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Best.-Nr. 21221New York: Eclipse Publishing. As New. Beaux Arts Edition. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 3 pages of music with cover graphic; also includes a one page composition on inside front cover entitled "Love and Passion" by J. Messina and a one page composition entitled "Love and Devotion" by L. Drumheller on back cover --- Small tears and nicks and light creasing. Also available via email in digital format on an urgent shipment basis. Consult the bookseller for this premium service. -- with a bonus offer--; TOS006650; Folio - over 12" - 15" tall; Donizetti Sextet from "Lucia" SHEET MUSIC . Eclipse Publishing unknown
Best.-Nr. 008610D'Almaine and Co; A Bertioli; S Chappell; Goulding and D'Almaine; Keith Prowse; T Holloway; J Power; H Falkner; . 1st Edition . Half Calf. Fair/No Jacket. Folio - over 12 - 15" tall. Circa 1830 - 1850. This is a fascinating bound volume of guitar music scores from the early part of the 19th Century including an early instruction book on how to play the Spanish Guitar: "A complete instruction book for the Spanish guitar with rules to facilitate a knowledge of that elegant instrument progressive lessons duets and songs. Written and arranged by Alexander Sosson." This section runs to 35 pages and has music and exercises for the guitar student discussing finger position tuning arpeggios slurring chords barring and much more. Thereafter are bound 24 contemporary scores as follows most pub by D'Almaine unless otherwise stated: 1. Three Variations for the Spanish Guitar Die Feindlichen Vollkstame composed by Mauro Guiliani Op 7 Fingered by A Bertioli published by the Author expressly for his Pupils 42 Rathbone Place Oxford Street. 2. An Italian Air Composed for the Piano Forte and Spanish Guitar respectfully dedicated with permission to Miss Spike by Alexander Bertioli pub by S Chappell 50 New Bond Street. 3. Love Will Play The Leading Part sung by Mr H Phillips at the Theatre Royal Covent Garden in the Grand Opera of Lestocq or the Fete of the Hermitage arranged for the Spanish Guitar and Dedicated to James Hepburn Esq by F W Brandau pub by D'Almaine. 4. Come Dwell With Me Ballad Sung by Mrs Waylett The Poetry by T Haynes Bayly The Music Composed by Alexander Lee arranged. by F W Brandau. 5. Bochsa's Celebrated Harp March arranged. by Osmond G Phipps pub by D'Almaine and Co. 6. The Wind and the Beam Loved The Rose sung by Mrs Keeley in the Musical Romance of the Last Days of Pompeii arranged by F W Brandau pub by D'Almaine. 7. Vivi Tu Te Ne Scongiuro from Anna Bolena composed by Donizetti arranged. by F W Brandau. 8. Cielo A Miei Lunghi Spasimi Prayer. by Donizetti arr. Brandau. 9. Masquerade Song sung by Miss Shirreff. in the Grand Opera Gustavus the Third. by Auber arr. Brandau. 10. Teach Me To Forget Ballad. Poetry by Thomas Haynes Bayly. arr. C M Sola. 11. Non Giova Il Sospirar arr. C Eulenstein 12. A Savoyard Air arr. A Bertioli. 13. Carulli's Preludes and Scale with Six Variations by Giuliani. by Bertoli 14. Though the Day of My Destiny's Over. by Lord Byron. Alexander Lee. by F W Brandau 15. Kate Kearney. by Miss Owenson. arr C Eulenstein 16. Non V'Ha Squardi Cavatina. by Donizetti arr. F W Brandau 17. Night At Sea. composed by Henri Herz. arr. Osmond G Phipps. 18. Oh! Gentle Love!. arr. F W Brandau 19. Ye Banks and Braes from Flowers of Song arr by T B Phipps and other composers pub T Holloway London 20. Memory from Flowers of Song arr by T B Phipps and other composers pub T Holloway London. 21. Ye Mariners of Spain Song of the Galley from a Set of Six Ancient Spanish Ballads. words by John Lockhart. composed. by Mrs Robert Arkwright. pub J Power. 22. The Light Bark. by Miss Mahony. arr by J T Craven. 23. Roland the Brave. by Thomas Campbell. arr by Mrs Robert Arkwright 24. A Canadian Boat Song arr for Three Voices by Thomas Moor. The book is in half green calf rubbed and worn with the backstrip separating. There is a small amount of of bookworm damage to the outer edge of the leaves not affecting the print area and one leaf has a lateral closed tear no loss. In all this is a rarety with guitar scores being fairly unusual and with songs here little-known. Searches for the titles herein reveal most are not available for sale elsewhere. Scarce if not rare. D'Almaine and Co; A Bertioli; S Chappell; Goulding and D'Almaine; Keith Prowse; T Holloway; J Power; H Falkner; unknown
Best.-Nr. 398711 leaf. Oblong quarto 210 x 284 mm. Four measures in keyboard score from the duet between Lucia and Edgardo in Act I Scene IV set to the words "A' miei voti in vovo il cielo" From all danger be guarded for ever. Notated in ink at the blank lower margin of an original accomplished drawing depicting a male and female figure in costume presumably the characters Lucy and Edgardo in the opera signed and dated by the artist in ink: "Clelia de Vera d'Aragona fece 14 Luglio 1838." In pen watercolor and brown wash with highlights in light gray gouache. Slightly worn; quite browned; offsetting from contact with another leaf of textual manuscript creating a slightly bleached appearance; small binding holes and fraying to left edge. Partial watermark most probably of the English paper maker J. Whatman. Provenance Christie's Rome 13 December 2001 Lot 337. Lucia di Lammermoor with a libretto by Salvatore Cammarano was first performed in Naples at the Teatro San Carlo on 26 September 1835. "It . very quickly became one of the most universally popular operas of the nineteenth century. . Donizetti himself writing to Ricordi three days after the première was in a rare state of excited exaltation: 'Lucia di Lammermoor went on . It pleased and it pleased very much if I am to believe in the applause and the compliments I received. I was called out many times the singers even more often. . Its title role has been impersonated by almost every soprano since 1835 who has supposed herself or has been supposed by others to have sufficient agility and enough dependable very high tones; the role of Edgardo has been favored by most of the non-Wagnerian tenors . The opera's second-act sextet 'Chi mi frena in tal momento' achieved an almost unique universal familiarity . The 'Mad Scene' became the chosen proving ground and applause-gatherer for an apparently unending succession of prima donnas. . With Rossini operatically inactive and Bellini dead Lucia di Lammermoor went far toward establishing Donizetti as the most eagerly sought-for of living Italian composers of opera - and therefore of all Italian composers - for the rest of his active life." Weinstock: Donizetti pp. 110-111 The artist was presumably a member of the historic Italian family De Vera d'Aragona of Naples. A unique and attractive document despite defects as noted. unknown