584 Ergebnisse
1948cm. 24 x 33, 18 fascicoli in grande formato (indivisibili). 243 gr.
Best.-Nr. 3639897048.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1840Best.-Nr. 31312Roma: Scip. De Rossi e C. 1840. Oblong folio. Sewn. 11 1 blank pp. Lithographed. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Slightly worn and browned; corners creased; minor foxing and staining throughout. An early edition published after the 1840 performance in Rome. Inzaghi IN. 35 p. 151. The lithographer of the present edition Filippo Martelli was one of a number of lithographers active in Rome in the 1840s; he executed lithographic editions of a number of works for the publisher Scipione De Rossi. See Twyman: Early Lithographed Music p. 458. Anna Bolena to a libretto by Felice Romani after Ippolito Pindemonte's Enrico VIII ossia Anna Bolena 1816 and Alessandro Pepoli's Anna Bolena 1788 was first performed in Milan at the Teatro Carcano on December 26 1830. The duet "S'ei t'abbore" between Percy Riccardo and Anna comes near the end of the first Act and was sometimes replaced in performances. Ashbrook: Donizetti and his Operas pp. 617-618. "This was Donizetti's first great international success giving him his initial exposure to Paris and London audiences. Pasta Anne and Rubini Percy sang in the première. Immensely popular for almost half a century it re-entered the modern repertory following a triumphant revival at La Scala with Callas in 1957. Since then the work has proved a favourite vehicle for such bel canto specialists as Sutherland Sills and Caballé." William Ashbrook in Grove Music Online. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. Scip. De Rossi e C. unknown
Best.-Nr. 9788597009620-11-05458Atlas. New. Atlas unknown
1838Best.-Nr. 33430Paris: Marquerie Frères 1838. Octavo. Half brown morocco with matching cloth boards raised bands on spine decorative devices and titling gilt. 1f. title 1f. contents 240 pp. Engraved. Text in Italian. With an elaborate engraved title page by Hibon and A. Lafon. Former owner's name "S.L. Norris" gilt to upper board. Binding slightly rubbed. Sligthly browned and foxed; trimmed within platemark. An early edition. Inzaghi IN. 41 p. 156. L'elisir d'amore a melodramma giocoso in 2 acts to a libretto by Felice Romani after Scribe's Le philtre 1831 premiered in Milan at the Teatro alla Cannobiana on 12 May 1832. Donizetti arrived in Paris on 21 October 1838 and the work was first performed at the Théâtre-Italien there on 17 December 1839 to great acclaim "Donizetti's score is a study in shrewd contrasts: from the fairly florid lines of the duet 'Chiedi all'aura' - florid yet always rhetorically tidy - to the bumptious 3/8 stretta of the Act 1 finale or from the sharply differentiated tones of Nemorino and Belcore in the 'Venti scudi' duet to the comic irony in the duet for Adina and Dulcamara 'Quanto amore!' which sets off the potion as charm against the charm of Adina herself. The apparently effortless outpouring of melody arouses wonder especially as it is never melodiousness for its own sake but always describes some aspect of character; moreover there are those moments of genuine pathos 'Adina credimi' and 'Una furtiva lagrima' for instance that keep this comedy from seeming merely heartless or cruel. Ultimately the continuing appeal of L'elisir lies in the appropriateness of Donizetti's music to this bucolic variant of the 'male Cinderella' myth. Nemorino's good-heartedness and his singleness of purpose win out in spite of potions and unforeseen inheritances." William Ashbrook in Grove Music Online. Marquerie Frères unknown books
