on pp.6-7 of the April 1964 number of 'Crescendo'. Sammy Davis Jr features on the cover with the announcement 'NOT A WORD ABOUT THE BEATLES!' Three items the typescript of the interview and two accompanying pieces one not used. All three in good condition lightly aged. ONE: Carbon typescript titled 'That's where the tailoring comes in Duke Ellington talks to Les Tomkins'. 6pp 4to. On six leaves stapled together at a corner. Of particular interest in this typescript is the following passage – suppressed in the published version – in which Ellington names Jimmy Forrest as one of his imitators: 'we've had people like Jimmy Forrest – who took a couple of pages out of our book wrote a number and called it something else. It became the biggest thing since “St. Louis Blues”. And that's “Night Train” - you know from “Happy Go Lucky Local”'. In a couple of instances the typescript appears closer to Ellington's voice than the published version. It features the Americanism 'specialty' rather than the published 'speciality'; and has the following passage which was recast for publication: '… and as the refreshments would take over and he would roll of the piano stool – why they would call in the soda jerker i.e. Ellington to come and play the piano.' The published version reads: 'As the refreshments took over and he rolled off the piano stool they'd call in the soda jerker to play the piano.' Other changes are relatively minor: 'Some people don't like to have to – what is it … to follow something they are not familiar with' printed as 'Some people don't like to have to apply themselves. … to follow something unfamiliar'; 'Then you don't have to worry about how many drinks you take' printed as 'Then they don't have to worry about how many drinks they take'; 'the English audience has' printed as 'the British audiences have'; 'is a thing which is rare' printed as 'is rare'. In the typescript the preamble to the article ends rather lamely 'However here are some of his interesting utterances about:' this is replaced in the printed version with 'But the printed words alone have their own value. – L.T.' In addition the published version exhibits a few minor editorial changes such as the correction of 'fit' to 'fitted' and 'less notes' to 'fewer notes'. The typescript has the following headings: 'His jazz beginnings' 'When he was a fixer' 'The men in the band' 'Billy Strayhorn' 'Their writing approach' 'Ellington imitators' 'His view of the present band' and 'His view of the future'. These are replaced in the published version by 'Smart' 'So loud!' 'Cutting' 'Renaissance' and 'Protection'. TWO: Carbon typescript headed: 'The Duke presents a bouquet to our audiences'. 1p 4to. Published in a box at bottom left of first page of interview under the title 'An Ellington bouquet'. THREE: Carbon typescript of one-sentence quotation from Ellington under title 'Duke Ellington's comments on Crescendo'. 1p 4to. Reads: 'I think it's wonderful reading. And it's very exciting thrilling – interesting mainly – and enjoyable.' This endorsement does not appear to have been used by the magazine. The material comes from an archive of typescripts by Tomkins of his Crescendo contributions including interviews with Louis Armstrong Sonny Rollins Bud Freeman Stan Tracey Erroll Garner Stan Kenton Quincy Jones Joe Turner Tubby Hayes Stan Getz. The interview appeared in the April 1964 number of 'Crescendo' magazine [London]. unknown
1947réf. 041182New York: Program Publishing Co 1947. First Edition. Softcover. Very Good. 16pp; illustrated throughout from photographs some full-page. Includes: "The Story of Duke Ellington" running text; "Farewell to Jazz Fakers" by Duke Ellington; "Duke Ellington - Musical Pioneer" by Leonard Feather plus Feather's notes on the concert program. Bound in pictorial yellow wrappers 12" x 9" The concert program: Jazz Accelerando; Bojangles; Creole Love Call; You Name It; Liberian Suite; Resume; Songs by Lu Eliot; Violet Blue; The History of Jazz in Three Minutes; Songs by Albert Hibbler; Duke Ellington at the Piano. Personnel: Trumpets--Al Killian Ray Nance Harold Baker Nelson Williams David Burns; Trombones--Lawrence Brown Tyree Glenn Quentin Jackson; Reeds--Johnny Hodges Harry Carney Jimmy Hamilton Russell Procope Jimmy Forrest; Rhythm--Duke Ellington piano; Sonny Greer drums; Wendell Marshall bass. Vocals--Albert Hibbler Kay Davis Lu Eliot. Program Publishing Co unknown
1961réf. 2789(Zürich), Sanssouci Vlg. (1961). 78 S. Mit Abb. a. Taf. (= Galerie Sanssouci). 15,5 cm. OPp.
1961réf. 77677Zch.: Sanssouci Vlg. (c 1961). 78 Ss. Kl.8°. Illustr. Pp. (Kopfschnitt min. stockfleckig).
