4.702 Ergebnisse
2011Best.-Nr. 50772Traumton, 2011. 4562 CD CD
Best.-Nr. 106693Gollion, Infolio éditions 2015, 310x215mm, 255pages, reliure cartonnage illustré de l’édieur. Très bel exemplaire.
1967In 16° leg. edit. fig. col. pp. 158, pieno di foto b/n , ben tenuto
1952Best.-Nr. 65207Durand et Cie 1952 1 vol. broché in-8, broché, 43 pp., dessins en noir de Clément Serveau (dont 1 à pleine page). Ex-dono manuscrits sur la page de garde. Sinon très bon état.
1952Best.-Nr. 65207Durand et Cie 1952 1 vol. broché in-8, broché, 43 pp., dessins en noir de Clément Serveau (dont 1 à pleine page). Ex-dono manuscrits sur la page de garde. Sinon très bon état.
Best.-Nr. 427171 vol in-8 - broché - N° 14 de novembre 1942 - 116 pages
2022br. Attraverso incontri e interviste con maestri della vocalità jazz, blues e soul - da Johnny Adams a Mark Murphy, da Johnny Otis a Carmen McRae, da Bill Henderson a Tony Bennett, da Jimmy Scott a Etta Jones, da Betty Carter a Bobby McFerrin - e con loro illustri accompagnatori, Confessin' the Blues dipinge il ritratto di un'epoca ancora fertile per la musica afroamericana, quella dell'ultimo Novecento, in equilibrio tra tradizione, innovazione ed eclettismo: un'epoca in cui il blues appare vitale come forma lirico-musicale (schiettamente popolare o raffinata, jazzistica), come richiamo sempre fondamentale nel grande songbook di Broadway, Hollywood e Tin Pan Alley, o come umore presente nell'intero spettro culturale nordamericano e nel linguaggio quotidiano dell'America urbana, suburbana o rurale. E anche come filtro (la sua fluida celebrazione degli alti e bassi della vita) attraverso il quale un cantante toccato dalla potente emotività del blues guarda alla propria arte e alla propria carriera.
2022br. Attraverso incontri e interviste con maestri della vocalità jazz, blues e soul - da Johnny Adams a Mark Murphy, da Johnny Otis a Carmen McRae, da Bill Henderson a Tony Bennett, da Jimmy Scott a Etta Jones, da Betty Carter a Bobby McFerrin - e con loro illustri accompagnatori, Confessin' the Blues dipinge il ritratto di un'epoca ancora fertile per la musica afroamericana, quella dell'ultimo Novecento, in equilibrio tra tradizione, innovazione ed eclettismo: un'epoca in cui il blues appare vitale come forma lirico-musicale (schiettamente popolare o raffinata, jazzistica), come richiamo sempre fondamentale nel grande songbook di Broadway, Hollywood e Tin Pan Alley, o come umore presente nell'intero spettro culturale nordamericano e nel linguaggio quotidiano dell'America urbana, suburbana o rurale. E anche come filtro (la sua fluida celebrazione degli alti e bassi della vita) attraverso il quale un cantante toccato dalla potente emotività del blues guarda alla propria arte e alla propria carriera.
1950Best.-Nr. 11434NNew York, New World Music, 1950. (VNr. S-1027-116), Klein-Quart (22,8 x 17,2 cm), (2), 116 Seiten, 1 Portr. Roter Original-Karton (hint. Deckel lichtschattig)
2001Best.-Nr. 25468TIM, 2001. 1 CD CD
1960Best.-Nr. 45557Harrisburg PA: Penn-World Attractions 1960. Very Good . Harrisburg PA: Penn-World Attractions 1960. Broadside flyer 28x21.6cm printed on peach stock advertising a Louis Armstrong concert at The Forum in Harrisburg Pennsylvania May 19 1960. Minor wear and creasing to edges; Very Good or better. Promotion from a late career concert for Armstrong which took place a year after he suffered a heart attack while touring in Italy. Features Armstrong's bandmates Danny Barcelona "Peanuts" Hucko and Velma Middleton. Not separately cataloged in OCLC. Penn-World Attractions unknown books
1960Best.-Nr. 45557Harrisburg PA: Penn-World Attractions 1960. Very Good . Harrisburg PA: Penn-World Attractions 1960. Broadside flyer 28x21.6cm printed on peach stock advertising a Louis Armstrong concert at The Forum in Harrisburg Pennsylvania May 19 1960. Minor wear and creasing to edges; Very Good or better. Promotion from a late career concert for Armstrong which took place a year after he suffered a heart attack while touring in Italy. Features Armstrong's bandmates Danny Barcelona "Peanuts" Hucko and Velma Middleton. Not separately cataloged in OCLC. Penn-World Attractions unknown
Best.-Nr. 119417Frankfurt/Main Verve Records, s.d. [1959] 1 vol. broché plaquette in-4, brochée, couverture illustrée en couleurs, non paginée (18 p.). Programme d'une tournée européenne avec les textes en allemand, français et anglais et de belles photographies en noir et blanc, le tout dans une mise en page soignée avec impression sur papier couché et papier Canson rouge. Bien complet du supplément pour les concerts des 20 et 21 septembre 1959 à la Salle Pleyel de Paris (8 pages in-4, photos et publicités). En belle condition.