Best.-Nr. 0486271137.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1987Best.-Nr. DADAX0634072056Ricordi 1987-05-01. hardcover. New. 8.00x0.98x10.75. Buy with confidence. Excellent Customer Service & Return policy. Ricordi hardcover
Best.-Nr. 4002New Orleans:: Michon & Schweitzer . Not illustrated; 21 pp. uncut. Large 8vo ochre printed wrappers; a trimming error has resulted in the top of the advertisements on the back outer cover lacking some letters; text block side-stitched but the wrappers never were sewn to the text which is simply laid into them. OCLC lists four New Orleans institutions and Harvard. The inside front wrapper and both sides of the back wrapper contain small advertisements of local firms. Dating is based on two of the advertisers who only appear in New Orleans City Directories in the 1870s. [New Orleans]:: Michon & Schweitzer, ,. unknown
1985Best.-Nr. DADAX0757995098Alfred Music 1985-03-01. paperback. New. 7.00x0.71x10.57. Buy with confidence. Excellent Customer Service & Return policy. Alfred Music paperback
1875Best.-Nr. 456451London : Cramer Beale & Co. ; R. Cocks & Co. ; T. Boosey & Co. ; Chappell ; etc 1875. First Edition. Hardcover. Good copy only in contemporary half maroon leather over marble boards with surface loss to the marbled coverings on the bottom portion of both boards. Gilt-blocked titles and compartment decorations to spine with raised bands. Panel edges spine bands and joints somewhat rubbed. Marbled edges somewhat dust-dulled and faded. Binding starting to separate along the bottom in one location before the first composition ""Home Sweet Home Polka"" but holding at the top. Text otherwise tight throughout and clean with marginal dust-dulling only. An internally strong and very serviceable copy overall. Physical description; 1 volume in various paginations : music ; 35 cm. Notes; A bound collection of engraved sheet music for piano published in London c.1850-1875. Contains popular dances and operatic arrangements of the period including: Madame Oury's 'Home sweet home' polka with illustrated title page; Camille Schubert's quadrille 'Les joyeux enfants de Paris'; Rudolph Nordmann's piano duet arrangement of Donizetti's tyrolienne 'In questo semplice'; Adolph Marschan's 'Alpenlieder' waltz; Charles d'Albert's 'Faust' waltz for piano four-hands; and others. Subjects; Piano music - 19th century - Scores Dance music - England - 19th century - Scores Waltzes - Scores Polkas - Scores Quadrilles - Scores Operas - Excerpts Arranged - Scores Sheet music - England - London - 19th century. London : Cramer, Beale & Co. ; R. Cocks & Co. ; T. Boosey & Co. ; Chappell ; [etc] hardcover
1833In-16° (17,1 x 10,1 cm), pp. 47, (1), copertina editoriale con titoli entro cornice decorata. Qualche normale segno d'uso e del tempo alla copertina. Alla copertina anteriore, firma d'appartenenza e data scritte da mano coeva; vignetta al frontespizio. Sempre al frontespizio, nella parte inferiore, nota a matita scritta da mano coeva e, nel bordo superiore, piccolissima macchia d'inchiostro, macchia che, diminuendo progressivamente nella grandezza, interessa anche il bordo superiore delle pagine successive. Qualche segno d'umido alle pagine, segni più numerosi ed evidenti alle pp. 19-22; per il resto ben conservato. La première dell'opera di Donizetti, nella sua prima versione in tre atti, fu rappresentata al Teatro Valle di Roma il 2 gennaio 1833. Il presente libretto è quello della prima al Teatro alla Scala di Milano, in cui, il 1° ottobre 1833, andò in scena la seconda versione definitiva, in due atti. Da pagina 3: "Parole del sig. Giacopo Ferretti. Musica del Maestro sig. Gaetano Donizzetti [sic!]