Donizetti

Donizetti — marelibri

DONIZETTI, BELLINI, MOZART + OTHERSBiblio.com

ITALIAN SONGS DUETTS VOL.111 MRS. BOSANQUET COPY

1860réf. C84635London: Chapelle BooseyEtc. 1860. First Edition Thus. Hardback. Hardcover Hardcover. Very Good. First Edition Thus. Hardback. Dimensions 320mm x 250mm.pp.226 Pages not numbered. Bound collection of Italian Arriettes and Duetts featuring Arias from Lucia di Lammermoor duetts from Cosi fan Tutte and Norma. Composers include:Vincenzo Gabussi 1800-1846 Donizetti Bellini Mozart and Luigi Orsini. Original half leather binding in light brown with blue marbled sides. Decorative leather name-plate of Mrs. Bosanquet lettered and decorated in gilt on front cover. No date given:c.1860. Mrs Bosanquet was possibly the wife or mother of the musical theorist Robert Holford Macdowall Bosanquet. Further research may prove rewarding./ Robert Holford Macdowall Bosanquet 1841Ã1912 was an English scientist and music theorist and brother of Admiral Sir Day Bosanquet and philosopher Bernard Bosanquet. He was called to the Bar at Lincoln's Inn London but was later Professor of Acoustics at the Royal College of Music. He was a musician and an authority on organ construction and published a number of experimental and theoretical papers on acoustics electromagnetism and astronomy. He was elected Fellow of the Royal Astronomical Society in 1871 and Fellow of the Royal Society in 1890 /Vincenzo Gabussi 1800-1846 was an Italian composer. He studied music under Stanislao Mattei and made his debut as an opera player in 1825 with the opera I smart al cimento . Shortly thereafter he moved to London where he successfully took up singing teaching for members of London's high society. His greatest success was in the prolific chamber composition of romances and duets trios and quartets for piano and voice. The compositions met with great success with the public both in London and in Italy and led to him being nicknamed ""New Schubert "" Very good. Some rubbing of covers at corners edges and spine. Chapelle, Boosey,Etc. hardcover

Burwood Books · Royaume-Uni250,00 £GB≈ 297,52 €

Mucidi (Composed by) GUISEPPE DONIZETTI [PACHA], (1788-1856).Biblio.com

FATHER of the MODERN MUSIC and MUSIKA-YI HUMÂYÛN / FIRST ANTHEM of the OTTOMAN EMPIRE in the WESTERN STYLE SHEET MUSIC Marche Imperiale Ottomane.= Devlet-i Âliyye-i Osmaniyye marsi. Arrangee pour piano par Giovanni Avolio 1849-1936.

