4 330 résultats
2002réf. 25455TIM, 2002. 1 CD CD
1990réf. 24960Cmp (Efa), [1990]. 1 CD Audio CD
1966366p. 8vo. Original full cloth binding. Original dust jacket. Very slightly worn. First printing. JAZZ 1
réf. ws501Decca Disque vinyl "Disque vinyle 33T ""Succès de Count Basie, N°1"", sans date ; pochette abîmée (ruban adhésif bruni sur les bords, pliures et frottement aux plats salis, ex-libris manuscrit), le disque lui-même présente des marques d'usage mais sans incident majeur, ainsi qu'une étiquette ex-libris sur une face, en l'état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
1978réf. 23989Westpoint : Greenwood, 1978. 112 S. ; 8° , Org.-Pappb. (kein Umschlag) / hardcover (no jacket)
1960291 S. + Abb. auf Tafeln. 4°. OPbd. (Unbedrucktes?) Vorsatz fehlt.
2011réf. 51117Traumton, 2011. 4548 CD CD
1986A clean, unmarked book with a tight binding. Light wear to cover. 9 7/8"w x 9 7/8"h. 96 pages.
1978Some ink marks inside, and some liquid damage to top of rear cover. 8 1/2"w x 11"h. 216 pages.
1991A clean, unmarked book with a tight binding. Light wear to cover and creases to spine and top corner of page block. 9"w x 12"h. 334 pages. Essay contributions by William C. Agee, Robert Hunter, Lewis Kachur, Diane Kelder, John R. Lane, Lisa J. Servon and Karen Wilkin.
1965A clean, unmarked book with a tight binding. 8 1/2"w x 9 3/4"h. 98 pages.
2011réf. 2054470Soul Jazz Books 2011. Hardcover. Very good. Very good condition. Binding is tight. Inside is clean and unmarked. Soul Jazz Books hardcover
réf. 51183Traumton, 2022. 4708 CD Digipak
réf. 54206Chesky, 2016. JD389 CD Digipak
1991réf. 37611Naxos, 1991. 8.990031 1 CD CD
1999réf. x-0810835630The Scarecrow Press Inc. 1999. Hardcover. New. 237 pages. 8.75x6.00x1.00 inches. The Scarecrow Press, Inc. hardcover
1910réf. List2810San Francisco California 1910. Single photograph approximately 6 ½ x 9 inches manuscript verso reading “SF Barbary Coast 500 Block of Pacific ”THE SO DIFFERENT” now 550 Pacific Ave 1911”. Appears to be trimmed from a larger photograph. Portion of image cut and pasted with editorial overpainting. Some damage to edges and corners with one tear at right middle some residue from pasting a now-missing object; overall very good. A photograph taken on Pacific Street in about 1910 showing a group of men standing by the curb in front of The Midway The Bear and The So Different nightclubs note that the sign for The Midway is pasted in. This block in Barbary Coast—”Terrific Street”—was home to a number of dance halls and early jazz clubs many of which like Purcell’s So Different Café were “black and tan” – catering to all races. Founded by former Pullman porters Lew Purcell and Sam King shortly after the neighborhood was rebuilt from the 1906 earthquake and fire Purcell’s was one of the better-known clubs. Influential ragtime and jazz pianist Sid LeProtti led the So Different Jazz band and King Oliver and Jelly Roll Morton are among the alleged guest performers. Patrons could buy twenty-cent vouchers for a quick dance with one of the girls who worked and sometimes lived at the venue. Around 1913 though police began to crack down on drinking and dancing in the neighborhood and by the 1920s the venues were gone. unknown books
1910réf. List2810San Francisco California 1910. Single photograph approximately 6 ½ x 9 inches manuscript verso reading “SF Barbary Coast 500 Block of Pacific ”THE SO DIFFERENT” now 550 Pacific Ave 1911”. Appears to be trimmed from a larger photograph. Portion of image cut and pasted with editorial overpainting. Some damage to edges and corners with one tear at right middle some residue from pasting a now-missing object; overall very good. A photograph taken on Pacific Street in about 1910 showing a group of men standing by the curb in front of The Midway The Bear and The So Different nightclubs note that the sign for The Midway is pasted in. This block in Barbary Coast—”Terrific Street”—was home to a number of dance halls and early jazz clubs many of which like Purcell’s So Different Café were “black and tan” – catering to all races. Founded by former Pullman porters Lew Purcell and Sam King shortly after the neighborhood was rebuilt from the 1906 earthquake and fire Purcell’s was one of the better-known clubs. Influential ragtime and jazz pianist Sid LeProtti led the So Different Jazz band and King Oliver and Jelly Roll Morton are among the alleged guest performers. Patrons could buy twenty-cent vouchers for a quick dance with one of the girls who worked and sometimes lived at the venue. Around 1913 though police began to crack down on drinking and dancing in the neighborhood and by the 1920s the venues were gone. unknown
1998réf. 48420Blue Note, 1998. 8212902 CD CD
200322x22 cm; (50) pp. Brossura editoriale illustrata. Monografia dedicata all'opera del noto artista vicentino, Attilio Pavin che ha fatto della fotografia ritoccata dei musicisti jazzisti di strada una forma d'arte. Prima edizione, non comune. Esemplare in ottime condizioni di conservazione.
1984réf. 48027Warner, 1984. 25150-2 CD CD
1973252 pages. Nice black and white photo section. "No yardstick can measure, no musicologist can trace the influence of Stan Kenton on popular music of the mid-twentieth century... The dimensions of his contribution are staggering... his band served as a training ground for a generation of musicians dedicated to keeping the flickering flame of jazz alive in an alien environment." - from dust jacket. Gift greetings upon half-title page, otherwise book clean and unmarked with light wear. Moderate wear to price-clipped dust jacket which is now preserved in glossy new archival-grade Brodart. A sound copy. Book
2013br. America, primi decenni del Novecento. Mentre a New York una nuova generazione di compositori nutre l'industria del musical di raffinate melodie, il jazz lancia i suoi primi vagiti a New Orleans. Mancando di un proprio repertorio, questo nuovo genere si indebita nei confronti di Broadway e i due mondi finiscono per attraversare a braccetto gran parte del Novecento. Col passare degli anni le attenzioni del jazz si concentrano su un più o meno ristretto repertorio di canzoni: nasce il concetto di "standard". Detta così può sembrare una vicenda lineare, ma quella che Luca Bragalini ci racconta è tutta un'altra storia. Seguendo le avventurose traversie di dodici meravigliose canzoni, dalla culla fino ai giorni nostri, si scoprirà che nulla è scontato nel mondo del jazz. Si attraverseranno vicende che coinvolgono tanto George Bernard Shaw quanto Janis Joplin, Walt Disney come Jacques Prévert, i giganti del jazz e le star del pop, timidi parolieri e smargiassi produttori di Hollywood, song che sono diventate inni nazionali e musical che hanno dato il nome a grandi catene d'alberghi. Una tredicesima storia, la malinconica favola di una superba e fragilissima canzone che standard non divenne mai, più suggerimenti d'ascolto e un piccolo glossario completano un libro veramente poco standard, che nasconde sotto un velo di ironia scoperte sorprendenti e spesso inedite, che fa riflettere e diverte, a rotta di collo sulle strade tortuose del successo e della creatività. Prefazione di Paolo Fresu.
1970Milano, Fabbri, anni '70, tredici volumi in-4° belle legature editoriali in finta pelle rossa con fregi e titoli dorati ai piatti ai dosi, pp. 2.500 circa complessive completamente illustrate in nero e a colori.