. Le Scene tanto dell'Opera quanto del Ballo sono d'invenzione ed esecuzione dei signori Cavallotti Baldassare, Ferrario Carlo e Menozzi Domenico".. Personaggi ed interpreti: Cardenio, Orazio Cartagenova; Eleonora, Eugenia Tadolini; Fernando, Berardo Winter; Bartolomeo, Domenico Spiaggi; Marcella, Felicita Baylou; Kaidamà, Vincenzo Galli, Coro di Coloni, Marinari. La scena si svolge nell'isola di Santo Domingo. Musicisti. Maestro Direttore della Musica: Cesare Pugni; Al cembalo: Giacomo Panizza e Giovanni Bajetti; Primo Violino, Capo e Direttore d'Orchestra: Alessandro Rolla; Altri primi Violini, in sostituzione al sig. Rolla: Giovanni Cavinati e Eugenio Cavallini; Capi dei secondi violini a vicenda: Giacomo Buccinelli e Giuseppe Rossi; Primo Violino per i Balli: Ferdinando Pontelibero; Altri primi Violini, in sostituzione al sig. Pontelibero: Francesco De Bayllou e Giuseppe De Bayllou; Primo Violoncello al Cembalo: Vincenzo Merighi; Altro primo Violoncello in sostituzione al sig. Merighi: Giacomo Gallinotti; Primo Contrabbasso al Cembalo: Francesco Hurt; Altro primo Contrabbasso in sostituzione al sig. Hurt: Fabiano Ronchetti; Prime Viole: Carlo Maino e Pietro Tassistro; Primi Clarinetti a perfetta vicenda: Ernesto Cavallini e Felice Corrado; Primi Oboe a perfetta vicenda: Carlo Yvon e Giovanni Daelli; Primi Flauti: per l'Opera, Giuseppe Raboni, pel Ballo, Filippo Marcora; Primo Fagotto: Antonio Cantù; Primo Corno da caccia: Agostino Belloli; Prima Tromba: Giuseppe Viganò. Arpa: Antonia Zanetti. Direttore del Coro: Giulio Cesare Granatelli; Istruttore dei Cori: Filippo Luchini; Proprietarj del presente spartito e delle rinovazioni eseguite dal sig. Maestro Gaetano Donizzetti [sic!] Epimaco e Pasquale Artaria; Vestiaristi proprietarj: Briani e Figlio e Mondini; Direttore della sartoria: Giovanni Mondini; Capi sarti: Giacomo Colombo e Paolo Veronesi; Berrettonaro: Giosuè Paravicini; Sorvegliante alle ordinazioni del vestiario e guardarobiere dell'impresa: Ercole Bosisio; Attrezzista proprietario: Giuseppe Fornari; Macchinisti: Fratelli Abbiati; Parrucchiere, Innocente Bonacina; Capi illuminatori, Antonio Abbiati - Giuseppe Pozzi. Ballerini. Compositore de' Balli: Antonio Monticini; Primi Ballerini serj: Giovanni Casati e Francesca Farina Regai; Primi Ballerini: Maxime Guillet, Carolina Filippini; Primi Ballerini per le parti: Antonio Ramacini, Marietta Monticini, Angelo Lazzareschi, Giuseppe Bocci, Teresa Aman, Pietro Trigambi, Tomaso Casati, Carolina Casati, Angelo Trabattoni; Primo ballerino per le parti giocose: Ippolito Philippe; Primi ballerini di mezzo carattere e per le parti: Giovanni Baranzoni, Fedele Caldi, Carlo Della Croce, Eduardo Viganò, Antonio Caprotti, Antonio Rugali, Carlo Rugali, Francesco Villa, Antonio Rumolo, Bartolomeo Pincetti, Gaetano Croce, Leopoldo Pagliaini, Fioravanti Boresi, Costantino Ravetta, Carolina Bonalumi, Amalia Braschi, Gaetana Carcano, Rachele Cazzaniga, Giuseppina Rumolo, Eugenia Braschi, Luigia Rumolo, Silvia Angiolin, Carolina Ramacini; Imperiale Regia Scuola di Ballo. Maestri di Perfezionamento: Claudio Guillet e Anna Giuseppina Guillet; Maestro di Ballo: Carlo Villeneuve; Maestro di Mimica: Giuseppe Bocci; Allieve: Teresa Aman, Carolina Frassi, Luigia Sassi, Paola Ancement, Giuseppa Caffulli, Carolina Crippa, Rosalia Molina, Elisabetta Monti, Teresa Merli, Felicita Oggiono, Carolina Conti, Adelaide Superti, Francesca Charrier, Adelaide Beretta, Carolina Taddisi, Adelaide Frassi, Carolina De Vecchi, Angela Morlacchi, Teresa Morlacchi, Giovanna Ciocca, Francesca Zambelli, Camilla Brambilla, Adelaide Charrier, Adelaide Volpini, Giovanna Tamagnini, Luigia Viganoni, Giulia Romagnoli, Teresa Porlezza, Antonia Bussola, Antonia Visconti, Luigia Bellini, Luigia Monti; Signori: Aurelio Quattri, Solone Viganoni, Giovanni Battista Gramegna, Benigno Colombo, Pietro Oliva, Pasquale Colombo. Ballerini di Concerto: n° 12 Coppie.