1918réf. 052375Pera - Constantinople: Imprimerie D'Andria 1918. 1st Edition . Soft cover. Very Good. Folio - over 12 - 15" tall. Paperback. Folio. 33 x24cm. In Ottoman script and French. 3 1 p. Ottoman stamped in period. The Ottoman Empire used anthems since its foundation in the late 13th century but did not use a specific imperial or national anthem until the 19th century. During the reign of Mahmud II when the military and imperial band were re-organized along Western lines Giuseppe Donizetti was invited to head the process. Donizetti Pasha as he was known in the Ottoman Empire composed the first Western-style imperial anthem the Mahmudiye Marsi. Like in many other monarchies of its time the anthem of the Ottoman Empire was an imperial anthem not a national one. Hence it paid homage to a specific ruler and a new anthem was composed at each imperial succession. However in 1844 with the Tanzimat reforms the Mecidiye Marsi was recognized as the first official Ottoman national anthem. The first official Ottoman national flag which was in essence identical to the present-day Turkish flag was also adopted in 1844. Giuseppe Donizetti was an Italian musician. From 1828 he was Instructor General of the Imperial Ottoman Music at the court of Sultan Mahmud II 1808-39. His younger brother was the famous opera composer Gaetano Donizetti. He studied music first with his uncle Carini Donizetti and later he was a pupil of Simone Mayr. After enlisting in Napoleon's army 1808 he served there as band leader. He took part in the campaigns against Austria and in Spain and followed Napoleon to Elba. He was present at the Battle of Waterloo. After the fall of Napoleon he continued his career as a bandmaster in the Savoy army. Giuseppe Donizetti Pasha as he was called in the Ottoman Empire played a significant role in the introduction of European music to the Ottoman military. Apart from overseeing the training of the European-style military bands of Mahmud's modern army he taught music at the palace to the members of the Ottoman royal family the princes and the ladies of the harem is believed to have composed the first national anthem of the Ottoman Empire supported the annual Italian opera season in Pera organised concerts and operatic performances at court and played host to a number of eminent virtuosi who visited Istanbul at the time such as Franz Liszt Parish Alvars and Leopold de Meyer. Although the elder Donizetti was born in Bergamo Italy Constantinople became a second home for him and he lived there until his death in 1856. He is buried in the vaults of the St. Esprit Cathedral near the Beyoglu district of Istanbul in Pera. Giovanni Avolio 1849-1936 was an Italian conductor and composer. According to the sheet musical paper this first anthem was composed in 1831 by Donizetti and arranged by Avolio into piano in 1918. J. D. Andria is one of the best known music publishers among the Ottoman Empire mionrities. According to he documents in hand it can be estimated that he began musical score publication in the year of 1904. Andria dealt with music publication at the address of Beyoglu Istiklal Street Near Agha Mosque at 68 no. Andria also published four pieces of Turkish marche parties for piano as far as we know; besides his big sized west music works which were published in general by him. Donizetti's 'Marche' is one of them as well besides Halit Recep Arman's Miilok's and Orente's ones. It is known when publishing life of Andria ended. Source: Musical publications from Ottoman Empire up today 1876-1986.; BÜLENT ALANER. Imprimerie D'Andria paperback

Khalkedon Rare Books ABA, ILAB, IOBA, ESA · Turquie425,00 $US≈ 378,96 €

DONIZETTI, Gaetano 1797-1848Biblio.com

Linda di Chamounix Melodramma in tre atti di G. Rossi Posto in musica ed umilmente dedicato a Sua Maestà Maria Anna Carolina Imperatrice d'Austria Regina di Boemia ecc. ecc. ecc. Riduzione per canto con accompo. di pianoforte del Mo. P. Tonassi. Piano-vocal score

1842réf. 28417Milano: Ricordi PNs 13931-55 1842. Oblong folio. Contemporary dark blue cloth with decorative blindstamping gilt rules to edges and spine "E.P. Mavromihali" stamped in gilt to upper. 1f. title within decorative dark yellow border ii recto named cast list verso listing 25 numbers 3-275 pp. Engraved. Each individual number with separate pagination. With overpaste of the contemporary music seller Domenico Vicentini of Trieste to title. Cast list includes Eugenia Tadolini as Linda Agostino Rovere Napoleone Moriani Prospero Derivis Felice Varese and Marietta Brambilla. With early musical embellishments to Linda's part in Number 12 p. 127 and additional occasional performance markings in pencil. Binding worn rubbed and bumped at extremities. Slightly worn; some minor foxing; minor thumbing to lower outer corners; very minor staining to lower margin of final leaves; occasional vertical creasing; upper margin trimmed occasionally just affecting printed area and titles but with no loss of music. Second edition first Italian edition published just months after the first edition published in Vienna in May of 1842. Bergamo catalogue 46. Inzaghi IN. 73 p. 192. Crawford pp. 146-7 incorrectly describing this as the first edition. A melodramma semiserio in three acts to a libretto by Gaetano Rossi after Adolphe-Philippe d'Ennery and Gustave Lemoine's play La grace de Dieu Linda di Chamounix was first performed in Vienna at the Kartnerthortheater on May 19 1842. "The score of Linda is a monument to Donizetti's unfailing good taste from the finely crafted overture to the final ensemble. Along with Bellini Donizetti epitomized the Italian Romantic spirit of the 1830s. If Bellini expressed Italian Romanticism in its most concentrated form Donizetti compensated by a greater versatility and resource and a stronger feeling for dramatic movement. He also had the benefit of a more thorough musical training under Mayr and Mattei and this contributed much to his superior fluency of technique and invention." TNG II online. Ricordi [PNs 13931-55] unknown

J & J Lubrano Music Antiquarians LLC · États-Unis1 093,00 $US≈ 974,59 €

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