Best.-Nr. 119417Frankfurt/Main Verve Records, s.d. [1959] 1 vol. broché plaquette in-4, brochée, couverture illustrée en couleurs, non paginée (18 p.). Programme d'une tournée européenne avec les textes en allemand, français et anglais et de belles photographies en noir et blanc, le tout dans une mise en page soignée avec impression sur papier couché et papier Canson rouge. Bien complet du supplément pour les concerts des 20 et 21 septembre 1959 à la Salle Pleyel de Paris (8 pages in-4, photos et publicités). En belle condition.
1999Best.-Nr. 45035Definitive Records, 1999. DRCD11148 4 CD CD
1950Best.-Nr. 223221950. Complete 1950 run of Jazz Journal Vol. 3 Nos. 1-12. London: L. M. Publications 1950. Complete run of the 1950 volume. Twelve issues with each issue around 20 pages. Black-and-white photo illustrations throughout. Printed paper wraps. Founded in 1948 by editor Sinclair Traill Jazz Journal became a critical platform for serious jazz criticism in Britain at a time when the country began appreciating the impact of African American musical innovation. This volume features twelve monthly issues each spotlighting legendary musicians in deeply reverent portraits: Louis Armstrong Baby Dodds Coleman Hawkins Fats Waller Earl Hines and others. The December cover has a Christmas theme. This archive is a window into Britain's postwar jazz awakening. The articles range from retrospectives to musicology and artist discographies. Floyd Levin's "The American Jazz Scene" captures the transatlantic tone of the journal mourning the death of Buster Wilson and lauding figures like Sidney Anderson and Kid Ory as vanguards of "authentic" jazz-framed as endangered in a postwar America increasingly seduced by commercialism. Meanwhile Derrick Stewart-Baxter's "Preachin' the Blues" traces rural-to-urban migration patterns in blues development analyzing Sleepy John Estes' discography and folk influences. The December issue features a full-page bibliophilic essay "A Case for Books" reviewing A Treasury of the Blues by W. C. Handy whom it names "the composer of the classic Memphis Blues and Joe Turner Blues" emphasizing the book's role in preserving "the true and historical survey of the blues." Taken together the essays discographies and image curation construct a coherent theory of jazz not only as music but as cultural heritage. Moderate and consistent soiling and creasing to wrappers; binding intact but some covers remain delicate. Occasional chipping at spine. Covers remain vivid with strong photographic contrasts. Overall good condition. A complete year's run of one of the earliest and most influential British jazz journals with signatures from leading musicians of the era such as Armstrong Dodds and Hawkins. unknown books
1995Best.-Nr. 51974Document, 1995. DOCD-5385 CD CD
1995Best.-Nr. 51973Document, 1995. DOCD-5384 CD CD
1995Best.-Nr. 51971Document, 1995. DOCD-5382 CD CD
1995Best.-Nr. 51972Document, 1995. DOCD-5383 CD CD
1995Best.-Nr. 51970Document, 1995. DOCD-5381 CD CD
1950Best.-Nr. 223221950. Complete 1950 run of Jazz Journal Vol. 3 Nos. 1-12. London: L. M. Publications 1950. Complete run of the 1950 volume. Twelve issues with each issue around 20 pages. Black-and-white photo illustrations throughout. Printed paper wraps. Founded in 1948 by editor Sinclair Traill Jazz Journal became a critical platform for serious jazz criticism in Britain at a time when the country began appreciating the impact of African American musical innovation. This volume features twelve monthly issues each spotlighting legendary musicians in deeply reverent portraits: Louis Armstrong Baby Dodds Coleman Hawkins Fats Waller Earl Hines and others. The December cover has a Christmas theme. This archive is a window into Britain's postwar jazz awakening. The articles range from retrospectives to musicology and artist discographies. Floyd Levin's "The American Jazz Scene" captures the transatlantic tone of the journal mourning the death of Buster Wilson and lauding figures like Sidney Anderson and Kid Ory as vanguards of "authentic" jazz-framed as endangered in a postwar America increasingly seduced by commercialism. Meanwhile Derrick Stewart-Baxter's "Preachin' the Blues" traces rural-to-urban migration patterns in blues development analyzing Sleepy John Estes' discography and folk influences. The December issue features a full-page bibliophilic essay "A Case for Books" reviewing A Treasury of the Blues by W. C. Handy whom it names "the composer of the classic Memphis Blues and Joe Turner Blues" emphasizing the book's role in preserving "the true and historical survey of the blues." Taken together the essays discographies and image curation construct a coherent theory of jazz not only as music but as cultural heritage. Moderate and consistent soiling and creasing to wrappers; binding intact but some covers remain delicate. Occasional chipping at spine. Covers remain vivid with strong photographic contrasts. Overall good condition. A complete year's run of one of the earliest and most influential British jazz journals with signatures from leading musicians of the era such as Armstrong Dodds and Hawkins. unknown
2004Best.-Nr. gu4083Definitive Records CD 2004 "2 CD ""Complete 1954 Miles Davis Master Takes"", CD1 : durée 79:31 - 1. The leap 2. Lazy Susan 3. Take off. 4. Well, You Needn't 5. Weirdo 6. It Never Entered My Mind 7. Four 8. Old Devil Moon 9. Blue Haze 10. Solar 11. You Don't Know What Love Is 12. Love me or leave me 13. I'll Remember April 14. Oleo 15. But Not For me 16. But Not For me* ; CD2 : durée 79:12 - 1. Walkin' 2. Blue 'n' Boogie 3. Airegin 4. Doxy 5. Bags' Groove 6. Bemsha Swing 7. Swing Spring 8. The Man I Love 9. The Man I Love* ; très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
1986Best.-Nr. 48043Virgin, 1986. CDV 2397 CD CD