1845Best.-Nr. 37440[Paris] Typographie Vinchon s.d. [1845] prospectus in-8 en feuille
1829Best.-Nr. 33413Milan: Epimaque et Pascal Artaria PNs 58-67 1829. TROMBETTA Giuseppe arranger. Oblong octavo. Original publisher's printed boards paper title label to spine. 1f. title printed in blue and black 96 pp. Engraved. With publisher's catalog to verso of lower wrapper. On laid paper. From the collection of Luigi Ricci 1893-1981 Italian conductor vocal coach and close associate of Puccini and Mascagni. Binding somewhat worn and rubbed; free front endpaper lacking. Scattered light foxing. First Edition of this arrangement first issue. Inzaghi IN. 23 p. 143. Bergamo Catalogue p. 133 27. An opera romantica in 3 acts to a libretto by Domenico Gilardoni after La fille de l'exilé 1819 by Pixérécourt the present work premiered in Naples at the Teatro Nuovo on 13 May 1827. Epimaque et Pascal Artaria [PNs 58-67] unknown books
2014Best.-Nr. G2843853133I4N00PREMIERES LOGES 2014. Unknown. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. PREMIERES LOGES unknown
2017Best.-Nr. 2-1520550898Independently published 2017. Paperback. New. 813 pages. Portuguese language. 9.00x6.00x1.84 inches. Independently published paperback
1880Best.-Nr. 43809La 1ª Opera de Donizetti "Lucia de Lammermoor" S.l. pero Milán: Edición Económica Ricordi s.a. ca. 1880.- 2 h. 103 p. de partituras / La 2ª Opera de Donizetti "Lucrecia Borja" Idem.- 2 h. 87 p. de partituras / La 3ª Opera de Donizetti "La Favorita" Idem.- 2 h. 130 p. de partituras / La 4ª Opera de Bellini "La Norma" Idem.- 2 h. 82 p. de partituras / La 5ª Opera de Bellini "La Sonámbula" Idem.- 2 h. 80 p. de partituras. Las 5 Operas van precedidas de una corta biografía del compositor en español y su retrato grabado; Encuadernadas todas juntas en un volumen en Media Piel de la época 1880 de tamaño 4º mayor 274 x 21 cm. La encuadernación con algunas rozaduras en las esquinas y normales señales del tiempo. Interior en muy buen estado. Creemos que le faltan las portadas y la parte del libreto que hemos visto en otras ediciones. Todas tienen el sello tampón de una antigua librería en la primera hoja. MÚSICA DANZA INSTRUMENTOS MUSICALES Y DISCOGRAFÃA Libro en español Edición Económica Ricordi hardcover
1843Best.-Nr. 30256Paris: Launer PN Vve. L. 3396 1843. Large octavo. Quarter black calf with marbled boards. 1f. recto blank verso publisher's catalogue 1f. recto title within decorative border verso blank 220 pp. Engraved. Overpaste of the French 19th century music and musical instrument dealer Henri Masson to foot of title with small oval handstamp to lower margin obscured. Named cast list in pencil to verso of title. Binding worn rubbed and bumped; minor paper loss; hinges partially split; minor discoloration to rear pastedown; minor ink staining to verso of front endpaper and facing blank leaf. Occasional light foxing; some signatures split or partially split; minor dampstaining to upper corners of pp. 177 on; minor tear to upper outer margin of pp. 95/96 and outer margin of pp. 165/166 not affecting music; pp. 217-20 partially detached with wear and minor tears to outer edge not affecting music. The present edition includes an additional aria on pp. 216-220 composed by Tadolini for the Italian tenor Giovanni Rubini 1794-1854 known particularly for his performances of the works of both Bellini and Donizetti. Launer [PN Vve. L. 3396] unknown books
Best.-Nr. 005931Various. Library Compilation . Hardcover. Very Good/None as Issued. EX-LIB. Collection of 9 variously sized soft cover librettos bound by The Free Public Library of Concord MA in Feb 1943 as Volume 2 of two. Black boards w/gilt spine lettering/NF. The librettos are: 1 L'AMORE DEI TRE RE Tragic Poem in 3 Acts Sem Benelli; the original Italian with English translation by R.H. Elkin published by Fred. Rullman for the Chicago Civic Opera Co; text Near New & bright. 2 LUCIA DI LAMMERMOOR Donizetti published by Oliver Ditson Boston; Italian/English text and music of princial airs; text Near New soft cover discolored & chipped. 3 LA JUIVE The Jewess in 5 acts Havlevy Fred. Rullman for the Chicago Civic Opera Co; text/Near New; discoloration to cover. 4 THAIS Lyric Comedy in 3 acts music by Jules Massenet; French/English text; printed as performed at the Manhattan Opera House under the direction of Oscar Hammerstein for the Boston Opera House by Fred. Rullman; Text/As New w/trace margin discoloration cover/Fine. 5 DON GIOVANNI Mozart with Italian/English text; Oliver Ditson Boston. Text/Near New w/curled corners to upper corner of last pgs. Cover/NF. 6 LA BOHÉME Puccini Italian/English text. Published by G. Ricordi New York. Text/As New w/trace margin discoloration. Cover/NF w/pencil notations. 7 MADAMA BUTTERFLY Puccini Italian/English text. Published by Boosey New York for the Boston Opera Co.Text/As New. Cover/NF w/edge discoloration. 8 SNEGOUROTCHKA The Snow Maiden Rimsky-Koraskoff French/English text. Fred. Rullman for the Chicago Civic Opera Co. Text/As New; with edge wear. Cover w/edge discoloration & wear. And 9 SAMSON AND DALILAH Camille Saint-Saëns French/English text. Fred. Rullman for the Boston Opera House. Text/As New. Cover/NF w/light soiling. Various hardcover
1843Best.-Nr. 30256Paris: Launer PN Vve. L. 3396 1843. Large octavo. Quarter black calf with marbled boards. 1f. recto blank verso publisher's catalogue 1f. recto title within decorative border verso blank 220 pp. Engraved. Overpaste of the French 19th century music and musical instrument dealer Henri Masson to foot of title with small oval handstamp to lower margin obscured. Named cast list in pencil to verso of title. Binding worn rubbed and bumped; minor paper loss; hinges partially split; minor discoloration to rear pastedown; minor ink staining to verso of front endpaper and facing blank leaf. Occasional light foxing; some signatures split or partially split; minor dampstaining to upper corners of pp. 177 on; minor tear to upper outer margin of pp. 95/96 and outer margin of pp. 165/166 not affecting music; pp. 217-20 partially detached with wear and minor tears to outer edge not affecting music. The present edition includes an additional aria on pp. 216-220 composed by Tadolini for the Italian tenor Giovanni Rubini 1794-1854 known particularly for his performances of the works of both Bellini and Donizetti. Launer [PN Vve. L. 3396] unknown
1839Best.-Nr. 102816ABLeipzig, Breitkopf & Härtel, (1839). 33 x 27 cm. Mit lithogr. Titelblatt u. 154 S. (ab S. 3 gestoch. Notenblätter). Halblederbd. der Zeit. - Plattennummer 6060. - Gutes bis sehr gutes Ex.
1853Best.-Nr. 31271Napoli: B. Girard e Ci. PNs 4249-51 3163-6 1853. Oblong folio. Brown cloth-backed dark yellow mottled paper boards spine in gilt-ruled compartments with titling gilt. 1f. recto title verso blank 3-52 pp. Each number with separate caption title and pagination. Engraved. From the collection of Italian conductor vocal coach and close associate of Puccini and Mascagni Luigi Ricci 1893-1981. Binding slightly worn scuffed and rubbed; endpapers somewhat browned and stained. Minor internal soiling and staining. First Edition later issue with Girard's address from 1846-53. Inzaghi IN. 57 p. 177. Donizetti composed his one-act opera Il Campanello di notte to his own libretto based on a French vaudeville La sonnette de nuit by Brunswick Mathieu-Barthélemy Troin and Victor Lhérie. It premiered at the Teatro Nuovo in Naples on June 1 1836. The absurd plot follows Enrico as he continually harasses pharmacist Don Annibale who is trying to celebrate his wedding night with Serafina whom Enrico still loves. "Enrico's role created by Giorgio Ronconi is fitted with all sorts of musical and dramatic opportunities. His encounters with Annibale develop in musical ingenuity. Particularly effective are the episode of the hoarse singer replete with musical allusions to other scores by Donizetti and by Rossini and the encounter over the prescription which develops into something with even more bizarre medical terms than Dr Dulcamara's aria in Elisir and with more frantic parlando than the Don Pasquale-Malatesta duet." William Ashbrook in Grove Music Online. Ricci was an important figure in the transmission of 19th century traditions passed on to him by noted baritone Antonio Cotogni 1831-1918 whom he accompanied from the age of 12. He was active as a vocal coach at the Accademia Nazionale di Santa Cecilia where he taught amongst many others Sesto Bruscantini Anna Moffo Rosalind Elias Ezio Flagello Peter Lindroos and Martti Wallén. B. Girard e Ci. [PNs 4249-51, 3163-6] unknown books
1830Best.-Nr. 33414Milano: Epimaco e Pascquale Artaria PNs 128-136 1830. CONCONE Paolo Giuseppe 1801-1861 arranger. Oblong octavo. Original publisher's printed boards paper title label to spine. 1f. illustrated lithographic title 82 pp. Engraved. With publisher's catalogue to verso of lower wrapper. With lithograph by Le Brass depicting a scene from Act I Scene VI of the opera. From the collection of Luigi Ricci 1893-1981 Italian conductor vocal coach and close associate of Puccini and Mascagni. Binding somewhat worn rubbed and soiled; dampstain to upper right. Scattered light foxing. First Edition of this arrangement. Rare. OCLC one copy only in Switzerland. Inzaghi IN. 22 p. 142. A melodramma in 2 acts to a libretto by Jacopo Ferretti after Simeone Antonio Sografi Olivo e Pasquale premiered in Rome at the Teatro Valle on 7 January 1827. Epimaco e Pascquale Artaria [PNs 128-136] unknown books
Best.-Nr. RO50045034LEON GRUS. NON DATE. In-8. Relié demi-cuir. Etat d'usage, Tâchée, Dos frotté, Quelques rousseurs. 268 pages de partitions. Titre, compositeur et filets dorés sur le dos de l'ouvrage.. . . . Classification Dewey : 780.26-Partitions
Best.-Nr. RO80043009TALLANDIER Jules. Non daté. In-4. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 220 + 244 pages. Planches de partitions, accompagnées des chants. Titre et filets dorés sur le dos toilé rouge.. . . . Classification Dewey : 780.26-Partitions
1840Best.-Nr. 152051840 demi-basane. in-4, (2ff.), 200pp., P. L. Mayaud (cot. BL 2485), ca. 1840
